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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3036953F it is the complementary color #CFC96A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3036953F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3036953F shade: #3536903F, #4648A33F, #575AB63F, #686CC93F and #797EDC3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3036953F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3036953F shade: #3036953F, #1F24823F, #0E126F3F, #00005C3F and #0000493F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3036953F shade: #313796, #463196, #613196, #7D3196 and #963194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3036953F shade: #313796 and #313196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3036953F shade matches the following richer shades: #313796, #2129A6, #111AB6 and #000CC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3036953F shade: #313796, #414586, #515376, #616166 and #716F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3036953F shade: #316E96, #315396, #313796, #453196 and #603196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3036953F shade: #1D2058, #272B77, #313796, #3B42B5 and #5259C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3036953F shade: #303695, #963189 and #609631

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3036953F shade: #303695, #963137 and #379631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3036953F shade: #303695, #963189, #968F31 and #31963E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3036953F shade: #303695, #96316A, #968F31 and #31965D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 16 / 0 / 10

HEX #3036953F

RGBA 48 54 149 0.25

HSLA 236.44, 0.51%, 0.39%, 0.25

LABA 27.94, 29.37, -53.01, 0.25

 

Complementary color

CMYK 0 / 1 / 12 / 5

HEX #CFC96A3F

RGBA 207 201 106 0.25

HSLA 56.44, 0.51%, 0.61%, 0.25

LABA 79.66, -10.8, 47.81, 0.25

 

CMYK 16 / 16 / 0 / 11

HEX #3536903F

RGBA 53 54 144 0.25

HSLA 239.34, 0.46%, 0.39%, 0.25

LABA 27.87, 28.39, -50.04, 0.25

 

CMYK 14 / 14 / 0 / 9

HEX #4648A33F

RGBA 70 72 163 0.25

HSLA 238.71, 0.4%, 0.46%, 0.25

LABA 35.17, 26.43, -49.7, 0.25

 

CMYK 13 / 13 / 0 / 7

HEX #575AB63F

RGBA 87 90 182 0.25

HSLA 238.11, 0.39%, 0.53%, 0.25

LABA 42.33, 24.82, -49.35, 0.25

 

CMYK 12 / 12 / 0 / 5

HEX #686CC93F

RGBA 104 108 201 0.25

HSLA 237.53, 0.47%, 0.6%, 0.25

LABA 49.36, 23.48, -49.04, 0.25

 

CMYK 11 / 11 / 0 / 3

HEX #797EDC3F

RGBA 121 126 220 0.25

HSLA 236.97, 0.59%, 0.67%, 0.25

LABA 56.24, 22.35, -48.78, 0.25

 

CMYK 17 / 16 / 0 / 10

HEX #3036953F

RGBA 48 54 149 0.25

HSLA 236.44, 0.51%, 0.39%, 0.25

LABA 27.94, 29.37, -53.01, 0.25

 

CMYK 19 / 18 / 0 / 12

HEX #1F24823F

RGBA 31 36 130 0.25

HSLA 236.97, 0.61%, 0.32%, 0.25

LABA 20.69, 31.96, -53.12, 0.25

 

CMYK 22 / 21 / 0 / 14

HEX #0E126F3F

RGBA 14 18 111 0.25

HSLA 237.53, 0.78%, 0.25%, 0.25

LABA 13.67, 34.67, -52.57, 0.25

 

CMYK 25 / 25 / 0 / 16

HEX #00005C3F

RGBA 0 0 92 0.25

HSLA 240, 1%, 0.18%, 0.25

LABA 6.98, 37.4, -51.13, 0.25

 

CMYK 25 / 25 / 0 / 18

HEX #0000493F

RGBA 0 0 73 0.25

HSLA 240, 1%, 0.14%, 0.25

LABA 4.35, 28.82, -42.41, 0.25

 

