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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30C063 it is the complementary color #CF3F9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30C063. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30C063 shade: #35C05E, #46D271, #57E484, #68F697 and #79FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30C063. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30C063 shade: #30C063, #1FAE50, #0E9C3D, #008A2A and #007817

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30C063 shade: #30C063, #30C03C, #4BC030, #71C030 and #98C030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30C063 shade: #30C063, #30C08A, #30C0B0, #30A8C0 and #3082C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30C063 shade matches the following richer shades: #30C063, #1DD35D and #09E758

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30C063 shade: #30C063, #43AC69, #57996E, #6A8674 and #7E7279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30C063 shade: #4AC030, #30C03C, #30C062, #30C089 and #30C0AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30C063 shade: #1F7E41, #289F52, #30C063, #48D178 and #69D991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30C063 shade: #30C063, #3071C0 and #C03037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30C063 shade: #30C063, #6230C0 and #C06230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30C063 shade: #30C063, #3071C0, #C0308D and #C07F30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30C063 shade: #30C063, #3046C0, #C0308D and #C0AA30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

Complementary color

CMYK 0 / 70 / 25 / 19

HEX #CF3F9C

RGB 207 63 156

HSL 321.25, 0.6%, 0.53%

LAB 50.94, 64.67, -19.46

 

CMYK 72 / 0 / 51 / 25

HEX #35C05E

RGB 53 192 94

HSL 137.7, 0.57%, 0.48%

LAB 68.94, -57.57, 38.78

 

CMYK 67 / 0 / 46 / 18

HEX #46D271

RGB 70 210 113

HSL 138.43, 0.61%, 0.55%

LAB 75.19, -58.21, 37.27

 

CMYK 62 / 0 / 42 / 11

HEX #57E484

RGB 87 228 132

HSL 139.15, 0.72%, 0.62%

LAB 81.39, -58.56, 35.83

 

CMYK 58 / 0 / 39 / 4

HEX #68F697

RGB 104 246 151

HSL 139.86, 0.89%, 0.69%

LAB 87.53, -58.72, 34.46

 

CMYK 53 / 0 / 33 / 0

HEX #79FFAA

RGB 121 255 170

HSL 141.94, 1%, 0.74%

LAB 91, -55.18, 29.68

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 82 / 0 / 54 / 32

HEX #1FAE50

RGB 31 174 80

HSL 140.56, 0.7%, 0.4%

LAB 62.63, -56.38, 37.85

 

CMYK 91 / 0 / 61 / 39

HEX #0E9C3D

RGB 14 156 61

HSL 139.86, 0.84%, 0.33%

LAB 56.29, -54.58, 39.48

 

CMYK 100 / 0 / 70 / 46

HEX #008A2A

RGB 0 138 42

HSL 138.26, 1%, 0.27%

LAB 49.91, -52.01, 40.94

 

CMYK 100 / 0 / 81 / 53

HEX #007817

RGB 0 120 23

HSL 131.5, 1%, 0.24%

LAB 43.5, -48.17, 41.82

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 75 / 0 / 69 / 25

HEX #30C03C

RGB 48 192 60

HSL 125, 0.6%, 0.47%

LAB 68.5, -62.51, 53.58

 

CMYK 61 / 0 / 75 / 25

HEX #4BC030

RGB 75 192 48

HSL 108.75, 0.6%, 0.47%

LAB 69.05, -58.26, 58.78

 

CMYK 41 / 0 / 75 / 25

HEX #71C030

RGB 113 192 48

HSL 92.92, 0.6%, 0.47%

LAB 70.47, -47.35, 60.66

 

CMYK 21 / 0 / 75 / 25

HEX #98C030

RGB 152 192 48

HSL 76.67, 0.6%, 0.47%

LAB 72.62, -32.95, 63.47

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 75 / 0 / 28 / 25

HEX #30C08A

RGB 48 192 138

HSL 157.5, 0.6%, 0.47%

LAB 69.59, -50.02, 16.7

 

CMYK 75 / 0 / 8 / 25

HEX #30C0B0

RGB 48 192 176

HSL 173.33, 0.6%, 0.47%

LAB 70.5, -40.52, -2.66

 

CMYK 75 / 13 / 0 / 25

HEX #30A8C0

RGB 48 168 192

HSL 190, 0.6%, 0.47%

LAB 63.7, -24.33, -21.69

 

CMYK 75 / 32 / 0 / 25

HEX #3082C0

RGB 48 130 192

HSL 205.83, 0.6%, 0.47%

LAB 52.29, -3.45, -39.41

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 86 / 0 / 56 / 17

HEX #1DD35D

RGB 29 211 93

HSL 141.1, 0.76%, 0.47%

LAB 74.6, -66.86, 46.05

 

