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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3141CC it is the complementary color #CEBE33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3141CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3141CC shade: #3641C7, #4753DA, #5865ED, #6977FF and #7A89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3141CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3141CC shade: #3141CC, #202FB9, #0F1DA6, #000B93 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3141CC shade: #3242CD, #4C32CD, #7632CD, #A032CD and #C932CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3141CC shade: #3242CD and #3232CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3141CC shade matches the following richer shades: #3242CD, #1D31E2 and #0821F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3141CC shade: #3242CD, #4652B9, #5B63A4, #70738F and #84837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3141CC shade: #3297CD, #326DCD, #3244CD, #4932CD and #7332CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3141CC shade: #222C8B, #2A37AC, #3242CD, #5360D5 and #747FDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3141CC shade: #3141CC, #CD32C0 and #82CD32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3141CC shade: #3141CC, #CD3244 and #44CD32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3141CC shade: #3141CC, #CD32C0, #CDBB32 and #32CD3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3141CC shade: #3141CC, #CD3292, #CDBB32 and #32CD6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 68 / 0 / 20

HEX #3141CC

RGB 49 65 204

HSL 233.81, 0.61%, 0.5%

LAB 35.58, 42.07, -73.27

 

Complementary color

CMYK 0 / 8 / 75 / 19

HEX #CEBE33

RGB 206 190 51

HSL 53.81, 0.61%, 0.5%

LAB 76.18, -9.2, 67.29

 

CMYK 73 / 67 / 0 / 22

HEX #3641C7

RGB 54 65 199

HSL 235.45, 0.57%, 0.5%

LAB 35.38, 40.84, -70.69

 

CMYK 67 / 62 / 0 / 15

HEX #4753DA

RGB 71 83 218

HSL 235.1, 0.67%, 0.57%

LAB 42.14, 38.38, -70.55

 

CMYK 63 / 57 / 0 / 7

HEX #5865ED

RGB 88 101 237

HSL 234.77, 0.81%, 0.64%

LAB 48.88, 36.22, -70.27

 

CMYK 59 / 53 / 0 / 0

HEX #6977FF

RGB 105 119 255

HSL 234.4, 1%, 0.71%

LAB 55.5, 34.02, -69.51

 

CMYK 52 / 46 / 0 / 0

HEX #7A89FF

RGB 122 137 255

HSL 233.23, 1%, 0.74%

LAB 61, 26.56, -60.61

 

CMYK 76 / 68 / 0 / 20

HEX #3141CC

RGB 49 65 204

HSL 233.81, 0.61%, 0.5%

LAB 35.58, 42.07, -73.27

 

CMYK 83 / 75 / 0 / 27

HEX #202FB9

RGB 32 47 185

HSL 234.12, 0.71%, 0.43%

LAB 29.01, 44.89, -72.98

 

CMYK 91 / 83 / 0 / 35

HEX #0F1DA6

RGB 15 29 166

HSL 234.44, 0.83%, 0.35%

LAB 22.77, 47.53, -71.96

 

CMYK 100 / 93 / 0 / 42

HEX #000B93

RGB 0 11 147

HSL 235.51, 1%, 0.29%

LAB 17.21, 48.92, -69.58

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 76 / 68 / 0 / 20

HEX #3242CD

RGB 50 66 205

HSL 233.81, 0.61%, 0.5%

LAB 35.95, 41.9, -73.24

 

CMYK 63 / 76 / 0 / 20

HEX #4C32CD

RGB 76 50 205

HSL 250.06, 0.61%, 0.5%

LAB 34.45, 53.59, -75.65

 

CMYK 42 / 76 / 0 / 20

HEX #7632CD

RGB 118 50 205

HSL 266.32, 0.61%, 0.5%

LAB 38.8, 59.37, -68.35

 

CMYK 22 / 76 / 0 / 20

HEX #A032CD

RGB 160 50 205

HSL 282.58, 0.61%, 0.5%

LAB 44.47, 66.66, -58.88

 

CMYK 2 / 76 / 0 / 20

HEX #C932CD

RGB 201 50 205

HSL 298.45, 0.61%, 0.5%

LAB 50.81, 74.61, -48.35

 

CMYK 76 / 68 / 0 / 20

HEX #3242CD

RGB 50 66 205

HSL 233.81, 0.61%, 0.5%

LAB 35.95, 41.9, -73.24

 

CMYK 76 / 76 / 0 / 20

HEX #3232CD

RGB 50 50 205

HSL 240, 0.61%, 0.5%

LAB 32.63, 51.11, -78.72

 

CMYK 76 / 68 / 0 / 20

HEX #3242CD

RGB 50 66 205

HSL 233.81, 0.61%, 0.5%

LAB 35.95, 41.9, -73.24

 

CMYK 87 / 78 / 0 / 11

HEX #1D31E2

RGB 29 49 226

HSL 233.91, 0.77%, 0.5%

LAB 33.88, 57.2, -88.79

 

CMYK 97 / 87 / 0 / 3

HEX #0821F7

RGB 8 33 247

HSL 233.72, 0.94%, 0.5%

LAB 33.68, 69.95, -101.06

 

CMYK 76 / 68 / 0 / 20

HEX #3242CD

RGB 50 66 205

HSL 233.81, 0.61%, 0.5%

LAB 35.95, 41.9, -73.24

 

CMYK 62 / 56 / 0 / 27

HEX #4652B9

RGB 70 82 185

HSL 233.74, 0.45%, 0.5%

LAB 39.31, 27.53, -56.04

 

