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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3129774C it is the complementary color #CED6884C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3129774C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3129774C shade: #3629724C, #473B854C, #584D984C, #695FAB4C and #7A71BE4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3129774C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3129774C shade: #3129774C, #2017644C, #0F05514C, #00003E4C and #00002B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3129774C shade: #302876, #452876, #5A2876, #6F2876 and #762868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3129774C shade: #302876 and #282876

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3129774C shade matches the following richer shades: #302876, #261C83, #1C0F8F and #12029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3129774C shade: #302876, #3A3569, #45425C, #4F4F4F and #595B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3129774C shade: #284A76, #283576, #302876, #452876 and #592876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3129774C shade: #171338, #241E57, #302876, #3D3395 and #493DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3129774C shade: #312977, #76285F and #407628

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3129774C shade: #312977, #763028 and #287630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3129774C shade: #312977, #76285F, #6E7628 and #287640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3129774C shade: #312977, #762847, #6E7628 and #287657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 20 / 0 / 16

HEX #3129774C

RGBA 49 41 119 0.3

HSLA 246.15, 0.49%, 0.31%, 0.3

LABA 22.2, 27.44, -43.62, 0.3

 

Complementary color

CMYK 1 / 0 / 11 / 5

HEX #CED6884C

RGBA 206 214 136 0.3

HSLA 66.15, 0.49%, 0.69%, 0.3

LABA 83.44, -14.64, 37.64, 0.3

 

CMYK 16 / 19 / 0 / 17

HEX #3629724C

RGBA 54 41 114 0.3

HSLA 250.68, 0.47%, 0.3%, 0.3

LABA 22.25, 26.77, -40.31, 0.3

 

CMYK 14 / 17 / 0 / 14

HEX #473B854C

RGBA 71 59 133 0.3

HSLA 249.73, 0.39%, 0.38%, 0.3

LABA 29.82, 25.2, -40.01, 0.3

 

CMYK 13 / 15 / 0 / 12

HEX #584D984C

RGBA 88 77 152 0.3

HSLA 248.8, 0.33%, 0.45%, 0.3

LABA 37.21, 23.88, -39.72, 0.3

 

CMYK 12 / 13 / 0 / 10

HEX #695FAB4C

RGBA 105 95 171 0.3

HSLA 247.89, 0.31%, 0.52%, 0.3

LABA 44.42, 22.78, -39.48, 0.3

 

CMYK 11 / 12 / 0 / 8

HEX #7A71BE4C

RGBA 122 113 190 0.3

HSLA 247.01, 0.37%, 0.59%, 0.3

LABA 51.46, 21.83, -39.31, 0.3

 

CMYK 18 / 20 / 0 / 16

HEX #3129774C

RGBA 49 41 119 0.3

HSLA 246.15, 0.49%, 0.31%, 0.3

LABA 22.2, 27.44, -43.62, 0.3

 

CMYK 20 / 23 / 0 / 18

HEX #2017644C

RGBA 32 23 100 0.3

HSLA 247.01, 0.63%, 0.24%, 0.3

LABA 14.62, 29.49, -43.73, 0.3

 

CMYK 24 / 28 / 0 / 20

HEX #0F05514C

RGBA 15 5 81 0.3

HSLA 247.89, 0.88%, 0.17%, 0.3

LABA 7.26, 31.41, -43.12, 0.3

 

CMYK 30 / 30 / 0 / 23

HEX #00003E4C

RGBA 0 0 62 0.3

HSLA 240, 1%, 0.12%, 0.3

LABA 3.14, 22.06, -36.55, 0.3

 

CMYK 30 / 30 / 0 / 25

HEX #00002B4C

RGBA 0 0 43 0.3

HSLA 240, 1%, 0.08%, 0.3

LABA 1.58, 11.07, -24.95, 0.3

 

CMYK 59 / 66 / 0 / 54

HEX #302876

RGB 48 40 118

HSL 246.15, 0.49%, 0.31%

LAB 21.78, 27.56, -43.67

 

CMYK 42 / 66 / 0 / 54

HEX #452876

RGB 69 40 118

HSL 262.31, 0.49%, 0.31%

LAB 23.97, 32.01, -40.01

 

CMYK 24 / 66 / 0 / 54

HEX #5A2876

RGB 90 40 118

HSL 278.46, 0.49%, 0.31%

LAB 26.73, 37.15, -35.41

 

CMYK 6 / 66 / 0 / 54

HEX #6F2876

RGB 111 40 118

HSL 294.62, 0.49%, 0.31%

LAB 29.92, 42.6, -30.14

 

CMYK 0 / 66 / 12 / 54

HEX #762868

RGB 118 40 104

HSL 310.77, 0.49%, 0.31%

LAB 30.32, 41.97, -20.5

 

CMYK 59 / 66 / 0 / 54

HEX #302876

RGB 48 40 118

HSL 246.15, 0.49%, 0.31%

LAB 21.78, 27.56, -43.67

 

CMYK 66 / 66 / 0 / 54

HEX #282876

RGB 40 40 118

HSL 240, 0.49%, 0.31%

LAB 21.12, 26.14, -44.77

 

CMYK 59 / 66 / 0 / 54

HEX #302876

RGB 48 40 118

HSL 246.15, 0.49%, 0.31%

LAB 21.78, 27.56, -43.67

 

CMYK 71 / 79 / 0 / 49

HEX #261C83

RGB 38 28 131

HSL 245.83, 0.65%, 0.31%

LAB 19.56, 37.87, -55.6

 

CMYK 80 / 90 / 0 / 44

HEX #1C0F8F

RGB 28 15 143

HSL 246.09, 0.81%, 0.31%

LAB 18.24, 47.06, -65.34

 

