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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B896 it is the complementary color #CF4769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B896 shade: #35B891, #46CAA4, #57DCB7, #68EECA and #79FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B896 shade: #30B896, #1FA683, #0E9470, #00825D and #00704A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B896 shade: #2FB695, #2FB670, #2FB64C, #37B62F and #5CB62F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B896 shade: #2FB695, #2FB4B6, #2F8FB6, #2F6BB6 and #2F46B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B896 shade matches the following richer shades: #2FB695, #1CC99E and #0ADCA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B896 shade: #2FB695, #42A48B, #549182, #677F79 and #796C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B896 shade: #2FB64C, #2FB670, #2FB695, #2FB4B6 and #2F90B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B896 shade: #1E755F, #27967A, #2FB695, #41CEAB and #62D6B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B896 shade: #30B896, #2F36B6 and #B65E2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B896 shade: #30B896, #952FB6 and #B6952F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B896 shade: #30B896, #2F36B6, #B62F51 and #B6B02F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B896 shade: #30B896, #512FB6, #B62F51 and #95B62F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 18 / 28

HEX #30B896

RGB 48 184 150

HSL 165, 0.59%, 0.45%

LAB 67.36, -43.88, 7.04

 

Complementary color

CMYK 0 / 66 / 49 / 19

HEX #CF4769

RGB 207 71 105

HSL 345, 0.59%, 0.55%

LAB 50.44, 56.05, 10.39

 

CMYK 71 / 0 / 21 / 28

HEX #35B891

RGB 53 184 145

HSL 162.14, 0.55%, 0.46%

LAB 67.34, -44.42, 9.76

 

CMYK 65 / 0 / 19 / 21

HEX #46CAA4

RGB 70 202 164

HSL 162.73, 0.55%, 0.53%

LAB 73.69, -44.86, 8.54

 

CMYK 60 / 0 / 17 / 14

HEX #57DCB7

RGB 87 220 183

HSL 163.31, 0.66%, 0.6%

LAB 79.97, -45.1, 7.43

 

CMYK 56 / 0 / 15 / 7

HEX #68EECA

RGB 104 238 202

HSL 163.88, 0.8%, 0.67%

LAB 86.18, -45.22, 6.41

 

CMYK 53 / 0 / 13 / 0

HEX #79FFDD

RGB 121 255 221

HSL 164.78, 1%, 0.74%

LAB 92.05, -44.81, 5.05

 

CMYK 74 / 0 / 18 / 28

HEX #30B896

RGB 48 184 150

HSL 165, 0.59%, 0.45%

LAB 67.36, -43.88, 7.04

 

CMYK 81 / 0 / 21 / 35

HEX #1FA683

RGB 31 166 131

HSL 164.44, 0.69%, 0.39%

LAB 60.96, -43.02, 8.38

 

CMYK 91 / 0 / 24 / 42

HEX #0E9470

RGB 14 148 112

HSL 163.88, 0.83%, 0.32%

LAB 54.49, -41.72, 9.9

 

CMYK 100 / 0 / 28 / 49

HEX #00825D

RGB 0 130 93

HSL 162.92, 1%, 0.25%

LAB 47.95, -39.93, 11.61

 

CMYK 100 / 0 / 34 / 56

HEX #00704A

RGB 0 112 74

HSL 159.64, 1%, 0.22%

LAB 41.35, -37.3, 13.6

 

CMYK 74 / 0 / 18 / 29

HEX #2FB695

RGB 47 182 149

HSL 165.33, 0.59%, 0.45%

LAB 66.7, -43.41, 6.63

 

CMYK 74 / 0 / 38 / 29

HEX #2FB670

RGB 47 182 112

HSL 148.89, 0.59%, 0.45%

LAB 65.93, -51.71, 25.64

 

CMYK 74 / 0 / 58 / 29

HEX #2FB64C

RGB 47 182 76

HSL 132.89, 0.59%, 0.45%

LAB 65.42, -57.56, 43.18

 

