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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31400D it is the complementary color #CEBFF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31400D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31400D shade: #364008, #47521B, #58642E, #697641 and #7A8854

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31400D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31400D shade: #31400D, #202E00, #0F1C00, #000A00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31400D shade: #313F0D, #3E3F0D, #3F330D, #3F260D and #3F180D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31400D shade: #313F0D, #233F0D, #153F0D, #0D3F12 and #0D3F20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31400D shade matches the following richer shades: #313F0D, #334607 and #364C01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31400D shade: #313F0D, #2E3913, #2C3319, #292D20 and #262726

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31400D shade: #3F330D, #3F3F0D, #313F0D, #243F0D and #163F0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31400D shade: #000000, #161D06, #313F0D, #4B6214 and #65841B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31400D shade: #31400D, #0D3F25 and #3A0D3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31400D shade: #31400D, #0D313F and #3F0D31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31400D shade: #31400D, #0D3F25, #1B0D3F and #3F0D27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31400D shade: #31400D, #0D3F35, #1B0D3F and #3F0D18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 80 / 75

HEX #31400D

RGB 49 64 13

HSL 77.65, 0.66%, 0.15%

LAB 24.79, -14.84, 27.72

 

Complementary color

CMYK 15 / 21 / 0 / 5

HEX #CEBFF2

RGB 206 191 242

HSL 257.65, 0.66%, 0.85%

LAB 80.06, 15.12, -23.31

 

CMYK 16 / 0 / 88 / 75

HEX #364008

RGB 54 64 8

HSL 70.71, 0.78%, 0.14%

LAB 25.16, -12.71, 30.32

 

CMYK 13 / 0 / 67 / 68

HEX #47521B

RGB 71 82 27

HSL 72, 0.5%, 0.21%

LAB 32.82, -13.42, 29.95

 

CMYK 12 / 0 / 54 / 61

HEX #58642E

RGB 88 100 46

HSL 73.33, 0.37%, 0.29%

LAB 40.22, -13.82, 28.81

 

CMYK 11 / 0 / 45 / 54

HEX #697641

RGB 105 118 65

HSL 74.72, 0.29%, 0.36%

LAB 47.42, -14.05, 27.52

 

CMYK 10 / 0 / 38 / 47

HEX #7A8854

RGB 122 136 84

HSL 76.15, 0.24%, 0.43%

LAB 54.43, -14.19, 26.25

 

CMYK 23 / 0 / 80 / 75

HEX #31400D

RGB 49 64 13

HSL 77.65, 0.66%, 0.15%

LAB 24.79, -14.84, 27.72

 

CMYK 30 / 0 / 100 / 82

HEX #202E00

RGB 32 46 0

HSL 78.26, 1%, 0.09%

LAB 16.8, -13.98, 23.91

 

CMYK 46 / 0 / 100 / 89

HEX #0F1C00

RGB 15 28 0

HSL 87.86, 1%, 0.05%

LAB 8.41, -11.18, 12.39

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 22 / 0 / 79 / 75

HEX #313F0D

RGB 49 63 13

HSL 76.8, 0.66%, 0.15%

LAB 24.44, -14.27, 27.37

 

CMYK 2 / 0 / 79 / 75

HEX #3E3F0D

RGB 62 63 13

HSL 61.2, 0.66%, 0.15%

LAB 25.59, -7.74, 28.89

 

CMYK 0 / 19 / 79 / 75

HEX #3F330D

RGB 63 51 13

HSL 45.6, 0.66%, 0.15%

LAB 21.78, 0.4, 25.06

 

CMYK 0 / 40 / 79 / 75

HEX #3F260D

RGB 63 38 13

HSL 30, 0.66%, 0.15%

LAB 17.79, 9.06, 20.53

 

CMYK 0 / 62 / 79 / 75

HEX #3F180D

RGB 63 24 13

HSL 13.2, 0.66%, 0.15%

LAB 14.05, 18.14, 15.83

 

CMYK 22 / 0 / 79 / 75

HEX #313F0D

RGB 49 63 13

HSL 76.8, 0.66%, 0.15%

LAB 24.44, -14.27, 27.37

 

CMYK 44 / 0 / 79 / 75

HEX #233F0D

RGB 35 63 13

HSL 93.6, 0.66%, 0.15%

LAB 23.48, -20.61, 26.08

 

CMYK 67 / 0 / 79 / 75

HEX #153F0D

RGB 21 63 13

HSL 110.4, 0.66%, 0.15%

LAB 22.8, -25.65, 25.17

 

CMYK 79 / 0 / 71 / 75

HEX #0D3F12

RGB 13 63 18

HSL 126, 0.66%, 0.15%

LAB 22.6, -27.13, 22.35

 

CMYK 79 / 0 / 49 / 75

HEX #0D3F20

RGB 13 63 32

HSL 142.8, 0.66%, 0.15%

LAB 22.81, -24.7, 14.38

 

CMYK 22 / 0 / 79 / 75

HEX #313F0D

RGB 49 63 13

HSL 76.8, 0.66%, 0.15%

LAB 24.44, -14.27, 27.37

 

CMYK 27 / 0 / 90 / 73

HEX #334607

RGB 51 70 7

HSL 78.1, 0.82%, 0.15%

LAB 27.02, -17.6, 32.34

 

CMYK 29 / 0 / 99 / 70

HEX #364C01

RGB 54 76 1

HSL 77.6, 0.97%, 0.15%

LAB 29.3, -19.74, 36.76

 

