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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30DF79 it is the complementary color #CF2086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30DF79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30DF79 shade: #35DF74, #46F187, #57FF9A, #68FFAD and #79FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30DF79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30DF79 shade: #30DF79, #1FCD66, #0EBB53, #00A940 and #00972D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30DF79 shade: #30DF79, #30DF49, #45DF30, #74DF30 and #A3DF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30DF79 shade: #30DF79, #30DFA8, #30DFD7, #30B7DF and #3088DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30DF79 shade matches the following richer shades: #30DF79 and #1CF275

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30DF79 shade: #30DF79, #43CB7C, #56B87F, #6AA482 and #7D9186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30DF79 shade: #44DF30, #30DF4A, #30DF79, #30DFA7 and #30DFD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30DF79 shade: #19A253, #1FC665, #30DF79, #53E490 and #77EAA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30DF79 shade: #30DF79, #3073DF and #DF3330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30DF79 shade: #30DF79, #7930DF and #DF7930

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30DF79 shade: #30DF79, #3073DF, #DF3096 and #DF9C30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30DF79 shade: #30DF79, #303EDF, #DF3096 and #DFD030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

Complementary color

CMYK 0 / 85 / 35 / 19

HEX #CF2086

RGB 207 32 134

HSL 325.03, 0.73%, 0.47%

LAB 47, 70.95, -12.25

 

CMYK 76 / 0 / 48 / 13

HEX #35DF74

RGB 53 223 116

HSL 142.24, 0.73%, 0.54%

LAB 78.92, -64.94, 40.44

 

CMYK 71 / 0 / 44 / 5

HEX #46F187

RGB 70 241 135

HSL 142.81, 0.86%, 0.61%

LAB 84.98, -65.76, 38.9

 

CMYK 66 / 0 / 40 / 0

HEX #57FF9A

RGB 87 255 154

HSL 143.93, 1%, 0.67%

LAB 89.8, -64.85, 35.89

 

CMYK 59 / 0 / 32 / 0

HEX #68FFAD

RGB 104 255 173

HSL 147.42, 1%, 0.7%

LAB 90.54, -58.28, 27.46

 

CMYK 53 / 0 / 25 / 0

HEX #79FFC0

RGB 121 255 192

HSL 151.79, 1%, 0.74%

LAB 91.41, -51.02, 19.07

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 85 / 0 / 50 / 20

HEX #1FCD66

RGB 31 205 102

HSL 144.48, 0.74%, 0.46%

LAB 72.83, -63.43, 39.6

 

CMYK 93 / 0 / 56 / 27

HEX #0EBB53

RGB 14 187 83

HSL 143.93, 0.86%, 0.39%

LAB 66.72, -61.58, 41.3

 

CMYK 100 / 0 / 62 / 34

HEX #00A940

RGB 0 169 64

HSL 142.72, 1%, 0.33%

LAB 60.56, -59.11, 42.97

 

CMYK 100 / 0 / 70 / 41

HEX #00972D

RGB 0 151 45

HSL 137.88, 1%, 0.3%

LAB 54.37, -55.72, 44.45

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 78 / 0 / 67 / 13

HEX #30DF49

RGB 48 223 73

HSL 128.57, 0.73%, 0.53%

LAB 78.39, -71.01, 59.03

 

CMYK 69 / 0 / 78 / 13

HEX #45DF30

RGB 69 223 48

HSL 112.8, 0.73%, 0.53%

LAB 78.61, -69.75, 67.98

 

CMYK 48 / 0 / 78 / 13

HEX #74DF30

RGB 116 223 48

HSL 96.69, 0.73%, 0.53%

LAB 80.01, -58.48, 69.8

 

CMYK 27 / 0 / 78 / 13

HEX #A3DF30

RGB 163 223 48

HSL 80.57, 0.73%, 0.53%

LAB 82.26, -42.61, 72.7

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 78 / 0 / 25 / 13

HEX #30DFA8

RGB 48 223 168

HSL 161.14, 0.73%, 0.53%

LAB 79.75, -55.43, 14.93

 

CMYK 78 / 0 / 4 / 13

HEX #30DFD7

RGB 48 223 215

HSL 177.26, 0.73%, 0.53%

LAB 80.91, -43.42, -8.31

 

CMYK 78 / 18 / 0 / 13

HEX #30B7DF

RGB 48 183 223

HSL 193.71, 0.73%, 0.53%

LAB 69.34, -21.95, -30.14

 

