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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #309986 it is the complementary color #CF6679. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #309986. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #309986 shade: #359981, #46AB94, #57BDA7, #68CFBA and #79E1CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #309986. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #309986 shade: #309986, #1F8773, #0E7560, #00634D and #00513A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #309986 shade: #309784, #309769, #30974D, #309731 and #4B9730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #309986 shade: #309784, #308E97, #307297, #305697 and #303A97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #309986 shade matches the following richer shades: #309784, #20A78F and #10B799

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #309986 shade: #309784, #40877A, #507770, #606766 and #70575B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #309986 shade: #30974D, #309769, #309784, #308F97 and #307397

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #309986 shade: #1C584D, #267869, #309784, #3AB7A0 and #51C8B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #309986 shade: #309986, #313097 and #975B30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #309986 shade: #309986, #843097 and #978430

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #309986 shade: #309986, #313097, #973043 and #959730

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #309986 shade: #309986, #503097, #973043 and #769730

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 12 / 40

HEX #309986

RGB 48 153 134

HSL 169.14, 0.52%, 0.39%

LAB 57.2, -34.3, 1.32

 

Complementary color

CMYK 0 / 51 / 42 / 19

HEX #CF6679

RGB 207 102 121

HSL 349.14, 0.52%, 0.61%

LAB 56.24, 43.35, 9.06

 

CMYK 65 / 0 / 16 / 40

HEX #359981

RGB 53 153 129

HSL 165.6, 0.49%, 0.4%

LAB 57.2, -34.78, 4.17

 

CMYK 59 / 0 / 13 / 33

HEX #46AB94

RGB 70 171 148

HSL 166.34, 0.42%, 0.47%

LAB 63.81, -35, 3.09

 

CMYK 54 / 0 / 12 / 26

HEX #57BDA7

RGB 87 189 167

HSL 167.06, 0.44%, 0.54%

LAB 70.32, -35.08, 2.12

 

CMYK 50 / 0 / 10 / 19

HEX #68CFBA

RGB 104 207 186

HSL 167.77, 0.52%, 0.61%

LAB 76.75, -35.07, 1.23

 

CMYK 46 / 0 / 9 / 12

HEX #79E1CD

RGB 121 225 205

HSL 168.46, 0.63%, 0.68%

LAB 83.08, -35.01, 0.41

 

CMYK 69 / 0 / 12 / 40

HEX #309986

RGB 48 153 134

HSL 169.14, 0.52%, 0.39%

LAB 57.2, -34.3, 1.32

 

CMYK 77 / 0 / 15 / 47

HEX #1F8773

RGB 31 135 115

HSL 168.46, 0.63%, 0.33%

LAB 50.52, -33.65, 2.52

 

CMYK 88 / 0 / 18 / 54

HEX #0E7560

RGB 14 117 96

HSL 167.77, 0.79%, 0.26%

LAB 43.74, -32.57, 3.9

 

CMYK 100 / 0 / 22 / 61

HEX #00634D

RGB 0 99 77

HSL 166.67, 1%, 0.19%

LAB 36.85, -30.96, 5.51

 

CMYK 100 / 0 / 28 / 68

HEX #00513A

RGB 0 81 58

HSL 162.96, 1%, 0.16%

LAB 29.89, -28.24, 7.48

 

CMYK 68 / 0 / 13 / 41

HEX #309784

RGB 48 151 132

HSL 168.93, 0.52%, 0.39%

LAB 56.51, -33.91, 1.46

 

CMYK 68 / 0 / 30 / 41

HEX #309769

RGB 48 151 105

HSL 153.2, 0.52%, 0.39%

LAB 55.87, -40.57, 15.85

 

CMYK 68 / 0 / 49 / 41

HEX #30974D

RGB 48 151 77

HSL 136.89, 0.52%, 0.39%

LAB 55.38, -45.98, 30.48

 

CMYK 68 / 0 / 68 / 41

HEX #309731

RGB 48 151 49

HSL 120.58, 0.52%, 0.39%

LAB 55.06, -49.72, 43.69

 

CMYK 50 / 0 / 68 / 41

HEX #4B9730

RGB 75 151 48

HSL 104.27, 0.52%, 0.39%

LAB 55.93, -42.87, 45.32

 

CMYK 68 / 0 / 13 / 41

HEX #309784

RGB 48 151 132

HSL 168.93, 0.52%, 0.39%

LAB 56.51, -33.91, 1.46

 

CMYK 68 / 6 / 0 / 41

HEX #308E97

RGB 48 142 151

HSL 185.24, 0.52%, 0.39%

LAB 54.25, -23.99, -12.81

 

CMYK 68 / 25 / 0 / 41

HEX #307297

RGB 48 114 151

HSL 201.55, 0.52%, 0.39%

LAB 45.49, -8.62, -26.22

 

CMYK 68 / 43 / 0 / 41

HEX #305697

RGB 48 86 151

HSL 217.86, 0.52%, 0.39%

LAB 36.96, 8.79, -39.66

 

CMYK 68 / 62 / 0 / 41

HEX #303A97

RGB 48 58 151

HSL 234.17, 0.52%, 0.39%

LAB 29.13, 27.46, -52.3

 

CMYK 68 / 0 / 13 / 41

HEX #309784

RGB 48 151 132

HSL 168.93, 0.52%, 0.39%

LAB 56.51, -33.91, 1.46

 

CMYK 81 / 0 / 14 / 35

HEX #20A78F

RGB 32 167 143

HSL 169.33, 0.68%, 0.39%

LAB 61.59, -40.2, 2.57

 

CMYK 91 / 0 / 16 / 28

HEX #10B799

RGB 16 183 153

HSL 169.22, 0.84%, 0.39%

LAB 66.73, -45.49, 4.43

 

