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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3089CB it is the complementary color #CF7634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3089CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3089CB shade: #3589C6, #469BD9, #57ADEC, #68BFFF and #79D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3089CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3089CB shade: #3089CB, #1F77B8, #0E65A5, #005392 and #00417F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3089CB shade: #2F88CA, #2F5FCA, #2F35CA, #542FCA and #7E2FCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3089CB shade: #2F88CA, #2F5FCA, #2F35CA and #2F2FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3089CB shade matches the following richer shades: #2F88CA, #1B8BDF and #078EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3089CB shade: #2F88CA, #4485B6, #5882A2, #6C7F8E and #807C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3089CB shade: #2FCAB8, #2FB3CA, #2F8ACA, #2F61CA and #2F37CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3089CB shade: #205B88, #2872A9, #2F88CA, #4E9CD5 and #6FAEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3089CB shade: #3089CB, #8F2FCA and #C8CA2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3089CB shade: #3089CB, #CA2F8A and #8ACA2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3089CB shade: #3089CB, #8F2FCA, #CA702F and #6BCA2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3089CB shade: #3089CB, #BE2FCA, #CA702F and #3CCA2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 33 / 0 / 20

HEX #3089CB

RGB 48 137 203

HSL 205.55, 0.62%, 0.49%

LAB 54.9, -3.59, -41.55

 

Complementary color

CMYK 0 / 43 / 75 / 19

HEX #CF7634

RGB 207 118 52

HSL 25.55, 0.62%, 0.51%

LAB 58.48, 29.78, 49.74

 

CMYK 73 / 31 / 0 / 22

HEX #3589C6

RGB 53 137 198

HSL 205.24, 0.58%, 0.49%

LAB 54.79, -4.75, -38.88

 

CMYK 68 / 29 / 0 / 15

HEX #469BD9

RGB 70 155 217

HSL 205.31, 0.66%, 0.56%

LAB 61.44, -6.05, -39.08

 

CMYK 63 / 27 / 0 / 7

HEX #57ADEC

RGB 87 173 236

HSL 205.37, 0.8%, 0.63%

LAB 68, -7.07, -39.25

 

CMYK 59 / 25 / 0 / 0

HEX #68BFFF

RGB 104 191 255

HSL 205.43, 1%, 0.7%

LAB 74.46, -7.9, -39.42

 

CMYK 53 / 18 / 0 / 0

HEX #79D1FF

RGB 121 209 255

HSL 200.6, 1%, 0.74%

LAB 80.12, -14.09, -30.63

 

CMYK 76 / 33 / 0 / 20

HEX #3089CB

RGB 48 137 203

HSL 205.55, 0.62%, 0.49%

LAB 54.9, -3.59, -41.55

 

CMYK 83 / 35 / 0 / 28

HEX #1F77B8

RGB 31 119 184

HSL 205.49, 0.71%, 0.42%

LAB 48.19, -1.69, -41.31

 

CMYK 92 / 39 / 0 / 35

HEX #0E65A5

RGB 14 101 165

HSL 205.43, 0.84%, 0.35%

LAB 41.4, 0.78, -41

 

CMYK 100 / 43 / 0 / 43

HEX #005392

RGB 0 83 146

HSL 205.89, 1%, 0.29%

LAB 34.52, 3.9, -40.61

 

CMYK 100 / 49 / 0 / 50

HEX #00417F

RGB 0 65 127

HSL 209.29, 1%, 0.25%

LAB 27.61, 7.99, -40

 

CMYK 77 / 33 / 0 / 21

HEX #2F88CA

RGB 47 136 202

HSL 205.55, 0.62%, 0.49%

LAB 54.53, -3.49, -41.57

 

CMYK 77 / 53 / 0 / 21

HEX #2F5FCA

RGB 47 95 202

HSL 221.42, 0.62%, 0.49%

LAB 42.84, 22.01, -60.26

 