CMYK 78 / 39 / 0 / 13

HEX #3088DF

RGB 48 136 223

HSL 209.83, 0.73%, 0.53%

LAB 55.65, 4.28, -51.62

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 88 / 0 / 52 / 5

HEX #1CF275

RGB 28 242 117

HSL 144.95, 0.89%, 0.53%

LAB 84.5, -73.31, 46.84

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 67 / 0 / 39 / 20

HEX #43CB7C

RGB 67 203 124

HSL 145.15, 0.57%, 0.53%

LAB 73.13, -54.24, 28.98

 

CMYK 53 / 0 / 31 / 28

HEX #56B87F

RGB 86 184 127

HSL 145.1, 0.41%, 0.53%

LAB 67.87, -41.95, 20.41

 

CMYK 35 / 0 / 21 / 36

HEX #6AA482

RGB 106 164 130

HSL 144.83, 0.24%, 0.53%

LAB 62.7, -26.52, 11.73

 

CMYK 14 / 0 / 8 / 43

HEX #7D9186

RGB 125 145 134

HSL 147, 0.08%, 0.53%

LAB 58.35, -9.42, 3.43

 

CMYK 70 / 0 / 78 / 13

HEX #44DF30

RGB 68 223 48

HSL 113.14, 0.73%, 0.53%

LAB 78.59, -69.93, 67.95

 

CMYK 78 / 0 / 67 / 13

HEX #30DF4A

RGB 48 223 74

HSL 128.91, 0.73%, 0.53%

LAB 78.4, -70.91, 58.65

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 78 / 0 / 25 / 13

HEX #30DFA7

RGB 48 223 167

HSL 160.8, 0.73%, 0.53%

LAB 79.72, -55.65, 15.43

 

CMYK 78 / 0 / 4 / 13

HEX #30DFD6

RGB 48 223 214

HSL 176.91, 0.73%, 0.53%

LAB 80.88, -43.7, -7.82

 

CMYK 85 / 0 / 49 / 36

HEX #19A253

RGB 25 162 83

HSL 145.4, 0.73%, 0.37%

LAB 58.67, -52.36, 31.41

 

CMYK 84 / 0 / 49 / 22

HEX #1FC665

RGB 31 198 101

HSL 145.15, 0.73%, 0.45%

LAB 70.61, -61.24, 37.31

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 64 / 0 / 37 / 11

HEX #53E490

RGB 83 228 144

HSL 145.24, 0.73%, 0.61%

LAB 81.48, -57.25, 29.87

 

CMYK 49 / 0 / 29 / 8

HEX #77EAA7

RGB 119 234 167

HSL 145.04, 0.73%, 0.69%

LAB 84.77, -47.55, 22.71

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 78 / 48 / 0 / 13

HEX #3073DF

RGB 48 115 223

HSL 217.03, 0.73%, 0.53%

LAB 49.76, 17.23, -61.06

 

CMYK 0 / 77 / 78 / 13

HEX #DF3330

RGB 223 51 48

HSL 1.03, 0.73%, 0.53%

LAB 49.82, 64.66, 43.69

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 46 / 78 / 0 / 13

HEX #7930DF

RGB 121 48 223

HSL 265.03, 0.73%, 0.53%

LAB 40.42, 65.01, -76.04

 

CMYK 0 / 46 / 78 / 13

HEX #DF7930

RGB 223 121 48

HSL 25.03, 0.73%, 0.53%

LAB 61.29, 34.57, 55.04

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 78 / 48 / 0 / 13

HEX #3073DF

RGB 48 115 223

HSL 217.03, 0.73%, 0.53%

LAB 49.76, 17.23, -61.06

 

CMYK 0 / 78 / 33 / 13

HEX #DF3096

RGB 223 48 150

HSL 325.03, 0.73%, 0.53%

LAB 51.84, 72.64, -14.27

 

CMYK 0 / 30 / 78 / 13

HEX #DF9C30

RGB 223 156 48

HSL 37.03, 0.73%, 0.53%

LAB 69.24, 15.99, 62.52

 

CMYK 78 / 0 / 46 / 13

HEX #30DF79

RGB 48 223 121

HSL 145.03, 0.73%, 0.53%

LAB 78.92, -64.74, 37.96

 

CMYK 78 / 72 / 0 / 13

HEX #303EDF

RGB 48 62 223

HSL 235.2, 0.73%, 0.53%

LAB 36.75, 50.22, -82.3

 

CMYK 0 / 78 / 33 / 13

HEX #DF3096

RGB 223 48 150

HSL 325.03, 0.73%, 0.53%

LAB 51.84, 72.64, -14.27

 

CMYK 0 / 7 / 78 / 13

HEX #DFD030

RGB 223 208 48

HSL 54.86, 0.73%, 0.53%

LAB 82.39, -11.19, 74.41

 

Description

Color code: HEX #30DF79 | qconv.com Color code: HEX #30DF79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 223 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 223 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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