CMYK 67 / 63 / 0 / 41

HEX #313796

RGB 49 55 150

HSL 236.44, 0.51%, 0.39%

LAB 28.35, 29.22, -52.96

 

CMYK 53 / 67 / 0 / 41

HEX #463196

RGB 70 49 150

HSL 252.48, 0.51%, 0.39%

LAB 28.64, 36.55, -52.4

 

CMYK 35 / 67 / 0 / 41

HEX #613196

RGB 97 49 150

HSL 268.51, 0.51%, 0.39%

LAB 31.67, 42.06, -47.35

 

CMYK 17 / 67 / 0 / 41

HEX #7D3196

RGB 125 49 150

HSL 285.15, 0.51%, 0.39%

LAB 35.52, 48.52, -40.96

 

CMYK 0 / 67 / 1 / 41

HEX #963194

RGB 150 49 148

HSL 301.19, 0.51%, 0.39%

LAB 39.27, 54.21, -33.53

 

CMYK 67 / 63 / 0 / 41

HEX #313796

RGB 49 55 150

HSL 236.44, 0.51%, 0.39%

LAB 28.35, 29.22, -52.96

 

CMYK 67 / 67 / 0 / 41

HEX #313196

RGB 49 49 150

HSL 240, 0.51%, 0.39%

LAB 26.88, 33.1, -55.36

 

CMYK 67 / 63 / 0 / 41

HEX #313796

RGB 49 55 150

HSL 236.44, 0.51%, 0.39%

LAB 28.35, 29.22, -52.96

 

CMYK 80 / 75 / 0 / 35

HEX #2129A6

RGB 33 41 166

HSL 236.39, 0.67%, 0.39%

LAB 25.75, 41.9, -67

 

CMYK 91 / 86 / 0 / 29

HEX #111AB6

RGB 17 26 182

HSL 236.73, 0.83%, 0.39%

LAB 24.43, 53.98, -78.81

 

CMYK 100 / 94 / 0 / 22

HEX #000CC6

RGB 0 12 198

HSL 236.36, 1%, 0.39%

LAB 24.77, 62.86, -87.75

 

CMYK 67 / 63 / 0 / 41

HEX #313796

RGB 49 55 150

HSL 236.44, 0.51%, 0.39%

LAB 28.35, 29.22, -52.96

 

CMYK 51 / 49 / 0 / 47

HEX #414586

RGB 65 69 134

HSL 236.52, 0.35%, 0.39%

LAB 32.04, 17.51, -37.1

 

CMYK 31 / 30 / 0 / 54

HEX #515376

RGB 81 83 118

HSL 236.76, 0.19%, 0.39%

LAB 36.45, 8.04, -20.16

 

CMYK 5 / 5 / 0 / 60

HEX #616166

RGB 97 97 102

HSL 240, 0.03%, 0.39%

LAB 41.3, 1.07, -2.84

 

CMYK 0 / 2 / 24 / 56

HEX #716F56

RGB 113 111 86

HSL 55.56, 0.14%, 0.39%

LAB 46.38, -3.73, 14.24

 

CMYK 67 / 27 / 0 / 41

HEX #316E96

RGB 49 110 150

HSL 203.76, 0.51%, 0.39%

LAB 44.24, -6.44, -27.57

 

CMYK 67 / 45 / 0 / 41

HEX #315396

RGB 49 83 150

HSL 219.8, 0.51%, 0.39%

LAB 36.06, 10.56, -40.49

 

CMYK 67 / 63 / 0 / 41

HEX #313796

RGB 49 55 150

HSL 236.44, 0.51%, 0.39%

LAB 28.35, 29.22, -52.96

 

CMYK 54 / 67 / 0 / 41

HEX #453196

RGB 69 49 150

HSL 251.88, 0.51%, 0.39%

LAB 28.55, 36.36, -52.56

 

CMYK 36 / 67 / 0 / 41

HEX #603196

RGB 96 49 150

HSL 267.92, 0.51%, 0.39%

LAB 31.54, 41.84, -47.56

 