CMYK 96 / 0 / 62 / 9

HEX #09E758

RGB 9 231 88

HSL 141.35, 0.93%, 0.47%

LAB 80.69, -74.65, 55.33

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 61 / 0 / 39 / 33

HEX #43AC69

RGB 67 172 105

HSL 141.71, 0.44%, 0.47%

LAB 63.11, -45.5, 25.72

 

CMYK 43 / 0 / 28 / 40

HEX #57996E

RGB 87 153 110

HSL 140.91, 0.28%, 0.47%

LAB 57.97, -31, 16.17

 

CMYK 21 / 0 / 13 / 47

HEX #6A8674

RGB 106 134 116

HSL 141.43, 0.12%, 0.47%

LAB 53.36, -13.85, 6.43

 

CMYK 0 / 10 / 4 / 51

HEX #7E7279

RGB 126 114 121

HSL 325, 0.05%, 0.47%

LAB 49.31, 5.99, -2.17

 

CMYK 61 / 0 / 75 / 25

HEX #4AC030

RGB 74 192 48

HSL 109.17, 0.6%, 0.47%

LAB 69.02, -58.5, 58.74

 

CMYK 75 / 0 / 69 / 25

HEX #30C03C

RGB 48 192 60

HSL 125, 0.6%, 0.47%

LAB 68.5, -62.51, 53.58

 

CMYK 75 / 0 / 49 / 25

HEX #30C062

RGB 48 192 98

HSL 140.83, 0.6%, 0.47%

LAB 68.9, -57.7, 36.72

 

CMYK 75 / 0 / 29 / 25

HEX #30C089

RGB 48 192 137

HSL 157.08, 0.6%, 0.47%

LAB 69.56, -50.24, 17.21

 

CMYK 75 / 0 / 9 / 25

HEX #30C0AF

RGB 48 192 175

HSL 172.92, 0.6%, 0.47%

LAB 70.47, -40.8, -2.16

 

CMYK 75 / 0 / 48 / 51

HEX #1F7E41

RGB 31 126 65

HSL 141.47, 0.61%, 0.31%

LAB 46.44, -41.4, 25.53

 

CMYK 75 / 0 / 48 / 38

HEX #289F52

RGB 40 159 82

HSL 141.18, 0.6%, 0.39%

LAB 57.9, -49.57, 31.01

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 66 / 0 / 43 / 18

HEX #48D178

RGB 72 209 120

HSL 141.02, 0.6%, 0.55%

LAB 75.04, -56.32, 33.55

 

CMYK 52 / 0 / 33 / 15

HEX #69D991

RGB 105 217 145

HSL 141.43, 0.6%, 0.63%

LAB 78.85, -47.93, 25.94

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 75 / 41 / 0 / 25

HEX #3071C0

RGB 48 113 192

HSL 212.92, 0.6%, 0.47%

LAB 47.29, 6.88, -47.33

 

CMYK 0 / 75 / 71 / 25

HEX #C03037

RGB 192 48 55

HSL 357.08, 0.6%, 0.47%

LAB 43.65, 56.65, 31.22

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 49 / 75 / 0 / 25

HEX #6230C0

RGB 98 48 192

HSL 260.83, 0.6%, 0.47%

LAB 35.04, 53.82, -67.01

 

CMYK 0 / 49 / 75 / 25

HEX #C06230

RGB 192 98 48

HSL 20.83, 0.6%, 0.47%

LAB 52.01, 34.06, 44.32

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 75 / 41 / 0 / 25

HEX #3071C0

RGB 48 113 192

HSL 212.92, 0.6%, 0.47%

LAB 47.29, 6.88, -47.33

 

CMYK 0 / 75 / 27 / 25

HEX #C0308D

RGB 192 48 141

HSL 321.25, 0.6%, 0.47%

LAB 45.97, 64.02, -18.33

 

CMYK 0 / 34 / 75 / 25

HEX #C07F30

RGB 192 127 48

HSL 32.92, 0.6%, 0.47%

LAB 58.6, 18.35, 51.04

 

CMYK 75 / 0 / 48 / 25

HEX #30C063

RGB 48 192 99

HSL 141.25, 0.6%, 0.47%

LAB 68.92, -57.54, 36.24

 

CMYK 75 / 64 / 0 / 25

HEX #3046C0

RGB 48 70 192

HSL 230.83, 0.6%, 0.47%

LAB 35.62, 34.59, -66.2

 

CMYK 0 / 75 / 27 / 25

HEX #C0308D

RGB 192 48 141

HSL 321.25, 0.6%, 0.47%

LAB 45.97, 64.02, -18.33

 

CMYK 0 / 11 / 75 / 25

HEX #C0AA30

RGB 192 170 48

HSL 50.83, 0.6%, 0.47%

LAB 69.59, -5.01, 61.7

 

Description

Color code: HEX #30C063 | qconv.com Color code: HEX #30C063 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 192 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 192 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 48 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 48% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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