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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30BA54 it is the complementary color #CF45AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30BA54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30BA54 shade: #35BA4F, #46CC62, #57DE75, #68F088 and #79FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30BA54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30BA54 shade: #30BA54, #1FA841, #0E962E, #00841B and #007208

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30BA54 shade: #30BB54, #31BB30, #57BB30, #7CBB30 and #A1BB30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30BA54 shade: #30BB54, #30BB7A, #30BB9F, #30B1BB and #308CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30BA54 shade matches the following richer shades: #30BB54, #1DCD4B and #0AE042

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30BA54 shade: #30BB54, #43A85D, #569566, #69826F and #7C6F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30BA54 shade: #57BB30, #32BB30, #30BB53, #30BB78 and #30BB9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30BA54 shade: #1F7937, #289A45, #30BB54, #45CF69 and #66D783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30BA54 shade: #30BA54, #307CBB and #BB3045

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30BA54 shade: #30BA54, #5330BB and #BB5330

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30BA54 shade: #30BA54, #307CBB, #BB3098 and #BB6E30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30BA54 shade: #30BA54, #3053BB, #BB3098 and #BB9830

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 55 / 27

HEX #30BA54

RGB 48 186 84

HSL 135.65, 0.59%, 0.46%

LAB 66.81, -57.7, 41.03

 

Complementary color

CMYK 0 / 67 / 17 / 19

HEX #CF45AB

RGB 207 69 171

HSL 315.65, 0.59%, 0.54%

LAB 52.36, 64.47, -26.12

 

CMYK 72 / 0 / 58 / 27

HEX #35BA4F

RGB 53 186 79

HSL 131.73, 0.56%, 0.47%

LAB 66.85, -57.58, 43.49

 

CMYK 66 / 0 / 52 / 20

HEX #46CC62

RGB 70 204 98

HSL 132.54, 0.57%, 0.54%

LAB 73.13, -58.29, 42.07

 

CMYK 61 / 0 / 47 / 13

HEX #57DE75

RGB 87 222 117

HSL 133.33, 0.67%, 0.61%

LAB 79.36, -58.68, 40.65

 

CMYK 57 / 0 / 43 / 6

HEX #68F088

RGB 104 240 136

HSL 134.12, 0.82%, 0.67%

LAB 85.52, -58.86, 39.28

 

CMYK 53 / 0 / 39 / 0

HEX #79FF9B

RGB 121 255 155

HSL 135.22, 1%, 0.74%

LAB 90.76, -57.72, 36.83

 

CMYK 74 / 0 / 55 / 27

HEX #30BA54

RGB 48 186 84

HSL 135.65, 0.59%, 0.46%

LAB 66.81, -57.7, 41.03

 

CMYK 82 / 0 / 61 / 34

HEX #1FA841

RGB 31 168 65

HSL 134.89, 0.69%, 0.39%

LAB 60.5, -56.43, 42.51

 

CMYK 91 / 0 / 69 / 41

HEX #0E962E

RGB 14 150 46

HSL 134.12, 0.83%, 0.32%

LAB 54.14, -54.44, 43.81

 

CMYK 100 / 0 / 80 / 48

HEX #00841B

RGB 0 132 27

HSL 132.27, 1%, 0.26%

LAB 47.73, -51.54, 44.56

 

CMYK 100 / 0 / 93 / 55

HEX #007208

RGB 0 114 8

HSL 124.21, 1%, 0.22%

LAB 41.3, -47.22, 44.02

 

CMYK 74 / 0 / 55 / 27

HEX #30BB54

RGB 48 187 84

HSL 135.54, 0.59%, 0.46%

LAB 67.13, -58.05, 41.42

 

CMYK 74 / 0 / 74 / 27

HEX #31BB30

RGB 49 187 48

HSL 119.57, 0.59%, 0.46%

LAB 66.83, -61.77, 56.36

 

