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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B784 it is the complementary color #CF487B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B784. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B784 shade: #35B77F, #46C992, #57DBA5, #68EDB8 and #79FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B784. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B784 shade: #30B784, #1FA571, #0E935E, #00814B and #006F38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B784 shade: #30B583, #30B55F, #30B53B, #49B530 and #6DB530

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B784 shade: #30B583, #30B5A7, #30A0B5, #307CB5 and #3058B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B784 shade matches the following richer shades: #30B583, #1EC888 and #0BDA8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B784 shade: #30B583, #43A37E, #55907A, #687E75 and #7A6B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B784 shade: #30B53B, #30B55F, #30B582, #30B5A6 and #30A1B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B784 shade: #1F7454, #28956B, #30B583, #42CD98 and #63D5AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B784 shade: #30B784, #3049B5 and #B54D30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B784 shade: #30B784, #8230B5 and #B58230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B784 shade: #30B784, #3049B5, #B53063 and #B59D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B784 shade: #30B784, #4030B5, #B53063 and #A6B530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 28 / 28

HEX #30B784

RGB 48 183 132

HSL 157.33, 0.58%, 0.45%

LAB 66.64, -47.76, 15.86

 

Complementary color

CMYK 0 / 65 / 41 / 19

HEX #CF487B

RGB 207 72 123

HSL 337.33, 0.58%, 0.55%

LAB 51.07, 57.37, 0.45

 

CMYK 71 / 0 / 31 / 28

HEX #35B77F

RGB 53 183 127

HSL 154.15, 0.55%, 0.46%

LAB 66.64, -48.13, 18.58

 

CMYK 65 / 0 / 27 / 21

HEX #46C992

RGB 70 201 146

HSL 154.81, 0.55%, 0.53%

LAB 72.99, -48.53, 17.21

 

CMYK 60 / 0 / 25 / 14

HEX #57DBA5

RGB 87 219 165

HSL 155.45, 0.65%, 0.6%

LAB 79.27, -48.72, 15.97

 

CMYK 56 / 0 / 22 / 7

HEX #68EDB8

RGB 104 237 184

HSL 156.09, 0.79%, 0.67%

LAB 85.49, -48.79, 14.82

 

CMYK 53 / 0 / 20 / 0

HEX #79FFCB

RGB 121 255 203

HSL 156.72, 1%, 0.74%

LAB 91.64, -48.76, 13.75

 

CMYK 74 / 0 / 28 / 28

HEX #30B784

RGB 48 183 132

HSL 157.33, 0.58%, 0.45%

LAB 66.64, -47.76, 15.86

 

CMYK 81 / 0 / 32 / 35

HEX #1FA571

RGB 31 165 113

HSL 156.72, 0.68%, 0.38%

LAB 60.24, -46.92, 17.37

 

CMYK 90 / 0 / 36 / 42

HEX #0E935E

RGB 14 147 94

HSL 156.09, 0.83%, 0.32%

LAB 53.78, -45.6, 19.07

 

CMYK 100 / 0 / 42 / 49

HEX #00814B

RGB 0 129 75

HSL 154.88, 1%, 0.25%

LAB 47.25, -43.71, 20.95

 

CMYK 100 / 0 / 50 / 56

HEX #006F38

RGB 0 111 56

HSL 150.27, 1%, 0.22%

LAB 40.66, -40.83, 23.08

 

CMYK 73 / 0 / 28 / 29

HEX #30B583

RGB 48 181 131

HSL 157.44, 0.58%, 0.45%

LAB 65.99, -47.17, 15.5

 

CMYK 73 / 0 / 48 / 29

HEX #30B55F

RGB 48 181 95

HSL 141.2, 0.58%, 0.45%

LAB 65.36, -54.24, 33.77

 

CMYK 73 / 0 / 67 / 29

HEX #30B53B

RGB 48 181 59

HSL 124.96, 0.58%, 0.45%

LAB 64.96, -59.01, 50.19

 

