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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #313B494C it is the complementary color #CEC4B64C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #313B494C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #313B494C shade: #363B444C, #474D574C, #585F6A4C, #69717D4C and #7A83904C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #313B494C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #313B494C shade: #313B494C, #2029364C, #0F17234C, #0005104C and #0000004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #313B494C shade: #313B49, #313549, #343149, #3B3149 and #413149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #313B494C shade: #313B49, #313549 and #313149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #313B494C shade matches the following richer shades: #313B49, #273A53, #1D385D, #133667 and #093571

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #313B494C shade: #313B49, #3B3D40, #453E36, #4F402C and #594222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #313B494C shade: #314849, #314249, #313B49, #313549 and #343149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #313B494C shade: #101318, #202731, #313B49, #414F62 and #52637B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #313B494C shade: #313B49, #443149 and #454931

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #313B494C shade: #313B49, #49313B and #3B4931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #313B494C shade: #313B49, #443149, #493F31 and #364931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #313B494C shade: #313B49, #493147, #493F31 and #314933

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 6 / 0 / 21

HEX #313B494C

RGBA 49 59 73 0.3

HSLA 215, 0.2%, 0.24%, 0.3

LABA 24.52, -0.25, -9.93, 0.3

 

Complementary color

CMYK 0 / 1 / 3 / 6

HEX #CEC4B64C

RGBA 206 196 182 0.3

HSLA 35, 0.2%, 0.76%, 0.3

LABA 79.6, 1.11, 8.27, 0.3

 

CMYK 6 / 4 / 0 / 22

HEX #363B444C

RGBA 54 59 68 0.3

HSLA 218.57, 0.11%, 0.24%, 0.3

LABA 24.73, 0.19, -6.25, 0.3

 

CMYK 6 / 3 / 0 / 20

HEX #474D574C

RGBA 71 77 87 0.3

HSLA 217.5, 0.1%, 0.31%, 0.3

LABA 32.56, 0.01, -6.71, 0.3

 

CMYK 5 / 3 / 0 / 18

HEX #585F6A4C

RGBA 88 95 106 0.3

HSLA 216.67, 0.09%, 0.38%, 0.3

LABA 40.08, -0.16, -7.18, 0.3

 

CMYK 5 / 3 / 0 / 15

HEX #69717D4C

RGBA 105 113 125 0.3

HSLA 216, 0.09%, 0.45%, 0.3

LABA 47.36, -0.32, -7.65, 0.3

 

CMYK 5 / 3 / 0 / 13

HEX #7A83904C

RGBA 122 131 144 0.3

HSLA 215.45, 0.09%, 0.52%, 0.3

LABA 54.43, -0.47, -8.11, 0.3

 

CMYK 10 / 6 / 0 / 21

HEX #313B494C

RGBA 49 59 73 0.3

HSLA 215, 0.2%, 0.24%, 0.3

LABA 24.52, -0.25, -9.93, 0.3

 

CMYK 12 / 7 / 0 / 24

HEX #2029364C

RGBA 32 41 54 0.3

HSLA 215.45, 0.26%, 0.17%, 0.3

LABA 16.3, 0.05, -9.66, 0.3

 

CMYK 17 / 10 / 0 / 26

HEX #0F17234C

RGBA 15 23 35 0.3

HSLA 216, 0.4%, 0.1%, 0.3

LABA 7.55, 0.51, -9.47, 0.3

 

CMYK 30 / 21 / 0 / 28

HEX #0005104C

RGBA 0 5 16 0.3

HSLA 221.25, 1%, 0.03%, 0.3

LABA 1.32, 0.37, -5.03, 0.3

 

CMYK 0 / 0 / 0 / 100

HEX #0000004C

RGBA 0 0 0 0.3

HSLA 0, 0%, 0%, 0.3

LABA 0, 0, 0, 0.3

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 33 / 27 / 0 / 71

HEX #313549

RGB 49 53 73

HSL 230, 0.2%, 0.24%

LAB 22.58, 3.79, -12.89

 

CMYK 29 / 33 / 0 / 71

HEX #343149

RGB 52 49 73

HSL 247.5, 0.2%, 0.24%

LAB 21.61, 7.61, -14.37

 

CMYK 19 / 33 / 0 / 71

HEX #3B3149

RGB 59 49 73

HSL 265, 0.2%, 0.24%

LAB 22.33, 10.21, -13.2

 

CMYK 11 / 33 / 0 / 71

HEX #413149

RGB 65 49 73

HSL 280, 0.2%, 0.24%

LAB 23, 12.5, -12.11

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 33 / 27 / 0 / 71

HEX #313549

RGB 49 53 73

HSL 230, 0.2%, 0.24%

LAB 22.58, 3.79, -12.89

 

CMYK 33 / 33 / 0 / 71

HEX #313149

RGB 49 49 73

HSL 240, 0.2%, 0.24%

LAB 21.32, 6.54, -14.84

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 53 / 30 / 0 / 67

HEX #273A53

RGB 39 58 83

HSL 214.09, 0.36%, 0.24%

LAB 23.94, 0.46, -17.49

 

