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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30EC5E it is the complementary color #CF13A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30EC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30EC5E shade: #35EC59, #46FE6C, #57FF7F, #68FF92 and #79FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30EC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30EC5E shade: #30EC5E, #1FDA4B, #0EC838, #00B625 and #00A412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30EC5E shade: #32EC5F, #36EC32, #69EC32, #9BEC32 and #CDEC32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30EC5E shade: #32EC5F, #32EC91, #32ECC4, #32E2EC and #32B0EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30EC5E shade matches the following richer shades: #32EC5F and #20FE56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30EC5E shade: #32EC5F, #44DA69, #56C872, #68B57B and #7AA384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30EC5E shade: #6AEC32, #38EC32, #32EC5D, #32EC8F and #32ECC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30EC5E shade: #11BA3B, #15E046, #32EC5F, #57EF7D and #7DF39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30EC5E shade: #30EC5E, #329BEC and #EC3251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30EC5E shade: #30EC5E, #5D32EC and #EC5D32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30EC5E shade: #30EC5E, #329BEC, #EC32C0 and #EC8232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30EC5E shade: #30EC5E, #3263EC, #EC32C0 and #ECBA32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 60 / 7

HEX #30EC5E

RGB 48 236 94

HSL 134.68, 0.83%, 0.56%

LAB 82.61, -72.78, 55.02

 

Complementary color

CMYK 0 / 91 / 22 / 19

HEX #CF13A1

RGB 207 19 161

HSL 314.68, 0.83%, 0.44%

LAB 47.37, 76.12, -27.95

 

CMYK 78 / 0 / 62 / 7

HEX #35EC59

RGB 53 236 89

HSL 131.8, 0.83%, 0.57%

LAB 82.63, -72.76, 57.2

 

CMYK 72 / 0 / 57 / 0

HEX #46FE6C

RGB 70 254 108

HSL 132.39, 0.99%, 0.64%

LAB 88.58, -73.97, 55.93

 

CMYK 66 / 0 / 50 / 0

HEX #57FF7F

RGB 87 255 127

HSL 134.29, 1%, 0.67%

LAB 89.43, -69.06, 48.42

 

CMYK 59 / 0 / 43 / 0

HEX #68FF92

RGB 104 255 146

HSL 136.69, 1%, 0.7%

LAB 90.11, -62.94, 40.3

 

CMYK 53 / 0 / 35 / 0

HEX #79FFA5

RGB 121 255 165

HSL 139.7, 1%, 0.74%

LAB 90.92, -56.05, 32.07

 

CMYK 80 / 0 / 60 / 7

HEX #30EC5E

RGB 48 236 94

HSL 134.68, 0.83%, 0.56%

LAB 82.61, -72.78, 55.02

 

CMYK 86 / 0 / 66 / 15

HEX #1FDA4B

RGB 31 218 75

HSL 134.12, 0.75%, 0.49%

LAB 76.64, -71.02, 56.27

 

CMYK 93 / 0 / 72 / 22

HEX #0EC838

RGB 14 200 56

HSL 133.55, 0.87%, 0.42%

LAB 70.65, -68.63, 57.25

 

CMYK 100 / 0 / 80 / 29

HEX #00B625

RGB 0 182 37

HSL 132.2, 1%, 0.36%

LAB 64.64, -65.51, 57.65

 

CMYK 100 / 0 / 89 / 36

HEX #00A412

RGB 0 164 18

HSL 126.59, 1%, 0.32%

LAB 58.6, -61.41, 57

 

CMYK 79 / 0 / 60 / 7

HEX #32EC5F

RGB 50 236 95

HSL 134.52, 0.83%, 0.56%

LAB 82.64, -72.44, 54.64

 

CMYK 77 / 0 / 79 / 7

HEX #36EC32

RGB 54 236 50

HSL 118.71, 0.83%, 0.56%

LAB 82.38, -75.89, 70.89

 

