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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312BCC it is the complementary color #CED433. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312BCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312BCC shade: #362BC7, #473DDA, #584FED, #6961FF and #7A73FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312BCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312BCC shade: #312BCC, #2019B9, #0F07A6, #000093 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312BCC shade: #312BCA, #5C2BCA, #872BCA, #B22BCA and #CA2BB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312BCC shade: #312BCA and #2B2BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312BCC shade matches the following richer shades: #312BCA, #1E17DE and #0C03F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312BCC shade: #312BCA, #433FB6, #5552A2, #68668F and #7A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312BCC shade: #2B7ACA, #2B50CA, #302BCA, #5B2BCA and #852BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312BCC shade: #201C86, #2924A8, #312BCA, #4C46D8 and #6D68DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312BCC shade: #312BCC, #CA2BA5 and #65CA2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312BCC shade: #312BCC, #CA302B and #2BCA30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312BCC shade: #312BCC, #CA2BA5, #C5CA2B and #2BCA50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312BCC shade: #312BCC, #CA2B75, #C5CA2B and #2BCA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 79 / 0 / 20

HEX #312BCC

RGB 49 43 204

HSL 242.24, 0.65%, 0.48%

LAB 31.21, 54.33, -80.49

 

Complementary color

CMYK 3 / 0 / 76 / 17

HEX #CED433

RGB 206 212 51

HSL 62.24, 0.65%, 0.52%

LAB 82.08, -20.23, 72.72

 

CMYK 73 / 78 / 0 / 22

HEX #362BC7

RGB 54 43 199

HSL 244.23, 0.64%, 0.47%

LAB 30.96, 53.15, -77.97

 

CMYK 67 / 72 / 0 / 15

HEX #473DDA

RGB 71 61 218

HSL 243.82, 0.68%, 0.55%

LAB 37.37, 51.24, -78.36

 

CMYK 63 / 67 / 0 / 7

HEX #584FED

RGB 88 79 237

HSL 243.42, 0.81%, 0.62%

LAB 43.92, 49.23, -78.37

 

CMYK 59 / 62 / 0 / 0

HEX #6961FF

RGB 105 97 255

HSL 243.04, 1%, 0.69%

LAB 50.42, 46.99, -77.76

 

CMYK 52 / 55 / 0 / 0

HEX #7A73FF

RGB 122 115 255

HSL 243, 1%, 0.73%

LAB 55.7, 39.51, -69.12

 

CMYK 76 / 79 / 0 / 20

HEX #312BCC

RGB 49 43 204

HSL 242.24, 0.65%, 0.48%

LAB 31.21, 54.33, -80.49

 

CMYK 83 / 86 / 0 / 27

HEX #2019B9

RGB 32 25 185

HSL 242.63, 0.76%, 0.41%

LAB 25.28, 55.75, -79.19

 

CMYK 91 / 96 / 0 / 35

HEX #0F07A6

RGB 15 7 166

HSL 243.02, 0.92%, 0.34%

LAB 20.07, 55.65, -76.46

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 76 / 79 / 0 / 21

HEX #312BCA

RGB 49 43 202

HSL 242.26, 0.65%, 0.48%

LAB 30.98, 53.71, -79.69

 

CMYK 54 / 79 / 0 / 21

HEX #5C2BCA

RGB 92 43 202

HSL 258.49, 0.65%, 0.48%

LAB 34.53, 57.9, -73.72

 

CMYK 33 / 79 / 0 / 21

HEX #872BCA

RGB 135 43 202

HSL 274.72, 0.65%, 0.48%

LAB 39.82, 64.12, -64.85

 

CMYK 12 / 79 / 0 / 21

HEX #B22BCA

RGB 178 43 202

HSL 290.94, 0.65%, 0.48%

LAB 46.25, 71.66, -54.12

 

CMYK 0 / 79 / 9 / 21

HEX #CA2BB8

RGB 202 43 184

HSL 306.79, 0.65%, 0.48%

LAB 49.19, 73.52, -38.75

 

CMYK 76 / 79 / 0 / 21

HEX #312BCA

RGB 49 43 202

HSL 242.26, 0.65%, 0.48%

LAB 30.98, 53.71, -79.69

 

CMYK 79 / 79 / 0 / 21

HEX #2B2BCA

RGB 43 43 202

HSL 240, 0.65%, 0.48%

LAB 30.65, 53.32, -80.25

 

CMYK 76 / 79 / 0 / 21

HEX #312BCA

RGB 49 43 202

HSL 242.26, 0.65%, 0.48%

LAB 30.98, 53.71, -79.69

 

CMYK 86 / 90 / 0 / 13

HEX #1E17DE

RGB 30 23 222

HSL 242.11, 0.81%, 0.48%

LAB 29.82, 66.73, -93.25

 

CMYK 95 / 99 / 0 / 5

HEX #0C03F2

RGB 12 3 242

HSL 242.26, 0.98%, 0.48%

LAB 30.77, 75.69, -103.09

 

CMYK 76 / 79 / 0 / 21

HEX #312BCA

RGB 49 43 202

HSL 242.26, 0.65%, 0.48%

LAB 30.98, 53.71, -79.69

 

CMYK 63 / 65 / 0 / 29

HEX #433FB6

RGB 67 63 182

HSL 242.02, 0.49%, 0.48%

LAB 34.24, 37.95, -62.53

 

