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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30BF3E it is the complementary color #CF40C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30BF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30BF3E shade: #35BF39, #46D14C, #57E35F, #68F572 and #79FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30BF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30BF3E shade: #30BF3E, #1FAD2B, #0E9B18, #008905 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30BF3E shade: #2FBF3E, #48BF2F, #6FBF2F, #96BF2F and #BDBF2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30BF3E shade: #2FBF3E, #2FBF64, #2FBF8B, #2FBFB2 and #2FA6BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30BF3E shade matches the following richer shades: #2FBF3E, #1CD32E and #09E61E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30BF3E shade: #2FBF3E, #43AC4D, #56985D, #6A856C and #7D727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30BF3E shade: #70BF2F, #4ABF2F, #2FBF3B, #2FBF62 and #2FBF88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30BF3E shade: #1F7D28, #279E33, #2FBF3E, #47D155 and #68D973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30BF3E shade: #30BF3E, #2F97BF and #BF2F5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30BF3E shade: #30BF3E, #3B2FBF and #BF3B2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30BF3E shade: #30BF3E, #2F97BF, #BF2FB3 and #BF582F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30BF3E shade: #30BF3E, #2F6BBF, #BF2FB3 and #BF832F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 68 / 25

HEX #30BF3E

RGB 48 191 62

HSL 125.87, 0.6%, 0.47%

LAB 68.2, -61.99, 52.45

 

Complementary color

CMYK 0 / 69 / 7 / 19

HEX #CF40C1

RGB 207 64 193

HSL 305.87, 0.6%, 0.53%

LAB 52.71, 69.54, -38.37

 

CMYK 72 / 0 / 70 / 25

HEX #35BF39

RGB 53 191 57

HSL 121.74, 0.57%, 0.48%

LAB 68.25, -61.66, 54.52

 

CMYK 67 / 0 / 64 / 18

HEX #46D14C

RGB 70 209 76

HSL 122.59, 0.6%, 0.55%

LAB 74.46, -62.74, 53.63

 

CMYK 62 / 0 / 58 / 11

HEX #57E35F

RGB 87 227 95

HSL 123.43, 0.71%, 0.62%

LAB 80.62, -63.41, 52.49

 

CMYK 58 / 0 / 53 / 4

HEX #68F572

RGB 104 245 114

HSL 124.26, 0.88%, 0.68%

LAB 86.73, -63.8, 51.25

 

CMYK 53 / 0 / 48 / 0

HEX #79FF85

RGB 121 255 133

HSL 125.37, 1%, 0.74%

LAB 90.45, -61, 47.08

 

CMYK 75 / 0 / 68 / 25

HEX #30BF3E

RGB 48 191 62

HSL 125.87, 0.6%, 0.47%

LAB 68.2, -61.99, 52.45

 

CMYK 82 / 0 / 75 / 32

HEX #1FAD2B

RGB 31 173 43

HSL 125.07, 0.7%, 0.4%

LAB 61.96, -60.26, 53.15

 

CMYK 91 / 0 / 85 / 39

HEX #0E9B18

RGB 14 155 24

HSL 124.26, 0.83%, 0.33%

LAB 55.69, -57.7, 53.03

 

CMYK 100 / 0 / 96 / 46

HEX #008905

RGB 0 137 5

HSL 122.19, 1%, 0.27%

LAB 49.38, -54.13, 51.48

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 75 / 0 / 68 / 25

HEX #2FBF3E

RGB 47 191 62

HSL 126.25, 0.61%, 0.47%

LAB 68.18, -62.14, 52.43

 

CMYK 62 / 0 / 75 / 25

HEX #48BF2F

RGB 72 191 47

HSL 109.58, 0.61%, 0.47%

LAB 68.64, -58.68, 58.69

 

CMYK 42 / 0 / 75 / 25

HEX #6FBF2F

RGB 111 191 47

HSL 93.33, 0.61%, 0.47%

LAB 70.07, -47.66, 60.57

 

