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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FFE6E it is the complementary color #D00191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FFE6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FFE6E shade: #34FE69, #45FF7C, #56FF8F, #67FFA2 and #78FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FFE6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FFE6E shade: #2FFE6E, #1EEC5B, #0DDA48, #00C835 and #00B622

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FFE6E shade: #2EFD6D, #2EFD36, #5FFD2E, #97FD2E and #CFFD2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FFE6E shade: #2EFD6D, #2EFDA5, #2EFDDD, #2EE6FD and #2EAEFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FFE6E shade matches the following richer shades: #2EFD6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FFE6E shade: #2EFD6D, #3FED74, #50DC7B, #61CB81 and #72BA88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FFE6E shade: #5FFD2E, #2EFD35, #2EFD6D, #2EFDA4 and #2EFDDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FFE6E shade: #01D942, #05FD51, #2EFD6D, #57FE8A and #81FEA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FFE6E shade: #2FFE6E, #2E96FD and #FD2E43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FFE6E shade: #2FFE6E, #6D2EFD and #FD6D2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FFE6E shade: #2FFE6E, #2E96FD, #FD2EBF and #FD962E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FFE6E shade: #2FFE6E, #2E58FD, #FD2EBF and #FDD42E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 57 / 0

HEX #2FFE6E

RGB 47 254 110

HSL 138.26, 0.99%, 0.59%

LAB 88.26, -76.51, 54.6

 

Complementary color

CMYK 0 / 100 / 30 / 18

HEX #D00191

RGB 208 1 145

HSL 318.26, 0.99%, 0.41%

LAB 46.28, 76.22, -20.01

 

CMYK 80 / 0 / 59 / 0

HEX #34FE69

RGB 52 254 105

HSL 135.74, 0.99%, 0.6%

LAB 88.27, -76.62, 56.81

 

CMYK 73 / 0 / 51 / 0

HEX #45FF7C

RGB 69 255 124

HSL 137.74, 1%, 0.64%

LAB 89.04, -72.35, 49.25

 

CMYK 66 / 0 / 44 / 0

HEX #56FF8F

RGB 86 255 143

HSL 140.24, 1%, 0.67%

LAB 89.62, -66.84, 41.03

 

CMYK 60 / 0 / 36 / 0

HEX #67FFA2

RGB 103 255 162

HSL 143.29, 1%, 0.7%

LAB 90.33, -60.48, 32.68

 

CMYK 53 / 0 / 29 / 0

HEX #78FFB5

RGB 120 255 181

HSL 147.11, 1%, 0.74%

LAB 91.17, -53.39, 24.34

 

CMYK 81 / 0 / 57 / 0

HEX #2FFE6E

RGB 47 254 110

HSL 138.26, 0.99%, 0.59%

LAB 88.26, -76.51, 54.6

 

CMYK 87 / 0 / 61 / 7

HEX #1EEC5B

RGB 30 236 91

HSL 137.77, 0.84%, 0.52%

LAB 82.39, -74.75, 56.01

 

CMYK 94 / 0 / 67 / 15

HEX #0DDA48

RGB 13 218 72

HSL 137.27, 0.89%, 0.45%

LAB 76.49, -72.42, 57.28

 

CMYK 100 / 0 / 74 / 22

HEX #00C835

RGB 0 200 53

HSL 135.9, 1%, 0.39%

LAB 70.57, -69.46, 58.22

 

CMYK 100 / 0 / 81 / 29

HEX #00B622

RGB 0 182 34

HSL 131.21, 1%, 0.36%

LAB 64.62, -65.7, 58.52

 

CMYK 82 / 0 / 57 / 1

HEX #2EFD6D

RGB 46 253 109

HSL 138.26, 0.98%, 0.59%

LAB 87.94, -76.42, 54.65

 

CMYK 82 / 0 / 79 / 1

HEX #2EFD36

RGB 46 253 54

HSL 122.32, 0.98%, 0.59%

LAB 87.53, -81.45, 74.6

 

