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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30DF6F it is the complementary color #CF2090. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30DF6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30DF6F shade: #35DF6A, #46F17D, #57FF90, #68FFA3 and #79FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30DF6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30DF6F shade: #30DF6F, #1FCD5C, #0EBB49, #00A936 and #009723

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30DF6F shade: #30DF6F, #30DF3F, #4FDF30, #7EDF30 and #ADDF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30DF6F shade: #30DF6F, #30DF9E, #30DFCD, #30C1DF and #3092DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30DF6F shade matches the following richer shades: #30DF6F and #1CF269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30DF6F shade: #30DF6F, #43CB74, #56B87A, #6AA47F and #7D9184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30DF6F shade: #50DF30, #30DF3E, #30DF6D, #30DF9C and #30DFCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30DF6F shade: #19A24B, #1FC65B, #30DF6F, #53E487 and #77EAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30DF6F shade: #30DF6F, #307EDF and #DF3038

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30DF6F shade: #30DF6F, #6D30DF and #DF6D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30DF6F shade: #30DF6F, #307EDF, #DF30A1 and #DF9030

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30DF6F shade: #30DF6F, #304ADF, #DF30A1 and #DFC430

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

Complementary color

CMYK 0 / 85 / 30 / 19

HEX #CF2090

RGB 207 32 144

HSL 321.6, 0.73%, 0.47%

LAB 47.38, 72.02, -17.73

 

CMYK 76 / 0 / 52 / 13

HEX #35DF6A

RGB 53 223 106

HSL 138.71, 0.73%, 0.54%

LAB 78.79, -66.44, 45.09

 

CMYK 71 / 0 / 48 / 5

HEX #46F17D

RGB 70 241 125

HSL 139.3, 0.86%, 0.61%

LAB 84.84, -67.34, 43.58

 

CMYK 66 / 0 / 44 / 0

HEX #57FF90

RGB 87 255 144

HSL 140.36, 1%, 0.67%

LAB 89.65, -66.51, 40.6

 

CMYK 59 / 0 / 36 / 0

HEX #68FFA3

RGB 104 255 163

HSL 143.44, 1%, 0.7%

LAB 90.37, -60.1, 32.25

 

CMYK 53 / 0 / 29 / 0

HEX #79FFB6

RGB 121 255 182

HSL 147.31, 1%, 0.74%

LAB 91.22, -52.97, 23.9

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 85 / 0 / 55 / 20

HEX #1FCD5C

RGB 31 205 92

HSL 141.03, 0.74%, 0.46%

LAB 72.71, -64.91, 44.26

 

CMYK 93 / 0 / 61 / 27

HEX #0EBB49

RGB 14 187 73

HSL 140.46, 0.86%, 0.39%

LAB 66.61, -62.93, 45.84

 

CMYK 100 / 0 / 68 / 34

HEX #00A936

RGB 0 169 54

HSL 139.17, 1%, 0.33%

LAB 60.46, -60.27, 47.25

 

CMYK 100 / 0 / 77 / 41

HEX #009723

RGB 0 151 35

HSL 133.91, 1%, 0.3%

LAB 54.3, -56.64, 48.24

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 78 / 0 / 72 / 13

HEX #30DF3F

RGB 48 223 63

HSL 125.14, 0.73%, 0.53%

LAB 78.32, -71.89, 62.71

 

CMYK 65 / 0 / 78 / 13

HEX #4FDF30

RGB 79 223 48

HSL 109.37, 0.73%, 0.53%

LAB 78.84, -67.81, 68.28

 

CMYK 43 / 0 / 78 / 13

HEX #7EDF30

RGB 126 223 48

HSL 93.26, 0.73%, 0.53%

LAB 80.42, -55.43, 70.33

 

CMYK 22 / 0 / 78 / 13

HEX #ADDF30

RGB 173 223 48

HSL 77.14, 0.73%, 0.53%

LAB 82.85, -38.82, 73.45

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 78 / 0 / 29 / 13

HEX #30DF9E

RGB 48 223 158

HSL 157.71, 0.73%, 0.53%

LAB 79.54, -57.65, 19.89

 

CMYK 78 / 0 / 8 / 13

HEX #30DFCD

RGB 48 223 205

HSL 173.83, 0.73%, 0.53%

LAB 80.63, -46.17, -3.4

 

CMYK 78 / 13 / 0 / 13

HEX #30C1DF

RGB 48 193 223

HSL 190.29, 0.73%, 0.53%

LAB 72.29, -27, -25.61

 

CMYK 78 / 35 / 0 / 13

HEX #3092DF

RGB 48 146 223

HSL 206.4, 0.73%, 0.53%

LAB 58.52, -1.64, -47.06

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 88 / 0 / 57 / 5

HEX #1CF269

RGB 28 242 105

HSL 141.59, 0.89%, 0.53%

LAB 84.37, -74.98, 52.17

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 67 / 0 / 43 / 20

HEX #43CB74

RGB 67 203 116

HSL 141.62, 0.57%, 0.53%

LAB 73, -55.66, 32.93

 