CMYK 21 / 0 / 75 / 25

HEX #96BF2F

RGB 150 191 47

HSL 77.08, 0.61%, 0.47%

LAB 72.2, -33.33, 63.35

 

CMYK 1 / 0 / 75 / 25

HEX #BDBF2F

RGB 189 191 47

HSL 60.83, 0.61%, 0.47%

LAB 75, -17.16, 66.99

 

CMYK 75 / 0 / 68 / 25

HEX #2FBF3E

RGB 47 191 62

HSL 126.25, 0.61%, 0.47%

LAB 68.18, -62.14, 52.43

 

CMYK 75 / 0 / 48 / 25

HEX #2FBF64

RGB 47 191 100

HSL 142.08, 0.61%, 0.47%

LAB 68.6, -57.16, 35.33

 

CMYK 75 / 0 / 27 / 25

HEX #2FBF8B

RGB 47 191 139

HSL 158.33, 0.61%, 0.47%

LAB 69.28, -49.52, 15.73

 

CMYK 75 / 0 / 7 / 25

HEX #2FBFB2

RGB 47 191 178

HSL 174.58, 0.61%, 0.47%

LAB 70.23, -39.64, -4.15

 

CMYK 75 / 13 / 0 / 25

HEX #2FA6BF

RGB 47 166 191

HSL 190.42, 0.61%, 0.47%

LAB 63.04, -23.74, -22.15

 

CMYK 75 / 0 / 68 / 25

HEX #2FBF3E

RGB 47 191 62

HSL 126.25, 0.61%, 0.47%

LAB 68.18, -62.14, 52.43

 

CMYK 87 / 0 / 78 / 17

HEX #1CD32E

RGB 28 211 46

HSL 125.9, 0.77%, 0.47%

LAB 74.21, -71.64, 64.16

 

CMYK 96 / 0 / 87 / 10

HEX #09E61E

RGB 9 230 30

HSL 125.7, 0.92%, 0.47%

LAB 80.04, -78.73, 73.37

 

CMYK 75 / 0 / 68 / 25

HEX #2FBF3E

RGB 47 191 62

HSL 126.25, 0.61%, 0.47%

LAB 68.18, -62.14, 52.43

 

CMYK 61 / 0 / 55 / 33

HEX #43AC4D

RGB 67 172 77

HSL 125.71, 0.44%, 0.47%

LAB 62.7, -49.97, 39.6

 

CMYK 43 / 0 / 39 / 40

HEX #56985D

RGB 86 152 93

HSL 126.36, 0.28%, 0.47%

LAB 57.29, -33.98, 24.64

 

CMYK 20 / 0 / 19 / 48

HEX #6A856C

RGB 106 133 108

HSL 124.44, 0.11%, 0.47%

LAB 52.86, -14.9, 10.35

 

CMYK 0 / 9 / 1 / 51

HEX #7D727C

RGB 125 114 124

HSL 305.45, 0.05%, 0.47%

LAB 49.31, 6.21, -3.96

 

CMYK 41 / 0 / 75 / 25

HEX #70BF2F

RGB 112 191 47

HSL 92.92, 0.61%, 0.47%

LAB 70.11, -47.33, 60.63

 

CMYK 61 / 0 / 75 / 25

HEX #4ABF2F

RGB 74 191 47

HSL 108.75, 0.61%, 0.47%

LAB 68.7, -58.22, 58.76

 

CMYK 75 / 0 / 69 / 25

HEX #2FBF3B

RGB 47 191 59

HSL 125, 0.61%, 0.47%

LAB 68.15, -62.43, 53.61

 

CMYK 75 / 0 / 49 / 25

HEX #2FBF62

RGB 47 191 98

HSL 141.25, 0.61%, 0.47%

LAB 68.57, -57.49, 36.3

 

CMYK 75 / 0 / 29 / 25

HEX #2FBF88

RGB 47 191 136

HSL 157.08, 0.61%, 0.47%

LAB 69.21, -50.2, 17.26

 

