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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #307710 it is the complementary color #CF88EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #307710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #307710 shade: #35770B, #46891E, #579B31, #68AD44 and #79BF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #307710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #307710 shade: #307710, #1F6500, #0E5300, #004100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #307710 shade: #2F7510, #4A7510, #667510, #756910 and #754D10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #307710 shade: #2F7510, #147510, #107527, #107542 and #10755D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #307710 shade matches the following richer shades: #2F7510 and #2B7F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #307710 shade: #2F7510, #336A1B, #375F25, #3B5530 and #3F4A3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #307710 shade: #667510, #4B7510, #307510, #157510 and #107526

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #307710 shade: #122C06, #21500B, #2F7510, #3E9915 and #4DBD1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #307710 shade: #307710, #107569 and #751058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #307710 shade: #307710, #103075 and #751030

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #307710 shade: #307710, #107569, #551075 and #75101C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #307710 shade: #307710, #106275, #551075 and #752210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 87 / 53

HEX #307710

RGB 48 119 16

HSL 101.36, 0.76%, 0.26%

LAB 44.03, -40.46, 44.83

 

Complementary color

CMYK 13 / 43 / 0 / 6

HEX #CF88EF

RGB 207 136 239

HSL 281.36, 0.76%, 0.74%

LAB 67.36, 44.65, -41.29

 

CMYK 55 / 0 / 91 / 53

HEX #35770B

RGB 53 119 11

HSL 96.67, 0.83%, 0.25%

LAB 44.2, -39.21, 46.3

 

CMYK 49 / 0 / 78 / 46

HEX #46891E

RGB 70 137 30

HSL 97.57, 0.64%, 0.33%

LAB 51.02, -40.12, 47.27

 

CMYK 44 / 0 / 68 / 39

HEX #579B31

RGB 87 155 49

HSL 98.49, 0.52%, 0.4%

LAB 57.74, -40.6, 46.98

 

CMYK 40 / 0 / 61 / 32

HEX #68AD44

RGB 104 173 68

HSL 99.43, 0.44%, 0.47%

LAB 64.36, -40.81, 46.14

 

CMYK 37 / 0 / 54 / 25

HEX #79BF57

RGB 121 191 87

HSL 100.38, 0.45%, 0.55%

LAB 70.88, -40.86, 45.06

 

CMYK 60 / 0 / 87 / 53

HEX #307710

RGB 48 119 16

HSL 101.36, 0.76%, 0.26%

LAB 44.03, -40.46, 44.83

 

CMYK 69 / 0 / 100 / 60

HEX #1F6500

RGB 31 101 0

HSL 101.58, 1%, 0.2%

LAB 37.11, -38.89, 42.81

 

CMYK 83 / 0 / 100 / 67

HEX #0E5300

RGB 14 83 0

HSL 109.88, 1%, 0.16%

LAB 30.11, -36.05, 37.07

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 60 / 0 / 86 / 54

HEX #2F7510

RGB 47 117 16

HSL 101.58, 0.76%, 0.26%

LAB 43.31, -39.97, 44.16

 

CMYK 37 / 0 / 86 / 54

HEX #4A7510

RGB 74 117 16

HSL 85.54, 0.76%, 0.26%

LAB 44.54, -30.73, 45.74

 

CMYK 13 / 0 / 86 / 54

HEX #667510

RGB 102 117 16

HSL 68.91, 0.76%, 0.26%

LAB 46.42, -18.7, 48.11

 

CMYK 0 / 10 / 86 / 54

HEX #756910

RGB 117 105 16

HSL 52.87, 0.76%, 0.26%

LAB 44.12, -5, 46.66

 

CMYK 0 / 34 / 86 / 54

HEX #754D10

RGB 117 77 16

HSL 36.24, 0.76%, 0.26%

LAB 36.23, 11.58, 39.86

 

CMYK 60 / 0 / 86 / 54

HEX #2F7510

RGB 47 117 16

HSL 101.58, 0.76%, 0.26%

LAB 43.31, -39.97, 44.16

 

CMYK 83 / 0 / 86 / 54

HEX #147510

RGB 20 117 16

HSL 117.62, 0.76%, 0.26%

LAB 42.63, -45.71, 43.29

 

CMYK 86 / 0 / 67 / 54

HEX #107527

RGB 16 117 39

HSL 133.66, 0.76%, 0.26%

LAB 42.73, -44.16, 34.45

 

CMYK 86 / 0 / 44 / 54

HEX #107542

RGB 16 117 66

HSL 149.7, 0.76%, 0.26%

LAB 43.1, -39.74, 20.62

 

CMYK 86 / 0 / 21 / 54

HEX #10755D

RGB 16 117 93

HSL 165.74, 0.76%, 0.26%

LAB 43.69, -33.23, 5.62

 

CMYK 60 / 0 / 86 / 54

HEX #2F7510

RGB 47 117 16

HSL 101.58, 0.76%, 0.26%

LAB 43.31, -39.97, 44.16

 

CMYK 66 / 0 / 96 / 50

HEX #2B7F05

RGB 43 127 5

HSL 101.31, 0.92%, 0.26%

LAB 46.58, -45.17, 49.43

 

CMYK 60 / 0 / 86 / 54

HEX #2F7510

RGB 47 117 16

HSL 101.58, 0.76%, 0.26%

LAB 43.31, -39.97, 44.16

 

