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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31536F it is the complementary color #CEAC90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31536F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31536F shade: #36536A, #47657D, #587790, #6989A3 and #7A9BB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31536F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31536F shade: #31536F, #20415C, #0F2F49, #001D36 and #000B23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31536F shade: #30526E, #30416E, #30316E, #40306E and #51306E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31536F shade: #30526E, #30416E, #30316E and #30306E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31536F shade matches the following richer shades: #30526E, #23537B, #175587 and #0A5694

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31536F shade: #30526E, #3D5161, #4A5054, #574E48 and #634D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31536F shade: #306E69, #30636E, #30526E, #30426E and #30316E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31536F shade: #172735, #243D51, #30526E, #3D678B and #497DA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31536F shade: #31536F, #58306E and #6B6E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31536F shade: #31536F, #6E3052 and #526E30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31536F shade: #31536F, #58306E, #6E4C30 and #466E30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31536F shade: #31536F, #6B306E, #6E4C30 and #336E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 25 / 0 / 56

HEX #31536F

RGB 49 83 111

HSL 207.1, 0.39%, 0.31%

LAB 33.96, -3.48, -19.85

 

Complementary color

CMYK 0 / 17 / 30 / 19

HEX #CEAC90

RGB 206 172 144

HSL 27.1, 0.39%, 0.69%

LAB 72.65, 8.26, 19.03

 

CMYK 49 / 22 / 0 / 58

HEX #36536A

RGB 54 83 106

HSL 206.54, 0.33%, 0.31%

LAB 34.01, -3.83, -16.62

 

CMYK 43 / 19 / 0 / 51

HEX #47657D

RGB 71 101 125

HSL 206.67, 0.28%, 0.38%

LAB 41.42, -4.17, -16.86

 

CMYK 39 / 17 / 0 / 44

HEX #587790

RGB 88 119 144

HSL 206.79, 0.24%, 0.45%

LAB 48.61, -4.43, -17.12

 

CMYK 36 / 16 / 0 / 36

HEX #6989A3

RGB 105 137 163

HSL 206.9, 0.24%, 0.53%

LAB 55.62, -4.63, -17.41

 

CMYK 33 / 15 / 0 / 29

HEX #7A9BB6

RGB 122 155 182

HSL 207, 0.29%, 0.6%

LAB 62.47, -4.79, -17.7

 

CMYK 56 / 25 / 0 / 56

HEX #31536F

RGB 49 83 111

HSL 207.1, 0.39%, 0.31%

LAB 33.96, -3.48, -19.85

 

CMYK 65 / 29 / 0 / 64

HEX #20415C

RGB 32 65 92

HSL 207, 0.48%, 0.24%

LAB 26.33, -2.7, -19.68

 

CMYK 79 / 36 / 0 / 71

HEX #0F2F49

RGB 15 47 73

HSL 206.9, 0.66%, 0.17%

LAB 18.43, -1.41, -19.52

 

CMYK 100 / 46 / 0 / 79

HEX #001D36

RGB 0 29 54

HSL 207.78, 1%, 0.11%

LAB 10.15, 0.58, -19.42

 

CMYK 100 / 69 / 0 / 86

HEX #000B23

RGB 0 11 35

HSL 221.14, 1%, 0.07%

LAB 3.26, 3.29, -16.16

 

CMYK 56 / 25 / 0 / 57

HEX #30526E

RGB 48 82 110

HSL 207.1, 0.39%, 0.31%

LAB 33.54, -3.44, -19.87

 

CMYK 56 / 41 / 0 / 57

HEX #30416E

RGB 48 65 110

HSL 223.55, 0.39%, 0.31%

LAB 28.21, 7.69, -28.23

 

CMYK 56 / 55 / 0 / 57

HEX #30316E

RGB 48 49 110

HSL 239.03, 0.39%, 0.31%

LAB 23.51, 18.68, -35.73

 

CMYK 42 / 56 / 0 / 57

HEX #40306E

RGB 64 48 110

HSL 255.48, 0.39%, 0.31%

LAB 24.73, 23.36, -33.69

 

CMYK 26 / 56 / 0 / 57

HEX #51306E

RGB 81 48 110

HSL 271.94, 0.39%, 0.31%

LAB 26.7, 28.13, -30.42

 

CMYK 56 / 25 / 0 / 57

HEX #30526E

RGB 48 82 110

HSL 207.1, 0.39%, 0.31%

LAB 33.54, -3.44, -19.87

 

CMYK 56 / 41 / 0 / 57

HEX #30416E

RGB 48 65 110

HSL 223.55, 0.39%, 0.31%

LAB 28.21, 7.69, -28.23

 

CMYK 56 / 55 / 0 / 57

HEX #30316E

RGB 48 49 110

HSL 239.03, 0.39%, 0.31%

LAB 23.51, 18.68, -35.73

 

CMYK 56 / 56 / 0 / 57

HEX #30306E

RGB 48 48 110

HSL 240, 0.39%, 0.31%

LAB 23.23, 19.37, -36.18

 

CMYK 56 / 25 / 0 / 57

HEX #30526E

RGB 48 82 110

HSL 207.1, 0.39%, 0.31%

LAB 33.54, -3.44, -19.87

 

CMYK 72 / 33 / 0 / 52

HEX #23537B

RGB 35 83 123

HSL 207.27, 0.56%, 0.31%

LAB 33.93, -2.08, -27.4

 

CMYK 83 / 37 / 0 / 47

HEX #175587

RGB 23 85 135

HSL 206.79, 0.71%, 0.31%

LAB 34.86, -0.33, -33.34

 

CMYK 93 / 42 / 0 / 42

HEX #0A5694

RGB 10 86 148

HSL 206.96, 0.87%, 0.31%

LAB 35.71, 3.29, -39.91

 

