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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309CCC it is the complementary color #CF6333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309CCC shade: #359CC7, #46AEDA, #57C0ED, #68D2FF and #79E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309CCC shade: #309CCC, #1F8AB9, #0E78A6, #006693 and #005480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309CCC shade: #2F9BCA, #2F71CA, #2F47CA, #422FCA and #6B2FCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309CCC shade: #2F9BCA, #2F71CA, #2F47CA and #2F2FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309CCC shade matches the following richer shades: #2F9BCA, #1BA3DF and #07AAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309CCC shade: #2F9BCA, #4493B6, #588BA2, #6C838E and #807C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309CCC shade: #2FCAA6, #2FC5CA, #2F9CCA, #2F73CA and #2F49CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309CCC shade: #206888, #2881A9, #2F9BCA, #4EACD5 and #6FBBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309CCC shade: #309CCC, #7D2FCA and #CABB2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309CCC shade: #309CCC, #CA2F9C and #9CCA2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309CCC shade: #309CCC, #7D2FCA, #CA5E2F and #7DCA2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309CCC shade: #309CCC, #AB2FCA, #CA5E2F and #4ECA2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 24 / 0 / 20

HEX #309CCC

RGB 48 156 204

HSL 198.46, 0.62%, 0.49%

LAB 60.57, -14, -33.22

 

Complementary color

CMYK 0 / 52 / 75 / 19

HEX #CF6333

RGB 207 99 51

HSL 18.46, 0.62%, 0.51%

LAB 54.48, 39.61, 46.1

 

CMYK 73 / 22 / 0 / 22

HEX #359CC7

RGB 53 156 199

HSL 197.67, 0.58%, 0.49%

LAB 60.48, -15.09, -30.56

 

CMYK 68 / 20 / 0 / 15

HEX #46AEDA

RGB 70 174 218

HSL 197.84, 0.67%, 0.56%

LAB 67, -16.15, -30.97

 

CMYK 63 / 19 / 0 / 7

HEX #57C0ED

RGB 87 192 237

HSL 198, 0.81%, 0.64%

LAB 73.44, -16.97, -31.35

 

CMYK 59 / 18 / 0 / 0

HEX #68D2FF

RGB 104 210 255

HSL 197.88, 1%, 0.7%

LAB 79.76, -17.91, -31.23

 

CMYK 53 / 11 / 0 / 0

HEX #79E4FF

RGB 121 228 255

HSL 192.09, 1%, 0.74%

LAB 85.39, -23.73, -22.58

 

CMYK 76 / 24 / 0 / 20

HEX #309CCC

RGB 48 156 204

HSL 198.46, 0.62%, 0.49%

LAB 60.57, -14, -33.22

 

CMYK 83 / 25 / 0 / 27

HEX #1F8AB9

RGB 31 138 185

HSL 198.31, 0.71%, 0.42%

LAB 54, -12.41, -32.76

 

CMYK 92 / 28 / 0 / 35

HEX #0E78A6

RGB 14 120 166

HSL 198.16, 0.84%, 0.35%

LAB 47.34, -10.34, -32.21

 

CMYK 100 / 31 / 0 / 42

HEX #006693

RGB 0 102 147

HSL 198.37, 1%, 0.29%

LAB 40.59, -7.73, -31.58

 

CMYK 100 / 34 / 0 / 50

HEX #005480

RGB 0 84 128

HSL 200.63, 1%, 0.25%

LAB 33.77, -4.29, -30.78

 

CMYK 77 / 23 / 0 / 21

HEX #2F9BCA

RGB 47 155 202

HSL 198.19, 0.62%, 0.49%

LAB 60.17, -14.25, -32.73

 

CMYK 77 / 44 / 0 / 21

HEX #2F71CA

RGB 47 113 202

HSL 214.45, 0.62%, 0.49%

LAB 47.85, 10.5, -52.19

 

