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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #30560E it is the complementary color #CFA9F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #30560E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #30560E shade: #355609, #46681C, #577A2F, #688C42 and #799E55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #30560E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #30560E shade: #30560E, #1F4400, #0E3200, #002000 and #000E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #30560E shade: #31580E, #45580E, #58570E, #58430E and #582F0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #30560E shade: #31580E, #1D580E, #0E5813, #0E5827 and #0E583B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #30560E shade matches the following richer shades: #31580E and #306006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #30560E shade: #31580E, #314F17, #32471F, #323F27 and #33372F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #30560E shade: #58560E, #45580E, #32580E, #1E580E and #0E5812

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #30560E shade: #091103, #1D3409, #31580E, #457B14 and #599F1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #30560E shade: #30560E, #0E5843 and #580E4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #30560E shade: #30560E, #0E3258 and #580E32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #30560E shade: #30560E, #0E5843, #340E58 and #580E23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #30560E shade: #30560E, #0E5658, #340E58 and #58100E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 84 / 66

HEX #30560E

RGB 48 86 14

HSL 91.67, 0.72%, 0.2%

LAB 32.51, -26.56, 34.83

 

Complementary color

CMYK 14 / 30 / 0 / 5

HEX #CFA9F1

RGB 207 169 241

HSL 271.67, 0.72%, 0.8%

LAB 74.82, 27.19, -30.79

 

CMYK 38 / 0 / 90 / 66

HEX #355609

RGB 53 86 9

HSL 85.71, 0.81%, 0.19%

LAB 32.77, -24.83, 36.82

 

CMYK 33 / 0 / 73 / 59

HEX #46681C

RGB 70 104 28

HSL 86.84, 0.58%, 0.26%

LAB 40.06, -25.42, 37.12

 

CMYK 29 / 0 / 61 / 52

HEX #577A2F

RGB 87 122 47

HSL 88, 0.44%, 0.33%

LAB 47.17, -25.69, 36.33

 

CMYK 26 / 0 / 53 / 45

HEX #688C42

RGB 104 140 66

HSL 89.19, 0.36%, 0.4%

LAB 54.13, -25.78, 35.19

 

CMYK 23 / 0 / 46 / 38

HEX #799E55

RGB 121 158 85

HSL 90.41, 0.3%, 0.48%

LAB 60.94, -25.78, 33.97

 

CMYK 44 / 0 / 84 / 66

HEX #30560E

RGB 48 86 14

HSL 91.67, 0.72%, 0.2%

LAB 32.51, -26.56, 34.83

 

CMYK 54 / 0 / 100 / 73

HEX #1F4400

RGB 31 68 0

HSL 92.65, 1%, 0.13%

LAB 25.03, -25.58, 32.92

 

CMYK 72 / 0 / 100 / 80

HEX #0E3200

RGB 14 50 0

HSL 103.2, 1%, 0.1%

LAB 17.34, -23.48, 24.34

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 44 / 0 / 84 / 65

HEX #31580E

RGB 49 88 14

HSL 91.62, 0.73%, 0.2%

LAB 33.27, -27.11, 35.56

 

CMYK 22 / 0 / 84 / 65

HEX #45580E

RGB 69 88 14

HSL 75.41, 0.73%, 0.2%

LAB 34.55, -18.55, 37.22

 

CMYK 0 / 1 / 84 / 65

HEX #58570E

RGB 88 87 14

HSL 59.19, 0.73%, 0.2%

LAB 35.84, -8.85, 38.98

 

CMYK 0 / 24 / 84 / 65

HEX #58430E

RGB 88 67 14

HSL 42.97, 0.73%, 0.2%

LAB 29.72, 3.26, 33.4

 

CMYK 0 / 47 / 84 / 65

HEX #582F0E

RGB 88 47 14

HSL 26.76, 0.73%, 0.2%

LAB 24.13, 15.88, 28.09

 

CMYK 44 / 0 / 84 / 65

HEX #31580E

RGB 49 88 14

HSL 91.62, 0.73%, 0.2%

LAB 33.27, -27.11, 35.56

 

CMYK 67 / 0 / 84 / 65

HEX #1D580E

RGB 29 88 14

HSL 107.84, 0.73%, 0.2%

LAB 32.42, -33.7, 34.45

 

CMYK 84 / 0 / 78 / 65

HEX #0E5813

RGB 14 88 19

HSL 124.05, 0.73%, 0.2%

LAB 32.08, -36.44, 32.03

 

CMYK 84 / 0 / 56 / 65

HEX #0E5827

RGB 14 88 39

HSL 140.27, 0.73%, 0.2%

LAB 32.3, -33.74, 22.21

 

CMYK 84 / 0 / 33 / 65

HEX #0E583B

RGB 14 88 59

HSL 156.49, 0.73%, 0.2%

LAB 32.68, -29.46, 10.77

 

CMYK 44 / 0 / 84 / 65

HEX #31580E

RGB 49 88 14

HSL 91.62, 0.73%, 0.2%

LAB 33.27, -27.11, 35.56

 

CMYK 50 / 0 / 94 / 62

HEX #306006

RGB 48 96 6

HSL 92, 0.88%, 0.2%

LAB 36, -31.5, 40.42

 

CMYK 44 / 0 / 84 / 65

HEX #31580E

RGB 49 88 14

HSL 91.62, 0.73%, 0.2%

LAB 33.27, -27.11, 35.56

 

