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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B876 it is the complementary color #CF4789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B876 shade: #35B871, #46CA84, #57DC97, #68EEAA and #79FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B876 shade: #30B876, #1FA663, #0E9450, #00823D and #00702A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B876 shade: #2FB675, #2FB650, #32B62F, #57B62F and #7BB62F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B876 shade: #2FB675, #2FB699, #2FAFB6, #2F8BB6 and #2F66B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B876 shade matches the following richer shades: #2FB675, #1CC975 and #0ADC76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B876 shade: #2FB675, #42A474, #549174, #677F73 and #796C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B876 shade: #34B62F, #2FB64F, #2FB673, #2FB697 and #2FB2B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B876 shade: #1E754B, #279660, #2FB675, #41CE89 and #62D69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B876 shade: #30B876, #2F58B6 and #B63D2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B876 shade: #30B876, #732FB6 and #B6732F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B876 shade: #30B876, #2F58B6, #B62F73 and #B68E2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B876 shade: #30B876, #2F2FB6, #B62F73 and #B6B62F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 36 / 28

HEX #30B876

RGB 48 184 118

HSL 150.88, 0.59%, 0.45%

LAB 66.69, -51.14, 23.47

 

Complementary color

CMYK 0 / 66 / 34 / 19

HEX #CF4789

RGB 207 71 137

HSL 330.88, 0.59%, 0.55%

LAB 51.36, 59.31, -7.52

 

CMYK 71 / 0 / 39 / 28

HEX #35B871

RGB 53 184 113

HSL 147.48, 0.55%, 0.46%

LAB 66.7, -51.37, 26.15

 

CMYK 65 / 0 / 35 / 21

HEX #46CA84

RGB 70 202 132

HSL 148.18, 0.55%, 0.53%

LAB 73.03, -51.8, 24.69

 

CMYK 60 / 0 / 31 / 14

HEX #57DC97

RGB 87 220 151

HSL 148.87, 0.66%, 0.6%

LAB 79.3, -52.01, 23.34

 

CMYK 56 / 0 / 29 / 7

HEX #68EEAA

RGB 104 238 170

HSL 149.55, 0.8%, 0.67%

LAB 85.5, -52.07, 22.09

 

CMYK 53 / 0 / 26 / 0

HEX #79FFBD

RGB 121 255 189

HSL 150.45, 1%, 0.74%

LAB 91.35, -51.62, 20.52

 

CMYK 74 / 0 / 36 / 28

HEX #30B876

RGB 48 184 118

HSL 150.88, 0.59%, 0.45%

LAB 66.69, -51.14, 23.47

 

CMYK 81 / 0 / 40 / 35

HEX #1FA663

RGB 31 166 99

HSL 150.22, 0.69%, 0.39%

LAB 60.31, -50.25, 25.08

 

CMYK 91 / 0 / 46 / 42

HEX #0E9450

RGB 14 148 80

HSL 149.55, 0.83%, 0.32%

LAB 53.87, -48.81, 26.86

 

CMYK 100 / 0 / 53 / 49

HEX #00823D

RGB 0 130 61

HSL 148.15, 1%, 0.25%

LAB 47.37, -46.73, 28.77

 

CMYK 100 / 0 / 63 / 56

HEX #00702A

RGB 0 112 42

HSL 142.5, 1%, 0.22%

LAB 40.82, -43.53, 30.76

 

CMYK 74 / 0 / 36 / 29

HEX #2FB675

RGB 47 182 117

HSL 151.11, 0.59%, 0.45%

LAB 66.02, -50.71, 23.1

 

CMYK 74 / 0 / 56 / 29

HEX #2FB650

RGB 47 182 80

HSL 134.67, 0.59%, 0.45%

LAB 65.47, -57.02, 41.34

 

CMYK 73 / 0 / 74 / 29

HEX #32B62F

RGB 50 182 47

HSL 118.67, 0.59%, 0.45%

LAB 65.23, -60.07, 55.12

 

