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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30EBA8 it is the complementary color #CF1457. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30EBA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30EBA8 shade: #35EBA3, #46FDB6, #57FFC9, #68FFDC and #79FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30EBA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30EBA8 shade: #30EBA8, #1FD995, #0EC782, #00B56F and #00A35C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30EBA8 shade: #2EEAA7, #2EEA74, #2EEA41, #4EEA2E and #80EA2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30EBA8 shade: #2EEAA7, #2EEADA, #2EC8EA, #2E96EA and #2E63EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30EBA8 shade matches the following richer shades: #2EEAA7 and #1CFDAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30EBA8 shade: #2EEAA7, #41D8A2, #53C59C, #66B397 and #78A092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30EBA8 shade: #2EEA41, #2EEA73, #2EEAA5, #2EEAD8 and #2ECBEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30EBA8 shade: #12B47A, #16DA93, #2EEAA7, #54EEB7 and #79F2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30EBA8 shade: #30EBA8, #2E4EEA and #EA5A2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30EBA8 shade: #30EBA8, #A52EEA and #EAA52E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30EBA8 shade: #30EBA8, #2E4EEA, #EA2E73 and #EACB2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30EBA8 shade: #30EBA8, #472EEA, #EA2E73 and #D1EA2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 29 / 8

HEX #30EBA8

RGB 48 235 168

HSL 158.5, 0.82%, 0.55%

LAB 83.38, -60.01, 19.99

 

Complementary color

CMYK 0 / 90 / 58 / 19

HEX #CF1457

RGB 207 20 87

HSL 338.5, 0.82%, 0.45%

LAB 44.88, 69.11, 13.69

 

CMYK 77 / 0 / 31 / 8

HEX #35EBA3

RGB 53 235 163

HSL 156.26, 0.82%, 0.56%

LAB 83.35, -60.56, 22.55

 

CMYK 72 / 0 / 28 / 1

HEX #46FDB6

RGB 70 253 182

HSL 156.72, 0.98%, 0.63%

LAB 89.36, -61.31, 21.14

 

CMYK 66 / 0 / 21 / 0

HEX #57FFC9

RGB 87 255 201

HSL 160.71, 1%, 0.67%

LAB 90.67, -55.54, 13.28

 

CMYK 59 / 0 / 14 / 0

HEX #68FFDC

RGB 104 255 220

HSL 166.09, 1%, 0.7%

LAB 91.52, -48.34, 4.75

 

CMYK 53 / 0 / 6 / 0

HEX #79FFEF

RGB 121 255 239

HSL 172.84, 1%, 0.74%

LAB 92.49, -40.58, -3.6

 

CMYK 80 / 0 / 29 / 8

HEX #30EBA8

RGB 48 235 168

HSL 158.5, 0.82%, 0.55%

LAB 83.38, -60.01, 19.99

 

CMYK 86 / 0 / 31 / 15

HEX #1FD995

RGB 31 217 149

HSL 158.06, 0.75%, 0.49%

LAB 77.33, -58.85, 21.52

 

CMYK 93 / 0 / 35 / 22

HEX #0EC782

RGB 14 199 130

HSL 157.62, 0.87%, 0.42%

LAB 71.25, -57.29, 23.2

 

CMYK 100 / 0 / 39 / 29

HEX #00B56F

RGB 0 181 111

HSL 156.8, 1%, 0.35%

LAB 65.12, -55.29, 25.01

 

CMYK 100 / 0 / 44 / 36

HEX #00A35C

RGB 0 163 92

HSL 153.87, 1%, 0.32%

LAB 58.94, -52.66, 26.99

 

CMYK 80 / 0 / 29 / 8

HEX #2EEAA7

RGB 46 234 167

HSL 158.62, 0.82%, 0.55%

LAB 83.03, -60.05, 20.03

 

CMYK 80 / 0 / 50 / 8

HEX #2EEA74

RGB 46 234 116

HSL 142.34, 0.82%, 0.55%

LAB 82.21, -69.42, 44.52

 