CMYK 45 / 40 / 0 / 36

HEX #5B63A4

RGB 91 99 164

HSL 233.42, 0.29%, 0.5%

LAB 43.99, 14.48, -36.11

 

CMYK 22 / 20 / 0 / 44

HEX #70738F

RGB 112 115 143

HSL 234.19, 0.12%, 0.5%

LAB 49.12, 5.23, -15.61

 

CMYK 0 / 1 / 7 / 48

HEX #84837B

RGB 132 131 123

HSL 53.33, 0.04%, 0.5%

LAB 54.62, -1.15, 4.45

 

CMYK 76 / 26 / 0 / 20

HEX #3297CD

RGB 50 151 205

HSL 200.9, 0.61%, 0.5%

LAB 59.18, -10.66, -35.96

 

CMYK 76 / 47 / 0 / 20

HEX #326DCD

RGB 50 109 205

HSL 217.16, 0.61%, 0.5%

LAB 47, 14.51, -55.26

 

CMYK 76 / 67 / 0 / 20

HEX #3244CD

RGB 50 68 205

HSL 233.03, 0.61%, 0.5%

LAB 36.4, 40.68, -72.49

 

CMYK 64 / 76 / 0 / 20

HEX #4932CD

RGB 73 50 205

HSL 248.9, 0.61%, 0.5%

LAB 34.2, 53.26, -76.07

 

CMYK 44 / 76 / 0 / 20

HEX #7332CD

RGB 115 50 205

HSL 265.16, 0.61%, 0.5%

LAB 38.44, 58.9, -68.96

 

CMYK 76 / 68 / 0 / 45

HEX #222C8B

RGB 34 44 139

HSL 234.29, 0.61%, 0.34%

LAB 23.69, 30.42, -53.83

 

CMYK 76 / 68 / 0 / 33

HEX #2A37AC

RGB 42 55 172

HSL 234, 0.61%, 0.42%

LAB 29.92, 36.27, -63.72

 

CMYK 76 / 68 / 0 / 20

HEX #3242CD

RGB 50 66 205

HSL 233.81, 0.61%, 0.5%

LAB 35.95, 41.9, -73.24

 

CMYK 61 / 55 / 0 / 16

HEX #5360D5

RGB 83 96 213

HSL 234, 0.61%, 0.58%

LAB 45.65, 30.49, -61.95

 

CMYK 48 / 43 / 0 / 13

HEX #747FDD

RGB 116 127 221

HSL 233.71, 0.61%, 0.66%

LAB 56.2, 20.86, -49.43

 

CMYK 76 / 68 / 0 / 20

HEX #3141CC

RGB 49 65 204

HSL 233.81, 0.61%, 0.5%

LAB 35.58, 42.07, -73.27

 

CMYK 0 / 76 / 6 / 20

HEX #CD32C0

RGB 205 50 192

HSL 305.03, 0.61%, 0.5%

LAB 50.76, 73.42, -40.88

 

CMYK 37 / 0 / 76 / 20

HEX #82CD32

RGB 130 205 50

HSL 89.03, 0.61%, 0.5%

LAB 75.23, -46.79, 64.88

 

CMYK 76 / 68 / 0 / 20

HEX #3141CC

RGB 49 65 204

HSL 233.81, 0.61%, 0.5%

LAB 35.58, 42.07, -73.27

 

CMYK 0 / 76 / 67 / 20

HEX #CD3244

RGB 205 50 68

HSL 353.03, 0.61%, 0.5%

LAB 46.55, 60.53, 27.52

 

CMYK 67 / 0 / 76 / 20

HEX #44CD32

RGB 68 205 50

HSL 113.03, 0.61%, 0.5%

LAB 72.97, -64.04, 61.92

 

CMYK 76 / 68 / 0 / 20

HEX #3141CC

RGB 49 65 204

HSL 233.81, 0.61%, 0.5%

LAB 35.58, 42.07, -73.27

 

CMYK 0 / 76 / 6 / 20

HEX #CD32C0

RGB 205 50 192

HSL 305.03, 0.61%, 0.5%

LAB 50.76, 73.42, -40.88

 

CMYK 0 / 9 / 76 / 20

HEX #CDBB32

RGB 205 187 50

HSL 53.03, 0.61%, 0.5%

LAB 75.3, -8.13, 66.77

 

CMYK 76 / 0 / 69 / 20

HEX #32CD3F

RGB 50 205 63

HSL 125.03, 0.61%, 0.5%

LAB 72.69, -66.08, 56.86

 

CMYK 76 / 68 / 0 / 20

HEX #3141CC

RGB 49 65 204

HSL 233.81, 0.61%, 0.5%

LAB 35.58, 42.07, -73.27

 

CMYK 0 / 76 / 29 / 20

HEX #CD3292

RGB 205 50 146

HSL 322.84, 0.61%, 0.5%

LAB 48.68, 67.24, -16.98

 

CMYK 0 / 9 / 76 / 20

HEX #CDBB32

RGB 205 187 50

HSL 53.03, 0.61%, 0.5%

LAB 75.3, -8.13, 66.77

 

CMYK 76 / 0 / 47 / 20

HEX #32CD6D

RGB 50 205 109

HSL 142.84, 0.61%, 0.5%

LAB 73.18, -60.23, 36.63

 

Description

Color code: HEX #3141CC | qconv.com Color code: HEX #3141CC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 65 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 65 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 68 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 68% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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