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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #314C2D it is the complementary color #CEB3D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #314C2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #314C2D shade: #364C28, #475E3B, #58704E, #698261 and #7A9474

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #314C2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #314C2D shade: #314C2D, #203A1A, #0F2807, #001600 and #000400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #314C2D shade: #314D2D, #394D2D, #424D2D, #4B4D2D and #4D462D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #314C2D shade: #314D2D, #2D4D31, #2D4D3A, #2D4D42 and #2D4D4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #314C2D shade matches the following richer shades: #314D2D, #2A5723, #226019, #1B6A0F and #147405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #314C2D shade: #314D2D, #384337, #403941, #472F4A and #4E2554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #314C2D shade: #424D2D, #3A4D2D, #314D2D, #2D4D31 and #2D4D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #314C2D shade: #10190E, #20331E, #314D2D, #42673C and #52814B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #314C2D shade: #314C2D, #2D4A4D and #4D2D3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #314C2D shade: #314C2D, #2D314D and #4D2D31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #314C2D shade: #314C2D, #2D4A4D, #482D4D and #4D2F2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #314C2D shade: #314C2D, #2D414D, #482D4D and #4D382D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 41 / 70

HEX #314C2D

RGB 49 76 45

HSL 112.26, 0.26%, 0.24%

LAB 29.44, -17.36, 15.27

 

Complementary color

CMYK 2 / 15 / 0 / 18

HEX #CEB3D2

RGB 206 179 210

HSL 292.26, 0.26%, 0.76%

LAB 76.08, 15.19, -12.05

 

CMYK 29 / 0 / 47 / 70

HEX #364C28

RGB 54 76 40

HSL 96.67, 0.31%, 0.23%

LAB 29.68, -16.16, 18.69

 

CMYK 24 / 0 / 37 / 63

HEX #475E3B

RGB 71 94 59

HSL 99.43, 0.23%, 0.3%

LAB 37.23, -16.01, 17.34

 

CMYK 21 / 0 / 30 / 56

HEX #58704E

RGB 88 112 78

HSL 102.35, 0.18%, 0.37%

LAB 44.54, -15.85, 16.1

 

CMYK 19 / 0 / 25 / 49

HEX #698261

RGB 105 130 97

HSL 105.45, 0.15%, 0.45%

LAB 51.65, -15.7, 14.98

 

CMYK 18 / 0 / 22 / 42

HEX #7A9474

RGB 122 148 116

HSL 108.75, 0.13%, 0.52%

LAB 58.58, -15.56, 13.95

 

CMYK 36 / 0 / 41 / 70

HEX #314C2D

RGB 49 76 45

HSL 112.26, 0.26%, 0.24%

LAB 29.44, -17.36, 15.27

 

CMYK 45 / 0 / 55 / 77

HEX #203A1A

RGB 32 58 26

HSL 108.75, 0.38%, 0.16%

LAB 21.61, -17.58, 16.75

 

CMYK 63 / 0 / 83 / 84

HEX #0F2807

RGB 15 40 7

HSL 105.45, 0.7%, 0.09%

LAB 13.44, -17.54, 16.53

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 100 / 0 / 100 / 98

HEX #000400

RGB 0 4 0

HSL 120, 1%, 0.01%

LAB 0.78, -1.6, 1.15

 

CMYK 36 / 0 / 42 / 70

HEX #314D2D

RGB 49 77 45

HSL 112.5, 0.26%, 0.24%

LAB 29.79, -17.91, 15.73

 

CMYK 26 / 0 / 42 / 70

HEX #394D2D

RGB 57 77 45

HSL 97.5, 0.26%, 0.24%

LAB 30.32, -14.65, 16.53

 

CMYK 14 / 0 / 42 / 70

HEX #424D2D

RGB 66 77 45

HSL 80.63, 0.26%, 0.24%

LAB 31.01, -10.72, 17.56

 

CMYK 3 / 0 / 42 / 70

HEX #4B4D2D

RGB 75 77 45

HSL 63.75, 0.26%, 0.24%

LAB 31.79, -6.59, 18.72

 