CMYK 75 / 0 / 68 / 51

HEX #1F7D28

RGB 31 125 40

HSL 125.74, 0.6%, 0.31%

LAB 45.79, -44.66, 37.44

 

CMYK 75 / 0 / 68 / 38

HEX #279E33

RGB 39 158 51

HSL 126.05, 0.6%, 0.39%

LAB 57.2, -53.59, 45.09

 

CMYK 75 / 0 / 68 / 25

HEX #2FBF3E

RGB 47 191 62

HSL 126.25, 0.61%, 0.47%

LAB 68.18, -62.14, 52.43

 

CMYK 66 / 0 / 59 / 18

HEX #47D155

RGB 71 209 85

HSL 126.09, 0.6%, 0.55%

LAB 74.57, -61.55, 49.84

 

CMYK 52 / 0 / 47 / 15

HEX #68D973

RGB 104 217 115

HSL 125.84, 0.6%, 0.63%

LAB 78.35, -53.08, 40.47

 

CMYK 75 / 0 / 68 / 25

HEX #30BF3E

RGB 48 191 62

HSL 125.87, 0.6%, 0.47%

LAB 68.2, -61.99, 52.45

 

CMYK 75 / 21 / 0 / 25

HEX #2F97BF

RGB 47 151 191

HSL 196.67, 0.61%, 0.47%

LAB 58.51, -15.83, -29.13

 

CMYK 0 / 75 / 51 / 25

HEX #BF2F5D

RGB 191 47 93

HSL 340.83, 0.61%, 0.47%

LAB 44.09, 59.11, 8.39

 

CMYK 75 / 0 / 68 / 25

HEX #30BF3E

RGB 48 191 62

HSL 125.87, 0.6%, 0.47%

LAB 68.2, -61.99, 52.45

 

CMYK 69 / 75 / 0 / 25

HEX #3B2FBF

RGB 59 47 191

HSL 245, 0.61%, 0.47%

LAB 31.17, 49.06, -72.91

 

CMYK 0 / 69 / 75 / 25

HEX #BF3B2F

RGB 191 59 47

HSL 5, 0.61%, 0.47%

LAB 44.81, 51.97, 37.12

 

CMYK 75 / 0 / 68 / 25

HEX #30BF3E

RGB 48 191 62

HSL 125.87, 0.6%, 0.47%

LAB 68.2, -61.99, 52.45

 

CMYK 75 / 21 / 0 / 25

HEX #2F97BF

RGB 47 151 191

HSL 196.67, 0.61%, 0.47%

LAB 58.51, -15.83, -29.13

 

CMYK 0 / 75 / 6 / 25

HEX #BF2FB3

RGB 191 47 179

HSL 305, 0.61%, 0.47%

LAB 47.45, 69.35, -38.68

 

CMYK 0 / 54 / 75 / 25

HEX #BF582F

RGB 191 88 47

HSL 17.08, 0.61%, 0.47%

LAB 49.81, 38.76, 42.47

 

CMYK 75 / 0 / 68 / 25

HEX #30BF3E

RGB 48 191 62

HSL 125.87, 0.6%, 0.47%

LAB 68.2, -61.99, 52.45

 

CMYK 75 / 44 / 0 / 25

HEX #2F6BBF

RGB 47 107 191

HSL 215, 0.61%, 0.47%

LAB 45.47, 10.16, -49.67

 

CMYK 0 / 75 / 6 / 25

HEX #BF2FB3

RGB 191 47 179

HSL 305, 0.61%, 0.47%

LAB 47.45, 69.35, -38.68

 

CMYK 0 / 31 / 75 / 25

HEX #BF832F

RGB 191 131 47

HSL 35, 0.61%, 0.47%

LAB 59.45, 15.66, 52.27

 

Description

Color code: HEX #30BF3E | qconv.com Color code: HEX #30BF3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 191 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 191 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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