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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #314B0E it is the complementary color #CEB4F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #314B0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #314B0E shade: #364B09, #475D1C, #586F2F, #698142 and #7A9355

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #314B0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #314B0E shade: #314B0E, #203900, #0F2700, #001500 and #000300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #314B0E shade: #30490D, #40490D, #49420D, #49320D and #49220D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #314B0E shade: #30490D, #20490D, #10490D, #0D491C and #0D492C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #314B0E shade matches the following richer shades: #30490D and #315006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #314B0E shade: #30490D, #2F4214, #2E3B1B, #2D3422 and #2C2D29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #314B0E shade: #49420D, #40490D, #30490D, #20490D and #10490D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #314B0E shade: #020401, #192607, #30490D, #466C14 and #5D8F1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #314B0E shade: #314B0E, #0D4932 and #490D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #314B0E shade: #314B0E, #0D3049 and #490D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #314B0E shade: #314B0E, #0D4932, #260D49 and #490D24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #314B0E shade: #314B0E, #0D4944, #260D49 and #490D12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 81 / 71

HEX #314B0E

RGB 49 75 14

HSL 85.57, 0.69%, 0.17%

LAB 28.69, -20.72, 31.15

 

Complementary color

CMYK 15 / 25 / 0 / 5

HEX #CEB4F1

RGB 206 180 241

HSL 265.57, 0.69%, 0.83%

LAB 77.35, 20.88, -26.92

 

CMYK 28 / 0 / 88 / 71

HEX #364B09

RGB 54 75 9

HSL 79.09, 0.79%, 0.16%

LAB 29, -18.78, 33.45

 

CMYK 24 / 0 / 70 / 64

HEX #475D1C

RGB 71 93 28

HSL 80.31, 0.54%, 0.24%

LAB 36.47, -19.37, 33.39

 

CMYK 21 / 0 / 58 / 56

HEX #586F2F

RGB 88 111 47

HSL 81.56, 0.41%, 0.31%

LAB 43.73, -19.66, 32.4

 

CMYK 19 / 0 / 49 / 49

HEX #698142

RGB 105 129 66

HSL 82.86, 0.32%, 0.38%

LAB 50.8, -19.79, 31.17

 

CMYK 17 / 0 / 42 / 42

HEX #7A9355

RGB 122 147 85

HSL 84.19, 0.27%, 0.45%

LAB 57.71, -19.84, 29.92

 

CMYK 35 / 0 / 81 / 71

HEX #314B0E

RGB 49 75 14

HSL 85.57, 0.69%, 0.17%

LAB 28.69, -20.72, 31.15

 

CMYK 44 / 0 / 100 / 78

HEX #203900

RGB 32 57 0

HSL 86.32, 1%, 0.11%

LAB 20.96, -19.91, 28.75

 

CMYK 62 / 0 / 100 / 85

HEX #0F2700

RGB 15 39 0

HSL 96.92, 1%, 0.08%

LAB 12.94, -18.08, 18.72

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 100 / 0 / 100 / 99

HEX #000300

RGB 0 3 0

HSL 120, 1%, 0.01%

LAB 0.59, -1.2, 0.86

 

CMYK 34 / 0 / 82 / 71

HEX #30490D

RGB 48 73 13

HSL 85, 0.7%, 0.17%

LAB 27.91, -20.19, 30.78

 

CMYK 12 / 0 / 82 / 71

HEX #40490D

RGB 64 73 13

HSL 69, 0.7%, 0.17%

LAB 29.12, -12.67, 32.37

 

CMYK 0 / 10 / 82 / 71

HEX #49420D

RGB 73 66 13

HSL 53, 0.7%, 0.17%

LAB 27.69, -3.9, 31.31

 

CMYK 0 / 32 / 82 / 71

HEX #49320D

RGB 73 50 13

HSL 37, 0.7%, 0.17%

LAB 22.75, 6.34, 26.47

 

CMYK 0 / 53 / 82 / 71

HEX #49220D

RGB 73 34 13

HSL 21, 0.7%, 0.17%

LAB 18.32, 16.7, 21.55

 

CMYK 34 / 0 / 82 / 71

HEX #30490D

RGB 48 73 13

HSL 85, 0.7%, 0.17%

LAB 27.91, -20.19, 30.78

 

CMYK 56 / 0 / 82 / 71

HEX #20490D

RGB 32 73 13

HSL 101, 0.7%, 0.17%

LAB 27.02, -26.53, 29.61

 

CMYK 78 / 0 / 82 / 71

HEX #10490D

RGB 16 73 13

HSL 117, 0.7%, 0.17%

LAB 26.46, -31.05, 28.86

 

CMYK 82 / 0 / 62 / 71

HEX #0D491C

RGB 13 73 28

HSL 135, 0.7%, 0.17%

LAB 26.55, -29.75, 21.43

 

CMYK 82 / 0 / 40 / 71

HEX #0D492C

RGB 13 73 44

HSL 151, 0.7%, 0.17%

LAB 26.83, -26.53, 12.15

 

CMYK 34 / 0 / 82 / 71

HEX #30490D

RGB 48 73 13

HSL 85, 0.7%, 0.17%

LAB 27.91, -20.19, 30.78

 

CMYK 39 / 0 / 93 / 69

HEX #315006

RGB 49 80 6

HSL 85.14, 0.86%, 0.17%

LAB 30.41, -23.71, 35.65

 

CMYK 34 / 0 / 82 / 71

HEX #30490D

RGB 48 73 13

HSL 85, 0.7%, 0.17%

LAB 27.91, -20.19, 30.78

 