CMYK 62 / 0 / 82 / 1

HEX #5FFD2E

RGB 95 253 46

HSL 105.8, 0.98%, 0.59%

LAB 88.39, -74.21, 77.79

 

CMYK 40 / 0 / 82 / 1

HEX #97FD2E

RGB 151 253 46

HSL 89.57, 0.98%, 0.59%

LAB 90.33, -59.11, 80.27

 

CMYK 18 / 0 / 82 / 1

HEX #CFFD2E

RGB 207 253 46

HSL 73.33, 0.98%, 0.59%

LAB 93.33, -39.12, 84.04

 

CMYK 82 / 0 / 57 / 1

HEX #2EFD6D

RGB 46 253 109

HSL 138.26, 0.98%, 0.59%

LAB 87.94, -76.42, 54.65

 

CMYK 82 / 0 / 35 / 1

HEX #2EFDA5

RGB 46 253 165

HSL 154.49, 0.98%, 0.59%

LAB 88.71, -67.36, 28.82

 

CMYK 82 / 0 / 13 / 1

HEX #2EFDDD

RGB 46 253 221

HSL 170.72, 0.98%, 0.59%

LAB 89.88, -54.65, 1.72

 

CMYK 82 / 9 / 0 / 1

HEX #2EE6FD

RGB 46 230 253

HSL 186.67, 0.98%, 0.59%

LAB 84.1, -35.67, -23.64

 

CMYK 82 / 31 / 0 / 1

HEX #2EAEFD

RGB 46 174 253

HSL 202.9, 0.98%, 0.59%

LAB 67.98, -7.07, -48.61

 

CMYK 82 / 0 / 57 / 1

HEX #2EFD6D

RGB 46 253 109

HSL 138.26, 0.98%, 0.59%

LAB 87.94, -76.42, 54.65

 

CMYK 82 / 0 / 57 / 1

HEX #2EFD6D

RGB 46 253 109

HSL 138.26, 0.98%, 0.59%

LAB 87.94, -76.42, 54.65

 

CMYK 73 / 0 / 51 / 7

HEX #3FED74

RGB 63 237 116

HSL 138.28, 0.83%, 0.59%

LAB 83.38, -68.34, 46.02

 

CMYK 64 / 0 / 44 / 14

HEX #50DC7B

RGB 80 220 123

HSL 138.43, 0.67%, 0.59%

LAB 78.65, -58.42, 36.75

 

CMYK 52 / 0 / 36 / 20

HEX #61CB81

RGB 97 203 129

HSL 138.11, 0.5%, 0.59%

LAB 74.09, -46.93, 27.81

 

CMYK 39 / 0 / 27 / 27

HEX #72BA88

RGB 114 186 136

HSL 138.33, 0.34%, 0.59%

LAB 69.8, -33.47, 18.41

 

CMYK 62 / 0 / 82 / 1

HEX #5FFD2E

RGB 95 253 46

HSL 105.8, 0.98%, 0.59%

LAB 88.39, -74.21, 77.79

 

CMYK 82 / 0 / 79 / 1

HEX #2EFD35

RGB 46 253 53

HSL 122.03, 0.98%, 0.59%

LAB 87.53, -81.51, 74.87

 

CMYK 82 / 0 / 57 / 1

HEX #2EFD6D

RGB 46 253 109

HSL 138.26, 0.98%, 0.59%

LAB 87.94, -76.42, 54.65

 

CMYK 82 / 0 / 35 / 1

HEX #2EFDA4

RGB 46 253 164

HSL 154.2, 0.98%, 0.59%

LAB 88.69, -67.56, 29.3

 

CMYK 82 / 0 / 13 / 1

HEX #2EFDDB

RGB 46 253 219

HSL 170.14, 0.98%, 0.59%

LAB 89.83, -55.16, 2.69

 

