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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #31167ACE it is the complementary color #CEE985CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #31167ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #31167ACE shade: #361675CE, #472888CE, #583A9BCE, #694CAECE and #7A5EC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #31167ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #31167ACE shade: #31167ACE, #200467CE, #0F0054CE, #000041CE and #00002ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #31167ACE shade: #311679, #4B1679, #661679, #791671 and #791656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #31167ACE shade: #311679 and #161679

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #31167ACE shade matches the following richer shades: #311679 and #2B0B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #31167ACE shade: #311679, #36226D, #3B2D62, #413956 and #46444A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #31167ACE shade: #163079, #161679, #301679, #4B1679 and #651679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #31167ACE shade: #150933, #231056, #311679, #3F1D9C and #4D23BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #31167ACE shade: #31167A, #79164B and #237916

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #31167ACE shade: #31167A, #793016 and #167930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #31167ACE shade: #31167A, #79164B, #5E7916 and #167944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #31167ACE shade: #31167A, #79162D, #5E7916 and #167962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 66 / 0 / 42

HEX #31167ACE

RGBA 49 22 122 0.81

HSLA 256.2, 0.69%, 0.28%, 0.81

LABA 18.51, 39.44, -51.59, 0.81

 

Complementary color

CMYK 9 / 0 / 35 / 7

HEX #CEE985CE

RGBA 206 233 133 0.81

HSLA 76.2, 0.69%, 0.72%, 0.81

LABA 88.49, -24.29, 45.55, 0.81

 

CMYK 44 / 66 / 0 / 44

HEX #361675CE

RGBA 54 22 117 0.81

HSLA 260.21, 0.68%, 0.27%, 0.81

LABA 18.55, 38.66, -48.28, 0.81

 

CMYK 39 / 57 / 0 / 38

HEX #472888CE

RGBA 71 40 136 0.81

HSLA 259.38, 0.55%, 0.35%, 0.81

LABA 25.67, 37.69, -48.59, 0.81

 

CMYK 35 / 51 / 0 / 32

HEX #583A9BCE

RGBA 88 58 155 0.81

HSLA 258.56, 0.46%, 0.42%, 0.81

LABA 32.85, 36.42, -48.54, 0.81

 

CMYK 32 / 46 / 0 / 26

HEX #694CAECE

RGBA 105 76 174 0.81

HSLA 257.76, 0.39%, 0.49%, 0.81

LABA 39.96, 35.15, -48.37, 0.81

 

CMYK 30 / 42 / 0 / 20

HEX #7A5EC1CE

RGBA 122 94 193 0.81

HSLA 256.97, 0.44%, 0.56%, 0.81

LABA 46.97, 33.98, -48.17, 0.81

 

CMYK 48 / 66 / 0 / 42

HEX #31167ACE

RGBA 49 22 122 0.81

HSLA 256.2, 0.69%, 0.28%, 0.81

LABA 18.51, 39.44, -51.59, 0.81

 

CMYK 56 / 78 / 0 / 48

HEX #200467CE

RGBA 32 4 103 0.81

HSLA 256.97, 0.93%, 0.21%, 0.81

LABA 11.78, 39.8, -50.42, 0.81

 

CMYK 67 / 81 / 0 / 54

HEX #0F0054CE

RGBA 15 0 84 0.81

HSLA 250.71, 1%, 0.16%, 0.81

LABA 6.7, 35.36, -46.13, 0.81

 

CMYK 81 / 81 / 0 / 60

HEX #000041CE

RGBA 0 0 65 0.81

HSLA 240, 1%, 0.13%, 0.81

LABA 3.45, 24.03, -38.21, 0.81

 

CMYK 81 / 81 / 0 / 66

HEX #00002ECE

RGBA 0 0 46 0.81

HSLA 240, 1%, 0.09%, 0.81

LABA 1.78, 12.52, -26.91, 0.81

 

CMYK 60 / 82 / 0 / 53

HEX #311679

RGB 49 22 121

HSL 256.36, 0.69%, 0.28%

LAB 18.4, 39.14, -51.12

 

CMYK 38 / 82 / 0 / 53

HEX #4B1679

RGB 75 22 121

HSL 272.12, 0.69%, 0.28%

LAB 21.76, 43.15, -45.47

 

CMYK 16 / 82 / 0 / 53

HEX #661679

RGB 102 22 121

HSL 288.48, 0.69%, 0.28%

LAB 26.1, 48.27, -38.25

 

CMYK 0 / 82 / 7 / 53

HEX #791671

RGB 121 22 113

HSL 304.85, 0.69%, 0.28%

LAB 28.98, 50.9, -28.34

 

CMYK 0 / 82 / 29 / 53

HEX #791656

RGB 121 22 86

HSL 321.21, 0.69%, 0.28%

LAB 27.6, 46.93, -12.93

 

CMYK 60 / 82 / 0 / 53

HEX #311679

RGB 49 22 121

HSL 256.36, 0.69%, 0.28%

LAB 18.4, 39.14, -51.12

 

CMYK 82 / 82 / 0 / 53

HEX #161679

RGB 22 22 121

HSL 240, 0.69%, 0.28%

LAB 16.13, 36.42, -54.95

 

CMYK 60 / 82 / 0 / 53

HEX #311679

RGB 49 22 121

HSL 256.36, 0.69%, 0.28%

LAB 18.4, 39.14, -51.12

 

CMYK 67 / 92 / 0 / 48

HEX #2B0B84

RGB 43 11 132

HSL 255.87, 0.85%, 0.28%

LAB 17.55, 46.19, -59.55

 