CMYK 0 / 9 / 42 / 70

HEX #4D462D

RGB 77 70 45

HSL 46.88, 0.26%, 0.24%

LAB 29.78, -1.35, 16.16

 

CMYK 36 / 0 / 42 / 70

HEX #314D2D

RGB 49 77 45

HSL 112.5, 0.26%, 0.24%

LAB 29.79, -17.91, 15.73

 

CMYK 42 / 0 / 36 / 70

HEX #2D4D31

RGB 45 77 49

HSL 127.5, 0.26%, 0.24%

LAB 29.63, -18.66, 13.01

 

CMYK 42 / 0 / 25 / 70

HEX #2D4D3A

RGB 45 77 58

HSL 144.38, 0.26%, 0.24%

LAB 29.84, -16.71, 7.62

 

CMYK 42 / 0 / 14 / 70

HEX #2D4D42

RGB 45 77 66

HSL 159.38, 0.26%, 0.24%

LAB 30.06, -14.74, 2.82

 

CMYK 42 / 0 / 3 / 70

HEX #2D4D4B

RGB 45 77 75

HSL 176.25, 0.26%, 0.24%

LAB 30.34, -12.3, -2.54

 

CMYK 36 / 0 / 42 / 70

HEX #314D2D

RGB 49 77 45

HSL 112.5, 0.26%, 0.24%

LAB 29.79, -17.91, 15.73

 

CMYK 52 / 0 / 60 / 66

HEX #2A5723

RGB 42 87 35

HSL 111.92, 0.43%, 0.24%

LAB 32.77, -27.12, 25.2

 

CMYK 65 / 0 / 74 / 62

HEX #226019

RGB 34 96 25

HSL 112.39, 0.59%, 0.24%

LAB 35.55, -34.62, 33.2

 

CMYK 75 / 0 / 86 / 58

HEX #1B6A0F

RGB 27 106 15

HSL 112.09, 0.75%, 0.24%

LAB 38.86, -40.83, 40.16

 

CMYK 83 / 0 / 96 / 55

HEX #147405

RGB 20 116 5

HSL 111.89, 0.92%, 0.24%

LAB 42.23, -45.89, 45.6

 

CMYK 36 / 0 / 42 / 70

HEX #314D2D

RGB 49 77 45

HSL 112.5, 0.26%, 0.24%

LAB 29.79, -17.91, 15.73

 

CMYK 16 / 0 / 18 / 74

HEX #384337

RGB 56 67 55

HSL 115, 0.1%, 0.24%

LAB 27.1, -7.25, 5.81

 

CMYK 2 / 12 / 0 / 75

HEX #403941

RGB 64 57 65

HSL 292.5, 0.07%, 0.24%

LAB 24.95, 4.82, -3.83

 

CMYK 4 / 36 / 0 / 71

HEX #472F4A

RGB 71 47 74

HSL 293.33, 0.22%, 0.24%

LAB 23.23, 16.39, -12.37

 

CMYK 7 / 56 / 0 / 67

HEX #4E2554

RGB 78 37 84

HSL 292.34, 0.39%, 0.24%

LAB 22.24, 27.42, -20.52

 

CMYK 14 / 0 / 42 / 70

HEX #424D2D

RGB 66 77 45

HSL 80.63, 0.26%, 0.24%

LAB 31.01, -10.72, 17.56

 

CMYK 25 / 0 / 42 / 70

HEX #3A4D2D

RGB 58 77 45

HSL 95.63, 0.26%, 0.24%

LAB 30.39, -14.23, 16.63

 

CMYK 36 / 0 / 42 / 70

HEX #314D2D

RGB 49 77 45

HSL 112.5, 0.26%, 0.24%

LAB 29.79, -17.91, 15.73

 

CMYK 42 / 0 / 36 / 70

HEX #2D4D31

RGB 45 77 49

HSL 127.5, 0.26%, 0.24%

LAB 29.63, -18.66, 13.01

 

