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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304140 it is the complementary color #CFBEBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304140 shade: #35413B, #46534E, #576561, #687774 and #798987

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304140 shade: #304140, #1F2F2D, #0E1D1A, #000B07 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304140 shade: #304140, #30413B, #304136, #304132 and #324130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304140 shade: #304140, #303D41, #303841, #303441 and #303041

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304140 shade matches the following richer shades: #304140, #274A48, #1E5350, #145C58 and #0B6560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304140 shade: #304140, #393738, #422E30, #4B2527 and #541C1F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304140 shade: #304136, #30413B, #30413F, #303D41 and #303941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304140 shade: #0D1111, #1E2928, #304140, #415857 and #53706E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304140 shade: #304140, #323041 and #413930

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304140 shade: #304140, #3F3041 and #413F30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304140 shade: #304140, #323041, #413031 and #3E4130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304140 shade: #304140, #373041, #413031 and #394130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

Complementary color

CMYK 0 / 8 / 8 / 19

HEX #CFBEBF

RGB 207 190 191

HSL 356.47, 0.15%, 0.78%

LAB 78.38, 6.17, 1.66

 

CMYK 18 / 0 / 9 / 75

HEX #35413B

RGB 53 65 59

HSL 150, 0.1%, 0.23%

LAB 26.31, -6.35, 2.03

 

CMYK 16 / 0 / 6 / 67

HEX #46534E

RGB 70 83 78

HSL 156.92, 0.08%, 0.3%

LAB 34.06, -6.26, 1.21

 

CMYK 14 / 0 / 4 / 60

HEX #576561

RGB 87 101 97

HSL 162.86, 0.07%, 0.37%

LAB 41.53, -6.22, 0.46

 

CMYK 13 / 0 / 3 / 53

HEX #687774

RGB 104 119 116

HSL 168, 0.07%, 0.44%

LAB 48.76, -6.2, -0.24

 

CMYK 12 / 0 / 1 / 46

HEX #798987

RGB 121 137 135

HSL 172.5, 0.06%, 0.51%

LAB 55.79, -6.2, -0.9

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 34 / 0 / 4 / 82

HEX #1F2F2D

RGB 31 47 45

HSL 172.5, 0.21%, 0.15%

LAB 17.98, -7.17, -0.86

 

CMYK 52 / 0 / 10 / 89

HEX #0E1D1A

RGB 14 29 26

HSL 168, 0.35%, 0.08%

LAB 9.37, -7.35, 0.04

 

CMYK 100 / 0 / 36 / 96

HEX #000B07

RGB 0 11 7

HSL 158.18, 1%, 0.02%

LAB 2.3, -3.44, 0.51

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 26 / 0 / 9 / 75

HEX #30413B

RGB 48 65 59

HSL 158.82, 0.15%, 0.22%

LAB 25.94, -8.32, 1.44

 

CMYK 26 / 0 / 17 / 75

HEX #304136

RGB 48 65 54

HSL 141.18, 0.15%, 0.22%

LAB 25.79, -9.53, 4.51

 

CMYK 26 / 0 / 23 / 75

HEX #304132

RGB 48 65 50

HSL 127.06, 0.15%, 0.22%

LAB 25.68, -10.43, 6.97

 

CMYK 23 / 0 / 26 / 75

HEX #324130

RGB 50 65 48

HSL 112.94, 0.15%, 0.22%

LAB 25.78, -10.03, 8.44

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 26 / 6 / 0 / 75

HEX #303D41

RGB 48 61 65

HSL 194.12, 0.15%, 0.22%

LAB 24.79, -4.22, -4.22

 

CMYK 26 / 14 / 0 / 75

HEX #303841

RGB 48 56 65

HSL 211.76, 0.15%, 0.22%

LAB 23.13, -0.95, -6.7

 

CMYK 26 / 20 / 0 / 75

HEX #303441

RGB 48 52 65

HSL 225.88, 0.15%, 0.22%

LAB 21.82, 1.74, -8.68

 

CMYK 26 / 26 / 0 / 75

HEX #303041

RGB 48 48 65

HSL 240, 0.15%, 0.22%

LAB 20.53, 4.48, -10.64

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 47 / 0 / 3 / 71

HEX #274A48

RGB 39 74 72

HSL 176.57, 0.31%, 0.22%

LAB 28.89, -13.23, -2.77

 

CMYK 64 / 0 / 4 / 67

HEX #1E5350

RGB 30 83 80

HSL 176.6, 0.47%, 0.22%

LAB 31.9, -18.17, -3.49

 

CMYK 78 / 0 / 4 / 64

HEX #145C58

RGB 20 92 88

HSL 176.67, 0.64%, 0.22%

LAB 35.02, -22.19, -3.94

 

