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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309ECD it is the complementary color #CF6132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309ECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309ECD shade: #359EC8, #46B0DB, #57C2EE, #68D4FF and #79E6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309ECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309ECD shade: #309ECD, #1F8CBA, #0E7AA7, #006894 and #005681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309ECD shade: #309FCF, #3075CF, #304ACF, #4230CF and #6C30CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309ECD shade: #309FCF, #3075CF, #304ACF and #3030CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309ECD shade matches the following richer shades: #309FCF, #1CA8E3 and #07B0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309ECD shade: #309FCF, #4597BA, #5A8FA5, #6E8691 and #837E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309ECD shade: #30CFA7, #30CCCF, #30A2CF, #3078CF and #304DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309ECD shade: #216C8C, #2985AD, #309FCF, #52AFD6 and #73BEDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309ECD shade: #309ECD, #7D30CF and #CFBC30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309ECD shade: #309ECD, #CF30A2 and #A2CF30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309ECD shade: #309ECD, #7D30CF, #CF5D30 and #82CF30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309ECD shade: #309ECD, #AC30CF, #CF5D30 and #53CF30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 23 / 0 / 20

HEX #309ECD

RGB 48 158 205

HSL 197.96, 0.62%, 0.5%

LAB 61.21, -14.75, -32.79

 

Complementary color

CMYK 0 / 53 / 76 / 19

HEX #CF6132

RGB 207 97 50

HSL 17.96, 0.62%, 0.5%

LAB 54.07, 40.58, 46.17

 

CMYK 74 / 21 / 0 / 22

HEX #359EC8

RGB 53 158 200

HSL 197.14, 0.58%, 0.5%

LAB 61.12, -15.84, -30.13

 

CMYK 68 / 20 / 0 / 14

HEX #46B0DB

RGB 70 176 219

HSL 197.32, 0.67%, 0.57%

LAB 67.63, -16.89, -30.56

 

CMYK 63 / 18 / 0 / 7

HEX #57C2EE

RGB 87 194 238

HSL 197.48, 0.82%, 0.64%

LAB 74.05, -17.7, -30.95

 

CMYK 59 / 17 / 0 / 0

HEX #68D4FF

RGB 104 212 255

HSL 197.09, 1%, 0.7%

LAB 80.32, -18.94, -30.37

 

CMYK 53 / 10 / 0 / 0

HEX #79E6FF

RGB 121 230 255

HSL 191.19, 1%, 0.74%

LAB 85.95, -24.71, -21.73

 

CMYK 77 / 23 / 0 / 20

HEX #309ECD

RGB 48 158 205

HSL 197.96, 0.62%, 0.5%

LAB 61.21, -14.75, -32.79

 

CMYK 83 / 25 / 0 / 27

HEX #1F8CBA

RGB 31 140 186

HSL 197.81, 0.71%, 0.43%

LAB 54.65, -13.17, -32.31

 

CMYK 92 / 27 / 0 / 35

HEX #0E7AA7

RGB 14 122 167

HSL 197.65, 0.85%, 0.35%

LAB 48.01, -11.12, -31.74

 

CMYK 100 / 30 / 0 / 42

HEX #006894

RGB 0 104 148

HSL 197.84, 1%, 0.29%

LAB 41.28, -8.54, -31.09

 

CMYK 100 / 33 / 0 / 49

HEX #005681

RGB 0 86 129

HSL 200, 1%, 0.25%

LAB 34.48, -5.14, -30.28

 

CMYK 77 / 23 / 0 / 19

HEX #309FCF

RGB 48 159 207

HSL 198.11, 0.62%, 0.5%

LAB 61.59, -14.61, -33.31

 

CMYK 77 / 43 / 0 / 19

HEX #3075CF

RGB 48 117 207

HSL 213.96, 0.62%, 0.5%

LAB 49.32, 9.99, -52.69

 