CMYK 60 / 0 / 73 / 29

HEX #49B530

RGB 73 181 48

HSL 108.72, 0.58%, 0.45%

LAB 65.5, -54.85, 55.22

 

CMYK 40 / 0 / 73 / 29

HEX #6DB530

RGB 109 181 48

HSL 92.48, 0.58%, 0.45%

LAB 66.91, -44.16, 57.1

 

CMYK 73 / 0 / 28 / 29

HEX #30B583

RGB 48 181 131

HSL 157.44, 0.58%, 0.45%

LAB 65.99, -47.17, 15.5

 

CMYK 73 / 0 / 8 / 29

HEX #30B5A7

RGB 48 181 167

HSL 173.68, 0.58%, 0.45%

LAB 66.87, -38.07, -3.04

 

CMYK 73 / 12 / 0 / 29

HEX #30A0B5

RGB 48 160 181

HSL 189.47, 0.58%, 0.45%

LAB 60.88, -23.76, -19.85

 

CMYK 73 / 31 / 0 / 29

HEX #307CB5

RGB 48 124 181

HSL 205.71, 0.58%, 0.45%

LAB 49.95, -3.86, -36.77

 

CMYK 73 / 51 / 0 / 29

HEX #3058B5

RGB 48 88 181

HSL 221.95, 0.58%, 0.45%

LAB 39.49, 18.78, -53.46

 

CMYK 73 / 0 / 28 / 29

HEX #30B583

RGB 48 181 131

HSL 157.44, 0.58%, 0.45%

LAB 65.99, -47.17, 15.5

 

CMYK 85 / 0 / 32 / 22

HEX #1EC888

RGB 30 200 136

HSL 157.41, 0.74%, 0.45%

LAB 71.8, -55.41, 20.79

 

CMYK 95 / 0 / 36 / 15

HEX #0BDA8C

RGB 11 218 140

HSL 157.39, 0.9%, 0.45%

LAB 77.35, -62.13, 26.2

 

CMYK 73 / 0 / 28 / 29

HEX #30B583

RGB 48 181 131

HSL 157.44, 0.58%, 0.45%

LAB 65.99, -47.17, 15.5

 

CMYK 59 / 0 / 23 / 36

HEX #43A37E

RGB 67 163 126

HSL 156.88, 0.42%, 0.45%

LAB 60.69, -37.29, 10.9

 

CMYK 41 / 0 / 15 / 44

HEX #55907A

RGB 85 144 122

HSL 157.63, 0.26%, 0.45%

LAB 55.36, -24.61, 5.68

 

CMYK 17 / 0 / 7 / 51

HEX #687E75

RGB 104 126 117

HSL 155.45, 0.1%, 0.45%

LAB 50.86, -9.95, 2.23

 

CMYK 0 / 12 / 7 / 52

HEX #7A6B71

RGB 122 107 113

HSL 336, 0.07%, 0.45%

LAB 46.77, 7.03, -1.18

 

CMYK 73 / 0 / 67 / 29

HEX #30B53B

RGB 48 181 59

HSL 124.96, 0.58%, 0.45%

LAB 64.96, -59.01, 50.19

 

CMYK 73 / 0 / 48 / 29

HEX #30B55F

RGB 48 181 95

HSL 141.2, 0.58%, 0.45%

LAB 65.36, -54.24, 33.77

 

CMYK 73 / 0 / 28 / 29

HEX #30B582

RGB 48 181 130

HSL 156.99, 0.58%, 0.45%

LAB 65.97, -47.4, 16.02

 

CMYK 73 / 0 / 8 / 29

HEX #30B5A6

RGB 48 181 166

HSL 173.23, 0.58%, 0.45%

LAB 66.85, -38.35, -2.53

 

CMYK 73 / 11 / 0 / 29

HEX #30A1B5

RGB 48 161 181

HSL 189.02, 0.58%, 0.45%

LAB 61.18, -24.27, -19.38

 

