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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30B24B it is the complementary color #CF4DB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30B24B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30B24B shade: #35B246, #46C459, #57D66C, #68E87F and #79FA92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30B24B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30B24B shade: #30B24B, #1FA038, #0E8E25, #007C12 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30B24B shade: #2FB14A, #37B12F, #5AB12F, #7DB12F and #A0B12F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30B24B shade: #2FB14A, #2FB16D, #2FB190, #2FAFB1 and #2F8CB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30B24B shade matches the following richer shades: #2FB14A, #1DC340 and #0BD635

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30B24B shade: #2FB14A, #419F55, #538D5F, #667B6A and #786975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30B24B shade: #5BB12F, #38B12F, #2FB149, #2FB16C and #2FB18F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30B24B shade: #1E702F, #26913D, #2FB14A, #3ECC5B and #5FD477

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30B24B shade: #30B24B, #2F7DB1 and #B12F49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30B24B shade: #30B24B, #492FB1 and #B1492F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30B24B shade: #30B24B, #2F7DB1, #B12F97 and #B1632F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30B24B shade: #30B24B, #2F56B1, #B12F97 and #B18A2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 58 / 30

HEX #30B24B

RGB 48 178 75

HSL 132.46, 0.58%, 0.44%

LAB 64.14, -56.15, 42.15

 

Complementary color

CMYK 0 / 63 / 13 / 19

HEX #CF4DB4

RGB 207 77 180

HSL 312.46, 0.58%, 0.56%

LAB 53.89, 62.6, -29

 

CMYK 70 / 0 / 61 / 30

HEX #35B246

RGB 53 178 70

HSL 128.16, 0.54%, 0.45%

LAB 64.19, -55.92, 44.56

 

CMYK 64 / 0 / 55 / 23

HEX #46C459

RGB 70 196 89

HSL 129.05, 0.52%, 0.52%

LAB 70.53, -56.63, 43.22

 

CMYK 59 / 0 / 50 / 16

HEX #57D66C

RGB 87 214 108

HSL 129.92, 0.61%, 0.59%

LAB 76.8, -57.01, 41.84

 

CMYK 55 / 0 / 45 / 9

HEX #68E87F

RGB 104 232 127

HSL 130.78, 0.74%, 0.66%

LAB 83.01, -57.16, 40.49

 

CMYK 52 / 0 / 42 / 2

HEX #79FA92

RGB 121 250 146

HSL 131.63, 0.93%, 0.73%

LAB 89.16, -57.18, 39.18

 

CMYK 73 / 0 / 58 / 30

HEX #30B24B

RGB 48 178 75

HSL 132.46, 0.58%, 0.44%

LAB 64.14, -56.15, 42.15

 

CMYK 81 / 0 / 65 / 37

HEX #1FA038

RGB 31 160 56

HSL 131.63, 0.68%, 0.37%

LAB 57.77, -54.86, 43.51

 

CMYK 90 / 0 / 74 / 44

HEX #0E8E25

RGB 14 142 37

HSL 130.78, 0.82%, 0.31%

LAB 51.35, -52.79, 44.54

 

CMYK 100 / 0 / 85 / 51

HEX #007C12

RGB 0 124 18

HSL 128.71, 1%, 0.24%

LAB 44.88, -49.73, 44.72

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14A

RGB 47 177 74

HSL 132.46, 0.58%, 0.44%

LAB 63.79, -56.09, 42.2

 

CMYK 69 / 0 / 73 / 31

HEX #37B12F

RGB 55 177 47

HSL 116.31, 0.58%, 0.44%

LAB 63.72, -57.51, 53.63

 

CMYK 49 / 0 / 73 / 31

HEX #5AB12F

RGB 90 177 47

HSL 100.15, 0.58%, 0.44%

LAB 64.82, -48.75, 55.1

 

CMYK 29 / 0 / 73 / 31

HEX #7DB12F

RGB 125 177 47

HSL 84, 0.58%, 0.44%

LAB 66.53, -36.68, 57.36

 

CMYK 10 / 0 / 73 / 31

HEX #A0B12F

RGB 160 177 47

HSL 67.85, 0.58%, 0.44%

LAB 68.84, -22.51, 60.4

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14A

RGB 47 177 74

HSL 132.46, 0.58%, 0.44%

LAB 63.79, -56.09, 42.2

 

CMYK 73 / 0 / 38 / 31

HEX #2FB16D

RGB 47 177 109

HSL 148.62, 0.58%, 0.44%

LAB 64.28, -50.38, 25.05

 

CMYK 73 / 0 / 19 / 31

HEX #2FB190

RGB 47 177 144

HSL 164.77, 0.58%, 0.44%

LAB 65.01, -42.53, 6.98

 

CMYK 73 / 1 / 0 / 31

HEX #2FAFB1

RGB 47 175 177

HSL 180.92, 0.58%, 0.44%

LAB 65.31, -32.53, -10.91

 

CMYK 73 / 21 / 0 / 31

HEX #2F8CB1

RGB 47 140 177

HSL 197.08, 0.58%, 0.44%

LAB 54.59, -14.57, -27.24

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14A

RGB 47 177 74

HSL 132.46, 0.58%, 0.44%

LAB 63.79, -56.09, 42.2

 

CMYK 85 / 0 / 67 / 24

HEX #1DC340

RGB 29 195 64

HSL 132.65, 0.74%, 0.44%

LAB 69.23, -65.34, 52.68

 

CMYK 95 / 0 / 75 / 16

HEX #0BD635

RGB 11 214 53

HSL 132.41, 0.9%, 0.44%

LAB 75.09, -73.01, 62.77

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14A

RGB 47 177 74

HSL 132.46, 0.58%, 0.44%

LAB 63.79, -56.09, 42.2

 

