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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30BC7D it is the complementary color #CF4382. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30BC7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30BC7D shade: #35BC78, #46CE8B, #57E09E, #68F2B1 and #79FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30BC7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30BC7D shade: #30BC7D, #1FAA6A, #0E9857, #008644 and #007431

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30BC7D shade: #30BB7C, #30BB57, #30BB32, #54BB30 and #79BB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30BC7D shade: #30BB7C, #30BBA2, #30AEBB, #3089BB and #3063BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30BC7D shade matches the following richer shades: #30BB7C, #1DCD7E and #0AE080

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30BC7D shade: #30BB7C, #43A87A, #569578, #698277 and #7C6F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30BC7D shade: #30BB32, #30BB57, #30BB7C, #30BBA1 and #30AFBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30BC7D shade: #1F7951, #289A66, #30BB7C, #45CF91 and #66D7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30BC7D shade: #30BC7D, #3053BB and #BB4530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30BC7D shade: #30BC7D, #7C30BB and #BB7C30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30BC7D shade: #30BC7D, #3053BB, #BB306E and #BB9830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30BC7D shade: #30BC7D, #3730BB, #BB306E and #B4BB30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 34 / 26

HEX #30BC7D

RGB 48 188 125

HSL 153, 0.59%, 0.46%

LAB 68.08, -51.25, 21.61

 

Complementary color

CMYK 0 / 68 / 37 / 19

HEX #CF4382

RGB 207 67 130

HSL 333, 0.59%, 0.54%

LAB 50.56, 60.1, -4.51

 

CMYK 72 / 0 / 36 / 26

HEX #35BC78

RGB 53 188 120

HSL 149.78, 0.56%, 0.47%

LAB 68.08, -51.55, 24.29

 

CMYK 66 / 0 / 33 / 19

HEX #46CE8B

RGB 70 206 139

HSL 150.44, 0.58%, 0.54%

LAB 74.39, -52, 22.85

 

CMYK 61 / 0 / 29 / 12

HEX #57E09E

RGB 87 224 158

HSL 151.09, 0.69%, 0.61%

LAB 80.63, -52.23, 21.52

 

CMYK 57 / 0 / 27 / 5

HEX #68F2B1

RGB 104 242 177

HSL 151.74, 0.84%, 0.68%

LAB 86.81, -52.31, 20.29

 

CMYK 53 / 0 / 23 / 0

HEX #79FFC4

RGB 121 255 196

HSL 153.58, 1%, 0.74%

LAB 91.49, -50.21, 17.14

 

CMYK 74 / 0 / 34 / 26

HEX #30BC7D

RGB 48 188 125

HSL 153, 0.59%, 0.46%

LAB 68.08, -51.25, 21.61

 

CMYK 82 / 0 / 38 / 33

HEX #1FAA6A

RGB 31 170 106

HSL 152.37, 0.69%, 0.39%

LAB 61.72, -50.35, 23.2

 

CMYK 91 / 0 / 43 / 40

HEX #0E9857

RGB 14 152 87

HSL 151.74, 0.83%, 0.33%

LAB 55.32, -48.93, 24.96

 

CMYK 100 / 0 / 49 / 47

HEX #008644

RGB 0 134 68

HSL 150.45, 1%, 0.26%

LAB 48.84, -46.9, 26.88

HEX #008644

CMYK 100 / 0 / 58 / 55

HEX #007431

RGB 0 116 49

HSL 145.34, 1%, 0.23%

LAB 42.33, -43.84, 28.94

HEX #007431

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 74 / 0 / 53 / 27

HEX #30BB57

RGB 48 187 87

HSL 136.83, 0.59%, 0.46%

LAB 67.17, -57.62, 40.01

 

CMYK 74 / 0 / 73 / 27

HEX #30BB32

RGB 48 187 50

HSL 120.86, 0.59%, 0.46%

LAB 66.82, -61.78, 55.64

 

CMYK 55 / 0 / 74 / 27

HEX #54BB30

RGB 84 187 48

HSL 104.46, 0.59%, 0.46%

LAB 67.75, -54.2, 57.59

 

CMYK 35 / 0 / 74 / 27

HEX #79BB30

RGB 121 187 48

HSL 88.49, 0.59%, 0.46%

LAB 69.34, -42.49, 59.69

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 74 / 0 / 13 / 27

HEX #30BBA2

RGB 48 187 162

HSL 169.21, 0.59%, 0.46%

LAB 68.59, -42.09, 2.22

 

CMYK 74 / 7 / 0 / 27

HEX #30AEBB

RGB 48 174 187

HSL 185.61, 0.59%, 0.46%

LAB 65.35, -28.9, -16.41

 

CMYK 74 / 27 / 0 / 27

HEX #3089BB

RGB 48 137 187

HSL 201.58, 0.59%, 0.46%

LAB 54.14, -9.29, -33.65

 

CMYK 74 / 47 / 0 / 27

HEX #3063BB

RGB 48 99 187

HSL 217.99, 0.59%, 0.46%

LAB 42.97, 13.89, -51.35

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 86 / 0 / 39 / 20

HEX #1DCD7E

RGB 29 205 126

HSL 153.07, 0.75%, 0.46%

LAB 73.17, -59.37, 27.89

 

