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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3129D44C it is the complementary color #CED62B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3129D44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3129D44C shade: #3629CF4C, #473BE24C, #584DF54C, #695FFF4C and #7A71FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3129D44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3129D44C shade: #3129D44C, #2017C14C, #0F05AE4C, #00009B4C and #0000884C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3129D44C shade: #3129D6, #6029D6, #8E29D6, #BD29D6 and #D629C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3129D44C shade: #3129D6 and #2929D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3129D44C shade matches the following richer shades: #3129D6 and #1E14EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3129D44C shade: #3129D6, #443DC2, #5652AD, #696798 and #7C7B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3129D44C shade: #2980D6, #2951D6, #2F29D6, #5D29D6 and #8B29D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3129D44C shade: #211C91, #2922B4, #3129D6, #524BDD and #746EE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3129D44C shade: #3129D4, #D629AE and #68D629

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3129D44C shade: #3129D4, #D62F29 and #29D62F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3129D44C shade: #3129D4, #D629AE, #D0D629 and #29D651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3129D44C shade: #3129D4, #D6297A, #D0D629 and #29D685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 24 / 0 / 5

HEX #3129D44C

RGBA 49 41 212 0.3

HSLA 242.81, 0.68%, 0.5%, 0.3

LABA 31.79, 57.71, -84.18, 0.3

 

Complementary color

CMYK 1 / 0 / 24 / 5

HEX #CED62B4C

RGBA 206 214 43 0.3

HSLA 62.81, 0.68%, 0.5%, 0.3

LABA 82.59, -21.49, 75.43, 0.3

 

CMYK 22 / 24 / 0 / 6

HEX #3629CF4C

RGBA 54 41 207 0.3

HSLA 244.7, 0.67%, 0.49%, 0.3

LABA 31.52, 56.54, -81.71, 0.3

 

CMYK 21 / 22 / 0 / 3

HEX #473BE24C

RGBA 71 59 226 0.3

HSLA 244.31, 0.74%, 0.56%, 0.3

LABA 37.77, 54.79, -82.29, 0.3

 

CMYK 19 / 21 / 0 / 1

HEX #584DF54C

RGBA 88 77 245 0.3

HSLA 243.93, 0.89%, 0.63%, 0.3

LABA 44.2, 52.83, -82.41, 0.3

 

CMYK 18 / 19 / 0 / 0

HEX #695FFF4C

RGBA 105 95 255 0.3

HSLA 243.75, 1%, 0.69%, 0.3

LABA 49.99, 48.14, -78.46, 0.3

 

CMYK 16 / 17 / 0 / 0

HEX #7A71FF4C

RGBA 122 113 255 0.3

HSLA 243.8, 1%, 0.72%, 0.3

LABA 55.24, 40.68, -69.87, 0.3

 

CMYK 23 / 24 / 0 / 5

HEX #3129D44C

RGBA 49 41 212 0.3

HSLA 242.81, 0.68%, 0.5%, 0.3

LABA 31.79, 57.71, -84.18, 0.3

 

CMYK 25 / 26 / 0 / 7

HEX #2017C14C

RGBA 32 23 193 0.3

HSLA 243.18, 0.79%, 0.42%, 0.3

LABA 26.07, 58.79, -82.6, 0.3

 

CMYK 27 / 29 / 0 / 10

HEX #0F05AE4C

RGBA 15 5 174 0.3

HSLA 243.55, 0.94%, 0.35%, 0.3

LABA 21.08, 58.3, -79.62, 0.3

 

CMYK 30 / 30 / 0 / 12

HEX #00009B4C

RGBA 0 0 155 0.3

HSLA 240, 1%, 0.3%, 0.3

LABA 17.3, 54.61, -74.37, 0.3

 

CMYK 30 / 30 / 0 / 14

HEX #0000884C

RGBA 0 0 136 0.3

HSLA 240, 1%, 0.27%, 0.3

LABA 14.27, 49.64, -67.6, 0.3

 

CMYK 77 / 81 / 0 / 16

HEX #3129D6

RGB 49 41 214

HSL 242.77, 0.68%, 0.5%

LAB 32.02, 58.31, -84.95

 

CMYK 55 / 81 / 0 / 16

HEX #6029D6

RGB 96 41 214

HSL 259.08, 0.68%, 0.5%

LAB 35.84, 62.35, -78.5

 

CMYK 34 / 81 / 0 / 16

HEX #8E29D6

RGB 142 41 214

HSL 275.03, 0.68%, 0.5%

LAB 41.52, 68.48, -68.97

 

CMYK 12 / 81 / 0 / 16

HEX #BD29D6

RGB 189 41 214

HSL 291.33, 0.68%, 0.5%

LAB 48.59, 76.26, -57.19

 

CMYK 0 / 81 / 10 / 16

HEX #D629C0

RGB 214 41 192

HSL 307.63, 0.68%, 0.5%

LAB 51.48, 77.6, -39.64

 

CMYK 77 / 81 / 0 / 16

HEX #3129D6

RGB 49 41 214

HSL 242.77, 0.68%, 0.5%

LAB 32.02, 58.31, -84.95

 

CMYK 81 / 81 / 0 / 16

HEX #2929D6

RGB 41 41 214

HSL 240, 0.68%, 0.5%

LAB 31.61, 57.88, -85.65

 

CMYK 77 / 81 / 0 / 16

HEX #3129D6

RGB 49 41 214

HSL 242.77, 0.68%, 0.5%

LAB 32.02, 58.31, -84.95

 

CMYK 87 / 91 / 0 / 8

HEX #1E14EB

RGB 30 20 235

HSL 242.79, 0.84%, 0.5%

LAB 31.29, 70.98, -98.24

 

