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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #305F7F it is the complementary color #CFA080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #305F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #305F7F shade: #355F7A, #46718D, #5783A0, #6895B3 and #79A7C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #305F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #305F7F shade: #305F7F, #1F4D6C, #0E3B59, #002946 and #001733

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #305F7F shade: #305E7E, #30497E, #30347E, #40307E and #55307E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #305F7F shade: #305E7E, #30497E, #30347E and #30307E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #305F7F shade matches the following richer shades: #305E7E, #22618C, #14639A and #0666A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #305F7F shade: #305E7E, #3E5B70, #4C5962, #5A5654 and #685346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #305F7F shade: #307E73, #30737E, #305F7E, #304A7E and #30357E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #305F7F shade: #193142, #244860, #305E7E, #3B759C and #478BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #305F7F shade: #305F7F, #5F307E and #7E7E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #305F7F shade: #305F7F, #7E305F and #5F7E30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #305F7F shade: #305F7F, #5F307E, #7E4F30 and #4F7E30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #305F7F shade: #305F7F, #76307E, #7E4F30 and #377E30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 25 / 0 / 50

HEX #305F7F

RGB 48 95 127

HSL 204.3, 0.45%, 0.34%

LAB 38.45, -5.63, -22.74

 

Complementary color

CMYK 0 / 23 / 38 / 19

HEX #CFA080

RGB 207 160 128

HSL 24.3, 0.45%, 0.66%

LAB 69.44, 13.14, 23.38

 

CMYK 57 / 22 / 0 / 52

HEX #355F7A

RGB 53 95 122

HSL 203.48, 0.39%, 0.34%

LAB 38.46, -6.22, -19.67

 

CMYK 50 / 20 / 0 / 45

HEX #46718D

RGB 70 113 141

HSL 203.66, 0.34%, 0.41%

LAB 45.68, -6.69, -19.92

 

CMYK 46 / 18 / 0 / 37

HEX #5783A0

RGB 87 131 160

HSL 203.84, 0.3%, 0.48%

LAB 52.73, -7.03, -20.19

 

CMYK 42 / 17 / 0 / 30

HEX #6895B3

RGB 104 149 179

HSL 204, 0.33%, 0.55%

LAB 59.61, -7.29, -20.46

 

CMYK 39 / 16 / 0 / 22

HEX #79A7C6

RGB 121 167 198

HSL 204.16, 0.4%, 0.63%

LAB 66.35, -7.5, -20.75

 

CMYK 62 / 25 / 0 / 50

HEX #305F7F

RGB 48 95 127

HSL 204.3, 0.45%, 0.34%

LAB 38.45, -5.63, -22.74

 

CMYK 71 / 29 / 0 / 58

HEX #1F4D6C

RGB 31 77 108

HSL 204.16, 0.55%, 0.27%

LAB 31.07, -4.63, -22.51

 

CMYK 84 / 34 / 0 / 65

HEX #0E3B59

RGB 14 59 89

HSL 204, 0.73%, 0.2%

LAB 23.48, -3.07, -22.24

 

CMYK 100 / 41 / 0 / 73

HEX #002946

RGB 0 41 70

HSL 204.86, 1%, 0.14%

LAB 15.63, -0.69, -21.93

 

CMYK 100 / 55 / 0 / 80

HEX #001733

RGB 0 23 51

HSL 212.94, 1%, 0.1%

LAB 7.69, 3.8, -21.18

 

CMYK 62 / 25 / 0 / 51

HEX #305E7E

RGB 48 94 126

HSL 204.62, 0.45%, 0.34%

LAB 38.09, -5.37, -22.7

 

CMYK 62 / 42 / 0 / 51

HEX #30497E

RGB 48 73 126

HSL 220.77, 0.45%, 0.34%

LAB 31.58, 8.11, -32.94

 

CMYK 62 / 59 / 0 / 51

HEX #30347E

RGB 48 52 126

HSL 236.92, 0.45%, 0.34%

LAB 25.54, 22.38, -42.64

 