CMYK 42 / 0 / 25 / 70

HEX #2D4D3A

RGB 45 77 58

HSL 144.38, 0.26%, 0.24%

LAB 29.84, -16.71, 7.62

 

CMYK 36 / 0 / 44 / 90

HEX #10190E

RGB 16 25 14

HSL 109.09, 0.28%, 0.08%

LAB 7.56, -6.35, 5.27

 

CMYK 37 / 0 / 41 / 80

HEX #20331E

RGB 32 51 30

HSL 114.29, 0.26%, 0.16%

LAB 19.09, -12.9, 10.95

 

CMYK 36 / 0 / 42 / 70

HEX #314D2D

RGB 49 77 45

HSL 112.5, 0.26%, 0.24%

LAB 29.79, -17.91, 15.73

 

CMYK 36 / 0 / 42 / 60

HEX #42673C

RGB 66 103 60

HSL 111.63, 0.26%, 0.32%

LAB 39.89, -22.58, 20.18

 

CMYK 36 / 0 / 42 / 49

HEX #52814B

RGB 82 129 75

HSL 112.22, 0.26%, 0.4%

LAB 49.5, -27.38, 24.33

 

CMYK 36 / 0 / 41 / 70

HEX #314C2D

RGB 49 76 45

HSL 112.26, 0.26%, 0.24%

LAB 29.44, -17.36, 15.27

 

CMYK 42 / 4 / 0 / 70

HEX #2D4A4D

RGB 45 74 77

HSL 185.63, 0.26%, 0.24%

LAB 29.39, -9.93, -5.23

 

CMYK 0 / 42 / 19 / 70

HEX #4D2D3E

RGB 77 45 62

HSL 328.13, 0.26%, 0.24%

LAB 23.01, 17.56, -4.53

 

CMYK 36 / 0 / 41 / 70

HEX #314C2D

RGB 49 76 45

HSL 112.26, 0.26%, 0.24%

LAB 29.44, -17.36, 15.27

 

CMYK 42 / 36 / 0 / 70

HEX #2D314D

RGB 45 49 77

HSL 232.5, 0.26%, 0.24%

LAB 21.17, 6.44, -17.79

 

CMYK 0 / 42 / 36 / 70

HEX #4D2D31

RGB 77 45 49

HSL 352.5, 0.26%, 0.24%

LAB 22.57, 15.34, 3.67

 

CMYK 36 / 0 / 41 / 70

HEX #314C2D

RGB 49 76 45

HSL 112.26, 0.26%, 0.24%

LAB 29.44, -17.36, 15.27

 

CMYK 42 / 4 / 0 / 70

HEX #2D4A4D

RGB 45 74 77

HSL 185.63, 0.26%, 0.24%

LAB 29.39, -9.93, -5.23

 

CMYK 6 / 42 / 0 / 70

HEX #482D4D

RGB 72 45 77

HSL 290.63, 0.26%, 0.24%

LAB 22.97, 18.77, -14.77

 

CMYK 0 / 39 / 42 / 70

HEX #4D2F2D

RGB 77 47 45

HSL 3.75, 0.26%, 0.24%

LAB 23, 13.46, 6.99

 

CMYK 36 / 0 / 41 / 70

HEX #314C2D

RGB 49 76 45

HSL 112.26, 0.26%, 0.24%

LAB 29.44, -17.36, 15.27

 

CMYK 42 / 16 / 0 / 70

HEX #2D414D

RGB 45 65 77

HSL 202.5, 0.26%, 0.24%

LAB 26.37, -4.32, -9.77

 

CMYK 6 / 42 / 0 / 70

HEX #482D4D

RGB 72 45 77

HSL 290.63, 0.26%, 0.24%

LAB 22.97, 18.77, -14.77

 

CMYK 0 / 27 / 42 / 70

HEX #4D382D

RGB 77 56 45

HSL 20.63, 0.26%, 0.24%

LAB 25.55, 7.61, 10.51

 

Description

Color code: HEX #314C2D | qconv.com Color code: HEX #314C2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 76 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 76 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 41 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 41% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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