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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FFD7F it is the complementary color #D00280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FFD7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FFD7F shade: #34FD7A, #45FF8D, #56FFA0, #67FFB3 and #78FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FFD7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FFD7F shade: #2FFD7F, #1EEB6C, #0DD959, #00C746 and #00B533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FFD7F shade: #2FFC7F, #2FFC48, #4EFC2F, #86FC2F and #BDFC2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FFD7F shade: #2FFC7F, #2FFCB6, #2FFCEE, #2FD4FC and #2F9DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FFD7F shade matches the following richer shades: #2FFC7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FFD7F shade: #2FFC7F, #40EB83, #51DB87, #62CA8A and #73B98E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FFD7F shade: #4EFC2F, #2FFC47, #2FFC7E, #2FFCB5 and #2FFCEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FFD7F shade: #02D855, #07FC66, #2FFC7F, #58FD98 and #81FDB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FFD7F shade: #2FFD7F, #2F85FC and #FC2F33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FFD7F shade: #2FFD7F, #7E2FFC and #FC7E2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FFD7F shade: #2FFD7F, #2F85FC, #FC2FAE and #FCA72F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FFD7F shade: #2FFD7F, #2F47FC, #FC2FAE and #FCE52F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 50 / 1

HEX #2FFD7F

RGB 47 253 127

HSL 143.3, 0.98%, 0.59%

LAB 88.15, -73.85, 46.69

 

Complementary color

CMYK 0 / 99 / 38 / 18

HEX #D00280

RGB 208 2 128

HSL 323.3, 0.98%, 0.41%

LAB 45.65, 74.43, -10.61

 

CMYK 79 / 0 / 52 / 1

HEX #34FD7A

RGB 52 253 122

HSL 140.9, 0.98%, 0.6%

LAB 88.15, -74.08, 49.04

 

CMYK 73 / 0 / 45 / 0

HEX #45FF8D

RGB 69 255 141

HSL 143.23, 1%, 0.64%

LAB 89.26, -69.79, 41.47

 

CMYK 66 / 0 / 37 / 0

HEX #56FFA0

RGB 86 255 160

HSL 146.27, 1%, 0.67%

LAB 89.88, -63.96, 33.01

 

CMYK 60 / 0 / 30 / 0

HEX #67FFB3

RGB 103 255 179

HSL 150, 1%, 0.7%

LAB 90.62, -57.33, 24.52

 

CMYK 53 / 0 / 22 / 0

HEX #78FFC6

RGB 120 255 198

HSL 154.67, 1%, 0.74%

LAB 91.5, -50.02, 16.12

 

CMYK 81 / 0 / 50 / 1

HEX #2FFD7F

RGB 47 253 127

HSL 143.3, 0.98%, 0.59%

LAB 88.15, -73.85, 46.69

 

CMYK 87 / 0 / 54 / 8

HEX #1EEB6C

RGB 30 235 108

HSL 142.83, 0.84%, 0.52%

LAB 82.26, -72.28, 48.29

 

CMYK 94 / 0 / 59 / 15

HEX #0DD959

RGB 13 217 89

HSL 142.35, 0.89%, 0.45%

LAB 76.33, -70.19, 49.89

 

CMYK 100 / 0 / 65 / 22

HEX #00C746

RGB 0 199 70

HSL 141.11, 1%, 0.39%

LAB 70.38, -67.53, 51.39

 

CMYK 100 / 0 / 72 / 29

HEX #00B533

RGB 0 181 51

HSL 136.91, 1%, 0.35%

LAB 64.39, -64.14, 52.62

 

CMYK 81 / 0 / 50 / 1

HEX #2FFC7F

RGB 47 252 127

HSL 143.41, 0.97%, 0.59%

LAB 87.85, -73.53, 46.32

 

CMYK 81 / 0 / 71 / 1

HEX #2FFC48

RGB 47 252 72

HSL 127.32, 0.97%, 0.59%

LAB 87.34, -79.83, 68.77

 