CMYK 53 / 0 / 74 / 27

HEX #57BB30

RGB 87 187 48

HSL 103.17, 0.59%, 0.46%

LAB 67.86, -53.38, 57.73

 

CMYK 34 / 0 / 74 / 27

HEX #7CBB30

RGB 124 187 48

HSL 87.19, 0.59%, 0.46%

LAB 69.5, -41.4, 59.9

 

CMYK 14 / 0 / 74 / 27

HEX #A1BB30

RGB 161 187 48

HSL 71.22, 0.59%, 0.46%

LAB 71.78, -26.93, 62.89

 

CMYK 74 / 0 / 55 / 27

HEX #30BB54

RGB 48 187 84

HSL 135.54, 0.59%, 0.46%

LAB 67.13, -58.05, 41.42

 

CMYK 74 / 0 / 35 / 27

HEX #30BB7A

RGB 48 187 122

HSL 151.94, 0.59%, 0.46%

LAB 67.71, -51.49, 22.71

 

CMYK 74 / 0 / 15 / 27

HEX #30BB9F

RGB 48 187 159

HSL 167.91, 0.59%, 0.46%

LAB 68.51, -42.87, 3.76

 

CMYK 74 / 5 / 0 / 27

HEX #30B1BB

RGB 48 177 187

HSL 184.32, 0.59%, 0.46%

LAB 66.26, -30.36, -15.03

 

CMYK 74 / 25 / 0 / 27

HEX #308CBB

RGB 48 140 187

HSL 200.29, 0.59%, 0.46%

LAB 55.04, -10.99, -32.24

 

CMYK 74 / 0 / 55 / 27

HEX #30BB54

RGB 48 187 84

HSL 135.54, 0.59%, 0.46%

LAB 67.13, -58.05, 41.42

 

CMYK 86 / 0 / 63 / 20

HEX #1DCD4B

RGB 29 205 75

HSL 135.68, 0.75%, 0.46%

LAB 72.52, -67.24, 51.7

 

CMYK 96 / 0 / 71 / 12

HEX #0AE042

RGB 10 224 66

HSL 135.7, 0.91%, 0.46%

LAB 78.33, -74.83, 61.52

 

CMYK 74 / 0 / 55 / 27

HEX #30BB54

RGB 48 187 84

HSL 135.54, 0.59%, 0.46%

LAB 67.13, -58.05, 41.42

 

CMYK 60 / 0 / 45 / 34

HEX #43A85D

RGB 67 168 93

HSL 135.45, 0.43%, 0.46%

LAB 61.64, -45.99, 30.16

 

CMYK 42 / 0 / 32 / 42

HEX #569566

RGB 86 149 102

HSL 135.24, 0.27%, 0.46%

LAB 56.52, -30.96, 18.64

 

CMYK 19 / 0 / 15 / 49

HEX #69826F

RGB 105 130 111

HSL 134.4, 0.11%, 0.46%

LAB 51.97, -13.05, 7.33

 

CMYK 0 / 10 / 2 / 51

HEX #7C6F79

RGB 124 111 121

HSL 313.85, 0.06%, 0.46%

LAB 48.3, 7, -3.68

 

CMYK 53 / 0 / 74 / 27

HEX #57BB30

RGB 87 187 48

HSL 103.17, 0.59%, 0.46%

LAB 67.86, -53.38, 57.73

 

CMYK 73 / 0 / 74 / 27

HEX #32BB30

RGB 50 187 48

HSL 119.14, 0.59%, 0.46%

LAB 66.85, -61.61, 56.39

 

CMYK 74 / 0 / 56 / 27

HEX #30BB53

RGB 48 187 83

HSL 135.11, 0.59%, 0.46%

LAB 67.12, -58.18, 41.88

 

CMYK 74 / 0 / 36 / 27

HEX #30BB78

RGB 48 187 120

HSL 151.08, 0.59%, 0.46%

LAB 67.67, -51.89, 23.73

 

CMYK 74 / 0 / 16 / 27

HEX #30BB9D

RGB 48 187 157

HSL 167.05, 0.59%, 0.46%

LAB 68.46, -43.39, 4.78

 

