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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30C280 it is the complementary color #CF3D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30C280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30C280 shade: #35C27B, #46D48E, #57E6A1, #68F8B4 and #79FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30C280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30C280 shade: #30C280, #1FB06D, #0E9E5A, #008C47 and #007A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30C280 shade: #30C07F, #30C058, #30C031, #55C030 and #7CC030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30C280 shade: #30C07F, #30C0A6, #30B3C0, #308CC0 and #3066C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30C280 shade matches the following richer shades: #30C07F, #1DD381 and #09E782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30C280 shade: #30C07F, #43AC7D, #57997B, #6A8679 and #7E7277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30C280 shade: #30C030, #30C056, #30C07D, #30C0A3 and #30B6C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30C280 shade: #1F7E53, #289F69, #30C07F, #48D193 and #69D9A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30C280 shade: #30C280, #3056C0 and #C04330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30C280 shade: #30C280, #7D30C0 and #C07D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30C280 shade: #30C280, #3056C0, #C03073 and #C09930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30C280 shade: #30C280, #3530C0, #C03073 and #BBC030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 34 / 24

HEX #30C280

RGB 48 194 128

HSL 152.88, 0.6%, 0.47%

LAB 70.01, -52.95, 22.64

 

Complementary color

CMYK 0 / 71 / 39 / 19

HEX #CF3D7F

RGB 207 61 127

HSL 332.88, 0.6%, 0.53%

LAB 49.66, 62.01, -4.03

 

CMYK 73 / 0 / 37 / 24

HEX #35C27B

RGB 53 194 123

HSL 149.79, 0.57%, 0.48%

LAB 70.01, -53.26, 25.3

 

CMYK 67 / 0 / 33 / 17

HEX #46D48E

RGB 70 212 142

HSL 150.42, 0.62%, 0.55%

LAB 76.28, -53.76, 23.85

 

CMYK 62 / 0 / 30 / 10

HEX #57E6A1

RGB 87 230 161

HSL 151.05, 0.74%, 0.62%

LAB 82.48, -54.03, 22.51

 

CMYK 58 / 0 / 27 / 3

HEX #68F8B4

RGB 104 248 180

HSL 151.67, 0.91%, 0.69%

LAB 88.63, -54.15, 21.26

 

CMYK 53 / 0 / 22 / 0

HEX #79FFC7

RGB 121 255 199

HSL 154.93, 1%, 0.74%

LAB 91.55, -49.6, 15.69

 

CMYK 75 / 0 / 34 / 24

HEX #30C280

RGB 48 194 128

HSL 152.88, 0.6%, 0.47%

LAB 70.01, -52.95, 22.64

 

CMYK 82 / 0 / 38 / 31

HEX #1FB06D

RGB 31 176 109

HSL 152.28, 0.7%, 0.41%

LAB 63.71, -51.99, 24.24

 

CMYK 91 / 0 / 43 / 38

HEX #0E9E5A

RGB 14 158 90

HSL 151.67, 0.84%, 0.34%

LAB 57.35, -50.53, 26

 

CMYK 100 / 0 / 49 / 45

HEX #008C47

RGB 0 140 71

HSL 150.43, 1%, 0.27%

LAB 50.93, -48.48, 27.91

 

CMYK 100 / 0 / 57 / 52

HEX #007A34

RGB 0 122 52

HSL 145.57, 1%, 0.24%

LAB 44.47, -45.44, 29.96

 

CMYK 75 / 0 / 34 / 25

HEX #30C07F

RGB 48 192 127

HSL 152.92, 0.6%, 0.47%

LAB 69.37, -52.39, 22.3

 

CMYK 75 / 0 / 54 / 25

HEX #30C058

RGB 48 192 88

HSL 136.67, 0.6%, 0.47%

LAB 68.77, -59.21, 41.47

 

CMYK 75 / 0 / 74 / 25

HEX #30C031

RGB 48 192 49

HSL 120.42, 0.6%, 0.47%

LAB 68.42, -63.44, 57.61

 