CMYK 69 / 0 / 81 / 1

HEX #4EFC2F

RGB 78 252 47

HSL 110.93, 0.97%, 0.59%

LAB 87.7, -77.15, 76.77

 

CMYK 47 / 0 / 81 / 1

HEX #86FC2F

RGB 134 252 47

HSL 94.54, 0.97%, 0.59%

LAB 89.34, -63.92, 78.87

 

CMYK 25 / 0 / 81 / 1

HEX #BDFC2F

RGB 189 252 47

HSL 78.44, 0.97%, 0.59%

LAB 91.97, -45.46, 82.21

 

CMYK 81 / 0 / 50 / 1

HEX #2FFC7F

RGB 47 252 127

HSL 143.41, 0.97%, 0.59%

LAB 87.85, -73.53, 46.32

 

CMYK 81 / 0 / 28 / 1

HEX #2FFCB6

RGB 47 252 182

HSL 159.51, 0.97%, 0.59%

LAB 88.73, -63.41, 20.22

 

CMYK 81 / 0 / 6 / 1

HEX #2FFCEE

RGB 47 252 238

HSL 175.9, 0.97%, 0.59%

LAB 90.04, -49.69, -6.87

 

CMYK 81 / 16 / 0 / 1

HEX #2FD4FC

RGB 47 212 252

HSL 191.71, 0.97%, 0.59%

LAB 78.88, -27.26, -31.1

 

CMYK 81 / 38 / 0 / 1

HEX #2F9DFC

RGB 47 157 252

HSL 207.8, 0.97%, 0.59%

LAB 63.13, 2.34, -55.74

 

CMYK 81 / 0 / 50 / 1

HEX #2FFC7F

RGB 47 252 127

HSL 143.41, 0.97%, 0.59%

LAB 87.85, -73.53, 46.32

 

CMYK 81 / 0 / 50 / 1

HEX #2FFC7F

RGB 47 252 127

HSL 143.41, 0.97%, 0.59%

LAB 87.85, -73.53, 46.32

 

CMYK 73 / 0 / 44 / 8

HEX #40EB83

RGB 64 235 131

HSL 143.51, 0.81%, 0.59%

LAB 82.99, -65.19, 38.29

 

CMYK 63 / 0 / 38 / 14

HEX #51DB87

RGB 81 219 135

HSL 143.48, 0.66%, 0.59%

LAB 78.56, -55.8, 30.57

 

CMYK 51 / 0 / 32 / 21

HEX #62CA8A

RGB 98 202 138

HSL 143.08, 0.5%, 0.59%

LAB 73.98, -44.62, 22.96

 

CMYK 38 / 0 / 23 / 27

HEX #73B98E

RGB 115 185 142

HSL 143.14, 0.33%, 0.59%

LAB 69.68, -31.54, 14.99

 

CMYK 69 / 0 / 81 / 1

HEX #4EFC2F

RGB 78 252 47

HSL 110.93, 0.97%, 0.59%

LAB 87.7, -77.15, 76.77

 

CMYK 81 / 0 / 72 / 1

HEX #2FFC47

RGB 47 252 71

HSL 127.02, 0.97%, 0.59%

LAB 87.33, -79.91, 69.11

 

CMYK 81 / 0 / 50 / 1

HEX #2FFC7E

RGB 47 252 126

HSL 143.12, 0.97%, 0.59%

LAB 87.84, -73.67, 46.77

 

CMYK 81 / 0 / 28 / 1

HEX #2FFCB5

RGB 47 252 181

HSL 159.22, 0.97%, 0.59%

LAB 88.71, -63.62, 20.7

 

CMYK 81 / 0 / 7 / 1

HEX #2FFCEB

RGB 47 252 235

HSL 175.02, 0.97%, 0.59%

LAB 89.96, -50.49, -5.43

 