CMYK 60 / 82 / 0 / 53

HEX #311679

RGB 49 22 121

HSL 256.36, 0.69%, 0.28%

LAB 18.4, 39.14, -51.12

 

CMYK 50 / 69 / 0 / 57

HEX #36226D

RGB 54 34 109

HSL 256, 0.52%, 0.28%

LAB 20.17, 29.58, -40.46

 

CMYK 40 / 54 / 0 / 62

HEX #3B2D62

RGB 59 45 98

HSL 255.85, 0.37%, 0.28%

LAB 22.61, 20.24, -29.33

 

CMYK 24 / 34 / 0 / 66

HEX #413956

RGB 65 57 86

HSL 256.55, 0.2%, 0.28%

LAB 25.93, 10.57, -16.21

 

CMYK 5 / 8 / 0 / 71

HEX #46444A

RGB 70 68 74

HSL 260, 0.04%, 0.28%

LAB 29.24, 2.19, -3.31

 

CMYK 82 / 60 / 0 / 53

HEX #163079

RGB 22 48 121

HSL 224.24, 0.69%, 0.28%

LAB 22.53, 19.23, -44.42

 

CMYK 82 / 82 / 0 / 53

HEX #161679

RGB 22 22 121

HSL 240, 0.69%, 0.28%

LAB 16.13, 36.42, -54.95

 

CMYK 60 / 82 / 0 / 53

HEX #301679

RGB 48 22 121

HSL 255.76, 0.69%, 0.28%

LAB 18.29, 39.01, -51.31

 

CMYK 38 / 82 / 0 / 53

HEX #4B1679

RGB 75 22 121

HSL 272.12, 0.69%, 0.28%

LAB 21.76, 43.15, -45.47

 

CMYK 17 / 82 / 0 / 53

HEX #651679

RGB 101 22 121

HSL 287.88, 0.69%, 0.28%

LAB 25.92, 48.07, -38.53

 

CMYK 59 / 82 / 0 / 80

HEX #150933

RGB 21 9 51

HSL 257.14, 0.7%, 0.12%

LAB 5.36, 17.64, -24.84

 

CMYK 59 / 81 / 0 / 66

HEX #231056

RGB 35 16 86

HSL 256.29, 0.69%, 0.2%

LAB 11.96, 29.34, -38.72

 

CMYK 60 / 82 / 0 / 53

HEX #311679

RGB 49 22 121

HSL 256.36, 0.69%, 0.28%

LAB 18.4, 39.14, -51.12

 

CMYK 60 / 81 / 0 / 39

HEX #3F1D9C

RGB 63 29 156

HSL 256.06, 0.69%, 0.36%

LAB 24.75, 47.85, -62.49

 

CMYK 59 / 82 / 0 / 25

HEX #4D23BE

RGB 77 35 190

HSL 256.26, 0.69%, 0.44%

LAB 30.63, 56.31, -73.16

 

CMYK 60 / 82 / 0 / 52

HEX #31167A

RGB 49 22 122

HSL 256.2, 0.69%, 0.28%

LAB 18.51, 39.44, -51.59

 

CMYK 0 / 82 / 38 / 53

HEX #79164B

RGB 121 22 75

HSL 327.88, 0.69%, 0.28%

LAB 27.15, 45.58, -6.3

 

CMYK 71 / 0 / 82 / 53

HEX #237916

RGB 35 121 22

HSL 112.12, 0.69%, 0.28%

LAB 44.36, -44.06, 43.17

 

CMYK 60 / 82 / 0 / 52

HEX #31167A

RGB 49 22 122

HSL 256.2, 0.69%, 0.28%

LAB 18.51, 39.44, -51.59

 

CMYK 0 / 60 / 82 / 53

HEX #793016

RGB 121 48 22

HSL 15.76, 0.69%, 0.28%

LAB 30, 30.34, 31.54

 

CMYK 82 / 0 / 60 / 53

HEX #167930

RGB 22 121 48

HSL 135.76, 0.69%, 0.28%

LAB 44.32, -43.62, 31.88

 

CMYK 60 / 82 / 0 / 52

HEX #31167A

RGB 49 22 122

HSL 256.2, 0.69%, 0.28%

LAB 18.51, 39.44, -51.59

 

CMYK 0 / 82 / 38 / 53

HEX #79164B

RGB 121 22 75

HSL 327.88, 0.69%, 0.28%

LAB 27.15, 45.58, -6.3

 

CMYK 22 / 0 / 82 / 53

HEX #5E7916

RGB 94 121 22

HSL 76.36, 0.69%, 0.28%

LAB 47.12, -24.07, 46.74

 

CMYK 82 / 0 / 44 / 53

HEX #167944

RGB 22 121 68

HSL 147.88, 0.69%, 0.28%

LAB 44.61, -40.2, 21.47

 

CMYK 60 / 82 / 0 / 52

HEX #31167A

RGB 49 22 122

HSL 256.2, 0.69%, 0.28%

LAB 18.51, 39.44, -51.59

 

CMYK 0 / 82 / 63 / 53

HEX #79162D

RGB 121 22 45

HSL 346.06, 0.69%, 0.28%

LAB 26.24, 42.8, 12.7

 

CMYK 22 / 0 / 82 / 53

HEX #5E7916

RGB 94 121 22

HSL 76.36, 0.69%, 0.28%

LAB 47.12, -24.07, 46.74

 

CMYK 82 / 0 / 19 / 53

HEX #167962

RGB 22 121 98

HSL 166.06, 0.69%, 0.28%

LAB 45.26, -33.04, 4.9

 

Description

Color code: HEX #31167ACE | qconv.com Color code: HEX #31167ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 22 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 22 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 66 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 66% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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