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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30AE5E it is the complementary color #CF51A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30AE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30AE5E shade: #35AE59, #46C06C, #57D27F, #68E492 and #79F6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30AE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30AE5E shade: #30AE5E, #1F9C4B, #0E8A38, #007825 and #006612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30AE5E shade: #30B05F, #30B03C, #47B030, #69B030 and #8CB030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30AE5E shade: #30B05F, #30B081, #30B0A4, #309AB0 and #3077B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30AE5E shade matches the following richer shades: #30B05F, #1EC25A and #0CD455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30AE5E shade: #30B05F, #429E64, #558C69, #677A6E and #796873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30AE5E shade: #48B030, #30B03B, #30B05D, #30B07F and #30B0A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30AE5E shade: #1F6F3C, #27904D, #30B05F, #3FCA72 and #60D38A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30AE5E shade: #30AE5E, #306AB0 and #B03037

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30AE5E shade: #30AE5E, #5D30B0 and #B05D30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30AE5E shade: #30AE5E, #306AB0, #B03083 and #B07730

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30AE5E shade: #30AE5E, #3043B0, #B03083 and #B09D30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 46 / 32

HEX #30AE5E

RGB 48 174 94

HSL 141.9, 0.57%, 0.44%

LAB 63.1, -51.84, 31.41

 

Complementary color

CMYK 0 / 61 / 22 / 19

HEX #CF51A1

RGB 207 81 161

HSL 321.9, 0.57%, 0.56%

LAB 53.73, 58.18, -18.15

 

CMYK 70 / 0 / 49 / 32

HEX #35AE59

RGB 53 174 89

HSL 137.85, 0.53%, 0.45%

LAB 63.14, -51.82, 34.05

 

CMYK 64 / 0 / 44 / 25

HEX #46C06C

RGB 70 192 108

HSL 138.69, 0.49%, 0.51%

LAB 69.53, -52.27, 32.55

 

CMYK 59 / 0 / 40 / 18

HEX #57D27F

RGB 87 210 127

HSL 139.51, 0.58%, 0.58%

LAB 75.85, -52.47, 31.13

 

CMYK 54 / 0 / 36 / 11

HEX #68E492

RGB 104 228 146

HSL 140.32, 0.7%, 0.65%

LAB 82.11, -52.5, 29.8

 

CMYK 51 / 0 / 33 / 4

HEX #79F6A5

RGB 121 246 165

HSL 141.12, 0.87%, 0.72%

LAB 88.3, -52.42, 28.55

 

CMYK 72 / 0 / 46 / 32

HEX #30AE5E

RGB 48 174 94

HSL 141.9, 0.57%, 0.44%

LAB 63.1, -51.84, 31.41

 

CMYK 80 / 0 / 52 / 39

HEX #1F9C4B

RGB 31 156 75

HSL 141.12, 0.67%, 0.37%

LAB 56.66, -50.88, 33.05

 

CMYK 90 / 0 / 59 / 46

HEX #0E8A38

RGB 14 138 56

HSL 140.32, 0.82%, 0.3%

LAB 50.16, -49.28, 34.74

 

CMYK 100 / 0 / 69 / 53

HEX #007825

RGB 0 120 37

HSL 138.5, 1%, 0.24%

LAB 43.6, -46.83, 36.3

 

CMYK 100 / 0 / 82 / 60

HEX #006612

RGB 0 102 18

HSL 130.59, 1%, 0.2%

LAB 37.02, -42.93, 37.28

 

CMYK 73 / 0 / 46 / 31

HEX #30B05F

RGB 48 176 95

HSL 142.03, 0.57%, 0.44%

LAB 63.76, -52.41, 31.73

 

CMYK 73 / 0 / 66 / 31

HEX #30B03C

RGB 48 176 60

HSL 125.63, 0.57%, 0.44%

LAB 63.35, -57.24, 48.02

 