CMYK 77 / 65 / 0 / 21

HEX #2F47CA

RGB 47 71 202

HSL 230.71, 0.62%, 0.49%

LAB 36.7, 37.46, -70.28

 

CMYK 67 / 77 / 0 / 21

HEX #422FCA

RGB 66 47 202

HSL 247.35, 0.62%, 0.49%

LAB 32.82, 53.14, -76.62

 

CMYK 47 / 77 / 0 / 21

HEX #6B2FCA

RGB 107 47 202

HSL 263.23, 0.62%, 0.49%

LAB 36.79, 58.22, -69.95

 

CMYK 77 / 23 / 0 / 21

HEX #2F9BCA

RGB 47 155 202

HSL 198.19, 0.62%, 0.49%

LAB 60.17, -14.25, -32.73

 

CMYK 77 / 44 / 0 / 21

HEX #2F71CA

RGB 47 113 202

HSL 214.45, 0.62%, 0.49%

LAB 47.85, 10.5, -52.19

 

CMYK 77 / 65 / 0 / 21

HEX #2F47CA

RGB 47 71 202

HSL 230.71, 0.62%, 0.49%

LAB 36.7, 37.46, -70.28

 

CMYK 77 / 77 / 0 / 21

HEX #2F2FCA

RGB 47 47 202

HSL 240, 0.62%, 0.49%

LAB 31.58, 51.52, -78.71

 

CMYK 77 / 23 / 0 / 21

HEX #2F9BCA

RGB 47 155 202

HSL 198.19, 0.62%, 0.49%

LAB 60.17, -14.25, -32.73

 

CMYK 88 / 27 / 0 / 13

HEX #1BA3DF

RGB 27 163 223

HSL 198.37, 0.78%, 0.49%

LAB 63.14, -12.97, -39.81

 

CMYK 97 / 30 / 0 / 5

HEX #07AAF3

RGB 7 170 243

HSL 198.56, 0.94%, 0.49%

LAB 65.95, -10.42, -46.39

 

CMYK 77 / 23 / 0 / 21

HEX #2F9BCA

RGB 47 155 202

HSL 198.19, 0.62%, 0.49%

LAB 60.17, -14.25, -32.73

 

CMYK 63 / 19 / 0 / 29

HEX #4493B6

RGB 68 147 182

HSL 198.42, 0.46%, 0.49%

LAB 57.53, -13.44, -25.49

 

CMYK 46 / 14 / 0 / 36

HEX #588BA2

RGB 88 139 162

HSL 198.65, 0.3%, 0.49%

LAB 55.23, -10.71, -17.52

 

CMYK 24 / 8 / 0 / 44

HEX #6C838E

RGB 108 131 142

HSL 199.41, 0.14%, 0.49%

LAB 53.36, -5.66, -8.66

 

CMYK 0 / 3 / 5 / 50

HEX #807C7A

RGB 128 124 122

HSL 20, 0.02%, 0.49%

LAB 52.3, 1.13, 1.62

 

CMYK 77 / 0 / 18 / 21

HEX #2FCAA6

RGB 47 202 166

HSL 166.06, 0.62%, 0.49%

LAB 73.28, -47.56, 6.82

 

CMYK 77 / 2 / 0 / 21

HEX #2FC5CA

RGB 47 197 202

HSL 181.94, 0.62%, 0.49%

LAB 72.76, -35.48, -13.49

 

CMYK 77 / 23 / 0 / 21

HEX #2F9CCA

RGB 47 156 202

HSL 197.81, 0.62%, 0.49%

LAB 60.47, -14.8, -32.27

 

CMYK 77 / 43 / 0 / 21

HEX #2F73CA

RGB 47 115 202

HSL 213.68, 0.62%, 0.49%

LAB 48.42, 9.25, -51.27

 

CMYK 77 / 64 / 0 / 21

HEX #2F49CA

RGB 47 73 202

HSL 229.94, 0.62%, 0.49%

LAB 37.18, 36.2, -69.49

 

