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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304623 it is the complementary color #CFB9DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304623 shade: #35461E, #465831, #576A44, #687C57 and #798E6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304623 shade: #304623, #1F3410, #0E2200, #001000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304623 shade: #314724, #3B4724, #444724, #474124 and #473724

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304623 shade: #314724, #274724, #24472A, #244733 and #24473D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304623 shade matches the following richer shades: #314724, #2F501B, #2D5913, #2A610A and #286A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304623 shade: #314724, #333F2D, #353635, #382D3E and #3A2547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304623 shade: #444724, #3B4724, #314724, #284724 and #244729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304623 shade: #0B1008, #1E2C16, #314724, #446332 and #577E40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304623 shade: #304623, #244741 and #472440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304623 shade: #304623, #243147 and #472431

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304623 shade: #304623, #244741, #3A2447 and #47242A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304623 shade: #304623, #244347, #3A2447 and #472824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 50 / 73

HEX #304623

RGB 48 70 35

HSL 97.71, 0.33%, 0.21%

LAB 27.1, -16.14, 18.36

 

Complementary color

CMYK 6 / 16 / 0 / 14

HEX #CFB9DC

RGB 207 185 220

HSL 277.71, 0.33%, 0.79%

LAB 77.95, 14.2, -14.65

 

CMYK 24 / 0 / 57 / 73

HEX #35461E

RGB 53 70 30

HSL 85.5, 0.4%, 0.2%

LAB 27.38, -14.65, 21.74

 

CMYK 20 / 0 / 44 / 65

HEX #465831

RGB 70 88 49

HSL 87.69, 0.28%, 0.27%

LAB 35.01, -14.67, 20.37

 

CMYK 18 / 0 / 36 / 58

HEX #576A44

RGB 87 106 68

HSL 90, 0.22%, 0.34%

LAB 42.39, -14.62, 19.06

 

CMYK 16 / 0 / 30 / 51

HEX #687C57

RGB 104 124 87

HSL 92.43, 0.18%, 0.41%

LAB 49.55, -14.55, 17.86

 

CMYK 15 / 0 / 25 / 44

HEX #798E6A

RGB 121 142 106

HSL 95, 0.15%, 0.49%

LAB 56.54, -14.48, 16.75

 

CMYK 31 / 0 / 50 / 73

HEX #304623

RGB 48 70 35

HSL 97.71, 0.33%, 0.21%

LAB 27.1, -16.14, 18.36

 

CMYK 40 / 0 / 69 / 80

HEX #1F3410

RGB 31 52 16

HSL 95, 0.53%, 0.13%

LAB 19.16, -16.17, 19.76

 

CMYK 59 / 0 / 100 / 87

HEX #0E2200

RGB 14 34 0

HSL 95.29, 1%, 0.07%

LAB 10.83, -15.83, 15.82

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 31 / 0 / 49 / 72

HEX #314724

RGB 49 71 36

HSL 97.71, 0.33%, 0.21%

LAB 27.54, -16.12, 18.32

 

CMYK 17 / 0 / 49 / 72

HEX #3B4724

RGB 59 71 36

HSL 80.57, 0.33%, 0.21%

LAB 28.28, -11.68, 19.41

 

CMYK 4 / 0 / 49 / 72

HEX #444724

RGB 68 71 36

HSL 65.14, 0.33%, 0.21%

LAB 29.06, -7.45, 20.55

 

CMYK 0 / 8 / 49 / 72

HEX #474124

RGB 71 65 36

HSL 49.71, 0.33%, 0.21%

LAB 27.43, -2.28, 18.58

 

CMYK 0 / 23 / 49 / 72

HEX #473724

RGB 71 55 36

HSL 32.57, 0.33%, 0.21%

LAB 24.32, 4.14, 14.6

 

CMYK 31 / 0 / 49 / 72

HEX #314724

RGB 49 71 36

HSL 97.71, 0.33%, 0.21%

LAB 27.54, -16.12, 18.32

 

CMYK 45 / 0 / 49 / 72

HEX #274724

RGB 39 71 36

HSL 114.86, 0.33%, 0.21%

LAB 26.92, -20.12, 17.41

 

CMYK 49 / 0 / 41 / 72

HEX #24472A

RGB 36 71 42

HSL 130.29, 0.33%, 0.21%

LAB 26.87, -20.07, 13.61

 

CMYK 49 / 0 / 28 / 72

HEX #244733

RGB 36 71 51

HSL 145.71, 0.33%, 0.21%

LAB 27.08, -18.09, 8.16

 

CMYK 49 / 0 / 14 / 72

HEX #24473D

RGB 36 71 61

HSL 162.86, 0.33%, 0.21%

LAB 27.35, -15.53, 2.08

 

CMYK 31 / 0 / 49 / 72

HEX #314724

RGB 49 71 36

HSL 97.71, 0.33%, 0.21%

LAB 27.54, -16.12, 18.32

 

CMYK 41 / 0 / 66 / 69

HEX #2F501B

RGB 47 80 27

HSL 97.36, 0.5%, 0.21%

LAB 30.45, -22.9, 26.86

 

CMYK 49 / 0 / 79 / 65

HEX #2D5913

RGB 45 89 19

HSL 97.71, 0.65%, 0.21%

LAB 33.46, -28.72, 33.76

 

CMYK 57 / 0 / 90 / 62

HEX #2A610A

RGB 42 97 10

HSL 97.93, 0.81%, 0.21%

LAB 36.11, -33.76, 39.29

 

CMYK 62 / 0 / 99 / 58

HEX #286A01

RGB 40 106 1

HSL 97.71, 0.98%, 0.21%

LAB 39.18, -38.36, 44.3

 