CMYK 77 / 81 / 0 / 16

HEX #3129D6

RGB 49 41 214

HSL 242.77, 0.68%, 0.5%

LAB 32.02, 58.31, -84.95

 

CMYK 65 / 69 / 0 / 24

HEX #443DC2

RGB 68 61 194

HSL 243.16, 0.52%, 0.5%

LAB 34.93, 43.22, -68.47

 

CMYK 50 / 53 / 0 / 32

HEX #5652AD

RGB 86 82 173

HSL 242.64, 0.36%, 0.5%

LAB 39.63, 26.75, -48.4

 

CMYK 31 / 32 / 0 / 40

HEX #696798

RGB 105 103 152

HSL 242.45, 0.19%, 0.5%

LAB 45.59, 12.55, -26.41

 

CMYK 6 / 7 / 0 / 48

HEX #7C7B84

RGB 124 123 132

HSL 246.67, 0.04%, 0.5%

LAB 51.97, 2.23, -4.76

 

CMYK 81 / 40 / 0 / 16

HEX #2980D6

RGB 41 128 214

HSL 209.83, 0.68%, 0.5%

LAB 52.69, 5.09, -51.28

 

CMYK 81 / 62 / 0 / 16

HEX #2951D6

RGB 41 81 214

HSL 226.13, 0.68%, 0.5%

LAB 39.93, 34.95, -71.91

 

CMYK 78 / 81 / 0 / 16

HEX #2F29D6

RGB 47 41 214

HSL 242.08, 0.68%, 0.5%

LAB 31.91, 58.2, -85.14

 

CMYK 57 / 81 / 0 / 16

HEX #5D29D6

RGB 93 41 214

HSL 258.03, 0.68%, 0.5%

LAB 35.53, 62.02, -79.02

 

CMYK 35 / 81 / 0 / 16

HEX #8B29D6

RGB 139 41 214

HSL 273.99, 0.68%, 0.5%

LAB 41.1, 68.03, -69.67

 

CMYK 77 / 81 / 0 / 43

HEX #211C91

RGB 33 28 145

HSL 242.56, 0.68%, 0.34%

LAB 20.82, 42.06, -62.29

 

CMYK 77 / 81 / 0 / 29

HEX #2922B4

RGB 41 34 180

HSL 242.88, 0.68%, 0.42%

LAB 26.48, 50.76, -74.19

 

CMYK 77 / 81 / 0 / 16

HEX #3129D6

RGB 49 41 214

HSL 242.77, 0.68%, 0.5%

LAB 32.02, 58.31, -84.95

 

CMYK 63 / 66 / 0 / 13

HEX #524BDD

RGB 82 75 221

HSL 242.88, 0.68%, 0.58%

LAB 41.29, 45.65, -73.61

 

CMYK 49 / 52 / 0 / 11

HEX #746EE3

RGB 116 110 227

HSL 243.08, 0.68%, 0.66%

LAB 52.3, 32.84, -59.04

 

CMYK 77 / 81 / 0 / 17

HEX #3129D4

RGB 49 41 212

HSL 242.81, 0.68%, 0.5%

LAB 31.79, 57.71, -84.18

 

CMYK 0 / 81 / 19 / 16

HEX #D629AE

RGB 214 41 174

HSL 313.87, 0.68%, 0.5%

LAB 50.61, 75.18, -30.5

 

CMYK 51 / 0 / 81 / 16

HEX #68D629

RGB 104 214 41

HSL 98.15, 0.68%, 0.5%

LAB 76.8, -58.97, 68.6

 

CMYK 77 / 81 / 0 / 17

HEX #3129D4

RGB 49 41 212

HSL 242.81, 0.68%, 0.5%

LAB 31.79, 57.71, -84.18

 

CMYK 0 / 78 / 81 / 16

HEX #D62F29

RGB 214 47 41

HSL 2.08, 0.68%, 0.5%

LAB 47.61, 63, 44.63

 

CMYK 81 / 0 / 78 / 16

HEX #29D62F

RGB 41 214 47

HSL 122.08, 0.68%, 0.5%

LAB 75.31, -71.2, 64.96

 

CMYK 77 / 81 / 0 / 17

HEX #3129D4

RGB 49 41 212

HSL 242.81, 0.68%, 0.5%

LAB 31.79, 57.71, -84.18

 

CMYK 0 / 81 / 19 / 16

HEX #D629AE

RGB 214 41 174

HSL 313.87, 0.68%, 0.5%

LAB 50.61, 75.18, -30.5

 

CMYK 3 / 0 / 81 / 16

HEX #D0D629

RGB 208 214 41

HSL 62.08, 0.68%, 0.5%

LAB 82.73, -20.72, 76.13

 

CMYK 81 / 0 / 62 / 16

HEX #29D651

RGB 41 214 81

HSL 133.87, 0.68%, 0.5%

LAB 75.55, -68.19, 52.57

 

CMYK 77 / 81 / 0 / 17

HEX #3129D4

RGB 49 41 212

HSL 242.81, 0.68%, 0.5%

LAB 31.79, 57.71, -84.18

 

CMYK 0 / 81 / 43 / 16

HEX #D6297A

RGB 214 41 122

HSL 331.91, 0.68%, 0.5%

LAB 48.62, 69.44, -2.39

 

CMYK 3 / 0 / 81 / 16

HEX #D0D629

RGB 208 214 41

HSL 62.08, 0.68%, 0.5%

LAB 82.73, -20.72, 76.13

 

CMYK 81 / 0 / 38 / 16

HEX #29D685

RGB 41 214 133

HSL 151.91, 0.68%, 0.5%

LAB 76.23, -60.17, 28.36

 

Description

Color code: HEX #3129D44C | qconv.com Color code: HEX #3129D44C | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 41 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 41 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 24 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 24% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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