CMYK 96 / 0 / 43 / 12

HEX #0AE080

RGB 10 224 128

HSL 153.08, 0.91%, 0.46%

LAB 79, -66.52, 34.52

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 60 / 0 / 27 / 34

HEX #43A87A

RGB 67 168 122

HSL 152.67, 0.43%, 0.46%

LAB 62.17, -40.4, 15.2

 

CMYK 42 / 0 / 19 / 42

HEX #569578

RGB 86 149 120

HSL 152.38, 0.27%, 0.46%

LAB 56.91, -27.26, 9.04

 

CMYK 19 / 0 / 8 / 49

HEX #698277

RGB 105 130 119

HSL 153.6, 0.11%, 0.46%

LAB 52.18, -11.38, 2.97

 

CMYK 0 / 10 / 6 / 51

HEX #7C6F75

RGB 124 111 117

HSL 332.31, 0.06%, 0.46%

LAB 48.18, 6.21, -1.48

 

CMYK 74 / 0 / 73 / 27

HEX #30BB32

RGB 48 187 50

HSL 120.86, 0.59%, 0.46%

LAB 66.82, -61.78, 55.64

 

CMYK 74 / 0 / 53 / 27

HEX #30BB57

RGB 48 187 87

HSL 136.83, 0.59%, 0.46%

LAB 67.17, -57.62, 40.01

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 74 / 0 / 14 / 27

HEX #30BBA1

RGB 48 187 161

HSL 168.78, 0.59%, 0.46%

LAB 68.56, -42.35, 2.73

 

CMYK 74 / 6 / 0 / 27

HEX #30AFBB

RGB 48 175 187

HSL 185.18, 0.59%, 0.46%

LAB 65.65, -29.39, -15.95

 

CMYK 74 / 0 / 33 / 53

HEX #1F7951

RGB 31 121 81

HSL 153.33, 0.59%, 0.3%

LAB 45.03, -36.1, 14.6

 

CMYK 74 / 0 / 34 / 40

HEX #289A66

RGB 40 154 102

HSL 152.63, 0.59%, 0.38%

LAB 56.61, -43.79, 18.51

 

CMYK 74 / 0 / 34 / 27

HEX #30BB7C

RGB 48 187 124

HSL 152.81, 0.59%, 0.46%

LAB 67.74, -51.07, 21.69

 

CMYK 67 / 0 / 30 / 19

HEX #45CF91

RGB 69 207 145

HSL 153.04, 0.59%, 0.54%

LAB 74.78, -51.34, 20.22

 

CMYK 53 / 0 / 24 / 16

HEX #66D7A4

RGB 102 215 164

HSL 152.92, 0.59%, 0.62%

LAB 78.52, -44.06, 15.51

 

CMYK 74 / 0 / 34 / 26

HEX #30BC7D

RGB 48 188 125

HSL 153, 0.59%, 0.46%

LAB 68.08, -51.25, 21.61

 

CMYK 74 / 56 / 0 / 27

HEX #3053BB

RGB 48 83 187

HSL 224.89, 0.59%, 0.46%

LAB 38.56, 24.31, -58.49

 

CMYK 0 / 63 / 74 / 27

HEX #BB4530

RGB 187 69 48

HSL 9.06, 0.59%, 0.46%

LAB 45.68, 46.41, 37.31

 

CMYK 74 / 0 / 34 / 26

HEX #30BC7D

RGB 48 188 125

HSL 153, 0.59%, 0.46%

LAB 68.08, -51.25, 21.61

 

CMYK 34 / 74 / 0 / 27

HEX #7C30BB

RGB 124 48 187

HSL 272.81, 0.59%, 0.46%

LAB 37.82, 56.94, -59.4

 

CMYK 0 / 34 / 74 / 27

HEX #BB7C30

RGB 187 124 48

HSL 32.81, 0.59%, 0.46%

LAB 57.26, 17.83, 49.49

 

CMYK 74 / 0 / 34 / 26

HEX #30BC7D

RGB 48 188 125

HSL 153, 0.59%, 0.46%

LAB 68.08, -51.25, 21.61

 

CMYK 74 / 56 / 0 / 27

HEX #3053BB

RGB 48 83 187

HSL 224.89, 0.59%, 0.46%

LAB 38.56, 24.31, -58.49

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 0 / 19 / 74 / 27

HEX #BB9830

RGB 187 152 48

HSL 44.89, 0.59%, 0.46%

LAB 64.35, 2.42, 56.51

 

CMYK 74 / 0 / 34 / 26

HEX #30BC7D

RGB 48 188 125

HSL 153, 0.59%, 0.46%

LAB 68.08, -51.25, 21.61

 

CMYK 71 / 74 / 0 / 27

HEX #3730BB

RGB 55 48 187

HSL 243.02, 0.59%, 0.46%

LAB 30.67, 46.85, -71.38

 

CMYK 0 / 74 / 41 / 27

HEX #BB306E

RGB 187 48 110

HSL 333.24, 0.59%, 0.46%

LAB 43.95, 59.21, -2.47

 

CMYK 4 / 0 / 74 / 27

HEX #B4BB30

RGB 180 187 48

HSL 63.02, 0.59%, 0.46%

LAB 73.19, -18.95, 64.72

 

Description

Color code: HEX #30BC7D | qconv.com Color code: HEX #30BC7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 188 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 188 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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