CMYK 88 / 99 / 0 / 39

HEX #12029C

RGB 18 2 156

HSL 246.23, 0.97%, 0.31%

LAB 18.24, 54.45, -73.4

 

CMYK 59 / 66 / 0 / 54

HEX #302876

RGB 48 40 118

HSL 246.15, 0.49%, 0.31%

LAB 21.78, 27.56, -43.67

 

CMYK 45 / 50 / 0 / 59

HEX #3A3569

RGB 58 53 105

HSL 245.77, 0.33%, 0.31%

LAB 25.15, 16.8, -29.83

 

CMYK 25 / 28 / 0 / 64

HEX #45425C

RGB 69 66 92

HSL 246.92, 0.16%, 0.31%

LAB 29.25, 7.69, -14.96

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 2 / 0 / 26 / 64

HEX #595B43

RGB 89 91 67

HSL 65, 0.15%, 0.31%

LAB 37.86, -5.34, 13.61

 

CMYK 66 / 37 / 0 / 54

HEX #284A76

RGB 40 74 118

HSL 213.85, 0.49%, 0.31%

LAB 31.01, 2.81, -28.87

 

CMYK 66 / 55 / 0 / 54

HEX #283576

RGB 40 53 118

HSL 230, 0.49%, 0.31%

LAB 24.66, 17.19, -39.02

 

CMYK 59 / 66 / 0 / 54

HEX #302876

RGB 48 40 118

HSL 246.15, 0.49%, 0.31%

LAB 21.78, 27.56, -43.67

 

CMYK 42 / 66 / 0 / 54

HEX #452876

RGB 69 40 118

HSL 262.31, 0.49%, 0.31%

LAB 23.97, 32.01, -40.01

 

CMYK 25 / 66 / 0 / 54

HEX #592876

RGB 89 40 118

HSL 277.69, 0.49%, 0.31%

LAB 26.59, 36.89, -35.65

 

CMYK 59 / 66 / 0 / 78

HEX #171338

RGB 23 19 56

HSL 246.49, 0.49%, 0.15%

LAB 8.42, 14.3, -23.55

 

CMYK 59 / 66 / 0 / 66

HEX #241E57

RGB 36 30 87

HSL 246.32, 0.49%, 0.23%

LAB 15.44, 20.92, -33.7

 

CMYK 59 / 66 / 0 / 54

HEX #302876

RGB 48 40 118

HSL 246.15, 0.49%, 0.31%

LAB 21.78, 27.56, -43.67

 

CMYK 59 / 66 / 0 / 42

HEX #3D3395

RGB 61 51 149

HSL 246.12, 0.49%, 0.39%

LAB 28.19, 33.4, -52.56

 

CMYK 59 / 66 / 0 / 30

HEX #493DB3

RGB 73 61 179

HSL 246.1, 0.49%, 0.47%

LAB 34, 39.11, -61.13

 

CMYK 59 / 66 / 0 / 53

HEX #312977

RGB 49 41 119

HSL 246.15, 0.49%, 0.31%

LAB 22.2, 27.44, -43.62

 

CMYK 0 / 66 / 19 / 54

HEX #76285F

RGB 118 40 95

HSL 317.69, 0.49%, 0.31%

LAB 29.9, 40.5, -15.34

 

CMYK 46 / 0 / 66 / 54

HEX #407628

RGB 64 118 40

HSL 101.54, 0.49%, 0.31%

LAB 44.52, -33.16, 36.36

 

CMYK 59 / 66 / 0 / 53

HEX #312977

RGB 49 41 119

HSL 246.15, 0.49%, 0.31%

LAB 22.2, 27.44, -43.62

 

CMYK 0 / 59 / 66 / 54

HEX #763028

RGB 118 48 40

HSL 6.15, 0.49%, 0.31%

LAB 29.71, 30.12, 20.35

 

CMYK 66 / 0 / 59 / 54

HEX #287630

RGB 40 118 48

HSL 126.15, 0.49%, 0.31%

LAB 43.68, -39.18, 31.24

 

CMYK 59 / 66 / 0 / 53

HEX #312977

RGB 49 41 119

HSL 246.15, 0.49%, 0.31%

LAB 22.2, 27.44, -43.62

 

CMYK 0 / 66 / 19 / 54

HEX #76285F

RGB 118 40 95

HSL 317.69, 0.49%, 0.31%

LAB 29.9, 40.5, -15.34

 

CMYK 7 / 0 / 66 / 54

HEX #6E7628

RGB 110 118 40

HSL 66.15, 0.49%, 0.31%

LAB 47.53, -14.3, 40.5

 

CMYK 66 / 0 / 46 / 54

HEX #287640

RGB 40 118 64

HSL 138.46, 0.49%, 0.31%

LAB 43.91, -36.61, 22.9

 

CMYK 59 / 66 / 0 / 53

HEX #312977

RGB 49 41 119

HSL 246.15, 0.49%, 0.31%

LAB 22.2, 27.44, -43.62

 

CMYK 0 / 66 / 40 / 54

HEX #762847

RGB 118 40 71

HSL 336.15, 0.49%, 0.31%

LAB 28.96, 37.14, -1.01

 

CMYK 7 / 0 / 66 / 54

HEX #6E7628

RGB 110 118 40

HSL 66.15, 0.49%, 0.31%

LAB 47.53, -14.3, 40.5

 

CMYK 66 / 0 / 26 / 54

HEX #287657

RGB 40 118 87

HSL 156.15, 0.49%, 0.31%

LAB 44.37, -31.7, 10.21

 

Description

Color code: HEX #3129774C | qconv.com Color code: HEX #3129774C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 41 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 41 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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