CMYK 74 / 0 / 55 / 53

HEX #1F7937

RGB 31 121 55

HSL 136, 0.59%, 0.3%

LAB 44.58, -41.15, 28.6

 

CMYK 74 / 0 / 55 / 40

HEX #289A45

RGB 40 154 69

HSL 135.26, 0.59%, 0.38%

LAB 56.08, -49.78, 35.42

 

CMYK 74 / 0 / 55 / 27

HEX #30BB54

RGB 48 187 84

HSL 135.54, 0.59%, 0.46%

LAB 67.13, -58.05, 41.42

 

CMYK 67 / 0 / 49 / 19

HEX #45CF69

RGB 69 207 105

HSL 135.65, 0.59%, 0.54%

LAB 74.13, -58.54, 39.89

 

CMYK 53 / 0 / 39 / 16

HEX #66D783

RGB 102 215 131

HSL 135.4, 0.59%, 0.62%

LAB 77.91, -50.29, 31.88

 

CMYK 74 / 0 / 55 / 27

HEX #30BA54

RGB 48 186 84

HSL 135.65, 0.59%, 0.46%

LAB 66.81, -57.7, 41.03

 

CMYK 74 / 34 / 0 / 27

HEX #307CBB

RGB 48 124 187

HSL 207.19, 0.59%, 0.46%

LAB 50.25, -1.69, -39.75

 

CMYK 0 / 74 / 63 / 27

HEX #BB3045

RGB 187 48 69

HSL 350.94, 0.59%, 0.46%

LAB 42.93, 55.88, 21.6

 

CMYK 74 / 0 / 55 / 27

HEX #30BA54

RGB 48 186 84

HSL 135.65, 0.59%, 0.46%

LAB 66.81, -57.7, 41.03

 

CMYK 56 / 74 / 0 / 27

HEX #5330BB

RGB 83 48 187

HSL 255.11, 0.59%, 0.46%

LAB 33.01, 50.24, -67.46

 

CMYK 0 / 56 / 74 / 27

HEX #BB5330

RGB 187 83 48

HSL 15.11, 0.59%, 0.46%

LAB 48.22, 39.77, 40.07

 

CMYK 74 / 0 / 55 / 27

HEX #30BA54

RGB 48 186 84

HSL 135.65, 0.59%, 0.46%

LAB 66.81, -57.7, 41.03

 

CMYK 74 / 34 / 0 / 27

HEX #307CBB

RGB 48 124 187

HSL 207.19, 0.59%, 0.46%

LAB 50.25, -1.69, -39.75

 

CMYK 0 / 74 / 19 / 27

HEX #BB3098

RGB 187 48 152

HSL 315.11, 0.59%, 0.46%

LAB 45.56, 64.22, -25.66

 

CMYK 0 / 41 / 74 / 27

HEX #BB6E30

RGB 187 110 48

HSL 26.76, 0.59%, 0.46%

LAB 53.95, 25.54, 46.11

 

CMYK 74 / 0 / 55 / 27

HEX #30BA54

RGB 48 186 84

HSL 135.65, 0.59%, 0.46%

LAB 66.81, -57.7, 41.03

 

CMYK 74 / 56 / 0 / 27

HEX #3053BB

RGB 48 83 187

HSL 224.89, 0.59%, 0.46%

LAB 38.56, 24.31, -58.49

 

CMYK 0 / 74 / 19 / 27

HEX #BB3098

RGB 187 48 152

HSL 315.11, 0.59%, 0.46%

LAB 45.56, 64.22, -25.66

 

CMYK 0 / 19 / 74 / 27

HEX #BB9830

RGB 187 152 48

HSL 44.89, 0.59%, 0.46%

LAB 64.35, 2.42, 56.51

 

Description

Color code: HEX #30BA54 | qconv.com Color code: HEX #30BA54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 186 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 186 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 55 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 55% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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