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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3060C4 it is the complementary color #CF9F3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3060C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3060C4 shade: #3560BF, #4672D2, #5784E5, #6896F8 and #79A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3060C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3060C4 shade: #3060C4, #1F4EB1, #0E3C9E, #002A8B and #001878

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3060C4 shade: #3060C5, #3038C5, #5030C5, #7830C5 and #A030C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3060C4 shade: #3060C5, #3038C5 and #3030C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3060C4 shade matches the following richer shades: #3060C5, #1C59D9 and #0852ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3060C4 shade: #3060C5, #4467B1, #576E9D, #6B758A and #7F7C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3060C4 shade: #30B1C5, #3089C5, #3062C5, #303AC5 and #4E30C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3060C4 shade: #204083, #2850A4, #3060C5, #4B77D3 and #6C90DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3060C4 shade: #3060C4, #B130C5 and #9DC530

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3060C4 shade: #3060C4, #C53062 and #62C530

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3060C4 shade: #3060C4, #B130C5, #C59330 and #44C530

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3060C4 shade: #3060C4, #C530AC, #C59330 and #30C549

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 51 / 0 / 23

HEX #3060C4

RGB 48 96 196

HSL 220.54, 0.61%, 0.48%

LAB 42.73, 19.22, -56.97

 

Complementary color

CMYK 0 / 23 / 71 / 19

HEX #CF9F3B

RGB 207 159 59

HSL 40.54, 0.61%, 0.52%

LAB 68.3, 7.94, 56.65

 

CMYK 72 / 50 / 0 / 25

HEX #3560BF

RGB 53 96 191

HSL 221.3, 0.57%, 0.48%

LAB 42.59, 18, -54.29

 

CMYK 67 / 46 / 0 / 18

HEX #4672D2

RGB 70 114 210

HSL 221.14, 0.61%, 0.55%

LAB 49.48, 16.01, -54.09

 

CMYK 62 / 42 / 0 / 10

HEX #5784E5

RGB 87 132 229

HSL 220.99, 0.73%, 0.62%

LAB 56.27, 14.4, -53.89

 

CMYK 58 / 40 / 0 / 3

HEX #6896F8

RGB 104 150 248

HSL 220.83, 0.91%, 0.69%

LAB 62.96, 13.07, -53.72

 

CMYK 53 / 34 / 0 / 0

HEX #79A8FF

RGB 121 168 255

HSL 218.96, 1%, 0.74%

LAB 68.96, 8.29, -47.98

 

CMYK 76 / 51 / 0 / 23

HEX #3060C4

RGB 48 96 196

HSL 220.54, 0.61%, 0.48%

LAB 42.73, 19.22, -56.97

 

CMYK 82 / 56 / 0 / 31

HEX #1F4EB1

RGB 31 78 177

HSL 220.68, 0.7%, 0.41%

LAB 35.82, 21.96, -57.08

 

CMYK 91 / 62 / 0 / 38

HEX #0E3C9E

RGB 14 60 158

HSL 220.83, 0.84%, 0.34%

LAB 28.89, 25.36, -57.02

 

CMYK 100 / 70 / 0 / 45

HEX #002A8B

RGB 0 42 139

HSL 221.87, 1%, 0.27%

LAB 22.02, 29.39, -56.62

 

CMYK 100 / 80 / 0 / 53

HEX #001878

RGB 0 24 120

HSL 228, 1%, 0.24%

LAB 15.54, 33.78, -55.31

 

CMYK 76 / 51 / 0 / 23

HEX #3060C5

RGB 48 96 197

HSL 220.67, 0.61%, 0.48%

LAB 42.8, 19.6, -57.44

 

CMYK 76 / 72 / 0 / 23

HEX #3038C5

RGB 48 56 197

HSL 236.78, 0.61%, 0.48%

LAB 32.89, 44.95, -73.62

 

CMYK 59 / 76 / 0 / 23

HEX #5030C5

RGB 80 48 197

HSL 252.89, 0.61%, 0.48%

LAB 33.67, 52.72, -72.26

 

CMYK 39 / 76 / 0 / 23

HEX #7830C5

RGB 120 48 197

HSL 268.99, 0.61%, 0.48%

LAB 38.09, 58.6, -64.84

 

CMYK 19 / 76 / 0 / 23

HEX #A030C5

RGB 160 48 197

HSL 285.1, 0.61%, 0.48%

LAB 43.68, 65.79, -55.51

 

CMYK 76 / 51 / 0 / 23

HEX #3060C5

RGB 48 96 197

HSL 220.67, 0.61%, 0.48%

LAB 42.8, 19.6, -57.44

 

CMYK 76 / 72 / 0 / 23

HEX #3038C5

RGB 48 56 197

HSL 236.78, 0.61%, 0.48%

LAB 32.89, 44.95, -73.62

 

CMYK 76 / 76 / 0 / 23

HEX #3030C5

RGB 48 48 197

HSL 240, 0.61%, 0.48%

LAB 31.29, 49.46, -76.27

 

CMYK 76 / 51 / 0 / 23

HEX #3060C5

RGB 48 96 197

HSL 220.67, 0.61%, 0.48%

LAB 42.8, 19.6, -57.44

 

CMYK 87 / 59 / 0 / 15

HEX #1C59D9

RGB 28 89 217

HSL 220.63, 0.77%, 0.48%

LAB 41.85, 30.01, -70.52

 

CMYK 97 / 65 / 0 / 7

HEX #0852ED

RGB 8 82 237

HSL 220.61, 0.93%, 0.48%

LAB 41.53, 41.27, -82.4

 

CMYK 76 / 51 / 0 / 23

HEX #3060C5

RGB 48 96 197

HSL 220.67, 0.61%, 0.48%

LAB 42.8, 19.6, -57.44

 