CMYK 69 / 40 / 0 / 64

HEX #1D385D

RGB 29 56 93

HSL 214.69, 0.52%, 0.24%

LAB 23.27, 3.14, -25.16

 

CMYK 82 / 48 / 0 / 60

HEX #133667

RGB 19 54 103

HSL 215, 0.69%, 0.24%

LAB 22.85, 6.99, -32.36

 

CMYK 92 / 53 / 0 / 56

HEX #093571

RGB 9 53 113

HSL 214.62, 0.85%, 0.24%

LAB 22.99, 11.03, -38.6

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 8 / 5 / 0 / 75

HEX #3B3D40

RGB 59 61 64

HSL 216, 0.04%, 0.24%

LAB 25.68, -0.14, -2.14

 

CMYK 0 / 10 / 22 / 73

HEX #453E36

RGB 69 62 54

HSL 32, 0.12%, 0.24%

LAB 26.67, 1.45, 6.02

 

CMYK 0 / 19 / 44 / 69

HEX #4F402C

RGB 79 64 44

HSL 34.29, 0.28%, 0.24%

LAB 28.14, 3.27, 14.67

 

CMYK 0 / 26 / 62 / 65

HEX #594222

RGB 89 66 34

HSL 34.91, 0.45%, 0.24%

LAB 29.75, 5.75, 23.1

 

CMYK 33 / 1 / 0 / 71

HEX #314849

RGB 49 72 73

HSL 182.5, 0.2%, 0.24%

LAB 28.82, -8.55, -3.46

 

CMYK 33 / 10 / 0 / 71

HEX #314249

RGB 49 66 73

HSL 197.5, 0.2%, 0.24%

LAB 26.82, -4.81, -6.45

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 33 / 27 / 0 / 71

HEX #313549

RGB 49 53 73

HSL 230, 0.2%, 0.24%

LAB 22.58, 3.79, -12.89

 

CMYK 29 / 33 / 0 / 71

HEX #343149

RGB 52 49 73

HSL 247.5, 0.2%, 0.24%

LAB 21.61, 7.61, -14.37

 

CMYK 33 / 21 / 0 / 91

HEX #101318

RGB 16 19 24

HSL 217.5, 0.2%, 0.08%

LAB 5.8, 0.06, -3.68

 

CMYK 35 / 20 / 0 / 81

HEX #202731

RGB 32 39 49

HSL 215.29, 0.21%, 0.16%

LAB 15.38, -0.15, -7.54

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 34 / 19 / 0 / 62

HEX #414F62

RGB 65 79 98

HSL 214.55, 0.2%, 0.32%

LAB 33.13, -0.4, -12.87

 

CMYK 33 / 20 / 0 / 52

HEX #52637B

RGB 82 99 123

HSL 215.12, 0.2%, 0.4%

LAB 41.45, -0.21, -15.53

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 7 / 33 / 0 / 71

HEX #443149

RGB 68 49 73

HSL 287.5, 0.2%, 0.24%

LAB 23.36, 13.67, -11.53

 

CMYK 5 / 0 / 33 / 71

HEX #454931

RGB 69 73 49

HSL 70, 0.2%, 0.24%

LAB 30.04, -6.34, 13.86

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 0 / 33 / 19 / 71

HEX #49313B

RGB 73 49 59

HSL 335, 0.2%, 0.24%

LAB 23.43, 12.7, -1.93

 

CMYK 19 / 0 / 33 / 71

HEX #3B4931

RGB 59 73 49

HSL 95, 0.2%, 0.24%

LAB 29.2, -10.78, 12.59

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 7 / 33 / 0 / 71

HEX #443149

RGB 68 49 73

HSL 287.5, 0.2%, 0.24%

LAB 23.36, 13.67, -11.53

 

CMYK 0 / 14 / 33 / 71

HEX #493F31

RGB 73 63 49

HSL 35, 0.2%, 0.24%

LAB 27.28, 1.79, 10.19

 

CMYK 26 / 0 / 33 / 71

HEX #364931

RGB 54 73 49

HSL 107.5, 0.2%, 0.24%

LAB 28.83, -12.9, 12.02

 

CMYK 33 / 19 / 0 / 71

HEX #313B49

RGB 49 59 73

HSL 215, 0.2%, 0.24%

LAB 24.52, -0.25, -9.93

 

CMYK 0 / 33 / 3 / 71

HEX #493147

RGB 73 49 71

HSL 305, 0.2%, 0.24%

LAB 23.9, 15.18, -9.32

 

CMYK 0 / 14 / 33 / 71

HEX #493F31

RGB 73 63 49

HSL 35, 0.2%, 0.24%

LAB 27.28, 1.79, 10.19

 

CMYK 33 / 0 / 30 / 71

HEX #314933

RGB 49 73 51

HSL 125, 0.2%, 0.24%

LAB 28.53, -14.52, 10.29

 

Description

Color code: HEX #313B494C | qconv.com Color code: HEX #313B494C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 59 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 59 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 6 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 6% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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