CMYK 56 / 0 / 75 / 25

HEX #55C030

RGB 85 192 48

HSL 104.58, 0.6%, 0.47%

LAB 69.36, -55.76, 59.19

 

CMYK 35 / 0 / 75 / 25

HEX #7CC030

RGB 124 192 48

HSL 88.33, 0.6%, 0.47%

LAB 71.01, -43.55, 61.36

 

CMYK 75 / 0 / 34 / 25

HEX #30C07F

RGB 48 192 127

HSL 152.92, 0.6%, 0.47%

LAB 69.37, -52.39, 22.3

 

CMYK 75 / 0 / 14 / 25

HEX #30C0A6

RGB 48 192 166

HSL 169.17, 0.6%, 0.47%

LAB 70.23, -43.2, 2.42

 

CMYK 75 / 7 / 0 / 25

HEX #30B3C0

RGB 48 179 192

HSL 185.42, 0.6%, 0.47%

LAB 67.03, -29.81, -16.64

 

CMYK 75 / 27 / 0 / 25

HEX #308CC0

RGB 48 140 192

HSL 201.67, 0.6%, 0.47%

LAB 55.27, -9.24, -34.73

 

CMYK 75 / 47 / 0 / 25

HEX #3066C0

RGB 48 102 192

HSL 217.5, 0.6%, 0.47%

LAB 44.14, 13.85, -52.38

 

CMYK 75 / 0 / 34 / 25

HEX #30C07F

RGB 48 192 127

HSL 152.92, 0.6%, 0.47%

LAB 69.37, -52.39, 22.3

 

CMYK 86 / 0 / 39 / 17

HEX #1DD381

RGB 29 211 129

HSL 152.97, 0.76%, 0.47%

LAB 75.1, -60.91, 28.9

 

CMYK 96 / 0 / 44 / 9

HEX #09E782

RGB 9 231 130

HSL 152.7, 0.93%, 0.47%

LAB 81.19, -68.52, 36.36

 

CMYK 75 / 0 / 34 / 25

HEX #30C07F

RGB 48 192 127

HSL 152.92, 0.6%, 0.47%

LAB 69.37, -52.39, 22.3

 

CMYK 61 / 0 / 27 / 33

HEX #43AC7D

RGB 67 172 125

HSL 153.14, 0.44%, 0.47%

LAB 63.49, -41.47, 15.38

 

CMYK 43 / 0 / 20 / 40

HEX #57997B

RGB 87 153 123

HSL 152.73, 0.28%, 0.47%

LAB 58.26, -28.28, 9.26

 

CMYK 21 / 0 / 10 / 47

HEX #6A8679

RGB 106 134 121

HSL 152.14, 0.12%, 0.47%

LAB 53.49, -12.81, 3.72

 

CMYK 0 / 10 / 6 / 51

HEX #7E7277

RGB 126 114 119

HSL 335, 0.05%, 0.47%

LAB 49.26, 5.6, -1.07

 

CMYK 75 / 0 / 75 / 25

HEX #30C030

RGB 48 192 48

HSL 120, 0.6%, 0.47%

LAB 68.42, -63.52, 57.95

 

CMYK 75 / 0 / 55 / 25

HEX #30C056

RGB 48 192 86

HSL 135.83, 0.6%, 0.47%

LAB 68.75, -59.49, 42.4

 

CMYK 75 / 0 / 35 / 25

HEX #30C07D

RGB 48 192 125

HSL 152.08, 0.6%, 0.47%

LAB 69.33, -52.8, 23.31

 

CMYK 75 / 0 / 15 / 25

HEX #30C0A3

RGB 48 192 163

HSL 167.92, 0.6%, 0.47%

LAB 70.16, -43.99, 3.94

 

CMYK 75 / 5 / 0 / 25

HEX #30B6C0

RGB 48 182 192

HSL 184.17, 0.6%, 0.47%

LAB 67.94, -31.26, -15.26

 