CMYK 52 / 0 / 74 / 29

HEX #57B62F

RGB 87 182 47

HSL 102.22, 0.59%, 0.45%

LAB 66.28, -51.56, 56.51

 

CMYK 32 / 0 / 74 / 29

HEX #7BB62F

RGB 123 182 47

HSL 86.22, 0.59%, 0.45%

LAB 67.93, -39.65, 58.69

 

CMYK 74 / 0 / 36 / 29

HEX #2FB675

RGB 47 182 117

HSL 151.11, 0.59%, 0.45%

LAB 66.02, -50.71, 23.1

 

CMYK 74 / 0 / 16 / 29

HEX #2FB699

RGB 47 182 153

HSL 167.11, 0.59%, 0.45%

LAB 66.79, -42.39, 4.57

 

CMYK 74 / 4 / 0 / 29

HEX #2FAFB6

RGB 47 175 182

HSL 183.11, 0.59%, 0.45%

LAB 65.47, -31.03, -13.45

 

CMYK 74 / 24 / 0 / 29

HEX #2F8BB6

RGB 47 139 182

HSL 199.11, 0.59%, 0.45%

LAB 54.5, -12.3, -30.24

 

CMYK 74 / 44 / 0 / 29

HEX #2F66B6

RGB 47 102 182

HSL 215.56, 0.59%, 0.45%

LAB 43.48, 9.95, -47.62

 

CMYK 74 / 0 / 36 / 29

HEX #2FB675

RGB 47 182 117

HSL 151.11, 0.59%, 0.45%

LAB 66.02, -50.71, 23.1

 

CMYK 86 / 0 / 42 / 21

HEX #1CC975

RGB 28 201 117

HSL 150.87, 0.76%, 0.45%

LAB 71.76, -59.74, 30.68

 

CMYK 95 / 0 / 46 / 14

HEX #0ADC76

RGB 10 220 118

HSL 150.86, 0.91%, 0.45%

LAB 77.61, -66.95, 37.71

 

CMYK 74 / 0 / 36 / 29

HEX #2FB675

RGB 47 182 117

HSL 151.11, 0.59%, 0.45%

LAB 66.02, -50.71, 23.1

 

CMYK 60 / 0 / 29 / 36

HEX #42A474

RGB 66 164 116

HSL 150.61, 0.43%, 0.45%

LAB 60.76, -40.17, 16.54

 

CMYK 42 / 0 / 20 / 43

HEX #549174

RGB 84 145 116

HSL 151.48, 0.27%, 0.45%

LAB 55.48, -26.75, 9.27

 

CMYK 19 / 0 / 9 / 50

HEX #677F73

RGB 103 127 115

HSL 150, 0.1%, 0.45%

LAB 51.04, -11.29, 3.65

 

CMYK 0 / 11 / 5 / 53

HEX #796C73

RGB 121 108 115

HSL 327.69, 0.06%, 0.45%

LAB 47.01, 6.43, -2.04

 

CMYK 71 / 0 / 74 / 29

HEX #34B62F

RGB 52 182 47

HSL 117.78, 0.59%, 0.45%

LAB 65.27, -59.73, 55.17

 

CMYK 74 / 0 / 57 / 29

HEX #2FB64F

RGB 47 182 79

HSL 134.22, 0.59%, 0.45%

LAB 65.46, -57.16, 41.8

 

CMYK 74 / 0 / 37 / 29

HEX #2FB673

RGB 47 182 115

HSL 150.22, 0.59%, 0.45%

LAB 65.98, -51.12, 24.12

 

CMYK 74 / 0 / 17 / 29

HEX #2FB697

RGB 47 182 151

HSL 166.22, 0.59%, 0.45%

LAB 66.74, -42.9, 5.6

 

CMYK 74 / 2 / 0 / 29

HEX #2FB2B6

RGB 47 178 182

HSL 181.78, 0.59%, 0.45%

LAB 66.38, -32.47, -12.08

 