CMYK 62 / 42 / 0 / 31

HEX #4467B1

RGB 68 103 177

HSL 220.73, 0.44%, 0.48%

LAB 44.38, 10.95, -43.22

 

CMYK 45 / 30 / 0 / 38

HEX #576E9D

RGB 87 110 157

HSL 220.29, 0.29%, 0.48%

LAB 46.46, 4.48, -28.11

 

CMYK 22 / 15 / 0 / 46

HEX #6B758A

RGB 107 117 138

HSL 220.65, 0.13%, 0.48%

LAB 49.11, 1.13, -12.71

 

CMYK 0 / 2 / 7 / 50

HEX #7F7C76

RGB 127 124 118

HSL 40, 0.04%, 0.48%

LAB 52.1, -0.02, 3.67

 

CMYK 76 / 10 / 0 / 23

HEX #30B1C5

RGB 48 177 197

HSL 188.05, 0.61%, 0.48%

LAB 66.6, -27.27, -20.06

 

CMYK 76 / 30 / 0 / 23

HEX #3089C5

RGB 48 137 197

HSL 204.16, 0.61%, 0.48%

LAB 54.61, -5.75, -38.61

 

CMYK 76 / 50 / 0 / 23

HEX #3062C5

RGB 48 98 197

HSL 219.87, 0.61%, 0.48%

LAB 43.35, 18.31, -56.55

 

CMYK 76 / 71 / 0 / 23

HEX #303AC5

RGB 48 58 197

HSL 235.97, 0.61%, 0.48%

LAB 33.32, 43.77, -72.92

 

CMYK 60 / 76 / 0 / 23

HEX #4E30C5

RGB 78 48 197

HSL 252.08, 0.61%, 0.48%

LAB 33.49, 52.48, -72.56

 

CMYK 76 / 51 / 0 / 49

HEX #204083

RGB 32 64 131

HSL 220.61, 0.61%, 0.32%

LAB 28.41, 13.3, -41.16

 

CMYK 76 / 51 / 0 / 36

HEX #2850A4

RGB 40 80 164

HSL 220.65, 0.61%, 0.4%

LAB 35.73, 16.51, -49.47

 

CMYK 76 / 51 / 0 / 23

HEX #3060C5

RGB 48 96 197

HSL 220.67, 0.61%, 0.48%

LAB 42.8, 19.6, -57.44

 

CMYK 64 / 44 / 0 / 17

HEX #4B77D3

RGB 75 119 211

HSL 220.59, 0.61%, 0.56%

LAB 51.14, 14.08, -51.99

 

CMYK 51 / 34 / 0 / 14

HEX #6C90DB

RGB 108 144 219

HSL 220.54, 0.61%, 0.64%

LAB 60.11, 8.32, -42.16

 

CMYK 76 / 51 / 0 / 23

HEX #3060C4

RGB 48 96 196

HSL 220.54, 0.61%, 0.48%

LAB 42.73, 19.22, -56.97

 

CMYK 10 / 76 / 0 / 23

HEX #B130C5

RGB 177 48 197

HSL 291.95, 0.61%, 0.48%

LAB 46.3, 69.1, -51.16

 

CMYK 20 / 0 / 76 / 23

HEX #9DC530

RGB 157 197 48

HSL 76.11, 0.61%, 0.48%

LAB 74.39, -33.28, 65.26

 

CMYK 76 / 51 / 0 / 23

HEX #3060C4

RGB 48 96 196

HSL 220.54, 0.61%, 0.48%

LAB 42.73, 19.22, -56.97

 

CMYK 0 / 76 / 50 / 23

HEX #C53062

RGB 197 48 98

HSL 339.87, 0.61%, 0.48%

LAB 45.45, 60.9, 7.37

 

CMYK 50 / 0 / 76 / 23

HEX #62C530

RGB 98 197 48

HSL 99.87, 0.61%, 0.48%

LAB 71.38, -54, 61.33

 

CMYK 76 / 51 / 0 / 23

HEX #3060C4

RGB 48 96 196

HSL 220.54, 0.61%, 0.48%

LAB 42.73, 19.22, -56.97

 

CMYK 10 / 76 / 0 / 23

HEX #B130C5

RGB 177 48 197

HSL 291.95, 0.61%, 0.48%

LAB 46.3, 69.1, -51.16

 

CMYK 0 / 25 / 76 / 23

HEX #C59330

RGB 197 147 48

HSL 39.87, 0.61%, 0.48%

LAB 64.12, 9.56, 56.65

 

CMYK 65 / 0 / 76 / 23

HEX #44C530

RGB 68 197 48

HSL 111.95, 0.61%, 0.48%

LAB 70.44, -61.53, 60.09

 

CMYK 76 / 51 / 0 / 23

HEX #3060C4

RGB 48 96 196

HSL 220.54, 0.61%, 0.48%

LAB 42.73, 19.22, -56.97

 

CMYK 0 / 76 / 13 / 23

HEX #C530AC

RGB 197 48 172

HSL 310.07, 0.61%, 0.48%

LAB 48.21, 69.34, -33.29

 

CMYK 0 / 25 / 76 / 23

HEX #C59330

RGB 197 147 48

HSL 39.87, 0.61%, 0.48%

LAB 64.12, 9.56, 56.65

 

CMYK 76 / 0 / 63 / 23

HEX #30C549

RGB 48 197 73

HSL 130.07, 0.61%, 0.48%

LAB 70.21, -62.79, 50.03

 

Description

Color code: HEX #3060C4 | qconv.com Color code: HEX #3060C4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 96 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 96 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 51 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 51% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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