CMYK 56 / 25 / 0 / 57

HEX #30526E

RGB 48 82 110

HSL 207.1, 0.39%, 0.31%

LAB 33.54, -3.44, -19.87

 

CMYK 37 / 16 / 0 / 62

HEX #3D5161

RGB 61 81 97

HSL 206.67, 0.23%, 0.31%

LAB 33.44, -3.26, -11.8

 

CMYK 12 / 5 / 0 / 67

HEX #4A5054

RGB 74 80 84

HSL 204, 0.06%, 0.31%

LAB 33.63, -1.47, -3.18

 

CMYK 0 / 10 / 17 / 66

HEX #574E48

RGB 87 78 72

HSL 24, 0.09%, 0.31%

LAB 33.86, 2.58, 4.9

 

CMYK 0 / 22 / 40 / 61

HEX #634D3B

RGB 99 77 59

HSL 27, 0.25%, 0.31%

LAB 34.55, 6.48, 14.21

 

CMYK 56 / 0 / 5 / 57

HEX #306E69

RGB 48 110 105

HSL 175.16, 0.39%, 0.31%

LAB 42.46, -21.22, -3.28

 

CMYK 56 / 10 / 0 / 57

HEX #30636E

RGB 48 99 110

HSL 190.65, 0.39%, 0.31%

LAB 39.03, -13.66, -11.45

 

CMYK 56 / 25 / 0 / 57

HEX #30526E

RGB 48 82 110

HSL 207.1, 0.39%, 0.31%

LAB 33.54, -3.44, -19.87

 

CMYK 56 / 40 / 0 / 57

HEX #30426E

RGB 48 66 110

HSL 222.58, 0.39%, 0.31%

LAB 28.51, 7.01, -27.74

 

CMYK 56 / 55 / 0 / 57

HEX #30316E

RGB 48 49 110

HSL 239.03, 0.39%, 0.31%

LAB 23.51, 18.68, -35.73

 

CMYK 57 / 26 / 0 / 79

HEX #172735

RGB 23 39 53

HSL 208, 0.39%, 0.15%

LAB 14.9, -1.88, -11.17

 

CMYK 56 / 25 / 0 / 68

HEX #243D51

RGB 36 61 81

HSL 206.67, 0.38%, 0.23%

LAB 24.66, -3.08, -15.07

 

CMYK 56 / 25 / 0 / 57

HEX #30526E

RGB 48 82 110

HSL 207.1, 0.39%, 0.31%

LAB 33.54, -3.44, -19.87

 

CMYK 56 / 26 / 0 / 45

HEX #3D678B

RGB 61 103 139

HSL 207.69, 0.39%, 0.39%

LAB 42.09, -3.55, -24.32

 

CMYK 56 / 25 / 0 / 35

HEX #497DA7

RGB 73 125 167

HSL 206.81, 0.39%, 0.47%

LAB 50.54, -4.78, -27.68

 

CMYK 56 / 25 / 0 / 56

HEX #31536F

RGB 49 83 111

HSL 207.1, 0.39%, 0.31%

LAB 33.96, -3.48, -19.85

 

CMYK 20 / 56 / 0 / 57

HEX #58306E

RGB 88 48 110

HSL 278.71, 0.39%, 0.31%

LAB 27.61, 30.18, -28.92

 

CMYK 3 / 0 / 56 / 57

HEX #6B6E30

RGB 107 110 48

HSL 62.9, 0.39%, 0.31%

LAB 44.93, -10.59, 33.66

 

CMYK 56 / 25 / 0 / 56

HEX #31536F

RGB 49 83 111

HSL 207.1, 0.39%, 0.31%

LAB 33.96, -3.48, -19.85

 

CMYK 0 / 56 / 25 / 57

HEX #6E3052

RGB 110 48 82

HSL 327.1, 0.39%, 0.31%

LAB 29.51, 31.83, -7.59

 

CMYK 25 / 0 / 56 / 57

HEX #526E30

RGB 82 110 48

HSL 87.1, 0.39%, 0.31%

LAB 43, -21.55, 30.92

 

CMYK 56 / 25 / 0 / 56

HEX #31536F

RGB 49 83 111

HSL 207.1, 0.39%, 0.31%

LAB 33.96, -3.48, -19.85

 

CMYK 20 / 56 / 0 / 57

HEX #58306E

RGB 88 48 110

HSL 278.71, 0.39%, 0.31%

LAB 27.61, 30.18, -28.92

 

CMYK 0 / 31 / 56 / 57

HEX #6E4C30

RGB 110 76 48

HSL 27.1, 0.39%, 0.31%

LAB 35.39, 10.9, 22.28

 

CMYK 36 / 0 / 56 / 57

HEX #466E30

RGB 70 110 48

HSL 98.71, 0.39%, 0.31%

LAB 42.26, -26.34, 29.86

 

CMYK 56 / 25 / 0 / 56

HEX #31536F

RGB 49 83 111

HSL 207.1, 0.39%, 0.31%

LAB 33.96, -3.48, -19.85

 

CMYK 3 / 56 / 0 / 57

HEX #6B306E

RGB 107 48 110

HSL 297.1, 0.39%, 0.31%

LAB 30.32, 35.89, -24.48

 

CMYK 0 / 31 / 56 / 57

HEX #6E4C30

RGB 110 76 48

HSL 27.1, 0.39%, 0.31%

LAB 35.39, 10.9, 22.28

 

CMYK 54 / 0 / 56 / 57

HEX #336E30

RGB 51 110 48

HSL 117.1, 0.39%, 0.31%

LAB 41.33, -32.88, 28.52

 

Description

Color code: HEX #31536F | qconv.com Color code: HEX #31536F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 83 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 83 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 25 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 25% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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