CMYK 52 / 0 / 75 / 58

HEX #336A1B

RGB 51 106 27

HSL 101.77, 0.59%, 0.26%

LAB 39.73, -33.51, 36.89

 

CMYK 42 / 0 / 61 / 63

HEX #375F25

RGB 55 95 37

HSL 101.38, 0.44%, 0.26%

LAB 36.23, -26.04, 28.36

 

CMYK 31 / 0 / 44 / 67

HEX #3B5530

RGB 59 85 48

HSL 102.16, 0.28%, 0.26%

LAB 33.22, -17.77, 18.51

 

CMYK 15 / 0 / 20 / 71

HEX #3F4A3B

RGB 63 74 59

HSL 104, 0.11%, 0.26%

LAB 30.08, -7.76, 7.51

 

CMYK 13 / 0 / 86 / 54

HEX #667510

RGB 102 117 16

HSL 68.91, 0.76%, 0.26%

LAB 46.42, -18.7, 48.11

 

CMYK 36 / 0 / 86 / 54

HEX #4B7510

RGB 75 117 16

HSL 84.95, 0.76%, 0.26%

LAB 44.6, -30.33, 45.81

 

CMYK 59 / 0 / 86 / 54

HEX #307510

RGB 48 117 16

HSL 100.99, 0.76%, 0.26%

LAB 43.34, -39.69, 44.21

 

CMYK 82 / 0 / 86 / 54

HEX #157510

RGB 21 117 16

HSL 117.03, 0.76%, 0.26%

LAB 42.64, -45.56, 43.31

 

CMYK 86 / 0 / 68 / 54

HEX #107526

RGB 16 117 38

HSL 133.07, 0.76%, 0.26%

LAB 42.72, -44.28, 34.91

 

CMYK 59 / 0 / 86 / 83

HEX #122C06

RGB 18 44 6

HSL 101.05, 0.76%, 0.1%

LAB 15.19, -18.55, 19.25

 

CMYK 59 / 0 / 86 / 69

HEX #21500B

RGB 33 80 11

HSL 100.87, 0.76%, 0.18%

LAB 29.63, -29.43, 32.91

 

CMYK 60 / 0 / 86 / 54

HEX #2F7510

RGB 47 117 16

HSL 101.58, 0.76%, 0.26%

LAB 43.31, -39.97, 44.16

 

CMYK 59 / 0 / 86 / 40

HEX #3E9915

RGB 62 153 21

HSL 101.36, 0.76%, 0.34%

LAB 55.95, -49.16, 54.38

 

CMYK 59 / 0 / 86 / 26

HEX #4DBD1A

RGB 77 189 26

HSL 101.23, 0.76%, 0.42%

LAB 68.06, -57.92, 64.08

 

CMYK 60 / 0 / 87 / 53

HEX #307710

RGB 48 119 16

HSL 101.36, 0.76%, 0.26%

LAB 44.03, -40.46, 44.83

 

CMYK 86 / 0 / 10 / 54

HEX #107569

RGB 16 117 105

HSL 172.87, 0.76%, 0.26%

LAB 44.02, -29.77, -1.07

 

CMYK 0 / 86 / 25 / 54

HEX #751058

RGB 117 16 88

HSL 317.23, 0.76%, 0.26%

LAB 26.32, 47.83, -16.29

 

CMYK 60 / 0 / 87 / 53

HEX #307710

RGB 48 119 16

HSL 101.36, 0.76%, 0.26%

LAB 44.03, -40.46, 44.83

 

CMYK 86 / 59 / 0 / 54

HEX #103075

RGB 16 48 117

HSL 220.99, 0.76%, 0.26%

LAB 21.97, 16.95, -42.79

 

CMYK 0 / 86 / 59 / 54

HEX #751030

RGB 117 16 48

HSL 340.99, 0.76%, 0.26%

LAB 24.85, 43.56, 8.61

 

CMYK 60 / 0 / 87 / 53

HEX #307710

RGB 48 119 16

HSL 101.36, 0.76%, 0.26%

LAB 44.03, -40.46, 44.83

 

CMYK 86 / 0 / 10 / 54

HEX #107569

RGB 16 117 105

HSL 172.87, 0.76%, 0.26%

LAB 44.02, -29.77, -1.07

 

CMYK 27 / 86 / 0 / 54

HEX #551075

RGB 85 16 117

HSL 280.99, 0.76%, 0.26%

LAB 22.25, 46.11, -42.05

 

CMYK 0 / 86 / 76 / 54

HEX #75101C

RGB 117 16 28

HSL 352.87, 0.76%, 0.26%

LAB 24.44, 42.34, 21.68

 

CMYK 60 / 0 / 87 / 53

HEX #307710

RGB 48 119 16

HSL 101.36, 0.76%, 0.26%

LAB 44.03, -40.46, 44.83

 

CMYK 86 / 16 / 0 / 54

HEX #106275

RGB 16 98 117

HSL 191.29, 0.76%, 0.26%

LAB 38.07, -15.87, -17.29

 

CMYK 27 / 86 / 0 / 54

HEX #551075

RGB 85 16 117

HSL 280.99, 0.76%, 0.26%

LAB 22.25, 46.11, -42.05

 

CMYK 0 / 71 / 86 / 54

HEX #752210

RGB 117 34 16

HSL 10.69, 0.76%, 0.26%

LAB 26.63, 35.39, 31.25

 

Description

Color code: HEX #307710 | qconv.com Color code: HEX #307710 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 119 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 119 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 87 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 87% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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