CMYK 53 / 0 / 34 / 28

HEX #56B87A

RGB 86 184 122

HSL 142.04, 0.41%, 0.53%

LAB 67.77, -42.92, 22.97

 

CMYK 35 / 0 / 23 / 36

HEX #6AA47F

RGB 106 164 127

HSL 141.72, 0.24%, 0.53%

LAB 62.63, -27.13, 13.31

 

CMYK 14 / 0 / 9 / 43

HEX #7D9184

RGB 125 145 132

HSL 141, 0.08%, 0.53%

LAB 58.3, -9.82, 4.5

 

CMYK 64 / 0 / 78 / 13

HEX #50DF30

RGB 80 223 48

HSL 109.03, 0.73%, 0.53%

LAB 78.86, -67.6, 68.31

 

CMYK 78 / 0 / 72 / 13

HEX #30DF3E

RGB 48 223 62

HSL 124.8, 0.73%, 0.53%

LAB 78.32, -71.97, 63.05

 

CMYK 78 / 0 / 51 / 13

HEX #30DF6D

RGB 48 223 109

HSL 140.91, 0.73%, 0.53%

LAB 78.76, -66.62, 43.6

 

CMYK 78 / 0 / 30 / 13

HEX #30DF9C

RGB 48 223 156

HSL 157.03, 0.73%, 0.53%

LAB 79.5, -58.08, 20.88

 

CMYK 78 / 0 / 9 / 13

HEX #30DFCA

RGB 48 223 202

HSL 172.8, 0.73%, 0.53%

LAB 80.55, -46.98, -1.92

 

CMYK 85 / 0 / 54 / 36

HEX #19A24B

RGB 25 162 75

HSL 141.9, 0.73%, 0.37%

LAB 58.56, -53.66, 35.37

 

CMYK 84 / 0 / 54 / 22

HEX #1FC65B

RGB 31 198 91

HSL 141.56, 0.73%, 0.45%

LAB 70.48, -62.78, 42.04

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 64 / 0 / 41 / 11

HEX #53E487

RGB 83 228 135

HSL 141.52, 0.73%, 0.61%

LAB 81.33, -58.84, 34.23

 

CMYK 49 / 0 / 32 / 8

HEX #77EAA0

RGB 119 234 160

HSL 141.39, 0.73%, 0.69%

LAB 84.64, -48.85, 26.13

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 78 / 43 / 0 / 13

HEX #307EDF

RGB 48 126 223

HSL 213.26, 0.73%, 0.53%

LAB 52.82, 10.37, -56.14

 

CMYK 0 / 78 / 75 / 13

HEX #DF3038

RGB 223 48 56

HSL 357.26, 0.73%, 0.53%

LAB 49.6, 65.8, 39.02

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 51 / 78 / 0 / 13

HEX #6D30DF

RGB 109 48 223

HSL 260.91, 0.73%, 0.53%

LAB 39.06, 63.42, -78.33

 

CMYK 0 / 51 / 78 / 13

HEX #DF6D30

RGB 223 109 48

HSL 20.91, 0.73%, 0.53%

LAB 58.82, 40.69, 52.66

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 78 / 43 / 0 / 13

HEX #307EDF

RGB 48 126 223

HSL 213.26, 0.73%, 0.53%

LAB 52.82, 10.37, -56.14

 

CMYK 0 / 78 / 28 / 13

HEX #DF30A1

RGB 223 48 161

HSL 321.26, 0.73%, 0.53%

LAB 52.26, 73.87, -20.16

 

CMYK 0 / 35 / 78 / 13

HEX #DF9030

RGB 223 144 48

HSL 32.91, 0.73%, 0.53%

LAB 66.4, 22.41, 59.88

 

CMYK 78 / 0 / 50 / 13

HEX #30DF6F

RGB 48 223 111

HSL 141.6, 0.73%, 0.53%

LAB 78.78, -66.32, 42.67

 

CMYK 78 / 67 / 0 / 13

HEX #304ADF

RGB 48 74 223

HSL 231.09, 0.73%, 0.53%

LAB 39.33, 43.14, -78.04

 

CMYK 0 / 78 / 28 / 13

HEX #DF30A1

RGB 223 48 161

HSL 321.26, 0.73%, 0.53%

LAB 52.26, 73.87, -20.16

 

CMYK 0 / 12 / 78 / 13

HEX #DFC430

RGB 223 196 48

HSL 50.74, 0.73%, 0.53%

LAB 79.26, -5.09, 71.62

 

Description

Color code: HEX #30DF6F | qconv.com Color code: HEX #30DF6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 223 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 223 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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