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Color name
HEX #312919

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312919 it is the complementary color #CED6E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312919. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312919 shade: #362914, #473B27, #584D3A, #695F4D and #7A7160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312919. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312919 shade: #312919, #201706, #0F0500 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312919 shade: #322A1A, #32241A, #321D1A and #321A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312919 shade: #322A1A, #32311A, #2D321A, #27321A and #20321A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312919 shade matches the following richer shades: #322A1A, #392C14, #3F2E0E, #453107 and #4B3301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312919 shade: #322A1A, #2C2820, #262626, #20242D and #1A2233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312919 shade: #321D1A, #32241A, #322A1A, #32311A and #2E321A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312919 shade: #000000, #17140C, #322A1A, #4E4128 and #695836

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312919 shade: #312919, #1D321A and #211A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312919 shade: #312919, #1A322A and #2A1A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312919 shade: #312919, #1D321A, #1A2232 and #2F1A32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312919 shade: #312919, #1A321E, #1A2232 and #321A2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 49 / 81

HEX #312919

RGB 49 41 25

HSL 40, 0.32%, 0.15%

LAB 17.03, 0.87, 11.86

 

Complementary color

CMYK 10 / 7 / 0 / 10

HEX #CED6E6

RGB 206 214 230

HSL 220, 0.32%, 0.85%

LAB 85.47, 0.39, -8.79

 

CMYK 0 / 24 / 63 / 79

HEX #362914

RGB 54 41 20

HSL 37.06, 0.46%, 0.15%

LAB 17.56, 2.87, 15.97

 

CMYK 0 / 17 / 45 / 72

HEX #473B27

RGB 71 59 39

HSL 37.5, 0.29%, 0.22%

LAB 25.61, 1.93, 14.35

 

CMYK 0 / 13 / 34 / 65

HEX #584D3A

RGB 88 77 58

HSL 38, 0.21%, 0.29%

LAB 33.32, 1.3, 12.97

 

CMYK 0 / 10 / 27 / 59

HEX #695F4D

RGB 105 95 77

HSL 38.57, 0.15%, 0.36%

LAB 40.77, 0.84, 11.77

 

CMYK 0 / 7 / 21 / 52

HEX #7A7160

RGB 122 113 96

HSL 39.23, 0.12%, 0.43%

LAB 48, 0.47, 10.7

 

CMYK 0 / 16 / 49 / 81

HEX #312919

RGB 49 41 25

HSL 40, 0.32%, 0.15%

LAB 17.03, 0.87, 11.86

 

CMYK 0 / 28 / 81 / 87

HEX #201706

RGB 32 23 6

HSL 39.23, 0.68%, 0.07%

LAB 8.42, 1.87, 10.18

 

CMYK 0 / 67 / 100 / 94

HEX #0F0500

RGB 15 5 0

HSL 20, 1%, 0.03%

LAB 1.9, 2.11, 2.88

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 16 / 48 / 80

HEX #322A1A

RGB 50 42 26

HSL 40, 0.32%, 0.15%

LAB 17.5, 0.85, 11.82

 

CMYK 0 / 28 / 48 / 80

HEX #32241A

RGB 50 36 26

HSL 25, 0.32%, 0.15%

LAB 15.56, 4.98, 9.26

 

CMYK 0 / 42 / 48 / 80

HEX #321D1A

RGB 50 29 26

HSL 7.5, 0.32%, 0.15%

LAB 13.42, 9.86, 6.34

 

CMYK 0 / 48 / 48 / 80

HEX #321A1A

RGB 50 26 26

HSL 0, 0.32%, 0.15%

LAB 12.55, 11.93, 5.14

 

CMYK 0 / 16 / 48 / 80

HEX #322A1A

RGB 50 42 26

HSL 40, 0.32%, 0.15%

LAB 17.5, 0.85, 11.82

 

CMYK 0 / 2 / 48 / 80

HEX #32311A

RGB 50 49 26

HSL 57.5, 0.32%, 0.15%

LAB 19.84, -3.82, 14.83

 

CMYK 10 / 0 / 48 / 80

HEX #2D321A

RGB 45 50 26

HSL 72.5, 0.32%, 0.15%

LAB 19.69, -6.98, 14.55

 

CMYK 22 / 0 / 48 / 80

HEX #27321A

RGB 39 50 26

HSL 87.5, 0.32%, 0.15%

LAB 19.17, -9.89, 13.77

 

CMYK 36 / 0 / 48 / 80

HEX #20321A

RGB 32 50 26

HSL 105, 0.32%, 0.15%

LAB 18.64, -13.07, 12.98

 

CMYK 0 / 16 / 48 / 80

HEX #322A1A

RGB 50 42 26

HSL 40, 0.32%, 0.15%

LAB 17.5, 0.85, 11.82

 

CMYK 0 / 23 / 65 / 78

HEX #392C14

RGB 57 44 20

HSL 38.92, 0.48%, 0.15%

LAB 18.89, 2.43, 17.67

 

CMYK 0 / 27 / 78 / 75

HEX #3F2E0E

RGB 63 46 14

HSL 39.18, 0.64%, 0.15%

LAB 20.21, 3.77, 22.85

 

CMYK 0 / 29 / 90 / 73

HEX #453107

RGB 69 49 7

HSL 40.65, 0.82%, 0.15%

LAB 21.86, 4.58, 27.92

 

CMYK 0 / 32 / 99 / 71

HEX #4B3301

RGB 75 51 1

HSL 40.54, 0.97%, 0.15%

LAB 23.22, 6.16, 32.04

 

