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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312F4E it is the complementary color #CED0B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312F4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312F4E shade: #362F49, #47415C, #58536F, #696582 and #7A7795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312F4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312F4E shade: #312F4E, #201D3B, #0F0B28, #000015 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312F4E shade: #323050, #3A3050, #433050, #4C3050 and #50304B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312F4E shade: #323050 and #303050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312F4E shade matches the following richer shades: #323050, #29255A, #201B64, #17116F and #0E0779

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312F4E shade: #323050, #3B3A45, #44443B, #4D4F31 and #565926

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312F4E shade: #303F50, #303750, #313050, #3A3050 and #423050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312F4E shade: #12111C, #222036, #323050, #423F69 and #524F83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312F4E shade: #312F4E, #503048 and #3B5030

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312F4E shade: #312F4E, #503130 and #305031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312F4E shade: #312F4E, #503048, #4E5030 and #305038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312F4E shade: #312F4E, #50303E, #4E5030 and #305041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 40 / 0 / 69

HEX #312F4E

RGB 49 47 78

HSL 243.87, 0.25%, 0.25%

LAB 20.97, 9.48, -18.76

 

Complementary color

CMYK 1 / 0 / 15 / 18

HEX #CED0B1

RGB 206 208 177

HSL 63.87, 0.25%, 0.75%

LAB 82.6, -5.96, 15.18

 

CMYK 26 / 36 / 0 / 71

HEX #362F49

RGB 54 47 73

HSL 256.15, 0.22%, 0.24%

LAB 21.2, 9.72, -14.99

 

CMYK 23 / 29 / 0 / 64

HEX #47415C

RGB 71 65 92

HSL 253.33, 0.17%, 0.31%

LAB 29.14, 9.06, -15.11

 

CMYK 21 / 25 / 0 / 56

HEX #58536F

RGB 88 83 111

HSL 250.71, 0.14%, 0.38%

LAB 36.76, 8.53, -15.29

 

CMYK 19 / 22 / 0 / 49

HEX #696582

RGB 105 101 130

HSL 248.28, 0.13%, 0.45%

LAB 44.12, 8.07, -15.53

 

CMYK 18 / 20 / 0 / 42

HEX #7A7795

RGB 122 119 149

HSL 246, 0.12%, 0.53%

LAB 51.27, 7.68, -15.79

 

CMYK 37 / 40 / 0 / 69

HEX #312F4E

RGB 49 47 78

HSL 243.87, 0.25%, 0.25%

LAB 20.97, 9.48, -18.76

 

CMYK 46 / 51 / 0 / 77

HEX #201D3B

RGB 32 29 59

HSL 246, 0.34%, 0.17%

LAB 12.62, 10.52, -18.93

 

CMYK 63 / 73 / 0 / 84

HEX #0F0B28

RGB 15 11 40

HSL 248.28, 0.57%, 0.1%

LAB 4.46, 9.42, -18.06

 

CMYK 100 / 100 / 0 / 92

HEX #000015

RGB 0 0 21

HSL 240, 1%, 0.04%

LAB 0.49, 3.44, -9.35

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 38 / 40 / 0 / 69

HEX #323050

RGB 50 48 80

HSL 243.75, 0.25%, 0.25%

LAB 21.47, 9.75, -19.29

 

CMYK 28 / 40 / 0 / 69

HEX #3A3050

RGB 58 48 80

HSL 258.75, 0.25%, 0.25%

LAB 22.28, 12.48, -17.98

 

CMYK 16 / 40 / 0 / 69

HEX #433050

RGB 67 48 80

HSL 275.63, 0.25%, 0.25%

LAB 23.29, 15.7, -16.32

 

CMYK 5 / 40 / 0 / 69

HEX #4C3050

RGB 76 48 80

HSL 292.5, 0.25%, 0.25%

LAB 24.42, 19.02, -14.49

 

CMYK 0 / 40 / 6 / 69

HEX #50304B

RGB 80 48 75

HSL 309.38, 0.25%, 0.25%

LAB 24.73, 19.43, -10.64

 

CMYK 38 / 40 / 0 / 69

HEX #323050

RGB 50 48 80

HSL 243.75, 0.25%, 0.25%

LAB 21.47, 9.75, -19.29

 

CMYK 40 / 40 / 0 / 69

HEX #303050

RGB 48 48 80

HSL 240, 0.25%, 0.25%

LAB 21.29, 9.1, -19.6

 

CMYK 38 / 40 / 0 / 69

HEX #323050

RGB 50 48 80

HSL 243.75, 0.25%, 0.25%

LAB 21.47, 9.75, -19.29

 

CMYK 54 / 59 / 0 / 65

HEX #29255A

RGB 41 37 90

HSL 244.53, 0.42%, 0.25%

LAB 18.07, 18.26, -31.44

 

CMYK 68 / 73 / 0 / 61

HEX #201B64

RGB 32 27 100

HSL 244.11, 0.57%, 0.25%

LAB 15.55, 26.94, -42.22

 

CMYK 79 / 85 / 0 / 56

HEX #17116F

RGB 23 17 111

HSL 243.83, 0.73%, 0.25%

LAB 14.01, 35.78, -52

 

CMYK 88 / 94 / 0 / 53

HEX #0E0779

RGB 14 7 121

HSL 243.68, 0.89%, 0.25%

LAB 13.39, 42.92, -59.52

 

CMYK 38 / 40 / 0 / 69

HEX #323050

RGB 50 48 80

HSL 243.75, 0.25%, 0.25%

LAB 21.47, 9.75, -19.29

 