CMYK 70 / 0 / 74 / 29

HEX #37B62F

RGB 55 182 47

HSL 116.44, 0.59%, 0.45%

LAB 65.34, -59.18, 55.26

 

CMYK 49 / 0 / 74 / 29

HEX #5CB62F

RGB 92 182 47

HSL 100, 0.59%, 0.45%

LAB 66.47, -50.1, 56.77

 

CMYK 74 / 0 / 18 / 29

HEX #2FB695

RGB 47 182 149

HSL 165.33, 0.59%, 0.45%

LAB 66.7, -43.41, 6.63

 

CMYK 74 / 1 / 0 / 29

HEX #2FB4B6

RGB 47 180 182

HSL 180.89, 0.59%, 0.45%

LAB 66.99, -33.42, -11.16

 

CMYK 74 / 21 / 0 / 29

HEX #2F8FB6

RGB 47 143 182

HSL 197.33, 0.59%, 0.45%

LAB 55.71, -14.52, -28.35

 

CMYK 74 / 41 / 0 / 29

HEX #2F6BB6

RGB 47 107 182

HSL 213.33, 0.59%, 0.45%

LAB 44.94, 6.78, -45.3

 

CMYK 74 / 62 / 0 / 29

HEX #2F46B6

RGB 47 70 182

HSL 229.78, 0.59%, 0.45%

LAB 34.73, 30.83, -61.79

 

CMYK 74 / 0 / 18 / 29

HEX #2FB695

RGB 47 182 149

HSL 165.33, 0.59%, 0.45%

LAB 66.7, -43.41, 6.63

 

CMYK 86 / 0 / 21 / 21

HEX #1CC99E

RGB 28 201 158

HSL 165.09, 0.76%, 0.45%

LAB 72.55, -50.85, 10.06

 

CMYK 95 / 0 / 24 / 14

HEX #0ADCA7

RGB 10 220 167

HSL 164.86, 0.91%, 0.45%

LAB 78.49, -56.94, 13.64

 

CMYK 74 / 0 / 18 / 29

HEX #2FB695

RGB 47 182 149

HSL 165.33, 0.59%, 0.45%

LAB 66.7, -43.41, 6.63

 

CMYK 60 / 0 / 15 / 36

HEX #42A48B

RGB 66 164 139

HSL 164.69, 0.43%, 0.45%

LAB 61.28, -34.83, 4.46

 

CMYK 42 / 0 / 10 / 43

HEX #549182

RGB 84 145 130

HSL 165.25, 0.27%, 0.45%

LAB 55.83, -23.51, 1.77

 

CMYK 19 / 0 / 5 / 50

HEX #677F79

RGB 103 127 121

HSL 165, 0.1%, 0.45%

LAB 51.2, -9.98, 0.37

 

CMYK 0 / 11 / 8 / 53

HEX #796C6F

RGB 121 108 111

HSL 346.15, 0.06%, 0.45%

LAB 46.89, 5.66, 0.18

 

CMYK 74 / 0 / 58 / 29

HEX #2FB64C

RGB 47 182 76

HSL 132.89, 0.59%, 0.45%

LAB 65.42, -57.56, 43.18

 

CMYK 74 / 0 / 38 / 29

HEX #2FB670

RGB 47 182 112

HSL 148.89, 0.59%, 0.45%

LAB 65.93, -51.71, 25.64

 

CMYK 74 / 0 / 18 / 29

HEX #2FB695

RGB 47 182 149

HSL 165.33, 0.59%, 0.45%

LAB 66.7, -43.41, 6.63

 

CMYK 74 / 1 / 0 / 29

HEX #2FB4B6

RGB 47 180 182

HSL 180.89, 0.59%, 0.45%

LAB 66.99, -33.42, -11.16

 

CMYK 74 / 21 / 0 / 29

HEX #2F90B6

RGB 47 144 182

HSL 196.89, 0.59%, 0.45%

LAB 56.02, -15.07, -27.88

 