CMYK 68 / 0 / 13 / 41

HEX #309784

RGB 48 151 132

HSL 168.93, 0.52%, 0.39%

LAB 56.51, -33.91, 1.46

 

CMYK 53 / 0 / 10 / 47

HEX #40877A

RGB 64 135 122

HSL 169.01, 0.36%, 0.39%

LAB 51.64, -25.66, 0.18

 

CMYK 33 / 0 / 6 / 53

HEX #507770

RGB 80 119 112

HSL 169.23, 0.2%, 0.39%

LAB 47.06, -15.35, -0.53

 

CMYK 7 / 0 / 1 / 60

HEX #606766

RGB 96 103 102

HSL 171.43, 0.04%, 0.39%

LAB 42.98, -2.9, -0.37

 

CMYK 0 / 22 / 19 / 56

HEX #70575B

RGB 112 87 91

HSL 350.4, 0.13%, 0.39%

LAB 39.61, 10.99, 1.63

 

CMYK 68 / 0 / 49 / 41

HEX #30974D

RGB 48 151 77

HSL 136.89, 0.52%, 0.39%

LAB 55.38, -45.98, 30.48

 

CMYK 68 / 0 / 30 / 41

HEX #309769

RGB 48 151 105

HSL 153.2, 0.52%, 0.39%

LAB 55.87, -40.57, 15.85

 

CMYK 68 / 0 / 13 / 41

HEX #309784

RGB 48 151 132

HSL 168.93, 0.52%, 0.39%

LAB 56.51, -33.91, 1.46

 

CMYK 68 / 5 / 0 / 41

HEX #308F97

RGB 48 143 151

HSL 184.66, 0.52%, 0.39%

LAB 54.56, -24.51, -12.34

 

CMYK 68 / 24 / 0 / 41

HEX #307397

RGB 48 115 151

HSL 200.97, 0.52%, 0.39%

LAB 45.8, -9.21, -25.74

 

CMYK 68 / 0 / 13 / 65

HEX #1C584D

RGB 28 88 77

HSL 169, 0.52%, 0.23%

LAB 33.48, -22.17, 0.72

 

CMYK 68 / 0 / 13 / 53

HEX #267869

RGB 38 120 105

HSL 169.02, 0.52%, 0.31%

LAB 45.45, -28.31, 1.06

 

CMYK 68 / 0 / 13 / 41

HEX #309784

RGB 48 151 132

HSL 168.93, 0.52%, 0.39%

LAB 56.51, -33.91, 1.46

 

CMYK 68 / 0 / 13 / 28

HEX #3AB7A0

RGB 58 183 160

HSL 168.96, 0.52%, 0.47%

LAB 67.5, -39.48, 1.77

 

CMYK 60 / 0 / 11 / 22

HEX #51C8B3

RGB 81 200 179

HSL 169.41, 0.52%, 0.55%

LAB 73.75, -38.34, 0.55

 

CMYK 69 / 0 / 12 / 40

HEX #309986

RGB 48 153 134

HSL 169.14, 0.52%, 0.39%

LAB 57.2, -34.3, 1.32

 

CMYK 68 / 68 / 0 / 41

HEX #313097

RGB 49 48 151

HSL 240.58, 0.52%, 0.39%

LAB 26.74, 34.08, -56.2

 

CMYK 0 / 40 / 68 / 41

HEX #975B30

RGB 151 91 48

HSL 25.05, 0.52%, 0.39%

LAB 44.62, 20.6, 34.6

 

CMYK 69 / 0 / 12 / 40

HEX #309986

RGB 48 153 134

HSL 169.14, 0.52%, 0.39%

LAB 57.2, -34.3, 1.32

 

CMYK 13 / 68 / 0 / 41

HEX #843097

RGB 132 48 151

HSL 288.93, 0.52%, 0.39%

LAB 36.47, 50.83, -39.99

 

CMYK 0 / 13 / 68 / 41

HEX #978430

RGB 151 132 48

HSL 48.93, 0.52%, 0.39%

LAB 55.38, -2.78, 46.29

 

CMYK 69 / 0 / 12 / 40

HEX #309986

RGB 48 153 134

HSL 169.14, 0.52%, 0.39%

LAB 57.2, -34.3, 1.32

 

CMYK 68 / 68 / 0 / 41

HEX #313097

RGB 49 48 151

HSL 240.58, 0.52%, 0.39%

LAB 26.74, 34.08, -56.2

 

CMYK 0 / 68 / 56 / 41

HEX #973043

RGB 151 48 67

HSL 348.93, 0.52%, 0.39%

LAB 36.17, 44.31, 12.66

 

CMYK 1 / 0 / 68 / 41

HEX #959730

RGB 149 151 48

HSL 61.17, 0.52%, 0.39%

LAB 60.55, -13.94, 51.56

 

CMYK 69 / 0 / 12 / 40

HEX #309986

RGB 48 153 134

HSL 169.14, 0.52%, 0.39%

LAB 57.2, -34.3, 1.32

 

CMYK 47 / 68 / 0 / 41

HEX #503097

RGB 80 48 151

HSL 258.64, 0.52%, 0.39%

LAB 29.55, 39.33, -51.5

 

CMYK 0 / 68 / 56 / 41

HEX #973043

RGB 151 48 67

HSL 348.93, 0.52%, 0.39%

LAB 36.17, 44.31, 12.66

 

CMYK 22 / 0 / 68 / 41

HEX #769730

RGB 118 151 48

HSL 79.22, 0.52%, 0.39%

LAB 58.22, -27.22, 48.44

 

Description

Color code: HEX #309986 | qconv.com Color code: HEX #309986 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 153 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 153 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 12 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 12% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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