CMYK 100 / 0 / 70 / 15

HEX #01D942

RGB 1 217 66

HSL 138.06, 0.99%, 0.43%

LAB 76.08, -73.14, 59.16

 

CMYK 98 / 0 / 68 / 1

HEX #05FD51

RGB 5 253 81

HSL 138.39, 0.98%, 0.51%

LAB 87.43, -81.79, 65.52

 

CMYK 82 / 0 / 57 / 1

HEX #2EFD6D

RGB 46 253 109

HSL 138.26, 0.98%, 0.59%

LAB 87.94, -76.42, 54.65

 

CMYK 66 / 0 / 46 / 0

HEX #57FE8A

RGB 87 254 138

HSL 138.32, 0.99%, 0.67%

LAB 89.27, -67.09, 43.01

 

CMYK 49 / 0 / 34 / 0

HEX #81FEA7

RGB 129 254 167

HSL 138.24, 0.98%, 0.75%

LAB 90.94, -53.38, 31.14

 

CMYK 81 / 0 / 57 / 0

HEX #2FFE6E

RGB 47 254 110

HSL 138.26, 0.99%, 0.59%

LAB 88.26, -76.51, 54.6

 

CMYK 82 / 41 / 0 / 1

HEX #2E96FD

RGB 46 150 253

HSL 209.86, 0.98%, 0.59%

LAB 61.21, 6.74, -59.36

 

CMYK 0 / 82 / 74 / 1

HEX #FD2E43

RGB 253 46 67

HSL 353.91, 0.98%, 0.59%

LAB 55.32, 74.92, 40.78

 

CMYK 81 / 0 / 57 / 0

HEX #2FFE6E

RGB 47 254 110

HSL 138.26, 0.99%, 0.59%

LAB 88.26, -76.51, 54.6

 

CMYK 57 / 82 / 0 / 1

HEX #6D2EFD

RGB 109 46 253

HSL 258.26, 0.98%, 0.59%

LAB 41.68, 71.78, -90.97

 

CMYK 0 / 57 / 82 / 1

HEX #FD6D2E

RGB 253 109 46

HSL 18.26, 0.98%, 0.59%

LAB 63.36, 51.84, 59.4

 

CMYK 81 / 0 / 57 / 0

HEX #2FFE6E

RGB 47 254 110

HSL 138.26, 0.99%, 0.59%

LAB 88.26, -76.51, 54.6

 

CMYK 82 / 41 / 0 / 1

HEX #2E96FD

RGB 46 150 253

HSL 209.86, 0.98%, 0.59%

LAB 61.21, 6.74, -59.36

 

CMYK 0 / 82 / 25 / 1

HEX #FD2EBF

RGB 253 46 191

HSL 317.97, 0.98%, 0.59%

LAB 58.6, 84.45, -27.45

 

CMYK 0 / 41 / 82 / 1

HEX #FD962E

RGB 253 150 46

HSL 30.14, 0.98%, 0.59%

LAB 71.48, 31.62, 66.62

 

CMYK 81 / 0 / 57 / 0

HEX #2FFE6E

RGB 47 254 110

HSL 138.26, 0.99%, 0.59%

LAB 88.26, -76.51, 54.6

 

CMYK 82 / 65 / 0 / 1

HEX #2E58FD

RGB 46 88 253

HSL 227.83, 0.98%, 0.59%

LAB 45.15, 45, -85.39

 

CMYK 0 / 82 / 25 / 1

HEX #FD2EBF

RGB 253 46 191

HSL 317.97, 0.98%, 0.59%

LAB 58.6, 84.45, -27.45

 

CMYK 0 / 16 / 82 / 1

HEX #FDD42E

RGB 253 212 46

HSL 48.12, 0.98%, 0.59%

LAB 86.09, -0.56, 79.23

 

Description

Color code: HEX #2FFE6E | qconv.com Color code: HEX #2FFE6E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 254 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 254 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 57 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 57% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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