CMYK 77 / 74 / 0 / 21

HEX #2F35CA

RGB 47 53 202

HSL 237.68, 0.62%, 0.49%

LAB 32.73, 48.26, -76.8

 

CMYK 58 / 77 / 0 / 21

HEX #542FCA

RGB 84 47 202

HSL 254.32, 0.62%, 0.49%

LAB 34.36, 55.12, -74.03

 

CMYK 38 / 77 / 0 / 21

HEX #7E2FCA

RGB 126 47 202

HSL 270.58, 0.62%, 0.49%

LAB 39.13, 61.17, -66.03

 

CMYK 77 / 33 / 0 / 21

HEX #2F88CA

RGB 47 136 202

HSL 205.55, 0.62%, 0.49%

LAB 54.53, -3.49, -41.57

 

CMYK 77 / 53 / 0 / 21

HEX #2F5FCA

RGB 47 95 202

HSL 221.42, 0.62%, 0.49%

LAB 42.84, 22.01, -60.26

 

CMYK 77 / 74 / 0 / 21

HEX #2F35CA

RGB 47 53 202

HSL 237.68, 0.62%, 0.49%

LAB 32.73, 48.26, -76.8

 

CMYK 77 / 77 / 0 / 21

HEX #2F2FCA

RGB 47 47 202

HSL 240, 0.62%, 0.49%

LAB 31.58, 51.52, -78.71

 

CMYK 77 / 33 / 0 / 21

HEX #2F88CA

RGB 47 136 202

HSL 205.55, 0.62%, 0.49%

LAB 54.53, -3.49, -41.57

 

CMYK 88 / 38 / 0 / 13

HEX #1B8BDF

RGB 27 139 223

HSL 205.71, 0.78%, 0.49%

LAB 56.11, 0.76, -50.9

 

CMYK 97 / 42 / 0 / 5

HEX #078EF3

RGB 7 142 243

HSL 205.68, 0.94%, 0.49%

LAB 57.91, 5.76, -59.17

 

CMYK 77 / 33 / 0 / 21

HEX #2F88CA

RGB 47 136 202

HSL 205.55, 0.62%, 0.49%

LAB 54.53, -3.49, -41.57

 

CMYK 63 / 27 / 0 / 29

HEX #4485B6

RGB 68 133 182

HSL 205.79, 0.46%, 0.49%

LAB 53.36, -5.53, -31.95

 

CMYK 46 / 20 / 0 / 36

HEX #5882A2

RGB 88 130 162

HSL 205.95, 0.3%, 0.49%

LAB 52.56, -5.61, -21.59

 

CMYK 24 / 11 / 0 / 44

HEX #6C7F8E

RGB 108 127 142

HSL 206.47, 0.14%, 0.49%

LAB 52.2, -3.37, -10.4

 

CMYK 0 / 3 / 5 / 50

HEX #807C7A

RGB 128 124 122

HSL 20, 0.02%, 0.49%

LAB 52.3, 1.13, 1.62

 

CMYK 77 / 0 / 9 / 21

HEX #2FCAB8

RGB 47 202 184

HSL 173.03, 0.62%, 0.49%

LAB 73.74, -42.86, -2.25

 

CMYK 77 / 11 / 0 / 21

HEX #2FB3CA

RGB 47 179 202

HSL 188.9, 0.62%, 0.49%

LAB 67.36, -26.8, -21.66

 

CMYK 77 / 32 / 0 / 21

HEX #2F8ACA

RGB 47 138 202

HSL 204.77, 0.62%, 0.49%

LAB 55.12, -4.65, -40.64

 

CMYK 77 / 52 / 0 / 21

HEX #2F61CA

RGB 47 97 202

HSL 220.65, 0.62%, 0.49%

LAB 43.39, 20.72, -59.38

 

CMYK 77 / 73 / 0 / 21

HEX #2F37CA

RGB 47 55 202

HSL 236.9, 0.62%, 0.49%

LAB 33.14, 47.12, -76.14

 

