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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30C70E it is the complementary color #CF38F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30C70E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30C70E shade: #35C709, #46D91C, #57EB2F, #68FD42 and #79FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30C70E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30C70E shade: #30C70E, #1FB500, #0EA300, #009100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30C70E shade: #30C80E, #62C80E, #95C80E, #C7C80E and #C8970E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30C70E shade: #30C80E, #0EC81E, #0EC850, #0EC882 and #0EC8B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30C70E shade matches the following richer shades: #30C80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30C70E shade: #30C80E, #3BB71F, #46A631, #519442 and #5C8353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30C70E shade: #97C80E, #65C80E, #33C80E, #0EC81A and #0EC84C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30C70E shade: #1E7B09, #27A20B, #30C80E, #3AEE11 and #5AF138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30C70E shade: #30C70E, #0EC8C8 and #C80E7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30C70E shade: #30C70E, #0E33C8 and #C80E33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30C70E shade: #30C70E, #0EC8C8, #A30EC8 and #C80E0E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30C70E shade: #30C70E, #0E90C8, #A30EC8 and #C8460E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 93 / 22

HEX #30C70E

RGB 48 199 14

HSL 108.97, 0.87%, 0.42%

LAB 70.53, -67.28, 68.01

 

Complementary color

CMYK 14 / 77 / 0 / 5

HEX #CF38F1

RGB 207 56 241

HSL 288.97, 0.87%, 0.58%

LAB 54.5, 80.05, -62.82

 

CMYK 73 / 0 / 95 / 22

HEX #35C709

RGB 53 199 9

HSL 106.11, 0.91%, 0.41%

LAB 70.61, -66.6, 68.69

 

CMYK 68 / 0 / 87 / 15

HEX #46D91C

RGB 70 217 28

HSL 106.67, 0.77%, 0.48%

LAB 76.69, -68.62, 71.12

 

CMYK 63 / 0 / 80 / 8

HEX #57EB2F

RGB 87 235 47

HSL 107.23, 0.82%, 0.55%

LAB 82.73, -70.08, 72.27

 

CMYK 59 / 0 / 74 / 1

HEX #68FD42

RGB 104 253 66

HSL 107.81, 0.98%, 0.63%

LAB 88.73, -71.12, 72.55

 

CMYK 53 / 0 / 67 / 0

HEX #79FF55

RGB 121 255 85

HSL 107.29, 1%, 0.67%

LAB 89.97, -66.25, 67.3

 

CMYK 76 / 0 / 93 / 22

HEX #30C70E

RGB 48 199 14

HSL 108.97, 0.87%, 0.42%

LAB 70.53, -67.28, 68.01

 

CMYK 83 / 0 / 100 / 29

HEX #1FB500

RGB 31 181 0

HSL 109.72, 1%, 0.35%

LAB 64.43, -64.5, 64.59

 

CMYK 91 / 0 / 100 / 36

HEX #0EA300

RGB 14 163 0

HSL 114.85, 1%, 0.32%

LAB 58.31, -60.86, 59.62

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 76 / 0 / 93 / 22

HEX #30C80E

RGB 48 200 14

HSL 109.03, 0.87%, 0.42%

LAB 70.85, -67.58, 68.27

 

CMYK 51 / 0 / 93 / 22

HEX #62C80E

RGB 98 200 14

HSL 92.9, 0.87%, 0.42%

LAB 72.19, -56.5, 69.92

 

CMYK 26 / 0 / 93 / 22

HEX #95C80E

RGB 149 200 14

HSL 76.45, 0.87%, 0.42%

LAB 74.65, -38.88, 72.95

 

CMYK 0 / 0 / 93 / 22

HEX #C7C80E

RGB 199 200 14

HSL 60.32, 0.87%, 0.42%

LAB 78.16, -18.23, 77.19

 

CMYK 0 / 25 / 93 / 22

HEX #C8970E

RGB 200 151 14

HSL 44.19, 0.87%, 0.42%

LAB 65.31, 7.77, 67.54

 

CMYK 76 / 0 / 93 / 22

HEX #30C80E

RGB 48 200 14

HSL 109.03, 0.87%, 0.42%

LAB 70.85, -67.58, 68.27

 

CMYK 93 / 0 / 85 / 22

HEX #0EC81E

RGB 14 200 30

HSL 125.16, 0.87%, 0.42%

LAB 70.52, -70.33, 64.97

 

CMYK 93 / 0 / 60 / 22

HEX #0EC850

RGB 14 200 80

HSL 141.29, 0.87%, 0.42%

LAB 70.86, -66.08, 47.58

 

CMYK 93 / 0 / 35 / 22

HEX #0EC882

RGB 14 200 130

HSL 157.42, 0.87%, 0.42%

LAB 71.56, -57.65, 23.62

 

CMYK 93 / 0 / 10 / 22

HEX #0EC8B5

RGB 14 200 181

HSL 173.87, 0.87%, 0.42%

LAB 72.72, -45.12, -2.17

 

CMYK 76 / 0 / 93 / 22

HEX #30C80E

RGB 48 200 14

HSL 109.03, 0.87%, 0.42%

LAB 70.85, -67.58, 68.27

 

CMYK 76 / 0 / 93 / 22

HEX #30C80E

RGB 48 200 14

HSL 109.03, 0.87%, 0.42%

LAB 70.85, -67.58, 68.27

 

CMYK 68 / 0 / 83 / 28

HEX #3BB71F

RGB 59 183 31

HSL 108.95, 0.71%, 0.42%

LAB 65.67, -59.74, 60.57

 