CMYK 56 / 0 / 79 / 7

HEX #69EC32

RGB 105 236 50

HSL 102.26, 0.83%, 0.56%

LAB 83.56, -66.05, 72.41

 

CMYK 34 / 0 / 79 / 7

HEX #9BEC32

RGB 155 236 50

HSL 86.13, 0.83%, 0.56%

LAB 85.6, -50.88, 75.04

 

CMYK 13 / 0 / 79 / 7

HEX #CDEC32

RGB 205 236 50

HSL 70, 0.83%, 0.56%

LAB 88.54, -32.08, 78.8

 

CMYK 79 / 0 / 60 / 7

HEX #32EC5F

RGB 50 236 95

HSL 134.52, 0.83%, 0.56%

LAB 82.64, -72.44, 54.64

 

CMYK 79 / 0 / 39 / 7

HEX #32EC91

RGB 50 236 145

HSL 150.65, 0.83%, 0.56%

LAB 83.29, -64.81, 31.66

 

CMYK 79 / 0 / 17 / 7

HEX #32ECC4

RGB 50 236 196

HSL 167.1, 0.83%, 0.56%

LAB 84.31, -53.72, 6.7

 

CMYK 79 / 4 / 0 / 7

HEX #32E2EC

RGB 50 226 236

HSL 183.23, 0.83%, 0.56%

LAB 82.45, -38.57, -17.16

 

CMYK 79 / 25 / 0 / 7

HEX #32B0EC

RGB 50 176 236

HSL 199.35, 0.83%, 0.56%

LAB 67.86, -13.71, -39.54

 

CMYK 79 / 0 / 60 / 7

HEX #32EC5F

RGB 50 236 95

HSL 134.52, 0.83%, 0.56%

LAB 82.64, -72.44, 54.64

 

CMYK 87 / 0 / 66 / 0

HEX #20FE56

RGB 32 254 86

HSL 134.59, 0.99%, 0.56%

LAB 87.9, -80.43, 64.17

 

CMYK 79 / 0 / 60 / 7

HEX #32EC5F

RGB 50 236 95

HSL 134.52, 0.83%, 0.56%

LAB 82.64, -72.44, 54.64

 

CMYK 69 / 0 / 52 / 15

HEX #44DA69

RGB 68 218 105

HSL 134.8, 0.67%, 0.56%

LAB 77.51, -62.63, 44.06

 

CMYK 57 / 0 / 43 / 22

HEX #56C872

RGB 86 200 114

HSL 134.74, 0.51%, 0.56%

LAB 72.56, -50.92, 33.48

 

CMYK 43 / 0 / 32 / 29

HEX #68B57B

RGB 104 181 123

HSL 134.81, 0.34%, 0.56%

LAB 67.59, -36.53, 22.31

 

CMYK 25 / 0 / 19 / 36

HEX #7AA384

RGB 122 163 132

HSL 134.63, 0.18%, 0.56%

LAB 63.34, -20.4, 11.65

 

CMYK 55 / 0 / 79 / 7

HEX #6AEC32

RGB 106 236 50

HSL 101.94, 0.83%, 0.56%

LAB 83.59, -65.8, 72.46

 

CMYK 76 / 0 / 79 / 7

HEX #38EC32

RGB 56 236 50

HSL 118.06, 0.83%, 0.56%

LAB 82.41, -75.62, 70.93

 

CMYK 79 / 0 / 61 / 7

HEX #32EC5D

RGB 50 236 93

HSL 133.87, 0.83%, 0.56%

LAB 82.63, -72.67, 55.48

 

CMYK 79 / 0 / 39 / 7

HEX #32EC8F

RGB 50 236 143

HSL 150, 0.83%, 0.56%

LAB 83.26, -65.18, 32.62

 

CMYK 79 / 0 / 19 / 7

HEX #32ECC0

RGB 50 236 192

HSL 165.81, 0.83%, 0.56%

LAB 84.21, -54.7, 8.66

 