CMYK 76 / 33 / 0 / 47

HEX #205B88

RGB 32 91 136

HSL 205.96, 0.62%, 0.33%

LAB 37.05, -2.65, -30.47

 

CMYK 76 / 33 / 0 / 34

HEX #2872A9

RGB 40 114 169

HSL 205.58, 0.62%, 0.41%

LAB 46.11, -3.32, -35.86

 

CMYK 77 / 33 / 0 / 21

HEX #2F88CA

RGB 47 136 202

HSL 205.55, 0.62%, 0.49%

LAB 54.53, -3.49, -41.57

 

CMYK 63 / 27 / 0 / 16

HEX #4E9CD5

RGB 78 156 213

HSL 205.33, 0.62%, 0.57%

LAB 61.83, -6.61, -36.23

 

CMYK 50 / 21 / 0 / 13

HEX #6FAEDD

RGB 111 174 221

HSL 205.64, 0.62%, 0.65%

LAB 68.66, -7.41, -29.94

 

CMYK 76 / 33 / 0 / 20

HEX #3089CB

RGB 48 137 203

HSL 205.55, 0.62%, 0.49%

LAB 54.9, -3.59, -41.55

 

CMYK 29 / 77 / 0 / 21

HEX #8F2FCA

RGB 143 47 202

HSL 277.16, 0.62%, 0.49%

LAB 41.43, 64.04, -62.17

 

CMYK 1 / 0 / 77 / 21

HEX #C8CA2F

RGB 200 202 47

HSL 60.77, 0.62%, 0.49%

LAB 78.88, -17.98, 70.85

 

CMYK 76 / 33 / 0 / 20

HEX #3089CB

RGB 48 137 203

HSL 205.55, 0.62%, 0.49%

LAB 54.9, -3.59, -41.55

 

CMYK 0 / 77 / 32 / 21

HEX #CA2F8A

RGB 202 47 138

HSL 324.77, 0.62%, 0.49%

LAB 47.53, 66.46, -13.97

 

CMYK 32 / 0 / 77 / 21

HEX #8ACA2F

RGB 138 202 47

HSL 84.77, 0.62%, 0.49%

LAB 74.73, -42.83, 65.5

 

CMYK 76 / 33 / 0 / 20

HEX #3089CB

RGB 48 137 203

HSL 205.55, 0.62%, 0.49%

LAB 54.9, -3.59, -41.55

 

CMYK 29 / 77 / 0 / 21

HEX #8F2FCA

RGB 143 47 202

HSL 277.16, 0.62%, 0.49%

LAB 41.43, 64.04, -62.17

 

CMYK 0 / 45 / 77 / 21

HEX #CA702F

RGB 202 112 47

HSL 25.16, 0.62%, 0.49%

LAB 56.44, 30.7, 49.75

 

CMYK 47 / 0 / 77 / 21

HEX #6BCA2F

RGB 107 202 47

HSL 96.77, 0.62%, 0.49%

LAB 73.27, -53.28, 63.6

 

CMYK 76 / 33 / 0 / 20

HEX #3089CB

RGB 48 137 203

HSL 205.55, 0.62%, 0.49%

LAB 54.9, -3.59, -41.55

 

CMYK 6 / 77 / 0 / 21

HEX #BE2FCA

RGB 190 47 202

HSL 295.35, 0.62%, 0.49%

LAB 48.57, 72.81, -50.31

 

CMYK 0 / 45 / 77 / 21

HEX #CA702F

RGB 202 112 47

HSL 25.16, 0.62%, 0.49%

LAB 56.44, 30.7, 49.75

 

CMYK 70 / 0 / 77 / 21

HEX #3CCA2F

RGB 60 202 47

HSL 114.97, 0.62%, 0.49%

LAB 71.83, -64.77, 61.71

 

Description

Color code: HEX #3089CB | qconv.com Color code: HEX #3089CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 137 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 137 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 33 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 33% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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