CMYK 29 / 0 / 70 / 74

HEX #2F4214

RGB 47 66 20

HSL 84.78, 0.53%, 0.17%

LAB 25.42, -16.28, 24.9

 

CMYK 22 / 0 / 54 / 77

HEX #2E3B1B

RGB 46 59 27

HSL 84.38, 0.37%, 0.17%

LAB 22.96, -11.89, 18.02

 

CMYK 13 / 0 / 35 / 80

HEX #2D3422

RGB 45 52 34

HSL 83.33, 0.21%, 0.17%

LAB 20.55, -6.93, 10.43

 

CMYK 2 / 0 / 9 / 82

HEX #2C2D29

RGB 44 45 41

HSL 75, 0.05%, 0.17%

LAB 18.24, -1.37, 2.43

 

CMYK 0 / 10 / 82 / 71

HEX #49420D

RGB 73 66 13

HSL 53, 0.7%, 0.17%

LAB 27.69, -3.9, 31.31

 

CMYK 12 / 0 / 82 / 71

HEX #40490D

RGB 64 73 13

HSL 69, 0.7%, 0.17%

LAB 29.12, -12.67, 32.37

 

CMYK 34 / 0 / 82 / 71

HEX #30490D

RGB 48 73 13

HSL 85, 0.7%, 0.17%

LAB 27.91, -20.19, 30.78

 

CMYK 56 / 0 / 82 / 71

HEX #20490D

RGB 32 73 13

HSL 101, 0.7%, 0.17%

LAB 27.02, -26.53, 29.61

 

CMYK 78 / 0 / 82 / 71

HEX #10490D

RGB 16 73 13

HSL 117, 0.7%, 0.17%

LAB 26.46, -31.05, 28.86

 

CMYK 50 / 0 / 75 / 98

HEX #020401

RGB 2 4 1

HSL 100, 0.6%, 0.01%

LAB 0.92, -0.94, 0.95

 

CMYK 34 / 0 / 82 / 85

HEX #192607

RGB 25 38 7

HSL 85.16, 0.69%, 0.09%

LAB 13.28, -12.01, 16.44

 

CMYK 34 / 0 / 82 / 71

HEX #30490D

RGB 48 73 13

HSL 85, 0.7%, 0.17%

LAB 27.91, -20.19, 30.78

 

CMYK 35 / 0 / 81 / 58

HEX #466C14

RGB 70 108 20

HSL 85.91, 0.69%, 0.25%

LAB 41.34, -27.9, 41.49

 

CMYK 35 / 0 / 82 / 44

HEX #5D8F1A

RGB 93 143 26

HSL 85.64, 0.69%, 0.33%

LAB 54.08, -34.75, 51.84

 

CMYK 35 / 0 / 81 / 71

HEX #314B0E

RGB 49 75 14

HSL 85.57, 0.69%, 0.17%

LAB 28.69, -20.72, 31.15

 

CMYK 82 / 0 / 32 / 71

HEX #0D4932

RGB 13 73 50

HSL 157, 0.7%, 0.17%

LAB 26.96, -25.02, 8.52

 

CMYK 0 / 82 / 1 / 71

HEX #490D48

RGB 73 13 72

HSL 301, 0.7%, 0.17%

LAB 16.37, 35.29, -21.7

 

CMYK 35 / 0 / 81 / 71

HEX #314B0E

RGB 49 75 14

HSL 85.57, 0.69%, 0.17%

LAB 28.69, -20.72, 31.15

 

CMYK 82 / 34 / 0 / 71

HEX #0D3049

RGB 13 48 73

HSL 205, 0.7%, 0.17%

LAB 18.72, -2.43, -19.08

 

CMYK 0 / 82 / 34 / 71

HEX #490D30

RGB 73 13 48

HSL 325, 0.7%, 0.17%

LAB 15.05, 31.32, -6.78

 

CMYK 35 / 0 / 81 / 71

HEX #314B0E

RGB 49 75 14

HSL 85.57, 0.69%, 0.17%

LAB 28.69, -20.72, 31.15

 

CMYK 82 / 0 / 32 / 71

HEX #0D4932

RGB 13 73 50

HSL 157, 0.7%, 0.17%

LAB 26.96, -25.02, 8.52

 

CMYK 48 / 82 / 0 / 71

HEX #260D49

RGB 38 13 73

HSL 265, 0.7%, 0.17%

LAB 10.42, 27.45, -32.29

 

CMYK 0 / 82 / 51 / 71

HEX #490D24

RGB 73 13 36

HSL 337, 0.7%, 0.17%

LAB 14.58, 29.82, 1.27

 

CMYK 35 / 0 / 81 / 71

HEX #314B0E

RGB 49 75 14

HSL 85.57, 0.69%, 0.17%

LAB 28.69, -20.72, 31.15

 

CMYK 82 / 0 / 7 / 71

HEX #0D4944

RGB 13 73 68

HSL 175, 0.7%, 0.17%

LAB 27.49, -19.65, -2.37

 

CMYK 48 / 82 / 0 / 71

HEX #260D49

RGB 38 13 73

HSL 265, 0.7%, 0.17%

LAB 10.42, 27.45, -32.29

 

CMYK 0 / 82 / 75 / 71

HEX #490D12

RGB 73 13 18

HSL 355, 0.7%, 0.17%

LAB 14.1, 28.27, 13.57

 

Description

Color code: HEX #314B0E | qconv.com Color code: HEX #314B0E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 75 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 75 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 81 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 81% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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