CMYK 67 / 64 / 0 / 65

HEX #1D2058

RGB 29 32 88

HSL 236.95, 0.5%, 0.23%

LAB 15.48, 18.45, -34.34

 

CMYK 67 / 64 / 0 / 53

HEX #272B77

RGB 39 43 119

HSL 237, 0.51%, 0.31%

LAB 21.91, 24.31, -44.12

 

CMYK 67 / 63 / 0 / 41

HEX #313796

RGB 49 55 150

HSL 236.44, 0.51%, 0.39%

LAB 28.35, 29.22, -52.96

 

CMYK 67 / 64 / 0 / 29

HEX #3B42B5

RGB 59 66 181

HSL 236.56, 0.51%, 0.47%

LAB 34.32, 34.58, -61.84

 

CMYK 59 / 55 / 0 / 22

HEX #5259C7

RGB 82 89 199

HSL 236.41, 0.51%, 0.55%

LAB 42.86, 30, -58.42

 

CMYK 68 / 64 / 0 / 42

HEX #303695

RGB 48 54 149

HSL 236.44, 0.51%, 0.39%

LAB 27.94, 29.37, -53.01

 

CMYK 0 / 67 / 9 / 41

HEX #963189

RGB 150 49 137

HSL 307.72, 0.51%, 0.39%

LAB 38.7, 52.36, -27.72

 

CMYK 36 / 0 / 67 / 41

HEX #609631

RGB 96 150 49

HSL 92.08, 0.51%, 0.39%

LAB 56.61, -35.25, 45.91

 

CMYK 68 / 64 / 0 / 42

HEX #303695

RGB 48 54 149

HSL 236.44, 0.51%, 0.39%

LAB 27.94, 29.37, -53.01

 

CMYK 0 / 67 / 63 / 41

HEX #963137

RGB 150 49 55

HSL 356.44, 0.51%, 0.39%

LAB 35.9, 42.63, 19.9

 

CMYK 63 / 0 / 67 / 41

HEX #379631

RGB 55 150 49

HSL 116.44, 0.51%, 0.39%

LAB 54.91, -47.81, 43.59

 

CMYK 68 / 64 / 0 / 42

HEX #303695

RGB 48 54 149

HSL 236.44, 0.51%, 0.39%

LAB 27.94, 29.37, -53.01

 

CMYK 0 / 67 / 9 / 41

HEX #963189

RGB 150 49 137

HSL 307.72, 0.51%, 0.39%

LAB 38.7, 52.36, -27.72

 

CMYK 0 / 5 / 67 / 41

HEX #968F31

RGB 150 143 49

HSL 55.84, 0.51%, 0.39%

LAB 58.37, -9.18, 48.94

 

CMYK 67 / 0 / 59 / 41

HEX #31963E

RGB 49 150 62

HSL 127.72, 0.51%, 0.39%

LAB 54.88, -47.62, 37.5

 

CMYK 68 / 64 / 0 / 42

HEX #303695

RGB 48 54 149

HSL 236.44, 0.51%, 0.39%

LAB 27.94, 29.37, -53.01

 

CMYK 0 / 67 / 29 / 41

HEX #96316A

RGB 150 49 106

HSL 326.14, 0.51%, 0.39%

LAB 37.34, 47.76, -10.53

 

CMYK 0 / 5 / 67 / 41

HEX #968F31

RGB 150 143 49

HSL 55.84, 0.51%, 0.39%

LAB 58.37, -9.18, 48.94

 

CMYK 67 / 0 / 38 / 41

HEX #31965D

RGB 49 150 93

HSL 146.14, 0.51%, 0.39%

LAB 55.34, -42.49, 21.81

 

Description

Color code: HEX #3036953F | qconv.com Color code: HEX #3036953F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 54 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 54 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 16 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 16% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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