CMYK 80 / 0 / 72 / 8

HEX #2EEA41

RGB 46 234 65

HSL 126.06, 0.82%, 0.55%

LAB 81.73, -75.24, 65.48

 

CMYK 67 / 0 / 80 / 8

HEX #4EEA2E

RGB 78 234 46

HSL 109.79, 0.82%, 0.55%

LAB 82.2, -71.64, 71.97

 

CMYK 45 / 0 / 80 / 8

HEX #80EA2E

RGB 128 234 46

HSL 93.83, 0.82%, 0.55%

LAB 83.77, -59.09, 74

 

CMYK 80 / 0 / 29 / 8

HEX #2EEAA7

RGB 46 234 167

HSL 158.62, 0.82%, 0.55%

LAB 83.03, -60.05, 20.03

 

CMYK 80 / 0 / 7 / 8

HEX #2EEADA

RGB 46 234 218

HSL 174.89, 0.82%, 0.55%

LAB 84.22, -47.54, -5.01

 

CMYK 80 / 15 / 0 / 8

HEX #2EC8EA

RGB 46 200 234

HSL 190.85, 0.82%, 0.55%

LAB 74.72, -27.15, -27.85

 

CMYK 80 / 36 / 0 / 8

HEX #2E96EA

RGB 46 150 234

HSL 206.81, 0.82%, 0.55%

LAB 60.19, -0.19, -50.52

 

CMYK 80 / 58 / 0 / 8

HEX #2E63EA

RGB 46 99 234

HSL 223.09, 0.82%, 0.55%

LAB 46.24, 31.29, -72.97

 

CMYK 80 / 0 / 29 / 8

HEX #2EEAA7

RGB 46 234 167

HSL 158.62, 0.82%, 0.55%

LAB 83.03, -60.05, 20.03

 

CMYK 89 / 0 / 32 / 1

HEX #1CFDAC

RGB 28 253 172

HSL 158.4, 0.98%, 0.55%

LAB 88.67, -67.19, 25.21

 

CMYK 80 / 0 / 29 / 8

HEX #2EEAA7

RGB 46 234 167

HSL 158.62, 0.82%, 0.55%

LAB 83.03, -60.05, 20.03

 

CMYK 70 / 0 / 25 / 15

HEX #41D8A2

RGB 65 216 162

HSL 158.54, 0.66%, 0.55%

LAB 77.78, -51.9, 15.38

 

CMYK 58 / 0 / 21 / 23

HEX #53C59C

RGB 83 197 156

HSL 158.42, 0.5%, 0.55%

LAB 72.34, -42.13, 10.99

 

CMYK 43 / 0 / 16 / 30

HEX #66B397

RGB 102 179 151

HSL 158.18, 0.34%, 0.55%

LAB 67.5, -30.48, 6.9

 

CMYK 25 / 0 / 9 / 37

HEX #78A092

RGB 120 160 146

HSL 159, 0.17%, 0.55%

LAB 62.68, -16.66, 2.87

 

CMYK 80 / 0 / 72 / 8

HEX #2EEA41

RGB 46 234 65

HSL 126.06, 0.82%, 0.55%

LAB 81.73, -75.24, 65.48

 

CMYK 80 / 0 / 51 / 8

HEX #2EEA73

RGB 46 234 115

HSL 142.02, 0.82%, 0.55%

LAB 82.2, -69.57, 44.98

 

CMYK 80 / 0 / 29 / 8

HEX #2EEAA5

RGB 46 234 165

HSL 157.98, 0.82%, 0.55%

LAB 82.99, -60.48, 21.01

 

CMYK 80 / 0 / 8 / 8

HEX #2EEAD8

RGB 46 234 216

HSL 174.26, 0.82%, 0.55%

LAB 84.17, -48.08, -4.03

 

CMYK 80 / 13 / 0 / 8

HEX #2ECBEA

RGB 46 203 234

HSL 189.89, 0.82%, 0.55%

LAB 75.6, -28.63, -26.5

 