CMYK 22 / 0 / 79 / 75

HEX #313F0D

RGB 49 63 13

HSL 76.8, 0.66%, 0.15%

LAB 24.44, -14.27, 27.37

 

CMYK 19 / 0 / 67 / 78

HEX #2E3913

RGB 46 57 19

HSL 77.37, 0.5%, 0.15%

LAB 22.14, -11.69, 21.76

 

CMYK 14 / 0 / 51 / 80

HEX #2C3319

RGB 44 51 25

HSL 76.15, 0.34%, 0.15%

LAB 19.94, -8.25, 15.47

 

CMYK 9 / 0 / 29 / 82

HEX #292D20

RGB 41 45 32

HSL 78.46, 0.17%, 0.15%

LAB 17.7, -4.67, 7.84

 

CMYK 3 / 0 / 3 / 85

HEX #262726

RGB 38 39 38

HSL 120, 0.01%, 0.15%

LAB 15.5, -0.7, 0.5

 

CMYK 0 / 19 / 79 / 75

HEX #3F330D

RGB 63 51 13

HSL 45.6, 0.66%, 0.15%

LAB 21.78, 0.4, 25.06

 

CMYK 0 / 0 / 79 / 75

HEX #3F3F0D

RGB 63 63 13

HSL 60, 0.66%, 0.15%

LAB 25.69, -7.22, 29.02

 

CMYK 22 / 0 / 79 / 75

HEX #313F0D

RGB 49 63 13

HSL 76.8, 0.66%, 0.15%

LAB 24.44, -14.27, 27.37

 

CMYK 43 / 0 / 79 / 75

HEX #243F0D

RGB 36 63 13

HSL 92.4, 0.66%, 0.15%

LAB 23.54, -20.19, 26.16

 

CMYK 65 / 0 / 79 / 75

HEX #163F0D

RGB 22 63 13

HSL 109.2, 0.66%, 0.15%

LAB 22.84, -25.34, 25.22

 

CMYK 24 / 0 / 79 / 89

HEX #161D06

RGB 22 29 6

HSL 78.26, 0.66%, 0.07%

LAB 9.5, -8.05, 11.59

 

CMYK 22 / 0 / 79 / 75

HEX #313F0D

RGB 49 63 13

HSL 76.8, 0.66%, 0.15%

LAB 24.44, -14.27, 27.37

 

CMYK 23 / 0 / 80 / 62

HEX #4B6214

RGB 75 98 20

HSL 77.69, 0.66%, 0.23%

LAB 38.34, -20.78, 38.76

 

CMYK 23 / 0 / 80 / 48

HEX #65841B

RGB 101 132 27

HSL 77.71, 0.66%, 0.31%

LAB 51.09, -26.3, 48.95

 

CMYK 23 / 0 / 80 / 75

HEX #31400D

RGB 49 64 13

HSL 77.65, 0.66%, 0.15%

LAB 24.79, -14.84, 27.72

 

CMYK 79 / 0 / 41 / 75

HEX #0D3F25

RGB 13 63 37

HSL 148.8, 0.66%, 0.15%

LAB 22.91, -23.57, 11.33

 

CMYK 8 / 79 / 0 / 75

HEX #3A0D3F

RGB 58 13 63

HSL 294, 0.66%, 0.15%

LAB 12.9, 29.6, -21.09

 

CMYK 23 / 0 / 80 / 75

HEX #31400D

RGB 49 64 13

HSL 77.65, 0.66%, 0.15%

LAB 24.79, -14.84, 27.72

 

CMYK 79 / 22 / 0 / 75

HEX #0D313F

RGB 13 49 63

HSL 196.8, 0.66%, 0.15%

LAB 18.54, -7.24, -12.53

 

CMYK 0 / 79 / 22 / 75

HEX #3F0D31

RGB 63 13 49

HSL 316.8, 0.66%, 0.15%

LAB 13.02, 28.36, -10.79

 

CMYK 23 / 0 / 80 / 75

HEX #31400D

RGB 49 64 13

HSL 77.65, 0.66%, 0.15%

LAB 24.79, -14.84, 27.72

 

CMYK 79 / 0 / 41 / 75

HEX #0D3F25

RGB 13 63 37

HSL 148.8, 0.66%, 0.15%

LAB 22.91, -23.57, 11.33

 

CMYK 57 / 79 / 0 / 75

HEX #1B0D3F

RGB 27 13 63

HSL 256.8, 0.66%, 0.15%

LAB 7.95, 22.01, -29.33

 

CMYK 0 / 79 / 38 / 75

HEX #3F0D27

RGB 63 13 39

HSL 328.8, 0.66%, 0.15%

LAB 12.55, 26.81, -4.17

 

CMYK 23 / 0 / 80 / 75

HEX #31400D

RGB 49 64 13

HSL 77.65, 0.66%, 0.15%

LAB 24.79, -14.84, 27.72

 

CMYK 79 / 0 / 16 / 75

HEX #0D3F35

RGB 13 63 53

HSL 168, 0.66%, 0.15%

LAB 23.33, -19.14, 1.41

 

CMYK 57 / 79 / 0 / 75

HEX #1B0D3F

RGB 27 13 63

HSL 256.8, 0.66%, 0.15%

LAB 7.95, 22.01, -29.33

 

CMYK 0 / 79 / 62 / 75

HEX #3F0D18

RGB 63 13 24

HSL 346.8, 0.66%, 0.15%

LAB 12.03, 25.03, 6.27

 

Description

Color code: HEX #31400D | qconv.com Color code: HEX #31400D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 64 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 64 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 80 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 80% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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