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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30922E it is the complementary color #CF6DD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30922E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30922E shade: #359229, #46A43C, #57B64F, #68C862 and #79DA75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30922E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30922E shade: #30922E, #1F801B, #0E6E08, #005C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30922E shade: #31932F, #4C932F, #67932F, #82932F and #93892F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30922E shade: #31932F, #2F9348, #2F9363, #2F937E and #2F8D93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30922E shade matches the following richer shades: #31932F, #21A31F and #12B30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30922E shade: #31932F, #40843E, #4F744E, #5E645E and #6D556D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30922E shade: #68932F, #4D932F, #32932F, #2F9346 and #2F9361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30922E shade: #1C551B, #267425, #31932F, #3BB338 and #50C74D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30922E shade: #30922E, #2F8293 and #932F5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30922E shade: #30922E, #2F3293 and #932F32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30922E shade: #30922E, #2F8293, #902F93 and #933F2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30922E shade: #30922E, #2F6493, #902F93 and #935E2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 68 / 43

HEX #30922E

RGB 48 146 46

HSL 118.8, 0.52%, 0.38%

LAB 53.37, -48.22, 43.15

 

Complementary color

CMYK 1 / 48 / 0 / 18

HEX #CF6DD1

RGB 207 109 209

HSL 298.8, 0.52%, 0.62%

LAB 60.61, 52.75, -35.12

 

CMYK 64 / 0 / 72 / 43

HEX #359229

RGB 53 146 41

HSL 113.14, 0.56%, 0.37%

LAB 53.47, -47.56, 45.38

 

CMYK 57 / 0 / 63 / 36

HEX #46A43C

RGB 70 164 60

HSL 114.23, 0.46%, 0.44%

LAB 60.05, -48.22, 44.52

 

CMYK 52 / 0 / 57 / 29

HEX #57B64F

RGB 87 182 79

HSL 115.34, 0.41%, 0.51%

LAB 66.56, -48.52, 43.37

 

CMYK 48 / 0 / 51 / 22

HEX #68C862

RGB 104 200 98

HSL 116.47, 0.48%, 0.58%

LAB 72.98, -48.61, 42.12

 

CMYK 44 / 0 / 46 / 15

HEX #79DA75

RGB 121 218 117

HSL 117.62, 0.58%, 0.66%

LAB 79.32, -48.56, 40.86

 

CMYK 67 / 0 / 68 / 43

HEX #30922E

RGB 48 146 46

HSL 118.8, 0.52%, 0.38%

LAB 53.37, -48.22, 43.15

 

CMYK 76 / 0 / 79 / 50

HEX #1F801B

RGB 31 128 27

HSL 117.62, 0.65%, 0.3%

LAB 46.72, -46.92, 43.71

 

CMYK 87 / 0 / 93 / 57

HEX #0E6E08

RGB 14 110 8

HSL 116.47, 0.86%, 0.23%

LAB 40.02, -44.6, 42.97

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 67 / 0 / 68 / 42

HEX #31932F

RGB 49 147 47

HSL 118.8, 0.52%, 0.38%

LAB 53.73, -48.27, 43.13

 

CMYK 48 / 0 / 68 / 42

HEX #4C932F

RGB 76 147 47

HSL 102.6, 0.52%, 0.38%

LAB 54.67, -41, 44.41

 

CMYK 30 / 0 / 68 / 42

HEX #67932F

RGB 103 147 47

HSL 86.4, 0.52%, 0.38%

LAB 56.04, -31.38, 46.28

 

CMYK 12 / 0 / 68 / 42

HEX #82932F

RGB 130 147 47

HSL 70.2, 0.52%, 0.38%

LAB 57.86, -20.23, 48.75

 

CMYK 0 / 7 / 68 / 42

HEX #93892F

RGB 147 137 47

HSL 54, 0.52%, 0.38%

LAB 56.39, -7.4, 47.67

 

CMYK 67 / 0 / 68 / 42

HEX #31932F

RGB 49 147 47

HSL 118.8, 0.52%, 0.38%

LAB 53.73, -48.27, 43.13

 

CMYK 68 / 0 / 51 / 42

HEX #2F9348

RGB 47 147 72

HSL 135, 0.52%, 0.38%

LAB 53.96, -45.44, 31.33

 

CMYK 68 / 0 / 33 / 42

HEX #2F9363

RGB 47 147 99

HSL 151.2, 0.52%, 0.38%

LAB 54.42, -40.37, 17.23

 

CMYK 68 / 0 / 14 / 42

HEX #2F937E

RGB 47 147 126

HSL 167.4, 0.52%, 0.38%

LAB 55.05, -33.83, 2.76

 

CMYK 68 / 4 / 0 / 42

HEX #2F8D93

RGB 47 141 147

HSL 183.6, 0.52%, 0.38%

LAB 53.77, -24.87, -11.22

 

CMYK 67 / 0 / 68 / 42

HEX #31932F

RGB 49 147 47

HSL 118.8, 0.52%, 0.38%

LAB 53.73, -48.27, 43.13

 

CMYK 80 / 0 / 81 / 36

HEX #21A31F

RGB 33 163 31

HSL 119.09, 0.68%, 0.38%

LAB 58.62, -57.75, 53.85

 

CMYK 90 / 0 / 92 / 30

HEX #12B30F

RGB 18 179 15

HSL 118.9, 0.85%, 0.38%

LAB 63.67, -64.75, 61.95

 