CMYK 90 / 0 / 32 / 29

HEX #12B47A

RGB 18 180 122

HSL 158.52, 0.82%, 0.39%

LAB 65.1, -51.77, 19.1

 

CMYK 90 / 0 / 33 / 15

HEX #16DA93

RGB 22 218 147

HSL 158.27, 0.82%, 0.47%

LAB 77.53, -60.21, 22.83

 

CMYK 80 / 0 / 29 / 8

HEX #2EEAA7

RGB 46 234 167

HSL 158.62, 0.82%, 0.55%

LAB 83.03, -60.05, 20.03

 

CMYK 65 / 0 / 23 / 7

HEX #54EEB7

RGB 84 238 183

HSL 158.57, 0.82%, 0.63%

LAB 85.23, -53.15, 14.89

 

CMYK 50 / 0 / 18 / 5

HEX #79F2C7

RGB 121 242 199

HSL 158.68, 0.82%, 0.71%

LAB 87.82, -44.02, 10.39

 

CMYK 80 / 0 / 29 / 8

HEX #30EBA8

RGB 48 235 168

HSL 158.5, 0.82%, 0.55%

LAB 83.38, -60.01, 19.99

 

CMYK 80 / 67 / 0 / 8

HEX #2E4EEA

RGB 46 78 234

HSL 229.79, 0.82%, 0.55%

LAB 41.17, 44.4, -81.28

 

CMYK 0 / 62 / 80 / 8

HEX #EA5A2E

RGB 234 90 46

HSL 14.04, 0.82%, 0.55%

LAB 57.08, 53.62, 52.5

 

CMYK 80 / 0 / 29 / 8

HEX #30EBA8

RGB 48 235 168

HSL 158.5, 0.82%, 0.55%

LAB 83.38, -60.01, 19.99

 

CMYK 29 / 80 / 0 / 8

HEX #A52EEA

RGB 165 46 234

HSL 277.98, 0.82%, 0.55%

LAB 46.83, 74.61, -71.57

 

CMYK 0 / 29 / 80 / 8

HEX #EAA52E

RGB 234 165 46

HSL 37.98, 0.82%, 0.55%

LAB 72.63, 15.82, 66.76

 

CMYK 80 / 0 / 29 / 8

HEX #30EBA8

RGB 48 235 168

HSL 158.5, 0.82%, 0.55%

LAB 83.38, -60.01, 19.99

 

CMYK 80 / 67 / 0 / 8

HEX #2E4EEA

RGB 46 78 234

HSL 229.79, 0.82%, 0.55%

LAB 41.17, 44.4, -81.28

 

CMYK 0 / 80 / 51 / 8

HEX #EA2E73

RGB 234 46 115

HSL 337.98, 0.82%, 0.55%

LAB 52.6, 72.65, 8.09

 

CMYK 0 / 13 / 80 / 8

HEX #EACB2E

RGB 234 203 46

HSL 50.11, 0.82%, 0.55%

LAB 82.06, -4.04, 75.07

 

CMYK 80 / 0 / 29 / 8

HEX #30EBA8

RGB 48 235 168

HSL 158.5, 0.82%, 0.55%

LAB 83.38, -60.01, 19.99

 

CMYK 70 / 80 / 0 / 8

HEX #472EEA

RGB 71 46 234

HSL 247.98, 0.82%, 0.55%

LAB 36.43, 63.39, -89.05

 

CMYK 0 / 80 / 51 / 8

HEX #EA2E73

RGB 234 46 115

HSL 337.98, 0.82%, 0.55%

LAB 52.6, 72.65, 8.09

 

CMYK 11 / 0 / 80 / 8

HEX #D1EA2E

RGB 209 234 46

HSL 67.98, 0.82%, 0.55%

LAB 88.26, -29.69, 79.69

 

Description

Color code: HEX #30EBA8 | qconv.com Color code: HEX #30EBA8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 235 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 235 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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