CMYK 0 / 16 / 48 / 80

HEX #322A1A

RGB 50 42 26

HSL 40, 0.32%, 0.15%

LAB 17.5, 0.85, 11.82

 

CMYK 0 / 9 / 27 / 83

HEX #2C2820

RGB 44 40 32

HSL 40, 0.16%, 0.15%

LAB 16.29, 0.17, 5.94

 

CMYK 0 / 0 / 0 / 85

HEX #262626

RGB 38 38 38

HSL 0, 0%, 0.15%

LAB 15.16, 0, -0

 

CMYK 29 / 20 / 0 / 82

HEX #20242D

RGB 32 36 45

HSL 221.54, 0.17%, 0.15%

LAB 14.16, 0.75, -6.55

 

CMYK 49 / 33 / 0 / 80

HEX #1A2233

RGB 26 34 51

HSL 220.8, 0.32%, 0.15%

LAB 13.25, 1.96, -12.29

 

CMYK 0 / 42 / 48 / 80

HEX #321D1A

RGB 50 29 26

HSL 7.5, 0.32%, 0.15%

LAB 13.42, 9.86, 6.34

 

CMYK 0 / 28 / 48 / 80

HEX #32241A

RGB 50 36 26

HSL 25, 0.32%, 0.15%

LAB 15.56, 4.98, 9.26

 

CMYK 0 / 16 / 48 / 80

HEX #322A1A

RGB 50 42 26

HSL 40, 0.32%, 0.15%

LAB 17.5, 0.85, 11.82

 

CMYK 0 / 2 / 48 / 80

HEX #32311A

RGB 50 49 26

HSL 57.5, 0.32%, 0.15%

LAB 19.84, -3.82, 14.83

 

CMYK 8 / 0 / 48 / 80

HEX #2E321A

RGB 46 50 26

HSL 70, 0.32%, 0.15%

LAB 19.79, -6.48, 14.69

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 13 / 48 / 91

HEX #17140C

RGB 23 20 12

HSL 43.64, 0.31%, 0.07%

LAB 6.4, -0.17, 4.61

 

CMYK 0 / 16 / 48 / 80

HEX #322A1A

RGB 50 42 26

HSL 40, 0.32%, 0.15%

LAB 17.5, 0.85, 11.82

 

CMYK 0 / 17 / 49 / 69

HEX #4E4128

RGB 78 65 40

HSL 39.47, 0.32%, 0.23%

LAB 28.26, 1.63, 17.31

 

CMYK 0 / 16 / 49 / 59

HEX #695836

RGB 105 88 54

HSL 40, 0.32%, 0.31%

LAB 38.29, 1.9, 22.25

 

CMYK 0 / 16 / 49 / 81

HEX #312919

RGB 49 41 25

HSL 40, 0.32%, 0.15%

LAB 17.03, 0.87, 11.86

 

CMYK 42 / 0 / 48 / 80

HEX #1D321A

RGB 29 50 26

HSL 112.5, 0.32%, 0.15%

LAB 18.44, -14.34, 12.68

 

CMYK 34 / 48 / 0 / 80

HEX #211A32

RGB 33 26 50

HSL 257.5, 0.32%, 0.15%

LAB 11.22, 10.06, -14.68

 

CMYK 0 / 16 / 49 / 81

HEX #312919

RGB 49 41 25

HSL 40, 0.32%, 0.15%

LAB 17.03, 0.87, 11.86

 

CMYK 48 / 0 / 16 / 80

HEX #1A322A

RGB 26 50 42

HSL 160, 0.32%, 0.15%

LAB 18.66, -11.72, 2.16

 

CMYK 16 / 48 / 0 / 80

HEX #2A1A32

RGB 42 26 50

HSL 280, 0.32%, 0.15%

LAB 12.36, 13.46, -12.82

 

CMYK 0 / 16 / 49 / 81

HEX #312919

RGB 49 41 25

HSL 40, 0.32%, 0.15%

LAB 17.03, 0.87, 11.86

 

CMYK 42 / 0 / 48 / 80

HEX #1D321A

RGB 29 50 26

HSL 112.5, 0.32%, 0.15%

LAB 18.44, -14.34, 12.68

 

CMYK 48 / 32 / 0 / 80

HEX #1A2232

RGB 26 34 50

HSL 220, 0.32%, 0.15%

LAB 13.19, 1.61, -11.66

 

CMYK 6 / 48 / 0 / 80

HEX #2F1A32

RGB 47 26 50

HSL 292.5, 0.32%, 0.15%

LAB 13.07, 15.4, -11.67

 

CMYK 0 / 16 / 49 / 81

HEX #312919

RGB 49 41 25

HSL 40, 0.32%, 0.15%

LAB 17.03, 0.87, 11.86

 

CMYK 48 / 0 / 40 / 80

HEX #1A321E

RGB 26 50 30

HSL 130, 0.32%, 0.15%

LAB 18.34, -14.72, 9.87

 

CMYK 48 / 32 / 0 / 80

HEX #1A2232

RGB 26 34 50

HSL 220, 0.32%, 0.15%

LAB 13.19, 1.61, -11.66

 

CMYK 0 / 48 / 8 / 80

HEX #321A2E

RGB 50 26 46

HSL 310, 0.32%, 0.15%

LAB 13.32, 15.65, -8.36

 

Description

Color code: HEX #312919 | qconv.com Color code: HEX #312919 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 41 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 41 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 49 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 49% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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