CMYK 73 / 0 / 28 / 55

HEX #1F7454

RGB 31 116 84

HSL 157.41, 0.58%, 0.29%

LAB 43.39, -33.19, 10.58

 

CMYK 73 / 0 / 28 / 42

HEX #28956B

RGB 40 149 107

HSL 156.88, 0.58%, 0.37%

LAB 55.08, -40.6, 13.61

 

CMYK 73 / 0 / 28 / 29

HEX #30B583

RGB 48 181 131

HSL 157.44, 0.58%, 0.45%

LAB 65.99, -47.17, 15.5

 

CMYK 68 / 0 / 26 / 20

HEX #42CD98

RGB 66 205 152

HSL 157.12, 0.58%, 0.53%

LAB 74.25, -49.52, 15.75

 

CMYK 54 / 0 / 20 / 16

HEX #63D5AA

RGB 99 213 170

HSL 157.37, 0.58%, 0.61%

LAB 77.96, -42.58, 11.52

 

CMYK 74 / 0 / 28 / 28

HEX #30B784

RGB 48 183 132

HSL 157.33, 0.58%, 0.45%

LAB 66.64, -47.76, 15.86

 

CMYK 73 / 60 / 0 / 29

HEX #3049B5

RGB 48 73 181

HSL 228.72, 0.58%, 0.45%

LAB 35.46, 28.62, -60

 

CMYK 0 / 57 / 73 / 29

HEX #B54D30

RGB 181 77 48

HSL 13.08, 0.58%, 0.45%

LAB 46.1, 40.44, 37.49

 

CMYK 74 / 0 / 28 / 28

HEX #30B784

RGB 48 183 132

HSL 157.33, 0.58%, 0.45%

LAB 66.64, -47.76, 15.86

 

CMYK 28 / 73 / 0 / 29

HEX #8230B5

RGB 130 48 181

HSL 276.99, 0.58%, 0.45%

LAB 38.19, 56.72, -55.21

 

CMYK 0 / 28 / 73 / 29

HEX #B58230

RGB 181 130 48

HSL 36.99, 0.58%, 0.45%

LAB 58.04, 11.85, 50.05

 

CMYK 74 / 0 / 28 / 28

HEX #30B784

RGB 48 183 132

HSL 157.33, 0.58%, 0.45%

LAB 66.64, -47.76, 15.86

 

CMYK 73 / 60 / 0 / 29

HEX #3049B5

RGB 48 73 181

HSL 228.72, 0.58%, 0.45%

LAB 35.46, 28.62, -60

 

CMYK 0 / 73 / 45 / 29

HEX #B53063

RGB 181 48 99

HSL 336.99, 0.58%, 0.45%

LAB 42.52, 56.45, 2.15

 

CMYK 0 / 13 / 73 / 29

HEX #B59D30

RGB 181 157 48

HSL 49.17, 0.58%, 0.45%

LAB 65.08, -2.94, 57.02

 

CMYK 74 / 0 / 28 / 28

HEX #30B784

RGB 48 183 132

HSL 157.33, 0.58%, 0.45%

LAB 66.64, -47.76, 15.86

 

CMYK 65 / 73 / 0 / 29

HEX #4030B5

RGB 64 48 181

HSL 247.22, 0.58%, 0.45%

LAB 30.74, 45.94, -67.7

 

CMYK 0 / 73 / 45 / 29

HEX #B53063

RGB 181 48 99

HSL 336.99, 0.58%, 0.45%

LAB 42.52, 56.45, 2.15

 

CMYK 8 / 0 / 73 / 29

HEX #A6B530

RGB 166 181 48

HSL 66.77, 0.58%, 0.45%

LAB 70.43, -21.91, 61.73

 

Description

Color code: HEX #30B784 | qconv.com Color code: HEX #30B784 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 183 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 183 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 28 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 28% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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