CMYK 49 / 62 / 0 / 51

HEX #40307E

RGB 64 48 126

HSL 252.31, 0.45%, 0.34%

LAB 25.89, 28.38, -41.99

 

CMYK 33 / 62 / 0 / 51

HEX #55307E

RGB 85 48 126

HSL 268.46, 0.45%, 0.34%

LAB 28.25, 33.46, -38.07

 

CMYK 62 / 25 / 0 / 51

HEX #305E7E

RGB 48 94 126

HSL 204.62, 0.45%, 0.34%

LAB 38.09, -5.37, -22.7

 

CMYK 62 / 42 / 0 / 51

HEX #30497E

RGB 48 73 126

HSL 220.77, 0.45%, 0.34%

LAB 31.58, 8.11, -32.94

 

CMYK 62 / 59 / 0 / 51

HEX #30347E

RGB 48 52 126

HSL 236.92, 0.45%, 0.34%

LAB 25.54, 22.38, -42.64

 

CMYK 62 / 62 / 0 / 51

HEX #30307E

RGB 48 48 126

HSL 240, 0.45%, 0.34%

LAB 24.48, 25.08, -44.36

 

CMYK 62 / 25 / 0 / 51

HEX #305E7E

RGB 48 94 126

HSL 204.62, 0.45%, 0.34%

LAB 38.09, -5.37, -22.7

 

CMYK 76 / 31 / 0 / 45

HEX #22618C

RGB 34 97 140

HSL 204.34, 0.61%, 0.34%

LAB 39.21, -4.58, -29.49

 

CMYK 87 / 36 / 0 / 40

HEX #14639A

RGB 20 99 154

HSL 204.63, 0.77%, 0.34%

LAB 40.26, -1.94, -36.28

 

CMYK 96 / 39 / 0 / 34

HEX #0666A8

RGB 6 102 168

HSL 204.44, 0.93%, 0.34%

LAB 41.8, 0.97, -42.15

 

CMYK 62 / 25 / 0 / 51

HEX #305E7E

RGB 48 94 126

HSL 204.62, 0.45%, 0.34%

LAB 38.09, -5.37, -22.7

 

CMYK 45 / 19 / 0 / 56

HEX #3E5B70

RGB 62 91 112

HSL 205.2, 0.29%, 0.34%

LAB 37.25, -4.62, -15.33

 

CMYK 22 / 9 / 0 / 62

HEX #4C5962

RGB 76 89 98

HSL 204.55, 0.13%, 0.34%

LAB 37.05, -2.82, -6.87

 

CMYK 0 / 4 / 7 / 65

HEX #5A5654

RGB 90 86 84

HSL 20, 0.03%, 0.34%

LAB 36.87, 1.21, 1.73

 

CMYK 0 / 20 / 33 / 59

HEX #685346

RGB 104 83 70

HSL 22.94, 0.2%, 0.34%

LAB 37.06, 6.6, 10.91

 

CMYK 62 / 0 / 9 / 51

HEX #307E73

RGB 48 126 115

HSL 171.54, 0.45%, 0.34%

LAB 47.99, -26.58, -1.12

 

CMYK 62 / 9 / 0 / 51

HEX #30737E

RGB 48 115 126

HSL 188.46, 0.45%, 0.34%

LAB 44.8, -17.54, -12.42

 

CMYK 62 / 25 / 0 / 51

HEX #305F7E

RGB 48 95 126

HSL 203.85, 0.45%, 0.34%

LAB 38.41, -5.98, -22.2

 

CMYK 62 / 41 / 0 / 51

HEX #304A7E

RGB 48 74 126

HSL 220, 0.45%, 0.34%

LAB 31.88, 7.44, -32.46

 

CMYK 62 / 58 / 0 / 51

HEX #30357E

RGB 48 53 126

HSL 236.15, 0.45%, 0.34%

LAB 25.81, 21.7, -42.2

 