CMYK 74 / 0 / 36 / 54

HEX #1E754B

RGB 30 117 75

HSL 151.03, 0.59%, 0.29%

LAB 43.52, -35.9, 16.04

 

CMYK 74 / 0 / 36 / 41

HEX #279660

RGB 39 150 96

HSL 150.81, 0.59%, 0.37%

LAB 55.16, -43.6, 19.88

 

CMYK 74 / 0 / 36 / 29

HEX #2FB675

RGB 47 182 117

HSL 151.11, 0.59%, 0.45%

LAB 66.02, -50.71, 23.1

 

CMYK 68 / 0 / 33 / 19

HEX #41CE89

RGB 65 206 137

HSL 150.64, 0.59%, 0.53%

LAB 74.24, -53.25, 23.67

 

CMYK 54 / 0 / 26 / 16

HEX #62D69E

RGB 98 214 158

HSL 151.03, 0.59%, 0.61%

LAB 77.97, -45.79, 17.88

 

CMYK 74 / 0 / 36 / 28

HEX #30B876

RGB 48 184 118

HSL 150.88, 0.59%, 0.45%

LAB 66.69, -51.14, 23.47

 

CMYK 74 / 52 / 0 / 29

HEX #2F58B6

RGB 47 88 182

HSL 221.78, 0.59%, 0.45%

LAB 39.52, 19.02, -54.01

 

CMYK 0 / 66 / 74 / 29

HEX #B63D2F

RGB 182 61 47

HSL 6.22, 0.59%, 0.45%

LAB 43.49, 48.11, 35.2

 

CMYK 74 / 0 / 36 / 28

HEX #30B876

RGB 48 184 118

HSL 150.88, 0.59%, 0.45%

LAB 66.69, -51.14, 23.47

 

CMYK 37 / 74 / 0 / 29

HEX #732FB6

RGB 115 47 182

HSL 270.22, 0.59%, 0.45%

LAB 36.09, 54.57, -59.31

 

CMYK 0 / 37 / 74 / 29

HEX #B6732F

RGB 182 115 47

HSL 30.22, 0.59%, 0.45%

LAB 54.46, 20.59, 46.89

 

CMYK 74 / 0 / 36 / 28

HEX #30B876

RGB 48 184 118

HSL 150.88, 0.59%, 0.45%

LAB 66.69, -51.14, 23.47

 

CMYK 74 / 52 / 0 / 29

HEX #2F58B6

RGB 47 88 182

HSL 221.78, 0.59%, 0.45%

LAB 39.52, 19.02, -54.01

 

CMYK 0 / 74 / 37 / 29

HEX #B62F73

RGB 182 47 115

HSL 329.78, 0.59%, 0.45%

LAB 43.09, 58.7, -6.94

 

CMYK 0 / 22 / 74 / 29

HEX #B68E2F

RGB 182 142 47

HSL 42.22, 0.59%, 0.45%

LAB 61.22, 5.61, 53.67

 

CMYK 74 / 0 / 36 / 28

HEX #30B876

RGB 48 184 118

HSL 150.88, 0.59%, 0.45%

LAB 66.69, -51.14, 23.47

 

CMYK 74 / 74 / 0 / 29

HEX #2F2FB6

RGB 47 47 182

HSL 240, 0.59%, 0.45%

LAB 29.45, 45.01, -70.46

 

CMYK 0 / 74 / 37 / 29

HEX #B62F73

RGB 182 47 115

HSL 329.78, 0.59%, 0.45%

LAB 43.09, 58.7, -6.94

 

CMYK 0 / 0 / 74 / 29

HEX #B6B62F

RGB 182 182 47

HSL 60, 0.59%, 0.45%

LAB 71.96, -15.62, 63.96

 

Description

Color code: HEX #30B876 | qconv.com Color code: HEX #30B876 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 184 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 184 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 36 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 36% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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