CMYK 89 / 0 / 5 / 60

HEX #0B6560

RGB 11 101 96

HSL 176.67, 0.8%, 0.22%

LAB 38.24, -25.18, -4.14

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 0 / 4 / 2 / 78

HEX #393738

RGB 57 55 56

HSL 330, 0.02%, 0.22%

LAB 23.3, 1.1, -0.32

 

CMYK 0 / 30 / 27 / 74

HEX #422E30

RGB 66 46 48

HSL 354, 0.18%, 0.22%

LAB 21.3, 9.54, 2.34

 

CMYK 0 / 51 / 48 / 71

HEX #4B2527

RGB 75 37 39

HSL 356.84, 0.34%, 0.22%

LAB 19.91, 18.13, 6.74

 

CMYK 0 / 67 / 63 / 67

HEX #541C1F

RGB 84 28 31

HSL 356.79, 0.5%, 0.22%

LAB 19.28, 26.33, 11.73

 

CMYK 26 / 0 / 17 / 75

HEX #304136

RGB 48 65 54

HSL 141.18, 0.15%, 0.22%

LAB 25.79, -9.53, 4.51

 

CMYK 26 / 0 / 9 / 75

HEX #30413B

RGB 48 65 59

HSL 158.82, 0.15%, 0.22%

LAB 25.94, -8.32, 1.44

 

CMYK 26 / 0 / 3 / 75

HEX #30413F

RGB 48 65 63

HSL 172.94, 0.15%, 0.22%

LAB 26.06, -7.29, -1.01

 

CMYK 26 / 6 / 0 / 75

HEX #303D41

RGB 48 61 65

HSL 194.12, 0.15%, 0.22%

LAB 24.79, -4.22, -4.22

 

CMYK 26 / 12 / 0 / 75

HEX #303941

RGB 48 57 65

HSL 208.24, 0.15%, 0.22%

LAB 23.46, -1.61, -6.21

 

CMYK 24 / 0 / 0 / 93

HEX #0D1111

RGB 13 17 17

HSL 180, 0.13%, 0.06%

LAB 4.76, -1.36, -0.48

 

CMYK 27 / 0 / 2 / 84

HEX #1E2928

RGB 30 41 40

HSL 174.55, 0.15%, 0.14%

LAB 15.57, -5.01, -0.91

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 26 / 0 / 1 / 65

HEX #415857

RGB 65 88 87

HSL 177.39, 0.15%, 0.3%

LAB 35.58, -8.92, -2.27

 

CMYK 26 / 0 / 2 / 56

HEX #53706E

RGB 83 112 110

HSL 175.86, 0.15%, 0.38%

LAB 45.02, -10.95, -2.32

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 23 / 26 / 0 / 75

HEX #323041

RGB 50 48 65

HSL 247.06, 0.15%, 0.22%

LAB 20.73, 5.25, -10.33

 

CMYK 0 / 12 / 26 / 75

HEX #413930

RGB 65 57 48

HSL 31.76, 0.15%, 0.22%

LAB 24.52, 1.77, 6.89

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 3 / 26 / 0 / 75

HEX #3F3041

RGB 63 48 65

HSL 292.94, 0.15%, 0.22%

LAB 22.13, 10.43, -8.06

 

CMYK 0 / 3 / 26 / 75

HEX #413F30

RGB 65 63 48

HSL 52.94, 0.15%, 0.22%

LAB 26.43, -2.11, 9.53

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 23 / 26 / 0 / 75

HEX #323041

RGB 50 48 65

HSL 247.06, 0.15%, 0.22%

LAB 20.73, 5.25, -10.33

 

CMYK 0 / 26 / 25 / 75

HEX #413031

RGB 65 48 49

HSL 356.47, 0.15%, 0.22%

LAB 21.8, 7.92, 2.35

 

CMYK 5 / 0 / 26 / 75

HEX #3E4130

RGB 62 65 48

HSL 70.59, 0.15%, 0.22%

LAB 26.79, -4.75, 9.98

 

CMYK 26 / 0 / 2 / 75

HEX #304140

RGB 48 65 64

HSL 176.47, 0.15%, 0.22%

LAB 26.1, -7.03, -1.62

 

CMYK 15 / 26 / 0 / 75

HEX #373041

RGB 55 48 65

HSL 264.71, 0.15%, 0.22%

LAB 21.24, 7.2, -9.51

 

CMYK 0 / 26 / 25 / 75

HEX #413031

RGB 65 48 49

HSL 356.47, 0.15%, 0.22%

LAB 21.8, 7.92, 2.35

 

CMYK 12 / 0 / 26 / 75

HEX #394130

RGB 57 65 48

HSL 88.24, 0.15%, 0.22%

LAB 26.34, -7, 9.3

 

Description

Color code: HEX #304140 | qconv.com Color code: HEX #304140 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 65 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 65 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 2 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 2% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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