CMYK 14 / 16 / 0 / 73

HEX #3B3A45

RGB 59 58 69

HSL 245.45, 0.09%, 0.25%

LAB 24.91, 3.08, -6.6

 

CMYK 0 / 0 / 13 / 73

HEX #44443B

RGB 68 68 59

HSL 60, 0.07%, 0.25%

LAB 28.59, -1.88, 5.46

 

CMYK 3 / 0 / 38 / 69

HEX #4D4F31

RGB 77 79 49

HSL 64, 0.23%, 0.25%

LAB 32.68, -6.31, 17.48

 

CMYK 3 / 0 / 57 / 65

HEX #565926

RGB 86 89 38

HSL 63.53, 0.4%, 0.25%

LAB 36.49, -9.32, 28.69

 

CMYK 40 / 21 / 0 / 69

HEX #303F50

RGB 48 63 80

HSL 211.88, 0.25%, 0.25%

LAB 26.05, -1.1, -12.22

 

CMYK 40 / 31 / 0 / 69

HEX #303750

RGB 48 55 80

HSL 226.88, 0.25%, 0.25%

LAB 23.47, 4.26, -16.19

 

CMYK 39 / 40 / 0 / 69

HEX #313050

RGB 49 48 80

HSL 241.88, 0.25%, 0.25%

LAB 21.38, 9.42, -19.45

 

CMYK 28 / 40 / 0 / 69

HEX #3A3050

RGB 58 48 80

HSL 258.75, 0.25%, 0.25%

LAB 22.28, 12.48, -17.98

 

CMYK 18 / 40 / 0 / 69

HEX #423050

RGB 66 48 80

HSL 273.75, 0.25%, 0.25%

LAB 23.17, 15.34, -16.51

 

CMYK 36 / 39 / 0 / 89

HEX #12111C

RGB 18 17 28

HSL 245.45, 0.24%, 0.09%

LAB 5.54, 3.14, -7.15

 

CMYK 37 / 41 / 0 / 79

HEX #222036

RGB 34 32 54

HSL 245.45, 0.26%, 0.17%

LAB 13.47, 7.29, -14.03

 

CMYK 38 / 40 / 0 / 69

HEX #323050

RGB 50 48 80

HSL 243.75, 0.25%, 0.25%

LAB 21.47, 9.75, -19.29

 

CMYK 37 / 40 / 0 / 59

HEX #423F69

RGB 66 63 105

HSL 244.29, 0.25%, 0.33%

LAB 28.73, 12.45, -24.13

 

CMYK 37 / 40 / 0 / 49

HEX #524F83

RGB 82 79 131

HSL 243.46, 0.25%, 0.41%

LAB 36.03, 14.66, -28.83

 

CMYK 37 / 40 / 0 / 69

HEX #312F4E

RGB 49 47 78

HSL 243.87, 0.25%, 0.25%

LAB 20.97, 9.48, -18.76

 

CMYK 0 / 40 / 10 / 69

HEX #503048

RGB 80 48 72

HSL 315, 0.25%, 0.25%

LAB 24.6, 18.81, -8.83

 

CMYK 26 / 0 / 40 / 69

HEX #3B5030

RGB 59 80 48

HSL 99.38, 0.25%, 0.25%

LAB 31.53, -15, 16.31

 

CMYK 37 / 40 / 0 / 69

HEX #312F4E

RGB 49 47 78

HSL 243.87, 0.25%, 0.25%

LAB 20.97, 9.48, -18.76

 

CMYK 0 / 39 / 40 / 69

HEX #503130

RGB 80 49 48

HSL 1.88, 0.25%, 0.25%

LAB 24.05, 13.97, 6.5

 

CMYK 40 / 0 / 39 / 69

HEX #305031

RGB 48 80 49

HSL 121.88, 0.25%, 0.25%

LAB 30.85, -19.17, 14.66

 

CMYK 37 / 40 / 0 / 69

HEX #312F4E

RGB 49 47 78

HSL 243.87, 0.25%, 0.25%

LAB 20.97, 9.48, -18.76

 

CMYK 0 / 40 / 10 / 69

HEX #503048

RGB 80 48 72

HSL 315, 0.25%, 0.25%

LAB 24.6, 18.81, -8.83

 

CMYK 2 / 0 / 40 / 69

HEX #4E5030

RGB 78 80 48

HSL 63.75, 0.25%, 0.25%

LAB 33.07, -6.59, 18.61

 

CMYK 40 / 0 / 30 / 69

HEX #305038

RGB 48 80 56

HSL 135, 0.25%, 0.25%

LAB 31, -17.75, 10.52

 

CMYK 37 / 40 / 0 / 69

HEX #312F4E

RGB 49 47 78

HSL 243.87, 0.25%, 0.25%

LAB 20.97, 9.48, -18.76

 

CMYK 0 / 40 / 23 / 69

HEX #50303E

RGB 80 48 62

HSL 333.75, 0.25%, 0.25%

LAB 24.22, 16.89, -2.69

 

CMYK 2 / 0 / 40 / 69

HEX #4E5030

RGB 78 80 48

HSL 63.75, 0.25%, 0.25%

LAB 33.07, -6.59, 18.61

 

CMYK 40 / 0 / 19 / 69

HEX #305041

RGB 48 80 65

HSL 151.88, 0.25%, 0.25%

LAB 31.22, -15.69, 5.16

 

Description

Color code: HEX #312F4E | qconv.com Color code: HEX #312F4E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 47 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 47 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 40 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 40% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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