CMYK 77 / 64 / 0 / 19

HEX #304ACF

RGB 48 74 207

HSL 230.19, 0.62%, 0.5%

LAB 37.9, 37.46, -71.21

 

CMYK 68 / 77 / 0 / 19

HEX #4230CF

RGB 66 48 207

HSL 246.79, 0.62%, 0.5%

LAB 33.51, 54.15, -78.38

 

CMYK 48 / 77 / 0 / 19

HEX #6C30CF

RGB 108 48 207

HSL 262.64, 0.62%, 0.5%

LAB 37.49, 59.21, -71.69

 

CMYK 77 / 23 / 0 / 19

HEX #309FCF

RGB 48 159 207

HSL 198.11, 0.62%, 0.5%

LAB 61.59, -14.61, -33.31

 

CMYK 77 / 43 / 0 / 19

HEX #3075CF

RGB 48 117 207

HSL 213.96, 0.62%, 0.5%

LAB 49.32, 9.99, -52.69

 

CMYK 77 / 64 / 0 / 19

HEX #304ACF

RGB 48 74 207

HSL 230.19, 0.62%, 0.5%

LAB 37.9, 37.46, -71.21

 

CMYK 77 / 77 / 0 / 19

HEX #3030CF

RGB 48 48 207

HSL 240, 0.62%, 0.5%

LAB 32.36, 52.66, -80.33

 

CMYK 77 / 23 / 0 / 19

HEX #309FCF

RGB 48 159 207

HSL 198.11, 0.62%, 0.5%

LAB 61.59, -14.61, -33.31

 

CMYK 88 / 26 / 0 / 11

HEX #1CA8E3

RGB 28 168 227

HSL 197.79, 0.78%, 0.5%

LAB 64.8, -14.22, -39.41

 

CMYK 97 / 29 / 0 / 3

HEX #07B0F8

RGB 7 176 248

HSL 197.93, 0.95%, 0.5%

LAB 67.93, -11.92, -46.01

 

CMYK 77 / 23 / 0 / 19

HEX #309FCF

RGB 48 159 207

HSL 198.11, 0.62%, 0.5%

LAB 61.59, -14.61, -33.31

 

CMYK 63 / 19 / 0 / 27

HEX #4597BA

RGB 69 151 186

HSL 197.95, 0.46%, 0.5%

LAB 58.92, -14.17, -25.61

 

CMYK 45 / 13 / 0 / 35

HEX #5A8FA5

RGB 90 143 165

HSL 197.6, 0.29%, 0.5%

LAB 56.62, -11.56, -17.11

 

CMYK 24 / 8 / 0 / 43

HEX #6E8691

RGB 110 134 145

HSL 198.86, 0.14%, 0.5%

LAB 54.46, -5.98, -8.74

 

CMYK 0 / 4 / 5 / 49

HEX #837E7C

RGB 131 126 124

HSL 17.14, 0.03%, 0.5%

LAB 53.17, 1.51, 1.75

 

CMYK 77 / 0 / 19 / 19

HEX #30CFA7

RGB 48 207 167

HSL 164.91, 0.62%, 0.5%

LAB 74.85, -49.27, 8.53

 

CMYK 77 / 1 / 0 / 19

HEX #30CCCF

RGB 48 204 207

HSL 181.13, 0.62%, 0.5%

LAB 75.03, -37.16, -12.8

 

CMYK 77 / 22 / 0 / 19

HEX #30A2CF

RGB 48 162 207

HSL 196.98, 0.62%, 0.5%

LAB 62.49, -16.23, -31.93

 

CMYK 77 / 42 / 0 / 19

HEX #3078CF

RGB 48 120 207

HSL 212.83, 0.62%, 0.5%

LAB 50.18, 8.12, -51.32

 

CMYK 77 / 63 / 0 / 19

HEX #304DCF

RGB 48 77 207

HSL 229.06, 0.62%, 0.5%

LAB 38.62, 35.57, -70.02

 