CMYK 91 / 0 / 68 / 27

HEX #11BA3B

RGB 17 186 59

HSL 134.91, 0.83%, 0.4%

LAB 66.18, -64.03, 51.39

 

CMYK 91 / 0 / 69 / 12

HEX #15E046

RGB 21 224 70

HSL 134.48, 0.83%, 0.48%

LAB 78.41, -73.97, 60.13

 

CMYK 79 / 0 / 60 / 7

HEX #32EC5F

RGB 50 236 95

HSL 134.52, 0.83%, 0.56%

LAB 82.64, -72.44, 54.64

 

CMYK 64 / 0 / 48 / 6

HEX #57EF7D

RGB 87 239 125

HSL 135, 0.83%, 0.64%

LAB 84.61, -63.71, 43.37

 

CMYK 49 / 0 / 37 / 5

HEX #7DF39A

RGB 125 243 154

HSL 134.75, 0.83%, 0.72%

LAB 87.38, -52.09, 32.9

 

CMYK 80 / 0 / 60 / 7

HEX #30EC5E

RGB 48 236 94

HSL 134.68, 0.83%, 0.56%

LAB 82.61, -72.78, 55.02

 

CMYK 79 / 34 / 0 / 7

HEX #329BEC

RGB 50 155 236

HSL 206.13, 0.83%, 0.56%

LAB 61.81, -1.98, -49.06

 

CMYK 0 / 79 / 66 / 7

HEX #EC3251

RGB 236 50 81

HSL 350, 0.83%, 0.56%

LAB 52.63, 69.98, 28.63

 

CMYK 80 / 0 / 60 / 7

HEX #30EC5E

RGB 48 236 94

HSL 134.68, 0.83%, 0.56%

LAB 82.61, -72.78, 55.02

 

CMYK 61 / 79 / 0 / 7

HEX #5D32EC

RGB 93 50 236

HSL 253.87, 0.83%, 0.56%

LAB 39.01, 64.18, -85.87

 

CMYK 0 / 61 / 79 / 7

HEX #EC5D32

RGB 236 93 50

HSL 13.87, 0.83%, 0.56%

LAB 57.93, 53.12, 51.55

 

CMYK 80 / 0 / 60 / 7

HEX #30EC5E

RGB 48 236 94

HSL 134.68, 0.83%, 0.56%

LAB 82.61, -72.78, 55.02

 

CMYK 79 / 34 / 0 / 7

HEX #329BEC

RGB 50 155 236

HSL 206.13, 0.83%, 0.56%

LAB 61.81, -1.98, -49.06

 

CMYK 0 / 79 / 19 / 7

HEX #EC32C0

RGB 236 50 192

HSL 314.19, 0.83%, 0.56%

LAB 56.01, 80.03, -32.28

 

CMYK 0 / 45 / 79 / 7

HEX #EC8232

RGB 236 130 50

HSL 25.81, 0.83%, 0.56%

LAB 64.99, 35.21, 58.34

 

CMYK 80 / 0 / 60 / 7

HEX #30EC5E

RGB 48 236 94

HSL 134.68, 0.83%, 0.56%

LAB 82.61, -72.78, 55.02

 

CMYK 79 / 58 / 0 / 7

HEX #3263EC

RGB 50 99 236

HSL 224.19, 0.83%, 0.56%

LAB 46.52, 32.38, -73.63

 

CMYK 0 / 79 / 19 / 7

HEX #EC32C0

RGB 236 50 192

HSL 314.19, 0.83%, 0.56%

LAB 56.01, 80.03, -32.28

 

CMYK 0 / 21 / 79 / 7

HEX #ECBA32

RGB 236 186 50

HSL 43.87, 0.83%, 0.56%

LAB 77.98, 5.74, 70.31

 

Description

Color code: HEX #30EC5E | qconv.com Color code: HEX #30EC5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 236 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 236 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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