CMYK 99 / 0 / 61 / 15

HEX #02D855

RGB 2 216 85

HSL 143.27, 0.98%, 0.43%

LAB 75.93, -70.78, 51.19

 

CMYK 97 / 0 / 60 / 1

HEX #07FC66

RGB 7 252 102

HSL 143.27, 0.98%, 0.51%

LAB 87.3, -79.22, 56.9

 

CMYK 81 / 0 / 50 / 1

HEX #2FFC7F

RGB 47 252 127

HSL 143.41, 0.97%, 0.59%

LAB 87.85, -73.53, 46.32

 

CMYK 65 / 0 / 40 / 1

HEX #58FD98

RGB 88 253 152

HSL 143.27, 0.98%, 0.67%

LAB 89.2, -64.29, 36.09

 

CMYK 49 / 0 / 30 / 1

HEX #81FDB1

RGB 129 253 177

HSL 143.23, 0.97%, 0.75%

LAB 90.82, -51.2, 25.94

 

CMYK 81 / 0 / 50 / 1

HEX #2FFD7F

RGB 47 253 127

HSL 143.3, 0.98%, 0.59%

LAB 88.15, -73.85, 46.69

 

CMYK 81 / 47 / 0 / 1

HEX #2F85FC

RGB 47 133 252

HSL 214.83, 0.97%, 0.59%

LAB 56.49, 16.74, -66.37

 

CMYK 0 / 81 / 80 / 1

HEX #FC2F33

RGB 252 47 51

HSL 358.83, 0.97%, 0.59%

LAB 55.04, 73.91, 49.16

 

CMYK 81 / 0 / 50 / 1

HEX #2FFD7F

RGB 47 253 127

HSL 143.3, 0.98%, 0.59%

LAB 88.15, -73.85, 46.69

 

CMYK 50 / 81 / 0 / 1

HEX #7E2FFC

RGB 126 47 252

HSL 263.12, 0.97%, 0.59%

LAB 43.5, 72.98, -87.35

 

CMYK 0 / 50 / 81 / 1

HEX #FC7E2F

RGB 252 126 47

HSL 23.12, 0.97%, 0.59%

LAB 66.38, 43.4, 61.66

 

CMYK 81 / 0 / 50 / 1

HEX #2FFD7F

RGB 47 253 127

HSL 143.3, 0.98%, 0.59%

LAB 88.15, -73.85, 46.69

 

CMYK 81 / 47 / 0 / 1

HEX #2F85FC

RGB 47 133 252

HSL 214.83, 0.97%, 0.59%

LAB 56.49, 16.74, -66.37

 

CMYK 0 / 81 / 31 / 1

HEX #FC2FAE

RGB 252 47 174

HSL 322.83, 0.97%, 0.59%

LAB 57.83, 82.13, -18.81

 

CMYK 0 / 34 / 81 / 1

HEX #FCA72F

RGB 252 167 47

HSL 35.12, 0.97%, 0.59%

LAB 75.16, 22.39, 69.46

 

CMYK 81 / 0 / 50 / 1

HEX #2FFD7F

RGB 47 253 127

HSL 143.3, 0.98%, 0.59%

LAB 88.15, -73.85, 46.69

 

CMYK 81 / 72 / 0 / 1

HEX #2F47FC

RGB 47 71 252

HSL 232.98, 0.97%, 0.59%

LAB 41.44, 54.68, -90.96

 

CMYK 0 / 81 / 31 / 1

HEX #FC2FAE

RGB 252 47 174

HSL 322.83, 0.97%, 0.59%

LAB 57.83, 82.13, -18.81

 

CMYK 0 / 9 / 81 / 1

HEX #FCE52F

RGB 252 229 47

HSL 53.27, 0.97%, 0.59%

LAB 90.29, -9.49, 82.51

 

Description

Color code: HEX #2FFD7F | qconv.com Color code: HEX #2FFD7F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 253 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 253 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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