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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304635 it is the complementary color #CFB9CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304635. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304635 shade: #354630, #465843, #576A56, #687C69 and #798E7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304635. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304635 shade: #304635, #1F3422, #0E220F, #001000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304635 shade: #304635, #304630, #364630, #3C4630 and #424630

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304635 shade: #304635, #30463B, #304641, #304546 and #303F46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304635 shade matches the following richer shades: #304635, #264F2F, #1D592A, #136225 and #0A6C20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304635 shade: #304635, #393C3A, #42333F, #4C2944 and #552049

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304635 shade: #374630, #314630, #304634, #30463A and #304640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304635 shade: #0E1510, #1F2D22, #304635, #405E47 and #51775A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304635 shade: #304635, #303D46 and #463034

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304635 shade: #304635, #343046 and #463430

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304635 shade: #304635, #303D46, #463041 and #463930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304635 shade: #304635, #303646, #463041 and #463F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

Complementary color

CMYK 0 / 11 / 2 / 19

HEX #CFB9CA

RGB 207 185 202

HSL 313.64, 0.19%, 0.77%

LAB 77.42, 10.8, -5.7

 

CMYK 24 / 0 / 31 / 73

HEX #354630

RGB 53 70 48

HSL 106.36, 0.19%, 0.23%

LAB 27.71, -11.76, 11.12

 

CMYK 20 / 0 / 24 / 65

HEX #465843

RGB 70 88 67

HSL 111.43, 0.14%, 0.3%

LAB 35.37, -11.57, 9.95

 

CMYK 18 / 0 / 19 / 58

HEX #576A56

RGB 87 106 86

HSL 117, 0.1%, 0.38%

LAB 42.77, -11.42, 8.9

 

CMYK 16 / 0 / 15 / 51

HEX #687C69

RGB 104 124 105

HSL 123, 0.09%, 0.45%

LAB 49.95, -11.3, 7.96

 

CMYK 15 / 0 / 13 / 44

HEX #798E7C

RGB 121 142 124

HSL 128.57, 0.09%, 0.52%

LAB 56.94, -11.21, 7.09

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 40 / 0 / 35 / 80

HEX #1F3422

RGB 31 52 34

HSL 128.57, 0.25%, 0.16%

LAB 19.49, -13.06, 8.8

 

CMYK 59 / 0 / 56 / 87

HEX #0E220F

RGB 14 34 15

HSL 123, 0.42%, 0.09%

LAB 11.08, -13.36, 9.76

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 31 / 0 / 31 / 73

HEX #304630

RGB 48 70 48

HSL 120, 0.19%, 0.23%

LAB 27.36, -13.81, 10.59

 

CMYK 23 / 0 / 31 / 73

HEX #364630

RGB 54 70 48

HSL 103.64, 0.19%, 0.23%

LAB 27.79, -11.33, 11.24

 

CMYK 14 / 0 / 31 / 73

HEX #3C4630

RGB 60 70 48

HSL 87.27, 0.19%, 0.23%

LAB 28.26, -8.73, 11.96

 

CMYK 6 / 0 / 31 / 73

HEX #424630

RGB 66 70 48

HSL 70.91, 0.19%, 0.23%

LAB 28.78, -6.03, 12.75

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 31 / 0 / 16 / 73

HEX #30463B

RGB 48 70 59

HSL 150, 0.19%, 0.23%

LAB 27.64, -11.35, 3.89

 

CMYK 31 / 0 / 7 / 73

HEX #304641

RGB 48 70 65

HSL 166.36, 0.19%, 0.23%

LAB 27.82, -9.85, 0.25

 

CMYK 31 / 1 / 0 / 73

HEX #304546

RGB 48 69 70

HSL 182.73, 0.19%, 0.23%

LAB 27.65, -7.89, -3.26

 

CMYK 31 / 10 / 0 / 73

HEX #303F46

RGB 48 63 70

HSL 199.09, 0.19%, 0.23%

LAB 25.64, -4.1, -6.26

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 52 / 0 / 41 / 69

HEX #264F2F

RGB 38 79 47

HSL 133.17, 0.35%, 0.23%

LAB 29.93, -22.52, 14.58

 

CMYK 67 / 0 / 53 / 65

HEX #1D592A

RGB 29 89 42

HSL 133, 0.51%, 0.23%

LAB 33.08, -30.7, 21.54

 

CMYK 81 / 0 / 62 / 62

HEX #136225

RGB 19 98 37

HSL 133.67, 0.68%, 0.23%

LAB 36, -37.16, 27.76

 

