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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #306478 it is the complementary color #CF9B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #306478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #306478 shade: #356473, #467686, #578899, #689AAC and #79ACBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #306478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #306478 shade: #306478, #1F5265, #0E4052, #002E3F and #001C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #306478 shade: #306478, #305178, #303D78, #363078 and #4A3078

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #306478 shade: #306478, #305178, #303D78 and #303078

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #306478 shade matches the following richer shades: #306478, #226A86, #157094 and #0776A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #306478 shade: #306478, #3E5E6B, #4B585D, #59524F and #664C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #306478 shade: #307865, #307878, #306578, #305278 and #303E78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #306478 shade: #18333D, #244C5B, #306478, #3C7D96 and #4795B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #306478 shade: #306478, #523078 and #786F30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #306478 shade: #306478, #783065 and #657830

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #306478 shade: #306478, #523078, #784330 and #577830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #306478 shade: #306478, #673078, #784330 and #417830

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

Complementary color

CMYK 0 / 25 / 35 / 19

HEX #CF9B87

RGB 207 155 135

HSL 16.67, 0.43%, 0.67%

LAB 68.36, 16.71, 18.05

 

CMYK 54 / 13 / 0 / 55

HEX #356473

RGB 53 100 115

HSL 194.52, 0.37%, 0.33%

LAB 39.76, -11.46, -13.38

 

CMYK 48 / 12 / 0 / 47

HEX #467686

RGB 70 118 134

HSL 195, 0.31%, 0.4%

LAB 46.95, -11.7, -13.83

 

CMYK 43 / 11 / 0 / 40

HEX #578899

RGB 87 136 153

HSL 195.45, 0.28%, 0.47%

LAB 53.96, -11.86, -14.26

 

CMYK 40 / 10 / 0 / 33

HEX #689AAC

RGB 104 154 172

HSL 195.88, 0.29%, 0.54%

LAB 60.81, -11.96, -14.68

 

CMYK 37 / 10 / 0 / 25

HEX #79ACBF

RGB 121 172 191

HSL 196.29, 0.35%, 0.61%

LAB 67.53, -12.04, -15.09

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 69 / 19 / 0 / 60

HEX #1F5265

RGB 31 82 101

HSL 196.29, 0.53%, 0.26%

LAB 32.4, -10.31, -16.03

 

CMYK 83 / 22 / 0 / 68

HEX #0E4052

RGB 14 64 82

HSL 195.88, 0.71%, 0.19%

LAB 24.86, -9.17, -15.5

 

CMYK 100 / 27 / 0 / 75

HEX #002E3F

RGB 0 46 63

HSL 196.19, 1%, 0.12%

LAB 17.05, -7.38, -14.88

 

CMYK 100 / 36 / 0 / 83

HEX #001C2C

RGB 0 28 44

HSL 201.82, 1%, 0.09%

LAB 9.09, -3.58, -13.82

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 60 / 33 / 0 / 53

HEX #305178

RGB 48 81 120

HSL 212.5, 0.43%, 0.33%

LAB 33.71, 0.69, -25.84

 

CMYK 60 / 49 / 0 / 53

HEX #303D78

RGB 48 61 120

HSL 229.17, 0.43%, 0.33%

LAB 27.63, 14.04, -35.48

 

CMYK 55 / 60 / 0 / 53

HEX #363078

RGB 54 48 120

HSL 245, 0.43%, 0.33%

LAB 24.49, 24.19, -40.51

 

CMYK 38 / 60 / 0 / 53

HEX #4A3078

RGB 74 48 120

HSL 261.67, 0.43%, 0.33%

LAB 26.52, 28.97, -37.13

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 60 / 33 / 0 / 53

HEX #305178

RGB 48 81 120

HSL 212.5, 0.43%, 0.33%

LAB 33.71, 0.69, -25.84

 

CMYK 60 / 49 / 0 / 53

HEX #303D78

RGB 48 61 120

HSL 229.17, 0.43%, 0.33%

LAB 27.63, 14.04, -35.48

 

CMYK 60 / 60 / 0 / 53

HEX #303078

RGB 48 48 120

HSL 240, 0.43%, 0.33%

LAB 23.99, 22.93, -41.34

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 75 / 21 / 0 / 47

HEX #226A86

RGB 34 106 134

HSL 196.8, 0.6%, 0.33%

LAB 41.8, -12.17, -21.84

 

CMYK 86 / 24 / 0 / 42

HEX #157094

RGB 21 112 148

HSL 197.01, 0.75%, 0.33%

LAB 44.07, -11.99, -26.71

 

