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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30C760 it is the complementary color #CF389F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30C760. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30C760 shade: #35C75B, #46D96E, #57EB81, #68FD94 and #79FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30C760. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30C760 shade: #30C760, #1FB54D, #0EA33A, #009127 and #007F14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30C760 shade: #30C55F, #30C537, #51C530, #79C530 and #A1C530

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30C760 shade: #30C55F, #30C587, #30C5B0, #30B2C5 and #308AC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30C760 shade matches the following richer shades: #30C55F, #1CD958 and #08ED51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30C760 shade: #30C55F, #44B166, #579D6E, #6B8A75 and #7F767C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30C760 shade: #50C530, #30C537, #30C55F, #30C587 and #30C5AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30C760 shade: #20833F, #28A44F, #30C55F, #4BD376 and #6CDB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30C760 shade: #30C760, #3078C5 and #C5303C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30C760 shade: #30C760, #5F30C5 and #C55F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30C760 shade: #30C760, #3078C5, #C53096 and #C57D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30C760 shade: #30C760, #304BC5, #C53096 and #C5AA30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 52 / 22

HEX #30C760

RGB 48 199 96

HSL 139.07, 0.61%, 0.48%

LAB 71.09, -60.45, 40.43

 

Complementary color

CMYK 0 / 73 / 23 / 19

HEX #CF389F

RGB 207 56 159

HSL 319.07, 0.61%, 0.52%

LAB 50.21, 67.45, -22.36

 

CMYK 73 / 0 / 54 / 22

HEX #35C75B

RGB 53 199 91

HSL 135.62, 0.58%, 0.49%

LAB 71.12, -60.45, 42.89

 

CMYK 68 / 0 / 49 / 15

HEX #46D96E

RGB 70 217 110

HSL 136.33, 0.66%, 0.56%

LAB 77.31, -61.2, 41.41

 

CMYK 63 / 0 / 45 / 8

HEX #57EB81

RGB 87 235 129

HSL 137.03, 0.79%, 0.63%

LAB 83.46, -61.64, 39.97

 

CMYK 59 / 0 / 42 / 1

HEX #68FD94

RGB 104 253 148

HSL 137.72, 0.97%, 0.7%

LAB 89.55, -61.88, 38.59

 

CMYK 53 / 0 / 35 / 0

HEX #79FFA7

RGB 121 255 167

HSL 140.6, 1%, 0.74%

LAB 90.95, -55.71, 31.11

 

CMYK 76 / 0 / 52 / 22

HEX #30C760

RGB 48 199 96

HSL 139.07, 0.61%, 0.48%

LAB 71.09, -60.45, 40.43

 

CMYK 83 / 0 / 57 / 29

HEX #1FB54D

RGB 31 181 77

HSL 138.4, 0.71%, 0.42%

LAB 64.86, -59.16, 41.99

 

CMYK 91 / 0 / 64 / 36

HEX #0EA33A

RGB 14 163 58

HSL 137.72, 0.84%, 0.35%

LAB 58.6, -57.21, 43.49

 

CMYK 100 / 0 / 73 / 43

HEX #009127

RGB 0 145 39

HSL 136.14, 1%, 0.28%

LAB 52.28, -54.48, 44.69

 

CMYK 100 / 0 / 84 / 50

HEX #007F14

RGB 0 127 20

HSL 129.45, 1%, 0.25%

LAB 45.95, -50.52, 45.12

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 76 / 0 / 72 / 23

HEX #30C537

RGB 48 197 55

HSL 122.82, 0.61%, 0.48%

LAB 70.06, -64.54, 57.12

 

CMYK 59 / 0 / 76 / 23

HEX #51C530

RGB 81 197 48

HSL 106.71, 0.61%, 0.48%

LAB 70.8, -58.57, 60.56

 

CMYK 39 / 0 / 76 / 23

HEX #79C530

RGB 121 197 48

HSL 90.6, 0.61%, 0.48%

LAB 72.37, -46.69, 62.63

 

CMYK 18 / 0 / 76 / 23

HEX #A1C530

RGB 161 197 48

HSL 74.5, 0.61%, 0.48%

LAB 74.65, -31.68, 65.6

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 76 / 0 / 31 / 23

HEX #30C587

RGB 48 197 135

HSL 155.03, 0.61%, 0.48%

LAB 71.08, -52.64, 20.38

 

CMYK 76 / 0 / 11 / 23

HEX #30C5B0

RGB 48 197 176

HSL 171.54, 0.61%, 0.48%

LAB 72.02, -42.73, -0.43

 

CMYK 76 / 10 / 0 / 23

HEX #30B2C5

RGB 48 178 197

HSL 187.65, 0.61%, 0.48%

LAB 66.9, -27.77, -19.6

 

CMYK 76 / 30 / 0 / 23

HEX #308AC5

RGB 48 138 197

HSL 203.76, 0.61%, 0.48%

LAB 54.9, -6.33, -38.14

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 87 / 0 / 59 / 15

HEX #1CD958

RGB 28 217 88

HSL 139.05, 0.77%, 0.48%

LAB 76.42, -69.47, 50.47

 

CMYK 97 / 0 / 66 / 7

HEX #08ED51

RGB 8 237 81

HSL 139.13, 0.93%, 0.48%

LAB 82.49, -77.18, 60.21

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 62 / 0 / 42 / 31

HEX #44B166

RGB 68 177 102

HSL 138.72, 0.44%, 0.48%

LAB 64.67, -47.84, 29.36

 