CMYK 91 / 0 / 70 / 58

HEX #0A6C20

RGB 10 108 32

HSL 133.47, 0.83%, 0.23%

LAB 39.4, -42.53, 34.02

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 5 / 0 / 3 / 76

HEX #393C3A

RGB 57 60 58

HSL 140, 0.03%, 0.23%

LAB 24.97, -1.73, 0.79

 

CMYK 0 / 23 / 5 / 74

HEX #42333F

RGB 66 51 63

HSL 312, 0.13%, 0.23%

LAB 23.29, 9.2, -4.94

 

CMYK 0 / 46 / 11 / 70

HEX #4C2944

RGB 76 41 68

HSL 313.71, 0.3%, 0.23%

LAB 22.09, 20.86, -10.01

 

CMYK 0 / 62 / 14 / 67

HEX #552049

RGB 85 32 73

HSL 313.58, 0.45%, 0.23%

LAB 21.75, 30.29, -13.8

 

CMYK 21 / 0 / 31 / 73

HEX #374630

RGB 55 70 48

HSL 100.91, 0.19%, 0.23%

LAB 27.86, -10.91, 11.35

 

CMYK 30 / 0 / 31 / 73

HEX #314630

RGB 49 70 48

HSL 117.27, 0.19%, 0.23%

LAB 27.43, -13.41, 10.69

 

CMYK 31 / 0 / 26 / 73

HEX #304634

RGB 48 70 52

HSL 130.91, 0.19%, 0.23%

LAB 27.45, -12.96, 8.15

 

CMYK 31 / 0 / 17 / 73

HEX #30463A

RGB 48 70 58

HSL 147.27, 0.19%, 0.23%

LAB 27.61, -11.59, 4.5

 

CMYK 31 / 0 / 9 / 73

HEX #304640

RGB 48 70 64

HSL 163.64, 0.19%, 0.23%

LAB 27.79, -10.1, 0.85

 

CMYK 33 / 0 / 24 / 92

HEX #0E1510

RGB 14 21 16

HSL 137.14, 0.2%, 0.07%

LAB 6.03, -3.74, 1.95

 

CMYK 31 / 0 / 24 / 82

HEX #1F2D22

RGB 31 45 34

HSL 132.86, 0.18%, 0.15%

LAB 16.91, -8.77, 5.24

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 32 / 0 / 24 / 63

HEX #405E47

RGB 64 94 71

HSL 134, 0.19%, 0.31%

LAB 37.02, -16.46, 9.72

 

CMYK 32 / 0 / 24 / 53

HEX #51775A

RGB 81 119 90

HSL 134.21, 0.19%, 0.39%

LAB 46.55, -19.94, 11.76

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 31 / 13 / 0 / 73

HEX #303D46

RGB 48 61 70

HSL 204.55, 0.19%, 0.23%

LAB 24.98, -2.81, -7.25

 

CMYK 0 / 31 / 26 / 73

HEX #463034

RGB 70 48 52

HSL 349.09, 0.19%, 0.23%

LAB 22.53, 10.74, 1.45

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 26 / 31 / 0 / 73

HEX #343046

RGB 52 48 70

HSL 250.91, 0.19%, 0.23%

LAB 21.16, 7.43, -13.05

 

CMYK 0 / 26 / 31 / 73

HEX #463430

RGB 70 52 48

HSL 10.91, 0.19%, 0.23%

LAB 23.58, 7.4, 5.65

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 31 / 13 / 0 / 73

HEX #303D46

RGB 48 61 70

HSL 204.55, 0.19%, 0.23%

LAB 24.98, -2.81, -7.25

 

CMYK 0 / 31 / 7 / 73

HEX #463041

RGB 70 48 65

HSL 313.64, 0.19%, 0.23%

LAB 22.99, 13.31, -6.68

 

CMYK 0 / 19 / 31 / 73

HEX #463930

RGB 70 57 48

HSL 24.55, 0.19%, 0.23%

LAB 25.08, 4.11, 7.76

 

CMYK 31 / 0 / 24 / 73

HEX #304635

RGB 48 70 53

HSL 133.64, 0.19%, 0.23%

LAB 27.48, -12.75, 7.54

 

CMYK 31 / 23 / 0 / 73

HEX #303646

RGB 48 54 70

HSL 223.64, 0.19%, 0.23%

LAB 22.68, 1.85, -10.73

 

CMYK 0 / 31 / 7 / 73

HEX #463041

RGB 70 48 65

HSL 313.64, 0.19%, 0.23%

LAB 22.99, 13.31, -6.68

 

CMYK 0 / 10 / 31 / 73

HEX #463F30

RGB 70 63 48

HSL 40.91, 0.19%, 0.23%

LAB 26.93, 0.22, 10.31

 

Description

Color code: HEX #304635 | qconv.com Color code: HEX #304635 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 70 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 70 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 24 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 24% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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