CMYK 58 / 0 / 70 / 35

HEX #46A631

RGB 70 166 49

HSL 109.23, 0.54%, 0.42%

LAB 60.6, -50.04, 49.79

 

CMYK 45 / 0 / 55 / 42

HEX #519442

RGB 81 148 66

HSL 109.02, 0.38%, 0.42%

LAB 55.4, -37.77, 36.42

 

CMYK 30 / 0 / 37 / 49

HEX #5C8353

RGB 92 131 83

HSL 108.75, 0.22%, 0.42%

LAB 50.84, -23.48, 21.72

 

CMYK 25 / 0 / 93 / 22

HEX #97C80E

RGB 151 200 14

HSL 75.81, 0.87%, 0.42%

LAB 74.77, -38.09, 73.09

 

CMYK 50 / 0 / 93 / 22

HEX #65C80E

RGB 101 200 14

HSL 91.94, 0.87%, 0.42%

LAB 72.3, -55.61, 70.06

 

CMYK 75 / 0 / 93 / 22

HEX #33C80E

RGB 51 200 14

HSL 108.06, 0.87%, 0.42%

LAB 70.9, -67.12, 68.34

 

CMYK 93 / 0 / 87 / 22

HEX #0EC81A

RGB 14 200 26

HSL 123.87, 0.87%, 0.42%

LAB 70.51, -70.51, 65.82

 

CMYK 93 / 0 / 62 / 22

HEX #0EC84C

RGB 14 200 76

HSL 140, 0.87%, 0.42%

LAB 70.82, -66.57, 49.32

 

CMYK 76 / 0 / 93 / 52

HEX #1E7B09

RGB 30 123 9

HSL 108.95, 0.86%, 0.26%

LAB 44.89, -46.4, 47.05

 

CMYK 76 / 0 / 93 / 36

HEX #27A20B

RGB 39 162 11

HSL 108.87, 0.87%, 0.34%

LAB 58.32, -57.43, 58.15

 

CMYK 76 / 0 / 93 / 22

HEX #30C80E

RGB 48 200 14

HSL 109.03, 0.87%, 0.42%

LAB 70.85, -67.58, 68.27

 

CMYK 76 / 0 / 93 / 7

HEX #3AEE11

RGB 58 238 17

HSL 108.87, 0.87%, 0.5%

LAB 82.96, -77.2, 78.02

 

CMYK 63 / 0 / 77 / 5

HEX #5AF138

RGB 90 241 56

HSL 108.97, 0.87%, 0.58%

LAB 84.67, -70.89, 71.58

 

CMYK 76 / 0 / 93 / 22

HEX #30C70E

RGB 48 199 14

HSL 108.97, 0.87%, 0.42%

LAB 70.53, -67.28, 68.01

 

CMYK 93 / 0 / 0 / 22

HEX #0EC8C8

RGB 14 200 200

HSL 180, 0.87%, 0.42%

LAB 73.27, -39.64, -11.68

 

CMYK 0 / 93 / 37 / 22

HEX #C80E7E

RGB 200 14 126

HSL 323.87, 0.87%, 0.42%

LAB 44.38, 71.43, -11.45

 

CMYK 76 / 0 / 93 / 22

HEX #30C70E

RGB 48 199 14

HSL 108.97, 0.87%, 0.42%

LAB 70.53, -67.28, 68.01

 

CMYK 93 / 75 / 0 / 22

HEX #0E33C8

RGB 14 51 200

HSL 228.06, 0.87%, 0.42%

LAB 30.95, 46.98, -78.62

 

CMYK 0 / 93 / 75 / 22

HEX #C80E33

RGB 200 14 51

HSL 348.06, 0.87%, 0.42%

LAB 42.51, 66.33, 32.7

 

CMYK 76 / 0 / 93 / 22

HEX #30C70E

RGB 48 199 14

HSL 108.97, 0.87%, 0.42%

LAB 70.53, -67.28, 68.01

 

CMYK 93 / 0 / 0 / 22

HEX #0EC8C8

RGB 14 200 200

HSL 180, 0.87%, 0.42%

LAB 73.27, -39.64, -11.68

 

CMYK 19 / 93 / 0 / 22

HEX #A30EC8

RGB 163 14 200

HSL 288.06, 0.87%, 0.42%

LAB 41.64, 74.8, -60.53

 

CMYK 0 / 93 / 93 / 22

HEX #C80E0E

RGB 200 14 14

HSL 0, 0.87%, 0.42%

LAB 42.19, 65.44, 51.5

 

CMYK 76 / 0 / 93 / 22

HEX #30C70E

RGB 48 199 14

HSL 108.97, 0.87%, 0.42%

LAB 70.53, -67.28, 68.01

 

CMYK 93 / 28 / 0 / 22

HEX #0E90C8

RGB 14 144 200

HSL 198.06, 0.87%, 0.42%

LAB 56.3, -11.39, -37.69

 

CMYK 19 / 93 / 0 / 22

HEX #A30EC8

RGB 163 14 200

HSL 288.06, 0.87%, 0.42%

LAB 41.64, 74.8, -60.53

 

CMYK 0 / 65 / 93 / 22

HEX #C8460E

RGB 200 70 14

HSL 18.06, 0.87%, 0.42%

LAB 47.87, 49.65, 55.14

 

Description

Color code: HEX #30C70E | qconv.com Color code: HEX #30C70E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 199 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 199 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 93 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 93% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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