CMYK 96 / 27 / 0 / 37

HEX #0776A1

RGB 7 118 161

HSL 196.75, 0.92%, 0.33%

LAB 46.41, -11.41, -30.74

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 42 / 12 / 0 / 58

HEX #3E5E6B

RGB 62 94 107

HSL 197.33, 0.27%, 0.33%

LAB 38.01, -7.94, -11.1

 

CMYK 19 / 5 / 0 / 64

HEX #4B585D

RGB 75 88 93

HSL 196.67, 0.11%, 0.33%

LAB 36.49, -3.83, -4.59

 

CMYK 0 / 8 / 11 / 65

HEX #59524F

RGB 89 82 79

HSL 18, 0.06%, 0.33%

LAB 35.45, 2.27, 2.79

 

CMYK 0 / 25 / 35 / 60

HEX #664C42

RGB 102 76 66

HSL 16.67, 0.21%, 0.33%

LAB 34.78, 9.43, 10.21

 

CMYK 60 / 0 / 16 / 53

HEX #307865

RGB 48 120 101

HSL 164.17, 0.43%, 0.33%

LAB 45.64, -27.41, 3.75

 

CMYK 60 / 0 / 0 / 53

HEX #307878

RGB 48 120 120

HSL 180, 0.43%, 0.33%

LAB 46.2, -22.06, -6.73

 

CMYK 60 / 16 / 0 / 53

HEX #306578

RGB 48 101 120

HSL 195.83, 0.43%, 0.33%

LAB 40.07, -11.58, -15.99

 

CMYK 60 / 32 / 0 / 53

HEX #305278

RGB 48 82 120

HSL 211.67, 0.43%, 0.33%

LAB 34.02, 0.04, -25.35

 

CMYK 60 / 48 / 0 / 53

HEX #303E78

RGB 48 62 120

HSL 228.33, 0.43%, 0.33%

LAB 27.93, 13.36, -35.01

 

CMYK 61 / 16 / 0 / 76

HEX #18333D

RGB 24 51 61

HSL 196.22, 0.44%, 0.17%

LAB 19.63, -6.85, -9.45

 

CMYK 60 / 16 / 0 / 64

HEX #244C5B

RGB 36 76 91

HSL 196.36, 0.43%, 0.25%

LAB 30.16, -9.13, -13.11

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 60 / 17 / 0 / 41

HEX #3C7D96

RGB 60 125 150

HSL 196.67, 0.43%, 0.41%

LAB 49.29, -13.02, -19.74

 

CMYK 60 / 17 / 0 / 30

HEX #4795B3

RGB 71 149 179

HSL 196.67, 0.43%, 0.49%

LAB 58.12, -14.92, -22.87

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 32 / 60 / 0 / 53

HEX #523078

RGB 82 48 120

HSL 268.33, 0.43%, 0.33%

LAB 27.47, 31.07, -35.55

 

CMYK 0 / 8 / 60 / 53

HEX #786F30

RGB 120 111 48

HSL 52.5, 0.43%, 0.33%

LAB 46.41, -5.19, 35.67

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 0 / 60 / 16 / 53

HEX #783065

RGB 120 48 101

HSL 315.83, 0.43%, 0.33%

LAB 31.91, 38.26, -16.09

 

CMYK 16 / 0 / 60 / 53

HEX #657830

RGB 101 120 48

HSL 75.83, 0.43%, 0.33%

LAB 47.51, -18.7, 36.48

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 32 / 60 / 0 / 53

HEX #523078

RGB 82 48 120

HSL 268.33, 0.43%, 0.33%

LAB 27.47, 31.07, -35.55

 

CMYK 0 / 44 / 60 / 53

HEX #784330

RGB 120 67 48

HSL 15.83, 0.43%, 0.33%

LAB 34.44, 20.87, 21.37

 

CMYK 28 / 0 / 60 / 53

HEX #577830

RGB 87 120 48

HSL 87.5, 0.43%, 0.33%

LAB 46.54, -24.59, 35.12

 

CMYK 60 / 17 / 0 / 53

HEX #306478

RGB 48 100 120

HSL 196.67, 0.43%, 0.33%

LAB 39.75, -10.99, -16.48

 

CMYK 14 / 60 / 0 / 53

HEX #673078

RGB 103 48 120

HSL 285.83, 0.43%, 0.33%

LAB 30.29, 36.85, -30.9

 

CMYK 0 / 44 / 60 / 53

HEX #784330

RGB 120 67 48

HSL 15.83, 0.43%, 0.33%

LAB 34.44, 20.87, 21.37

 

CMYK 46 / 0 / 60 / 53

HEX #417830

RGB 65 120 48

HSL 105.83, 0.43%, 0.33%

LAB 45.32, -32.83, 33.39

 

Description

Color code: HEX #306478 | qconv.com Color code: HEX #306478 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 100 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 100 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 17 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 17% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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