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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30FB7D it is the complementary color #CF0482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30FB7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30FB7D shade: #35FB78, #46FF8B, #57FF9E, #68FFB1 and #79FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30FB7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30FB7D shade: #30FB7D, #1FE96A, #0ED757, #00C544 and #00B331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30FB7D shade: #32FB7E, #32FB48, #52FB32, #88FB32 and #BEFB32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30FB7D shade: #32FB7E, #32FBB4, #32FBEA, #32D5FB and #329FFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30FB7D shade matches the following richer shades: #32FB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30FB7D shade: #32FB7E, #43EA82, #54D986, #65C88A and #76B78F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30FB7D shade: #54FB32, #32FB46, #32FB7C, #32FBB1 and #32FBE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30FB7D shade: #04D654, #0AFA65, #32FB7E, #5BFC98 and #83FCB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30FB7D shade: #30FB7D, #3289FB and #FB3239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30FB7D shade: #30FB7D, #7C32FB and #FB7C32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30FB7D shade: #30FB7D, #3289FB, #FB32B1 and #FBA432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30FB7D shade: #30FB7D, #324DFB, #FB32B1 and #FBE032

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 50 / 2

HEX #30FB7D

RGB 48 251 125

HSL 142.76, 0.96%, 0.59%

LAB 87.54, -73.4, 46.87

 

Complementary color

CMYK 0 / 98 / 37 / 19

HEX #CF0482

RGB 207 4 130

HSL 322.76, 0.96%, 0.41%

LAB 45.58, 74.24, -11.95

 

CMYK 79 / 0 / 52 / 2

HEX #35FB78

RGB 53 251 120

HSL 140.3, 0.96%, 0.6%

LAB 87.54, -73.61, 49.21

 

CMYK 73 / 0 / 45 / 0

HEX #46FF8B

RGB 70 255 139

HSL 142.38, 1%, 0.64%

LAB 89.25, -69.97, 42.43

 

CMYK 66 / 0 / 38 / 0

HEX #57FF9E

RGB 87 255 158

HSL 145.36, 1%, 0.67%

LAB 89.87, -64.15, 33.99

 

CMYK 59 / 0 / 31 / 0

HEX #68FFB1

RGB 104 255 177

HSL 149.01, 1%, 0.7%

LAB 90.61, -57.52, 25.53

 

CMYK 53 / 0 / 23 / 0

HEX #79FFC4

RGB 121 255 196

HSL 153.58, 1%, 0.74%

LAB 91.49, -50.21, 17.14

 

CMYK 81 / 0 / 50 / 2

HEX #30FB7D

RGB 48 251 125

HSL 142.76, 0.96%, 0.59%

LAB 87.54, -73.4, 46.87

 

CMYK 87 / 0 / 55 / 9

HEX #1FE96A

RGB 31 233 106

HSL 142.28, 0.82%, 0.52%

LAB 81.63, -71.86, 48.46

 

CMYK 93 / 0 / 60 / 16

HEX #0ED757

RGB 14 215 87

HSL 141.79, 0.88%, 0.45%

LAB 75.69, -69.8, 50.04

 

CMYK 100 / 0 / 65 / 23

HEX #00C544

RGB 0 197 68

HSL 140.71, 1%, 0.39%

LAB 69.72, -67.16, 51.5

 

CMYK 100 / 0 / 73 / 30

HEX #00B331

RGB 0 179 49

HSL 136.42, 1%, 0.35%

LAB 63.72, -63.73, 52.68

 

CMYK 80 / 0 / 50 / 2

HEX #32FB7E

RGB 50 251 126

HSL 142.69, 0.96%, 0.59%

LAB 87.57, -73.06, 46.45

 

CMYK 80 / 0 / 71 / 2

HEX #32FB48

RGB 50 251 72

HSL 126.57, 0.96%, 0.59%

LAB 87.07, -79.22, 68.51

 

CMYK 67 / 0 / 80 / 2

HEX #52FB32

RGB 82 251 50

HSL 110.45, 0.96%, 0.59%

LAB 87.49, -75.98, 75.85

 

CMYK 46 / 0 / 80 / 2

HEX #88FB32

RGB 136 251 50

HSL 94.33, 0.96%, 0.59%

LAB 89.14, -62.84, 77.97

 

CMYK 24 / 0 / 80 / 2

HEX #BEFB32

RGB 190 251 50

HSL 78.21, 0.96%, 0.59%

LAB 91.76, -44.56, 81.31

 

CMYK 80 / 0 / 50 / 2

HEX #32FB7E

RGB 50 251 126

HSL 142.69, 0.96%, 0.59%

LAB 87.57, -73.06, 46.45

 

CMYK 80 / 0 / 28 / 2

HEX #32FBB4

RGB 50 251 180

HSL 158.81, 0.96%, 0.59%

LAB 88.43, -63.2, 20.83

 

CMYK 80 / 0 / 7 / 2

HEX #32FBEA

RGB 50 251 234

HSL 174.93, 0.96%, 0.59%

LAB 89.68, -50.11, -5.33

 

CMYK 80 / 15 / 0 / 2

HEX #32D5FB

RGB 50 213 251

HSL 191.34, 0.96%, 0.59%

LAB 79.17, -27.82, -30.11

 

CMYK 80 / 37 / 0 / 2

HEX #329FFB

RGB 50 159 251

HSL 207.46, 0.96%, 0.59%

LAB 63.7, 1.09, -54.28

 

CMYK 80 / 0 / 50 / 2

HEX #32FB7E

RGB 50 251 126

HSL 142.69, 0.96%, 0.59%

LAB 87.57, -73.06, 46.45

 