CMYK 76 / 24 / 0 / 47

HEX #206888

RGB 32 104 136

HSL 198.46, 0.62%, 0.33%

LAB 41.19, -10.56, -23.99

 

CMYK 76 / 24 / 0 / 34

HEX #2881A9

RGB 40 129 169

HSL 198.6, 0.62%, 0.41%

LAB 50.71, -12.1, -28.67

 

CMYK 77 / 23 / 0 / 21

HEX #2F9BCA

RGB 47 155 202

HSL 198.19, 0.62%, 0.49%

LAB 60.17, -14.25, -32.73

 

CMYK 63 / 19 / 0 / 16

HEX #4EACD5

RGB 78 172 213

HSL 198.22, 0.62%, 0.57%

LAB 66.47, -15.38, -29.03

 

CMYK 50 / 15 / 0 / 13

HEX #6FBBDD

RGB 111 187 221

HSL 198.55, 0.62%, 0.65%

LAB 72.32, -14.38, -24.32

 

CMYK 76 / 24 / 0 / 20

HEX #309CCC

RGB 48 156 204

HSL 198.46, 0.62%, 0.49%

LAB 60.57, -14, -33.22

 

CMYK 38 / 77 / 0 / 21

HEX #7D2FCA

RGB 125 47 202

HSL 270.19, 0.62%, 0.49%

LAB 39, 61, -66.25

 

CMYK 0 / 7 / 77 / 21

HEX #CABB2F

RGB 202 187 47

HSL 54.19, 0.62%, 0.49%

LAB 75.02, -9.54, 67.4

 

CMYK 76 / 24 / 0 / 20

HEX #309CCC

RGB 48 156 204

HSL 198.46, 0.62%, 0.49%

LAB 60.57, -14, -33.22

 

CMYK 0 / 77 / 23 / 21

HEX #CA2F9C

RGB 202 47 156

HSL 317.81, 0.62%, 0.49%

LAB 48.25, 68.63, -23.68

 

CMYK 23 / 0 / 77 / 21

HEX #9CCA2F

RGB 156 202 47

HSL 77.81, 0.62%, 0.49%

LAB 75.77, -36.01, 66.85

 

CMYK 76 / 24 / 0 / 20

HEX #309CCC

RGB 48 156 204

HSL 198.46, 0.62%, 0.49%

LAB 60.57, -14, -33.22

 

CMYK 38 / 77 / 0 / 21

HEX #7D2FCA

RGB 125 47 202

HSL 270.19, 0.62%, 0.49%

LAB 39, 61, -66.25

 

CMYK 0 / 53 / 77 / 21

HEX #CA5E2F

RGB 202 94 47

HSL 18.19, 0.62%, 0.49%

LAB 52.69, 40.02, 45.99

 

CMYK 38 / 0 / 77 / 21

HEX #7DCA2F

RGB 125 202 47

HSL 89.81, 0.62%, 0.49%

LAB 74.07, -47.44, 64.64

 

CMYK 76 / 24 / 0 / 20

HEX #309CCC

RGB 48 156 204

HSL 198.46, 0.62%, 0.49%

LAB 60.57, -14, -33.22

 

CMYK 15 / 77 / 0 / 21

HEX #AB2FCA

RGB 171 47 202

HSL 288, 0.62%, 0.49%

LAB 45.57, 69.15, -55.28

 

CMYK 0 / 53 / 77 / 21

HEX #CA5E2F

RGB 202 94 47

HSL 18.19, 0.62%, 0.49%

LAB 52.69, 40.02, 45.99

 

CMYK 61 / 0 / 77 / 21

HEX #4ECA2F

RGB 78 202 47

HSL 108, 0.62%, 0.49%

LAB 72.27, -61.09, 62.29

 

Description

Color code: HEX #309CCC | qconv.com Color code: HEX #309CCC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 156 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 156 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 24 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 24% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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