CMYK 48 / 49 / 0 / 36

HEX #5552A2

RGB 85 82 162

HSL 242.25, 0.33%, 0.48%

LAB 38.85, 23.04, -43.11

 

CMYK 27 / 29 / 0 / 44

HEX #68668F

RGB 104 102 143

HSL 242.93, 0.17%, 0.48%

LAB 44.84, 10.44, -22.22

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 79 / 40 / 0 / 21

HEX #2B7ACA

RGB 43 122 202

HSL 210.19, 0.65%, 0.48%

LAB 50.33, 4.46, -48.23

 

CMYK 79 / 60 / 0 / 21

HEX #2B50CA

RGB 43 80 202

HSL 226.04, 0.65%, 0.48%

LAB 38.75, 31.32, -66.92

 

CMYK 76 / 79 / 0 / 21

HEX #302BCA

RGB 48 43 202

HSL 241.89, 0.65%, 0.48%

LAB 30.93, 53.64, -79.79

 

CMYK 55 / 79 / 0 / 21

HEX #5B2BCA

RGB 91 43 202

HSL 258.11, 0.65%, 0.48%

LAB 34.43, 57.78, -73.89

 

CMYK 34 / 79 / 0 / 21

HEX #852BCA

RGB 133 43 202

HSL 273.96, 0.65%, 0.48%

LAB 39.54, 63.8, -65.31

 

CMYK 76 / 79 / 0 / 47

HEX #201C86

RGB 32 28 134

HSL 242.26, 0.65%, 0.32%

LAB 19.47, 38.3, -57.66

 

CMYK 76 / 79 / 0 / 34

HEX #2924A8

RGB 41 36 168

HSL 242.27, 0.65%, 0.4%

LAB 25.44, 45.95, -68.7

 

CMYK 76 / 79 / 0 / 21

HEX #312BCA

RGB 49 43 202

HSL 242.26, 0.65%, 0.48%

LAB 30.98, 53.71, -79.69

 

CMYK 65 / 68 / 0 / 15

HEX #4C46D8

RGB 76 70 216

HSL 242.47, 0.65%, 0.56%

LAB 39.37, 46.14, -73.92

 

CMYK 51 / 53 / 0 / 13

HEX #6D68DF

RGB 109 104 223

HSL 242.52, 0.65%, 0.64%

LAB 50.07, 33.74, -60.39

 

CMYK 76 / 79 / 0 / 20

HEX #312BCC

RGB 49 43 204

HSL 242.24, 0.65%, 0.48%

LAB 31.21, 54.33, -80.49

 

CMYK 0 / 79 / 18 / 21

HEX #CA2BA5

RGB 202 43 165

HSL 313.96, 0.65%, 0.48%

LAB 48.26, 70.89, -29.01

 

CMYK 50 / 0 / 79 / 21

HEX #65CA2B

RGB 101 202 43

HSL 98.11, 0.65%, 0.48%

LAB 73.01, -55.3, 64.49

 

CMYK 76 / 79 / 0 / 20

HEX #312BCC

RGB 49 43 204

HSL 242.24, 0.65%, 0.48%

LAB 31.21, 54.33, -80.49

 

CMYK 0 / 76 / 79 / 21

HEX #CA302B

RGB 202 48 43

HSL 1.89, 0.65%, 0.48%

LAB 45.42, 59.2, 40.61

 

CMYK 79 / 0 / 76 / 21

HEX #2BCA30

RGB 43 202 48

HSL 121.89, 0.65%, 0.48%

LAB 71.53, -67.31, 61

 

CMYK 76 / 79 / 0 / 20

HEX #312BCC

RGB 49 43 204

HSL 242.24, 0.65%, 0.48%

LAB 31.21, 54.33, -80.49

 

CMYK 0 / 79 / 18 / 21

HEX #CA2BA5

RGB 202 43 165

HSL 313.96, 0.65%, 0.48%

LAB 48.26, 70.89, -29.01

 

CMYK 2 / 0 / 79 / 21

HEX #C5CA2B

RGB 197 202 43

HSL 61.89, 0.65%, 0.48%

LAB 78.63, -19.39, 71.69

 

CMYK 79 / 0 / 60 / 21

HEX #2BCA50

RGB 43 202 80

HSL 133.96, 0.65%, 0.48%

LAB 71.78, -64.26, 48.72

 

CMYK 76 / 79 / 0 / 20

HEX #312BCC

RGB 49 43 204

HSL 242.24, 0.65%, 0.48%

LAB 31.21, 54.33, -80.49

 

CMYK 0 / 79 / 42 / 21

HEX #CA2B75

RGB 202 43 117

HSL 332.08, 0.65%, 0.48%

LAB 46.4, 65.41, -2.85

 

CMYK 2 / 0 / 79 / 21

HEX #C5CA2B

RGB 197 202 43

HSL 61.89, 0.65%, 0.48%

LAB 78.63, -19.39, 71.69

 

CMYK 79 / 0 / 37 / 21

HEX #2BCA80

RGB 43 202 128

HSL 152.08, 0.65%, 0.48%

LAB 72.44, -56.57, 25.9

 

Description

Color code: HEX #312BCC | qconv.com Color code: HEX #312BCC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 43 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 43 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 79 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 79% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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