CMYK 31 / 0 / 49 / 72

HEX #314724

RGB 49 71 36

HSL 97.71, 0.33%, 0.21%

LAB 27.54, -16.12, 18.32

 

CMYK 19 / 0 / 29 / 75

HEX #333F2D

RGB 51 63 45

HSL 100, 0.17%, 0.21%

LAB 25.1, -8.99, 9.46

 

CMYK 2 / 0 / 2 / 79

HEX #353635

RGB 53 54 53

HSL 120, 0.01%, 0.21%

LAB 22.49, -0.66, 0.47

 

CMYK 10 / 27 / 0 / 76

HEX #382D3E

RGB 56 45 62

HSL 278.82, 0.16%, 0.21%

LAB 20.3, 8.89, -8.87

 

CMYK 18 / 48 / 0 / 72

HEX #3A2547

RGB 58 37 71

HSL 277.06, 0.31%, 0.21%

LAB 18.7, 17.45, -17.49

 

CMYK 4 / 0 / 49 / 72

HEX #444724

RGB 68 71 36

HSL 65.14, 0.33%, 0.21%

LAB 29.06, -7.45, 20.55

 

CMYK 17 / 0 / 49 / 72

HEX #3B4724

RGB 59 71 36

HSL 80.57, 0.33%, 0.21%

LAB 28.28, -11.68, 19.41

 

CMYK 31 / 0 / 49 / 72

HEX #314724

RGB 49 71 36

HSL 97.71, 0.33%, 0.21%

LAB 27.54, -16.12, 18.32

 

CMYK 44 / 0 / 49 / 72

HEX #284724

RGB 40 71 36

HSL 113.14, 0.33%, 0.21%

LAB 26.98, -19.74, 17.49

 

CMYK 49 / 0 / 42 / 72

HEX #244729

RGB 36 71 41

HSL 128.57, 0.33%, 0.21%

LAB 26.85, -20.27, 14.21

 

CMYK 31 / 0 / 50 / 94

HEX #0B1008

RGB 11 16 8

HSL 97.5, 0.33%, 0.05%

LAB 4.15, -2.84, 2.88

 

CMYK 32 / 0 / 50 / 83

HEX #1E2C16

RGB 30 44 22

HSL 98.18, 0.33%, 0.13%

LAB 16.18, -11.08, 12.41

 

CMYK 31 / 0 / 49 / 72

HEX #314724

RGB 49 71 36

HSL 97.71, 0.33%, 0.21%

LAB 27.54, -16.12, 18.32

 

CMYK 31 / 0 / 49 / 61

HEX #446332

RGB 68 99 50

HSL 97.96, 0.33%, 0.29%

LAB 38.52, -21.3, 24.19

 

CMYK 31 / 0 / 49 / 51

HEX #577E40

RGB 87 126 64

HSL 97.74, 0.33%, 0.37%

LAB 48.66, -25.68, 29.34

 

CMYK 31 / 0 / 50 / 73

HEX #304623

RGB 48 70 35

HSL 97.71, 0.33%, 0.21%

LAB 27.1, -16.14, 18.36

 

CMYK 49 / 0 / 8 / 72

HEX #244741

RGB 36 71 65

HSL 169.71, 0.33%, 0.21%

LAB 27.47, -14.41, -0.34

 

CMYK 0 / 49 / 10 / 72

HEX #472440

RGB 71 36 64

HSL 312, 0.33%, 0.21%

LAB 19.93, 21.26, -10.64

 

CMYK 31 / 0 / 50 / 73

HEX #304623

RGB 48 70 35

HSL 97.71, 0.33%, 0.21%

LAB 27.1, -16.14, 18.36

 

CMYK 49 / 31 / 0 / 72

HEX #243147

RGB 36 49 71

HSL 217.71, 0.33%, 0.21%

LAB 20.15, 1.55, -15.39

 

CMYK 0 / 49 / 31 / 72

HEX #472431

RGB 71 36 49

HSL 337.71, 0.33%, 0.21%

LAB 19.32, 18.48, -1.15

 

CMYK 31 / 0 / 50 / 73

HEX #304623

RGB 48 70 35

HSL 97.71, 0.33%, 0.21%

LAB 27.1, -16.14, 18.36

 

CMYK 49 / 0 / 8 / 72

HEX #244741

RGB 36 71 65

HSL 169.71, 0.33%, 0.21%

LAB 27.47, -14.41, -0.34

 

CMYK 18 / 49 / 0 / 72

HEX #3A2447

RGB 58 36 71

HSL 277.71, 0.33%, 0.21%

LAB 18.44, 18.12, -17.9

 

CMYK 0 / 49 / 41 / 72

HEX #47242A

RGB 71 36 42

HSL 349.71, 0.33%, 0.21%

LAB 19.09, 17.39, 3.41

 

CMYK 31 / 0 / 50 / 73

HEX #304623

RGB 48 70 35

HSL 97.71, 0.33%, 0.21%

LAB 27.1, -16.14, 18.36

 

CMYK 49 / 6 / 0 / 72

HEX #244347

RGB 36 67 71

HSL 186.86, 0.33%, 0.21%

LAB 26.29, -10.23, -6.02

 

CMYK 18 / 49 / 0 / 72

HEX #3A2447

RGB 58 36 71

HSL 277.71, 0.33%, 0.21%

LAB 18.44, 18.12, -17.9

 

CMYK 0 / 44 / 49 / 72

HEX #472824

RGB 71 40 36

HSL 6.86, 0.33%, 0.21%

LAB 19.98, 13.99, 8.82

 

Description

Color code: HEX #304623 | qconv.com Color code: HEX #304623 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 70 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 70 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 50 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 50% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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