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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30EC1F it is the complementary color #CF13E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30EC1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30EC1F shade: #35EC1A, #46FE2D, #57FF40, #68FF53 and #79FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30EC1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30EC1F shade: #30EC1F, #1FDA0C, #0EC800, #00B600 and #00A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30EC1F shade: #2FEB1E, #66EB1E, #9EEB1E, #D5EB1E and #EBCA1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30EC1F shade: #2FEB1E, #1EEB44, #1EEB7C, #1EEBB3 and #1EEBEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30EC1F shade matches the following richer shades: #2FEB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30EC1F shade: #2FEB1E, #3FD832, #50C445, #60B059 and #719C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30EC1F shade: #9DEB1E, #66EB1E, #2FEB1E, #1EEB43 and #1EEB7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30EC1F shade: #1BA80F, #22CE12, #2FEB1E, #52EF44 and #75F26A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30EC1F shade: #30EC1F, #1ED3EB and #EB1E81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30EC1F shade: #30EC1F, #1E2FEB and #EB1E2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30EC1F shade: #30EC1F, #1ED3EB, #DA1EEB and #EB361E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30EC1F shade: #30EC1F, #1E96EB, #DA1EEB and #EB731E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 87 / 7

HEX #30EC1F

RGB 48 236 31

HSL 115.02, 0.84%, 0.52%

LAB 82.23, -77.52, 75.21

 

Complementary color

CMYK 8 / 92 / 0 / 12

HEX #CF13E0

RGB 207 19 224

HSL 295.02, 0.84%, 0.48%

LAB 50.82, 84.86, -59.14

 

CMYK 78 / 0 / 89 / 7

HEX #35EC1A

RGB 53 236 26

HSL 112.29, 0.85%, 0.51%

LAB 82.28, -77.07, 76.17

 

CMYK 72 / 0 / 82 / 0

HEX #46FE2D

RGB 70 254 45

HSL 112.82, 0.99%, 0.59%

LAB 88.15, -79.15, 77.61

 

CMYK 66 / 0 / 75 / 0

HEX #57FF40

RGB 87 255 64

HSL 112.77, 1%, 0.63%

LAB 88.88, -75.47, 73.19

 

CMYK 59 / 0 / 67 / 0

HEX #68FF53

RGB 104 255 83

HSL 112.67, 1%, 0.66%

LAB 89.43, -70.53, 67.32

 

CMYK 53 / 0 / 60 / 0

HEX #79FF66

RGB 121 255 102

HSL 112.55, 1%, 0.7%

LAB 90.11, -64.69, 60.62

 

CMYK 80 / 0 / 87 / 7

HEX #30EC1F

RGB 48 236 31

HSL 115.02, 0.84%, 0.52%

LAB 82.23, -77.52, 75.21

 

CMYK 86 / 0 / 94 / 15

HEX #1FDA0C

RGB 31 218 12

HSL 114.47, 0.9%, 0.45%

LAB 76.35, -74.73, 72.97

 

CMYK 93 / 0 / 100 / 22

HEX #0EC800

RGB 14 200 0

HSL 115.8, 1%, 0.39%

LAB 70.46, -71.18, 69.35

 

CMYK 100 / 0 / 100 / 29

HEX #00B600

RGB 0 182 0

HSL 120, 1%, 0.36%

LAB 64.53, -66.9, 64.57

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 57 / 0 / 87 / 8

HEX #66EB1E

RGB 102 235 30

HSL 98.93, 0.84%, 0.52%

LAB 83.09, -67.3, 76.6

 

CMYK 33 / 0 / 87 / 8

HEX #9EEB1E

RGB 158 235 30

HSL 82.54, 0.84%, 0.52%

LAB 85.39, -50.12, 79.47

 

CMYK 9 / 0 / 87 / 8

HEX #D5EB1E

RGB 213 235 30

HSL 66.44, 0.84%, 0.52%

LAB 88.76, -28.96, 83.62

 

CMYK 0 / 14 / 87 / 8

HEX #EBCA1E

RGB 235 202 30

HSL 50.34, 0.84%, 0.52%

LAB 81.84, -3.5, 78.82

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 87 / 0 / 71 / 8

HEX #1EEB44

RGB 30 235 68

HSL 131.12, 0.84%, 0.52%

LAB 81.9, -76.74, 64.54

 

CMYK 87 / 0 / 47 / 8

HEX #1EEB7C

RGB 30 235 124

HSL 147.51, 0.84%, 0.52%

LAB 82.46, -69.86, 40.95

 

CMYK 87 / 0 / 24 / 8

HEX #1EEBB3

RGB 30 235 179

HSL 163.61, 0.84%, 0.52%

LAB 83.41, -58.94, 14.3

 

CMYK 87 / 0 / 0 / 8

HEX #1EEBEB

RGB 30 235 235

HSL 180, 0.84%, 0.52%

LAB 84.84, -44.26, -13.06

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 71 / 0 / 77 / 15

HEX #3FD832

RGB 63 216 50

HSL 115.3, 0.68%, 0.52%

LAB 76.31, -68.48, 65.14

 