CMYK 80 / 0 / 50 / 2

HEX #32FB7E

RGB 50 251 126

HSL 142.69, 0.96%, 0.59%

LAB 87.57, -73.06, 46.45

 

CMYK 71 / 0 / 44 / 8

HEX #43EA82

RGB 67 234 130

HSL 142.63, 0.8%, 0.59%

LAB 82.73, -64.57, 38.46

 

CMYK 61 / 0 / 38 / 15

HEX #54D986

RGB 84 217 134

HSL 142.56, 0.64%, 0.59%

LAB 78.01, -54.61, 30.37

 

CMYK 50 / 0 / 31 / 22

HEX #65C88A

RGB 101 200 138

HSL 142.42, 0.47%, 0.59%

LAB 73.49, -43, 22.3

 

CMYK 36 / 0 / 22 / 28

HEX #76B78F

RGB 118 183 143

HSL 143.08, 0.31%, 0.59%

LAB 69.26, -29.48, 13.88

 

CMYK 67 / 0 / 80 / 2

HEX #54FB32

RGB 84 251 50

HSL 109.85, 0.96%, 0.59%

LAB 87.54, -75.6, 75.91

 

CMYK 80 / 0 / 72 / 2

HEX #32FB46

RGB 50 251 70

HSL 125.97, 0.96%, 0.59%

LAB 87.05, -79.38, 69.18

 

CMYK 80 / 0 / 51 / 2

HEX #32FB7C

RGB 50 251 124

HSL 142.09, 0.96%, 0.59%

LAB 87.55, -73.35, 47.36

 

CMYK 80 / 0 / 29 / 2

HEX #32FBB1

RGB 50 251 177

HSL 157.91, 0.96%, 0.59%

LAB 88.37, -63.84, 22.28

 

CMYK 80 / 0 / 8 / 2

HEX #32FBE7

RGB 50 251 231

HSL 174.03, 0.96%, 0.59%

LAB 89.6, -50.91, -3.89

 

CMYK 98 / 0 / 61 / 16

HEX #04D654

RGB 4 214 84

HSL 142.86, 0.96%, 0.43%

LAB 75.3, -70.23, 50.91

 

CMYK 96 / 0 / 60 / 2

HEX #0AFA65

RGB 10 250 101

HSL 142.75, 0.96%, 0.51%

LAB 86.69, -78.67, 56.62

 

CMYK 80 / 0 / 50 / 2

HEX #32FB7E

RGB 50 251 126

HSL 142.69, 0.96%, 0.59%

LAB 87.57, -73.06, 46.45

 

CMYK 64 / 0 / 40 / 1

HEX #5BFC98

RGB 91 252 152

HSL 142.73, 0.96%, 0.67%

LAB 88.98, -63.38, 35.81

 

CMYK 48 / 0 / 30 / 1

HEX #83FCB1

RGB 131 252 177

HSL 142.81, 0.95%, 0.75%

LAB 90.61, -50.29, 25.66

 

CMYK 81 / 0 / 50 / 2

HEX #30FB7D

RGB 48 251 125

HSL 142.76, 0.96%, 0.59%

LAB 87.54, -73.4, 46.87

 

CMYK 80 / 45 / 0 / 2

HEX #3289FB

RGB 50 137 251

HSL 214.03, 0.96%, 0.59%

LAB 57.59, 14.19, -64.05

 

CMYK 0 / 80 / 77 / 2

HEX #FB3239

RGB 251 50 57

HSL 357.91, 0.96%, 0.59%

LAB 55.16, 73.09, 46.03

 

CMYK 81 / 0 / 50 / 2

HEX #30FB7D

RGB 48 251 125

HSL 142.76, 0.96%, 0.59%

LAB 87.54, -73.4, 46.87

 

CMYK 51 / 80 / 0 / 2

HEX #7C32FB

RGB 124 50 251

HSL 262.09, 0.96%, 0.59%

LAB 43.55, 71.44, -86.72

 

CMYK 0 / 51 / 80 / 2

HEX #FB7C32

RGB 251 124 50

HSL 22.09, 0.96%, 0.59%

LAB 65.87, 44.09, 59.92

 

CMYK 81 / 0 / 50 / 2

HEX #30FB7D

RGB 48 251 125

HSL 142.76, 0.96%, 0.59%

LAB 87.54, -73.4, 46.87

 

CMYK 80 / 45 / 0 / 2

HEX #3289FB

RGB 50 137 251

HSL 214.03, 0.96%, 0.59%

LAB 57.59, 14.19, -64.05

 

CMYK 0 / 80 / 29 / 2

HEX #FB32B1

RGB 251 50 177

HSL 322.09, 0.96%, 0.59%

LAB 58, 81.56, -20.31

 

CMYK 0 / 35 / 80 / 2

HEX #FBA432

RGB 251 164 50

HSL 34.03, 0.96%, 0.59%

LAB 74.38, 23.63, 67.68

 

CMYK 81 / 0 / 50 / 2

HEX #30FB7D

RGB 48 251 125

HSL 142.76, 0.96%, 0.59%

LAB 87.54, -73.4, 46.87

 

CMYK 80 / 69 / 0 / 2

HEX #324DFB

RGB 50 77 251

HSL 231.94, 0.96%, 0.59%

LAB 42.69, 51.12, -88.33

 

CMYK 0 / 80 / 29 / 2

HEX #FB32B1

RGB 251 50 177

HSL 322.09, 0.96%, 0.59%

LAB 58, 81.56, -20.31

 

CMYK 0 / 11 / 80 / 2

HEX #FBE032

RGB 251 224 50

HSL 51.94, 0.96%, 0.59%

LAB 88.95, -7.33, 80.53

 

Description

Color code: HEX #30FB7D | qconv.com Color code: HEX #30FB7D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 251 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 251 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 50% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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