CMYK 59 / 0 / 47 / 38

HEX #419F55

RGB 65 159 85

HSL 132.77, 0.42%, 0.44%

LAB 58.58, -44.14, 30.43

 

CMYK 41 / 0 / 33 / 45

HEX #538D5F

RGB 83 141 95

HSL 132.41, 0.26%, 0.44%

LAB 53.72, -29.39, 18.74

 

CMYK 17 / 0 / 14 / 52

HEX #667B6A

RGB 102 123 106

HSL 131.43, 0.09%, 0.44%

LAB 49.53, -11.29, 6.76

 

CMYK 0 / 13 / 3 / 53

HEX #786975

RGB 120 105 117

HSL 312, 0.07%, 0.44%

LAB 46.15, 8.23, -4.52

 

CMYK 49 / 0 / 73 / 31

HEX #5BB12F

RGB 91 177 47

HSL 99.69, 0.58%, 0.44%

LAB 64.86, -48.45, 55.15

 

CMYK 68 / 0 / 73 / 31

HEX #38B12F

RGB 56 177 47

HSL 115.85, 0.58%, 0.44%

LAB 63.75, -57.31, 53.66

 

CMYK 73 / 0 / 59 / 31

HEX #2FB149

RGB 47 177 73

HSL 132, 0.58%, 0.44%

LAB 63.78, -56.22, 42.66

 

CMYK 73 / 0 / 39 / 31

HEX #2FB16C

RGB 47 177 108

HSL 148.15, 0.58%, 0.44%

LAB 64.27, -50.57, 25.56

 

CMYK 73 / 0 / 19 / 31

HEX #2FB18F

RGB 47 177 143

HSL 164.31, 0.58%, 0.44%

LAB 64.99, -42.78, 7.49

 

CMYK 73 / 0 / 58 / 56

HEX #1E702F

RGB 30 112 47

HSL 132.44, 0.58%, 0.28%

LAB 41.33, -39.1, 28.89

 

CMYK 74 / 0 / 58 / 43

HEX #26913D

RGB 38 145 61

HSL 132.9, 0.58%, 0.36%

LAB 52.95, -48, 35.64

 

CMYK 73 / 0 / 58 / 31

HEX #2FB14A

RGB 47 177 74

HSL 132.46, 0.58%, 0.44%

LAB 63.79, -56.09, 42.2

 

CMYK 70 / 0 / 55 / 20

HEX #3ECC5B

RGB 62 204 91

HSL 132.25, 0.58%, 0.52%

LAB 72.87, -60.71, 45.04

 

CMYK 55 / 0 / 44 / 17

HEX #5FD477

RGB 95 212 119

HSL 132.31, 0.58%, 0.6%

LAB 76.59, -52.74, 36.19

 

CMYK 73 / 0 / 58 / 30

HEX #30B24B

RGB 48 178 75

HSL 132.46, 0.58%, 0.44%

LAB 64.14, -56.15, 42.15

 

CMYK 73 / 29 / 0 / 31

HEX #2F7DB1

RGB 47 125 177

HSL 204, 0.58%, 0.44%

LAB 50.03, -6.03, -34.34

 

CMYK 0 / 73 / 59 / 31

HEX #B12F49

RGB 177 47 73

HSL 348, 0.58%, 0.44%

LAB 40.99, 53.46, 16.21

 

CMYK 73 / 0 / 58 / 30

HEX #30B24B

RGB 48 178 75

HSL 132.46, 0.58%, 0.44%

LAB 64.14, -56.15, 42.15

 

CMYK 59 / 73 / 0 / 31

HEX #492FB1

RGB 73 47 177

HSL 252, 0.58%, 0.44%

LAB 30.93, 46.42, -64.96

 

CMYK 0 / 59 / 73 / 31

HEX #B1492F

RGB 177 73 47

HSL 12, 0.58%, 0.44%

LAB 44.68, 40.83, 36.29

 

CMYK 73 / 0 / 58 / 30

HEX #30B24B

RGB 48 178 75

HSL 132.46, 0.58%, 0.44%

LAB 64.14, -56.15, 42.15

 

CMYK 73 / 29 / 0 / 31

HEX #2F7DB1

RGB 47 125 177

HSL 204, 0.58%, 0.44%

LAB 50.03, -6.03, -34.34

 

CMYK 0 / 73 / 15 / 31

HEX #B12F97

RGB 177 47 151

HSL 312, 0.58%, 0.44%

LAB 43.67, 62, -28.12

 

CMYK 0 / 44 / 73 / 31

HEX #B1632F

RGB 177 99 47

HSL 24, 0.58%, 0.44%

LAB 50.07, 27.28, 42.11

 

CMYK 73 / 0 / 58 / 30

HEX #30B24B

RGB 48 178 75

HSL 132.46, 0.58%, 0.44%

LAB 64.14, -56.15, 42.15

 

CMYK 73 / 51 / 0 / 31

HEX #2F56B1

RGB 47 86 177

HSL 222, 0.58%, 0.44%

LAB 38.61, 18.44, -52.53

 

CMYK 0 / 73 / 15 / 31

HEX #B12F97

RGB 177 47 151

HSL 312, 0.58%, 0.44%

LAB 43.67, 62, -28.12

 

CMYK 0 / 22 / 73 / 31

HEX #B18A2F

RGB 177 138 47

HSL 42, 0.58%, 0.44%

LAB 59.64, 5.58, 51.94

 

Description

Color code: HEX #30B24B | qconv.com Color code: HEX #30B24B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 178 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 178 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 58 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 58% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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