CMYK 62 / 26 / 0 / 74

HEX #193142

RGB 25 49 66

HSL 204.88, 0.45%, 0.18%

LAB 19.21, -3.42, -13.51

 

CMYK 63 / 25 / 0 / 62

HEX #244860

RGB 36 72 96

HSL 204, 0.45%, 0.26%

LAB 29.04, -4.87, -18.03

 

CMYK 62 / 25 / 0 / 51

HEX #305E7E

RGB 48 94 126

HSL 204.62, 0.45%, 0.34%

LAB 38.09, -5.37, -22.7

 

CMYK 62 / 25 / 0 / 39

HEX #3B759C

RGB 59 117 156

HSL 204.12, 0.45%, 0.42%

LAB 47.04, -6.64, -26.73

 

CMYK 62 / 25 / 0 / 27

HEX #478BB9

RGB 71 139 185

HSL 204.21, 0.45%, 0.5%

LAB 55.39, -7.42, -30.51

 

CMYK 62 / 25 / 0 / 50

HEX #305F7F

RGB 48 95 127

HSL 204.3, 0.45%, 0.34%

LAB 38.45, -5.63, -22.74

 

CMYK 25 / 62 / 0 / 51

HEX #5F307E

RGB 95 48 126

HSL 276.15, 0.45%, 0.34%

LAB 29.55, 36.06, -35.92

 

CMYK 0 / 0 / 62 / 51

HEX #7E7E30

RGB 126 126 48

HSL 60, 0.45%, 0.34%

LAB 51.35, -10.82, 41.31

 

CMYK 62 / 25 / 0 / 50

HEX #305F7F

RGB 48 95 127

HSL 204.3, 0.45%, 0.34%

LAB 38.45, -5.63, -22.74

 

CMYK 0 / 62 / 25 / 51

HEX #7E305F

RGB 126 48 95

HSL 323.85, 0.45%, 0.34%

LAB 32.65, 39.23, -11.02

 

CMYK 25 / 0 / 62 / 51

HEX #5F7E30

RGB 95 126 48

HSL 83.85, 0.45%, 0.34%

LAB 48.97, -24.32, 38

 

CMYK 62 / 25 / 0 / 50

HEX #305F7F

RGB 48 95 127

HSL 204.3, 0.45%, 0.34%

LAB 38.45, -5.63, -22.74

 

CMYK 25 / 62 / 0 / 51

HEX #5F307E

RGB 95 48 126

HSL 276.15, 0.45%, 0.34%

LAB 29.55, 36.06, -35.92

 

CMYK 0 / 37 / 62 / 51

HEX #7E4F30

RGB 126 79 48

HSL 23.85, 0.45%, 0.34%

LAB 38.27, 16.44, 26.3

 

CMYK 37 / 0 / 62 / 51

HEX #4F7E30

RGB 79 126 48

HSL 96.15, 0.45%, 0.34%

LAB 48, -30.61, 36.66

 

CMYK 62 / 25 / 0 / 50

HEX #305F7F

RGB 48 95 127

HSL 204.3, 0.45%, 0.34%

LAB 38.45, -5.63, -22.74

 

CMYK 6 / 62 / 0 / 51

HEX #76307E

RGB 118 48 126

HSL 293.85, 0.45%, 0.34%

LAB 32.86, 42.27, -30.45

 

CMYK 0 / 37 / 62 / 51

HEX #7E4F30

RGB 126 79 48

HSL 23.85, 0.45%, 0.34%

LAB 38.27, 16.44, 26.3

 

CMYK 56 / 0 / 62 / 51

HEX #377E30

RGB 55 126 48

HSL 114.62, 0.45%, 0.34%

LAB 46.91, -38.53, 35.11

 

Description

Color code: HEX #305F7F | qconv.com Color code: HEX #305F7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 95 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 95 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 25 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 25% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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