CMYK 60 / 0 / 73 / 31

HEX #47B030

RGB 71 176 48

HSL 109.22, 0.57%, 0.44%

LAB 63.84, -53.55, 53.52

 

CMYK 40 / 0 / 73 / 31

HEX #69B030

RGB 105 176 48

HSL 93.28, 0.57%, 0.44%

LAB 65.17, -43.43, 55.3

 

CMYK 20 / 0 / 73 / 31

HEX #8CB030

RGB 140 176 48

HSL 76.88, 0.57%, 0.44%

LAB 67.16, -30.26, 57.93

 

CMYK 73 / 0 / 46 / 31

HEX #30B05F

RGB 48 176 95

HSL 142.03, 0.57%, 0.44%

LAB 63.76, -52.41, 31.73

 

CMYK 73 / 0 / 27 / 31

HEX #30B081

RGB 48 176 129

HSL 157.97, 0.57%, 0.44%

LAB 64.37, -45.58, 14.34

 

CMYK 73 / 0 / 7 / 31

HEX #30B0A4

RGB 48 176 164

HSL 174.38, 0.57%, 0.44%

LAB 65.25, -36.63, -3.77

 

CMYK 73 / 13 / 0 / 31

HEX #309AB0

RGB 48 154 176

HSL 190.31, 0.57%, 0.44%

LAB 58.86, -22.27, -20.1

 

CMYK 73 / 32 / 0 / 31

HEX #3077B0

RGB 48 119 176

HSL 206.72, 0.57%, 0.44%

LAB 48.21, -2.68, -36.63

 

CMYK 73 / 0 / 46 / 31

HEX #30B05F

RGB 48 176 95

HSL 142.03, 0.57%, 0.44%

LAB 63.76, -52.41, 31.73

 

CMYK 85 / 0 / 54 / 24

HEX #1EC25A

RGB 30 194 90

HSL 141.95, 0.73%, 0.44%

LAB 69.18, -61.7, 40.95

 

CMYK 94 / 0 / 60 / 17

HEX #0CD455

RGB 12 212 85

HSL 141.9, 0.89%, 0.44%

LAB 74.71, -69.22, 49.79

 

CMYK 73 / 0 / 46 / 31

HEX #30B05F

RGB 48 176 95

HSL 142.03, 0.57%, 0.44%

LAB 63.76, -52.41, 31.73

 

CMYK 58 / 0 / 37 / 38

HEX #429E64

RGB 66 158 100

HSL 142.17, 0.41%, 0.44%

LAB 58.54, -40.83, 22.33

 

CMYK 39 / 0 / 25 / 45

HEX #558C69

RGB 85 140 105

HSL 141.82, 0.24%, 0.44%

LAB 53.72, -26.31, 13.08

 

CMYK 16 / 0 / 10 / 52

HEX #677A6E

RGB 103 122 110

HSL 142.11, 0.08%, 0.44%

LAB 49.41, -9.55, 4.24

 

CMYK 0 / 14 / 5 / 53

HEX #796873

RGB 121 104 115

HSL 321.18, 0.08%, 0.44%

LAB 45.91, 8.81, -3.66

 

CMYK 59 / 0 / 73 / 31

HEX #48B030

RGB 72 176 48

HSL 108.75, 0.57%, 0.44%

LAB 63.87, -53.3, 53.56

 

CMYK 73 / 0 / 66 / 31

HEX #30B03B

RGB 48 176 59

HSL 125.16, 0.57%, 0.44%

LAB 63.34, -57.35, 48.43

 

CMYK 73 / 0 / 47 / 31

HEX #30B05D

RGB 48 176 93

HSL 141.09, 0.57%, 0.44%

LAB 63.73, -52.75, 32.73

 

CMYK 73 / 0 / 28 / 31

HEX #30B07F

RGB 48 176 127

HSL 157.03, 0.57%, 0.44%

LAB 64.33, -46.04, 15.38

 

CMYK 73 / 0 / 9 / 31

HEX #30B0A1

RGB 48 176 161

HSL 172.97, 0.57%, 0.44%

LAB 65.16, -37.46, -2.23

 