CMYK 75 / 0 / 34 / 51

HEX #1F7E53

RGB 31 126 83

HSL 152.84, 0.61%, 0.31%

LAB 46.76, -37.77, 15.81

 

CMYK 75 / 0 / 34 / 38

HEX #289F69

RGB 40 159 105

HSL 152.77, 0.6%, 0.39%

LAB 58.29, -45.16, 19.14

 

CMYK 75 / 0 / 34 / 25

HEX #30C07F

RGB 48 192 127

HSL 152.92, 0.6%, 0.47%

LAB 69.37, -52.39, 22.3

 

CMYK 66 / 0 / 30 / 18

HEX #48D193

RGB 72 209 147

HSL 152.85, 0.6%, 0.55%

LAB 75.5, -51.21, 20.17

 

CMYK 52 / 0 / 23 / 15

HEX #69D9A7

RGB 105 217 167

HSL 153.21, 0.6%, 0.63%

LAB 79.28, -43.61, 15

 

CMYK 75 / 0 / 34 / 24

HEX #30C280

RGB 48 194 128

HSL 152.88, 0.6%, 0.47%

LAB 70.01, -52.95, 22.64

 

CMYK 75 / 55 / 0 / 25

HEX #3056C0

RGB 48 86 192

HSL 224.17, 0.6%, 0.47%

LAB 39.73, 24.22, -59.51

 

CMYK 0 / 65 / 75 / 25

HEX #C04330

RGB 192 67 48

HSL 7.92, 0.6%, 0.47%

LAB 46.22, 49.05, 38.15

 

CMYK 75 / 0 / 34 / 24

HEX #30C280

RGB 48 194 128

HSL 152.88, 0.6%, 0.47%

LAB 70.01, -52.95, 22.64

 

CMYK 35 / 75 / 0 / 25

HEX #7D30C0

RGB 125 48 192

HSL 272.08, 0.6%, 0.47%

LAB 38.34, 58.28, -61.48

 

CMYK 0 / 35 / 75 / 25

HEX #C07D30

RGB 192 125 48

HSL 32.08, 0.6%, 0.47%

LAB 58.12, 19.45, 50.56

 

CMYK 75 / 0 / 34 / 24

HEX #30C280

RGB 48 194 128

HSL 152.88, 0.6%, 0.47%

LAB 70.01, -52.95, 22.64

 

CMYK 75 / 55 / 0 / 25

HEX #3056C0

RGB 48 86 192

HSL 224.17, 0.6%, 0.47%

LAB 39.73, 24.22, -59.51

 

CMYK 0 / 75 / 40 / 25

HEX #C03073

RGB 192 48 115

HSL 332.08, 0.6%, 0.47%

LAB 45.02, 61.09, -3.87

 

CMYK 0 / 20 / 75 / 25

HEX #C09930

RGB 192 153 48

HSL 43.75, 0.6%, 0.47%

LAB 65.12, 4.09, 57.43

 

CMYK 75 / 0 / 34 / 24

HEX #30C280

RGB 48 194 128

HSL 152.88, 0.6%, 0.47%

LAB 70.01, -52.95, 22.64

 

CMYK 72 / 75 / 0 / 25

HEX #3530C0

RGB 53 48 192

HSL 242.08, 0.6%, 0.47%

LAB 31.06, 48.27, -73.7

 

CMYK 0 / 75 / 40 / 25

HEX #C03073

RGB 192 48 115

HSL 332.08, 0.6%, 0.47%

LAB 45.02, 61.09, -3.87

 

CMYK 3 / 0 / 75 / 25

HEX #BBC030

RGB 187 192 48

HSL 62.08, 0.6%, 0.47%

LAB 75.13, -18.47, 66.72

 

Description

Color code: HEX #30C280 | qconv.com Color code: HEX #30C280 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 194 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 194 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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