CMYK 38 / 0 / 71 / 69

HEX #314F17

RGB 49 79 23

HSL 92.14, 0.55%, 0.2%

LAB 30.17, -22.01, 28.61

 

CMYK 30 / 0 / 56 / 72

HEX #32471F

RGB 50 71 31

HSL 91.5, 0.39%, 0.2%

LAB 27.53, -16.41, 21.28

 

CMYK 21 / 0 / 38 / 75

HEX #323F27

RGB 50 63 39

HSL 92.5, 0.24%, 0.2%

LAB 24.89, -10.55, 13.03

 

CMYK 7 / 0 / 15 / 78

HEX #33372F

RGB 51 55 47

HSL 90, 0.08%, 0.2%

LAB 22.45, -3.53, 4.43

 

CMYK 0 / 2 / 84 / 65

HEX #58560E

RGB 88 86 14

HSL 58.38, 0.73%, 0.2%

LAB 35.52, -8.27, 38.7

 

CMYK 22 / 0 / 84 / 65

HEX #45580E

RGB 69 88 14

HSL 75.41, 0.73%, 0.2%

LAB 34.55, -18.55, 37.22

 

CMYK 43 / 0 / 84 / 65

HEX #32580E

RGB 50 88 14

HSL 90.81, 0.73%, 0.2%

LAB 33.33, -26.73, 35.63

 

CMYK 66 / 0 / 84 / 65

HEX #1E580E

RGB 30 88 14

HSL 107.03, 0.73%, 0.2%

LAB 32.45, -33.43, 34.49

 

CMYK 84 / 0 / 80 / 65

HEX #0E5812

RGB 14 88 18

HSL 123.24, 0.73%, 0.2%

LAB 32.07, -36.53, 32.44

 

CMYK 47 / 0 / 82 / 93

HEX #091103

RGB 9 17 3

HSL 94.29, 0.7%, 0.04%

LAB 4.21, -4.63, 4.98

 

CMYK 44 / 0 / 83 / 80

HEX #1D3409

RGB 29 52 9

HSL 92.09, 0.7%, 0.12%

LAB 18.96, -17.8, 22.78

 

CMYK 44 / 0 / 84 / 65

HEX #31580E

RGB 49 88 14

HSL 91.62, 0.73%, 0.2%

LAB 33.27, -27.11, 35.56

 

CMYK 44 / 0 / 84 / 52

HEX #457B14

RGB 69 123 20

HSL 91.46, 0.72%, 0.28%

LAB 46.29, -35.11, 46.05

 

CMYK 44 / 0 / 84 / 38

HEX #599F1A

RGB 89 159 26

HSL 91.58, 0.72%, 0.36%

LAB 58.97, -43.07, 56.2

 

CMYK 44 / 0 / 84 / 66

HEX #30560E

RGB 48 86 14

HSL 91.67, 0.72%, 0.2%

LAB 32.51, -26.56, 34.83

 

CMYK 84 / 0 / 24 / 65

HEX #0E5843

RGB 14 88 67

HSL 162.97, 0.73%, 0.2%

LAB 32.87, -27.34, 6.07

 

CMYK 0 / 84 / 10 / 65

HEX #580E4F

RGB 88 14 79

HSL 307.3, 0.73%, 0.2%

LAB 19.86, 39.93, -20.79

 

CMYK 44 / 0 / 84 / 66

HEX #30560E

RGB 48 86 14

HSL 91.67, 0.72%, 0.2%

LAB 32.51, -26.56, 34.83

 

CMYK 84 / 43 / 0 / 65

HEX #0E3258

RGB 14 50 88

HSL 210.81, 0.73%, 0.2%

LAB 20.36, 2.75, -26.53

 

CMYK 0 / 84 / 43 / 65

HEX #580E32

RGB 88 14 50

HSL 330.81, 0.73%, 0.2%

LAB 18.45, 35.78, -2.79

 

CMYK 44 / 0 / 84 / 66

HEX #30560E

RGB 48 86 14

HSL 91.67, 0.72%, 0.2%

LAB 32.51, -26.56, 34.83

 

CMYK 84 / 0 / 24 / 65

HEX #0E5843

RGB 14 88 67

HSL 162.97, 0.73%, 0.2%

LAB 32.87, -27.34, 6.07

 

CMYK 41 / 84 / 0 / 65

HEX #340E58

RGB 52 14 88

HSL 270.81, 0.73%, 0.2%

LAB 14.11, 33.9, -36.46

 

CMYK 0 / 84 / 60 / 65

HEX #580E23

RGB 88 14 35

HSL 342.97, 0.73%, 0.2%

LAB 17.96, 34.28, 7.25

 

CMYK 44 / 0 / 84 / 66

HEX #30560E

RGB 48 86 14

HSL 91.67, 0.72%, 0.2%

LAB 32.51, -26.56, 34.83

 

CMYK 84 / 2 / 0 / 65

HEX #0E5658

RGB 14 86 88

HSL 181.62, 0.73%, 0.2%

LAB 32.82, -19.76, -7.23

 

CMYK 41 / 84 / 0 / 65

HEX #340E58

RGB 52 14 88

HSL 270.81, 0.73%, 0.2%

LAB 14.11, 33.9, -36.46

 

CMYK 0 / 82 / 84 / 65

HEX #58100E

RGB 88 16 14

HSL 1.62, 0.73%, 0.2%

LAB 17.81, 32.26, 21.17

 

Description

Color code: HEX #30560E | qconv.com Color code: HEX #30560E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 86 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 86 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 84 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 84% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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