CMYK 59 / 0 / 65 / 23

HEX #50C445

RGB 80 196 69

HSL 114.8, 0.52%, 0.52%

LAB 70.6, -56.73, 52.4

 

CMYK 45 / 0 / 49 / 31

HEX #60B059

RGB 96 176 89

HSL 115.17, 0.36%, 0.52%

LAB 65.17, -42.16, 36.89

 

CMYK 28 / 0 / 30 / 39

HEX #719C6D

RGB 113 156 109

HSL 114.89, 0.19%, 0.52%

LAB 60.24, -24.17, 20.05

 

CMYK 33 / 0 / 87 / 8

HEX #9DEB1E

RGB 157 235 30

HSL 82.83, 0.84%, 0.52%

LAB 85.34, -50.47, 79.41

 

CMYK 57 / 0 / 87 / 8

HEX #66EB1E

RGB 102 235 30

HSL 98.93, 0.84%, 0.52%

LAB 83.09, -67.3, 76.6

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 87 / 0 / 71 / 8

HEX #1EEB43

RGB 30 235 67

HSL 130.83, 0.84%, 0.52%

LAB 81.89, -76.82, 64.88

 

CMYK 87 / 0 / 48 / 8

HEX #1EEB7A

RGB 30 235 122

HSL 146.93, 0.84%, 0.52%

LAB 82.43, -70.19, 41.88

 

CMYK 84 / 0 / 91 / 34

HEX #1BA80F

RGB 27 168 15

HSL 115.29, 0.84%, 0.36%

LAB 60.13, -60.75, 58.97

 

CMYK 83 / 0 / 91 / 19

HEX #22CE12

RGB 34 206 18

HSL 114.89, 0.84%, 0.44%

LAB 72.58, -70.95, 69.08

 

CMYK 80 / 0 / 87 / 8

HEX #2FEB1E

RGB 47 235 30

HSL 115.02, 0.84%, 0.52%

LAB 81.9, -77.39, 75.11

 

CMYK 66 / 0 / 72 / 6

HEX #52EF44

RGB 82 239 68

HSL 115.09, 0.84%, 0.6%

LAB 83.94, -71.05, 66.88

 

CMYK 52 / 0 / 56 / 5

HEX #75F26A

RGB 117 242 106

HSL 115.15, 0.84%, 0.68%

LAB 86.17, -60.49, 54.3

 

CMYK 80 / 0 / 87 / 7

HEX #30EC1F

RGB 48 236 31

HSL 115.02, 0.84%, 0.52%

LAB 82.23, -77.52, 75.21

 

CMYK 87 / 10 / 0 / 8

HEX #1ED3EB

RGB 30 211 235

HSL 187.02, 0.84%, 0.52%

LAB 77.79, -33.29, -23.7

 

CMYK 0 / 87 / 45 / 8

HEX #EB1E81

RGB 235 30 129

HSL 331.02, 0.84%, 0.52%

LAB 52.04, 77.3, -1.16

 

CMYK 80 / 0 / 87 / 7

HEX #30EC1F

RGB 48 236 31

HSL 115.02, 0.84%, 0.52%

LAB 82.23, -77.52, 75.21

 

CMYK 87 / 80 / 0 / 8

HEX #1E2FEB

RGB 30 47 235

HSL 235.02, 0.84%, 0.52%

LAB 34.61, 61.02, -92.7

 

CMYK 0 / 87 / 80 / 8

HEX #EB1E2F

RGB 235 30 47

HSL 355.02, 0.84%, 0.52%

LAB 50.45, 72.78, 45.62

 

CMYK 80 / 0 / 87 / 7

HEX #30EC1F

RGB 48 236 31

HSL 115.02, 0.84%, 0.52%

LAB 82.23, -77.52, 75.21

 

CMYK 87 / 10 / 0 / 8

HEX #1ED3EB

RGB 30 211 235

HSL 187.02, 0.84%, 0.52%

LAB 77.79, -33.29, -23.7

 

CMYK 7 / 87 / 0 / 8

HEX #DA1EEB

RGB 218 30 235

HSL 295.02, 0.84%, 0.52%

LAB 53.85, 86.81, -60.4

 

CMYK 0 / 77 / 87 / 8

HEX #EB361E

RGB 235 54 30

HSL 7.02, 0.84%, 0.52%

LAB 52.28, 66.83, 55.51

 

CMYK 80 / 0 / 87 / 7

HEX #30EC1F

RGB 48 236 31

HSL 115.02, 0.84%, 0.52%

LAB 82.23, -77.52, 75.21

 

CMYK 87 / 36 / 0 / 8

HEX #1E96EB

RGB 30 150 235

HSL 204.88, 0.84%, 0.52%

LAB 59.97, -1.06, -51.45

 

CMYK 7 / 87 / 0 / 8

HEX #DA1EEB

RGB 218 30 235

HSL 295.02, 0.84%, 0.52%

LAB 53.85, 86.81, -60.4

 

CMYK 0 / 51 / 87 / 8

HEX #EB731E

RGB 235 115 30

HSL 24.88, 0.84%, 0.52%

LAB 61.67, 41.86, 62.87

 

Description

Color code: HEX #30EC1F | qconv.com Color code: HEX #30EC1F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 236 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 236 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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