CMYK 74 / 0 / 19 / 54

HEX #1E755F

RGB 30 117 95

HSL 164.83, 0.59%, 0.29%

LAB 43.98, -30.96, 4.88

 

CMYK 74 / 0 / 19 / 41

HEX #27967A

RGB 39 150 122

HSL 164.86, 0.59%, 0.37%

LAB 55.73, -37.47, 6.01

 

CMYK 74 / 0 / 18 / 29

HEX #2FB695

RGB 47 182 149

HSL 165.33, 0.59%, 0.45%

LAB 66.7, -43.41, 6.63

 

CMYK 68 / 0 / 17 / 19

HEX #41CEAB

RGB 65 206 171

HSL 165.11, 0.59%, 0.53%

LAB 74.96, -45.66, 6.57

 

CMYK 54 / 0 / 14 / 16

HEX #62D6B9

RGB 98 214 185

HSL 165, 0.59%, 0.61%

LAB 78.57, -39.82, 4.39

 

CMYK 74 / 0 / 18 / 28

HEX #30B896

RGB 48 184 150

HSL 165, 0.59%, 0.45%

LAB 67.36, -43.88, 7.04

 

CMYK 74 / 70 / 0 / 29

HEX #2F36B6

RGB 47 54 182

HSL 236.89, 0.59%, 0.45%

LAB 30.93, 40.91, -68.02

 

CMYK 0 / 48 / 74 / 29

HEX #B65E2F

RGB 182 94 47

HSL 20.89, 0.59%, 0.45%

LAB 49.68, 32.06, 41.92

 

CMYK 74 / 0 / 18 / 28

HEX #30B896

RGB 48 184 150

HSL 165, 0.59%, 0.45%

LAB 67.36, -43.88, 7.04

 

CMYK 18 / 74 / 0 / 29

HEX #952FB6

RGB 149 47 182

HSL 285.33, 0.59%, 0.45%

LAB 40.9, 61.07, -51.3

 

CMYK 0 / 18 / 74 / 29

HEX #B6952F

RGB 182 149 47

HSL 45.33, 0.59%, 0.45%

LAB 63.05, 1.78, 55.46

 

CMYK 74 / 0 / 18 / 28

HEX #30B896

RGB 48 184 150

HSL 165, 0.59%, 0.45%

LAB 67.36, -43.88, 7.04

 

CMYK 74 / 70 / 0 / 29

HEX #2F36B6

RGB 47 54 182

HSL 236.89, 0.59%, 0.45%

LAB 30.93, 40.91, -68.02

 

CMYK 0 / 74 / 55 / 29

HEX #B62F51

RGB 182 47 81

HSL 344.89, 0.59%, 0.45%

LAB 42.11, 55.55, 12.87

 

CMYK 0 / 3 / 74 / 29

HEX #B6B02F

RGB 182 176 47

HSL 57.33, 0.59%, 0.45%

LAB 70.32, -12.55, 62.42

 

CMYK 74 / 0 / 18 / 28

HEX #30B896

RGB 48 184 150

HSL 165, 0.59%, 0.45%

LAB 67.36, -43.88, 7.04

 

CMYK 55 / 74 / 0 / 29

HEX #512FB6

RGB 81 47 182

HSL 255.11, 0.59%, 0.45%

LAB 32.17, 49.02, -65.88

 

CMYK 0 / 74 / 55 / 29

HEX #B62F51

RGB 182 47 81

HSL 344.89, 0.59%, 0.45%

LAB 42.11, 55.55, 12.87

 

CMYK 18 / 0 / 74 / 29

HEX #95B62F

RGB 149 182 47

HSL 74.67, 0.59%, 0.45%

LAB 69.51, -29.51, 60.76

 

Description

Color code: HEX #30B896 | qconv.com Color code: HEX #30B896 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 184 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 184 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 18 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 18% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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