CMYK 67 / 0 / 68 / 42

HEX #31932F

RGB 49 147 47

HSL 118.8, 0.52%, 0.38%

LAB 53.73, -48.27, 43.13

 

CMYK 52 / 0 / 53 / 48

HEX #40843E

RGB 64 132 62

HSL 118.29, 0.36%, 0.38%

LAB 49.42, -36.61, 31.08

 

CMYK 32 / 0 / 33 / 55

HEX #4F744E

RGB 79 116 78

HSL 118.42, 0.2%, 0.38%

LAB 45.22, -21.39, 16.94

 

CMYK 6 / 0 / 6 / 61

HEX #5E645E

RGB 94 100 94

HSL 120, 0.03%, 0.38%

LAB 41.69, -3.59, 2.59

 

CMYK 0 / 22 / 0 / 57

HEX #6D556D

RGB 109 85 109

HSL 300, 0.12%, 0.38%

LAB 39.33, 14.52, -9.95

 

CMYK 29 / 0 / 68 / 42

HEX #68932F

RGB 104 147 47

HSL 85.8, 0.52%, 0.38%

LAB 56.1, -30.99, 46.36

 

CMYK 48 / 0 / 68 / 42

HEX #4D932F

RGB 77 147 47

HSL 102, 0.52%, 0.38%

LAB 54.71, -40.68, 44.47

 

CMYK 66 / 0 / 68 / 42

HEX #32932F

RGB 50 147 47

HSL 118.2, 0.52%, 0.38%

LAB 53.76, -48.05, 43.16

 

CMYK 68 / 0 / 52 / 42

HEX #2F9346

RGB 47 147 70

HSL 133.8, 0.52%, 0.38%

LAB 53.94, -45.75, 32.33

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 67 / 0 / 68 / 67

HEX #1C551B

RGB 28 85 27

HSL 118.97, 0.52%, 0.22%

LAB 31.4, -31.49, 27.69

 

CMYK 67 / 0 / 68 / 55

HEX #267425

RGB 38 116 37

HSL 119.24, 0.52%, 0.3%

LAB 42.82, -40.23, 35.61

 

CMYK 67 / 0 / 68 / 42

HEX #31932F

RGB 49 147 47

HSL 118.8, 0.52%, 0.38%

LAB 53.73, -48.27, 43.13

 

CMYK 67 / 0 / 69 / 30

HEX #3BB338

RGB 59 179 56

HSL 118.54, 0.52%, 0.46%

LAB 64.53, -56.62, 51.03

 

CMYK 60 / 0 / 61 / 22

HEX #50C74D

RGB 80 199 77

HSL 118.52, 0.52%, 0.54%

LAB 71.61, -56.99, 50.07

 

CMYK 67 / 0 / 68 / 43

HEX #30922E

RGB 48 146 46

HSL 118.8, 0.52%, 0.38%

LAB 53.37, -48.22, 43.15

 

CMYK 68 / 12 / 0 / 42

HEX #2F8293

RGB 47 130 147

HSL 190.2, 0.52%, 0.38%

LAB 50.31, -19.12, -16.47

 

CMYK 0 / 68 / 39 / 42

HEX #932F5A

RGB 147 47 90

HSL 334.2, 0.52%, 0.38%

LAB 35.93, 45.71, -2.52

 

CMYK 67 / 0 / 68 / 43

HEX #30922E

RGB 48 146 46

HSL 118.8, 0.52%, 0.38%

LAB 53.37, -48.22, 43.15

 

CMYK 68 / 66 / 0 / 42

HEX #2F3293

RGB 47 50 147

HSL 238.2, 0.52%, 0.38%

LAB 26.71, 31.11, -53.79

 

CMYK 0 / 68 / 66 / 42

HEX #932F32

RGB 147 47 50

HSL 358.2, 0.52%, 0.38%

LAB 34.94, 42.13, 21.7

 

CMYK 67 / 0 / 68 / 43

HEX #30922E

RGB 48 146 46

HSL 118.8, 0.52%, 0.38%

LAB 53.37, -48.22, 43.15

 

CMYK 68 / 12 / 0 / 42

HEX #2F8293

RGB 47 130 147

HSL 190.2, 0.52%, 0.38%

LAB 50.31, -19.12, -16.47

 

CMYK 2 / 68 / 0 / 42

HEX #902F93

RGB 144 47 147

HSL 298.2, 0.52%, 0.38%

LAB 37.97, 53.37, -35.06

 

CMYK 0 / 57 / 68 / 42

HEX #933F2F

RGB 147 63 47

HSL 9.6, 0.52%, 0.38%

LAB 37.78, 34.28, 27.03

 

CMYK 67 / 0 / 68 / 43

HEX #30922E

RGB 48 146 46

HSL 118.8, 0.52%, 0.38%

LAB 53.37, -48.22, 43.15

 

CMYK 68 / 32 / 0 / 42

HEX #2F6493

RGB 47 100 147

HSL 208.2, 0.52%, 0.38%

LAB 40.94, -1.79, -30.96

 

CMYK 2 / 68 / 0 / 42

HEX #902F93

RGB 144 47 147

HSL 298.2, 0.52%, 0.38%

LAB 37.97, 53.37, -35.06

 

CMYK 0 / 36 / 68 / 42

HEX #935E2F

RGB 147 94 47

HSL 28.2, 0.52%, 0.38%

LAB 44.82, 17.04, 35.21

 

Description

Color code: HEX #30922E | qconv.com Color code: HEX #30922E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 146 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 146 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 68 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 68% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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