CMYK 72 / 0 / 46 / 56

HEX #1F6F3C

RGB 31 111 60

HSL 141.75, 0.56%, 0.28%

LAB 41.19, -36.3, 21.6

 

CMYK 73 / 0 / 47 / 44

HEX #27904D

RGB 39 144 77

HSL 141.71, 0.57%, 0.36%

LAB 52.85, -44.92, 27.24

 

CMYK 73 / 0 / 46 / 31

HEX #30B05F

RGB 48 176 95

HSL 142.03, 0.57%, 0.44%

LAB 63.76, -52.41, 31.73

 

CMYK 69 / 0 / 44 / 21

HEX #3FCA72

RGB 63 202 114

HSL 142.01, 0.57%, 0.52%

LAB 72.57, -56.33, 33.37

 

CMYK 55 / 0 / 35 / 17

HEX #60D38A

RGB 96 211 138

HSL 141.91, 0.57%, 0.6%

LAB 76.62, -48.87, 26.52

 

CMYK 72 / 0 / 46 / 32

HEX #30AE5E

RGB 48 174 94

HSL 141.9, 0.57%, 0.44%

LAB 63.1, -51.84, 31.41

 

CMYK 73 / 40 / 0 / 31

HEX #306AB0

RGB 48 106 176

HSL 212.81, 0.57%, 0.44%

LAB 44.33, 5.31, -42.76

 

CMYK 0 / 73 / 69 / 31

HEX #B03037

RGB 176 48 55

HSL 356.72, 0.57%, 0.44%

LAB 40.61, 51.67, 26.84

 

CMYK 72 / 0 / 46 / 32

HEX #30AE5E

RGB 48 174 94

HSL 141.9, 0.57%, 0.44%

LAB 63.1, -51.84, 31.41

 

CMYK 47 / 73 / 0 / 31

HEX #5D30B0

RGB 93 48 176

HSL 261.09, 0.57%, 0.44%

LAB 33.08, 48.72, -60.77

 

CMYK 0 / 47 / 73 / 31

HEX #B05D30

RGB 176 93 48

HSL 21.09, 0.57%, 0.44%

LAB 48.6, 30.17, 39.99

 

CMYK 72 / 0 / 46 / 32

HEX #30AE5E

RGB 48 174 94

HSL 141.9, 0.57%, 0.44%

LAB 63.1, -51.84, 31.41

 

CMYK 73 / 40 / 0 / 31

HEX #306AB0

RGB 48 106 176

HSL 212.81, 0.57%, 0.44%

LAB 44.33, 5.31, -42.76

 

CMYK 0 / 73 / 26 / 31

HEX #B03083

RGB 176 48 131

HSL 321.09, 0.57%, 0.44%

LAB 42.74, 58.66, -17.43

 

CMYK 0 / 32 / 73 / 31

HEX #B07730

RGB 176 119 48

HSL 33.28, 0.57%, 0.44%

LAB 54.7, 15.78, 46.44

 

CMYK 72 / 0 / 46 / 32

HEX #30AE5E

RGB 48 174 94

HSL 141.9, 0.57%, 0.44%

LAB 63.1, -51.84, 31.41

 

CMYK 73 / 62 / 0 / 31

HEX #3043B0

RGB 48 67 176

HSL 231.09, 0.57%, 0.44%

LAB 33.51, 30.7, -60.21

 

CMYK 0 / 73 / 26 / 31

HEX #B03083

RGB 176 48 131

HSL 321.09, 0.57%, 0.44%

LAB 42.74, 58.66, -17.43

 

CMYK 0 / 11 / 73 / 31

HEX #B09D30

RGB 176 157 48

HSL 51.09, 0.57%, 0.44%

LAB 64.61, -5.16, 56.4

 

Description

Color code: HEX #30AE5E | qconv.com Color code: HEX #30AE5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 174 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 174 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 46 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 46% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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