CMYK 45 / 0 / 30 / 38

HEX #579D6E

RGB 87 157 110

HSL 139.71, 0.29%, 0.48%

LAB 59.22, -32.89, 17.88

 

CMYK 22 / 0 / 15 / 46

HEX #6B8A75

RGB 107 138 117

HSL 139.35, 0.13%, 0.48%

LAB 54.64, -15.45, 7.69

 

CMYK 0 / 7 / 2 / 50

HEX #7F767C

RGB 127 118 124

HSL 320, 0.04%, 0.48%

LAB 50.6, 4.62, -2.05

 

CMYK 59 / 0 / 76 / 23

HEX #50C530

RGB 80 197 48

HSL 107.11, 0.61%, 0.48%

LAB 70.77, -58.82, 60.52

 

CMYK 76 / 0 / 72 / 23

HEX #30C537

RGB 48 197 55

HSL 122.82, 0.61%, 0.48%

LAB 70.06, -64.54, 57.12

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 76 / 0 / 31 / 23

HEX #30C587

RGB 48 197 135

HSL 155.03, 0.61%, 0.48%

LAB 71.08, -52.64, 20.38

 

CMYK 76 / 0 / 11 / 23

HEX #30C5AF

RGB 48 197 175

HSL 171.14, 0.61%, 0.48%

LAB 72, -42.99, 0.08

 

CMYK 76 / 0 / 52 / 49

HEX #20833F

RGB 32 131 63

HSL 138.79, 0.61%, 0.32%

LAB 48.13, -43.5, 28.74

 

CMYK 76 / 0 / 52 / 36

HEX #28A44F

RGB 40 164 79

HSL 138.87, 0.61%, 0.4%

LAB 59.5, -51.88, 34.55

 

CMYK 76 / 0 / 52 / 23

HEX #30C55F

RGB 48 197 95

HSL 138.93, 0.61%, 0.48%

LAB 70.45, -59.91, 40.12

 

CMYK 64 / 0 / 44 / 17

HEX #4BD376

RGB 75 211 118

HSL 138.97, 0.61%, 0.56%

LAB 75.69, -56.84, 35.43

 

CMYK 51 / 0 / 35 / 14

HEX #6CDB8F

RGB 108 219 143

HSL 138.92, 0.61%, 0.64%

LAB 79.52, -48.38, 27.89

 

CMYK 76 / 0 / 52 / 22

HEX #30C760

RGB 48 199 96

HSL 139.07, 0.61%, 0.48%

LAB 71.09, -60.45, 40.43

 

CMYK 76 / 39 / 0 / 23

HEX #3078C5

RGB 48 120 197

HSL 211.01, 0.61%, 0.48%

LAB 49.61, 4.41, -46.52

 

CMYK 0 / 76 / 70 / 23

HEX #C5303C

RGB 197 48 60

HSL 355.17, 0.61%, 0.48%

LAB 44.67, 58.4, 29.69

 

CMYK 76 / 0 / 52 / 22

HEX #30C760

RGB 48 199 96

HSL 139.07, 0.61%, 0.48%

LAB 71.09, -60.45, 40.43

 

CMYK 52 / 76 / 0 / 23

HEX #5F30C5

RGB 95 48 197

HSL 258.93, 0.61%, 0.48%

LAB 35.16, 54.72, -69.76

 

CMYK 0 / 52 / 76 / 23

HEX #C55F30

RGB 197 95 48

HSL 18.93, 0.61%, 0.48%

LAB 52.14, 37.6, 44.68

 

CMYK 76 / 0 / 52 / 22

HEX #30C760

RGB 48 199 96

HSL 139.07, 0.61%, 0.48%

LAB 71.09, -60.45, 40.43

 

CMYK 76 / 39 / 0 / 23

HEX #3078C5

RGB 48 120 197

HSL 211.01, 0.61%, 0.48%

LAB 49.61, 4.41, -46.52

 

CMYK 0 / 76 / 24 / 23

HEX #C53096

RGB 197 48 150

HSL 318.93, 0.61%, 0.48%

LAB 47.22, 66.38, -21.75

 

CMYK 0 / 37 / 76 / 23

HEX #C57D30

RGB 197 125 48

HSL 31.01, 0.61%, 0.48%

LAB 58.74, 21.61, 51.38

 

CMYK 76 / 0 / 52 / 22

HEX #30C760

RGB 48 199 96

HSL 139.07, 0.61%, 0.48%

LAB 71.09, -60.45, 40.43

 

CMYK 76 / 62 / 0 / 23

HEX #304BC5

RGB 48 75 197

HSL 229.13, 0.61%, 0.48%

LAB 37.28, 33.21, -66.41

 

CMYK 0 / 76 / 24 / 23

HEX #C53096

RGB 197 48 150

HSL 318.93, 0.61%, 0.48%

LAB 47.22, 66.38, -21.75

 

CMYK 0 / 14 / 76 / 23

HEX #C5AA30

RGB 197 170 48

HSL 49.13, 0.61%, 0.48%

LAB 70.06, -2.81, 62.31

 

Description

Color code: HEX #30C760 | qconv.com Color code: HEX #30C760 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 199 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 199 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 52 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 52% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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