CMYK 76 / 23 / 0 / 45

HEX #216C8C

RGB 33 108 140

HSL 197.94, 0.62%, 0.34%

LAB 42.68, -11.31, -24.09

 

CMYK 76 / 23 / 0 / 32

HEX #2985AD

RGB 41 133 173

HSL 198.18, 0.62%, 0.42%

LAB 52.13, -12.83, -28.76

 

CMYK 77 / 23 / 0 / 19

HEX #309FCF

RGB 48 159 207

HSL 198.11, 0.62%, 0.5%

LAB 61.59, -14.61, -33.31

 

CMYK 62 / 18 / 0 / 16

HEX #52AFD6

RGB 82 175 214

HSL 197.73, 0.62%, 0.58%

LAB 67.51, -15.97, -27.96

 

CMYK 48 / 14 / 0 / 13

HEX #73BEDE

RGB 115 190 222

HSL 197.94, 0.62%, 0.66%

LAB 73.38, -14.77, -23.23

 

CMYK 77 / 23 / 0 / 20

HEX #309ECD

RGB 48 158 205

HSL 197.96, 0.62%, 0.5%

LAB 61.21, -14.75, -32.79

 

CMYK 40 / 77 / 0 / 19

HEX #7D30CF

RGB 125 48 207

HSL 269.06, 0.62%, 0.5%

LAB 39.54, 61.78, -68.25

 

CMYK 0 / 9 / 77 / 19

HEX #CFBC30

RGB 207 188 48

HSL 52.83, 0.62%, 0.5%

LAB 75.73, -7.86, 67.89

 

CMYK 77 / 23 / 0 / 20

HEX #309ECD

RGB 48 158 205

HSL 197.96, 0.62%, 0.5%

LAB 61.21, -14.75, -32.79

 

CMYK 0 / 77 / 22 / 19

HEX #CF30A2

RGB 207 48 162

HSL 316.98, 0.62%, 0.5%

LAB 49.48, 70.27, -25.27

 

CMYK 22 / 0 / 77 / 19

HEX #A2CF30

RGB 162 207 48

HSL 76.98, 0.62%, 0.5%

LAB 77.59, -35.89, 68.37

 

CMYK 77 / 23 / 0 / 20

HEX #309ECD

RGB 48 158 205

HSL 197.96, 0.62%, 0.5%

LAB 61.21, -14.75, -32.79

 

CMYK 40 / 77 / 0 / 19

HEX #7D30CF

RGB 125 48 207

HSL 269.06, 0.62%, 0.5%

LAB 39.54, 61.78, -68.25

 

CMYK 0 / 55 / 77 / 19

HEX #CF5D30

RGB 207 93 48

HSL 16.98, 0.62%, 0.5%

LAB 53.28, 42.47, 46.35

 

CMYK 37 / 0 / 77 / 19

HEX #82CF30

RGB 130 207 48

HSL 89.06, 0.62%, 0.5%

LAB 75.81, -47.72, 66.07

 

CMYK 77 / 23 / 0 / 20

HEX #309ECD

RGB 48 158 205

HSL 197.96, 0.62%, 0.5%

LAB 61.21, -14.75, -32.79

 

CMYK 17 / 77 / 0 / 19

HEX #AC30CF

RGB 172 48 207

HSL 286.79, 0.62%, 0.5%

LAB 46.16, 69.94, -57.2

 

CMYK 0 / 55 / 77 / 19

HEX #CF5D30

RGB 207 93 48

HSL 16.98, 0.62%, 0.5%

LAB 53.28, 42.47, 46.35

 

CMYK 60 / 0 / 77 / 19

HEX #53CF30

RGB 83 207 48

HSL 106.79, 0.62%, 0.5%

LAB 73.98, -61.57, 63.68

 

Description

Color code: HEX #309ECD | qconv.com Color code: HEX #309ECD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 158 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 158 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 23 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 23% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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