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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FFAA5 it is the complementary color #D0055A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FFAA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FFAA5 shade: #34FAA0, #45FFB3, #56FFC6, #67FFD9 and #78FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FFAA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FFAA5 shade: #2FFAA5, #1EE892, #0DD67F, #00C46C and #00B259

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FFAA5 shade: #2EFAA4, #2EFA6E, #2EFA37, #5CFA2E and #93FA2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FFAA5 shade: #2EFAA4, #2EFADB, #2EE1FA, #2EAAFA and #2E73FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FFAA5 shade matches the following richer shades: #2EFAA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FFAA5 shade: #2EFAA4, #3FE8A2, #51D79F, #62C69C and #73B499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FFAA5 shade: #2EFA35, #2EFA6B, #2EFAA1, #2EFAD8 and #2EE5FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FFAA5 shade: #05D07B, #06F893, #2EFAA4, #56FBB6 and #7FFCC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FFAA5 shade: #2FFAA5, #2E5EFA and #FA502E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FFAA5 shade: #2FFAA5, #A12EFA and #FAA12E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FFAA5 shade: #2FFAA5, #2E5EFA, #FA2E86 and #FACA2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FFAA5 shade: #2FFAA5, #3C2EFA, #FA2E86 and #ECFA2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 34 / 2

HEX #2FFAA5

RGB 47 250 165

HSL 154.88, 0.95%, 0.58%

LAB 87.82, -66.21, 27.62

 

Complementary color

CMYK 0 / 98 / 57 / 18

HEX #D0055A

RGB 208 5 90

HSL 334.88, 0.95%, 0.42%

LAB 44.6, 71.14, 11.46

 

CMYK 79 / 0 / 36 / 2

HEX #34FAA0

RGB 52 250 160

HSL 152.73, 0.95%, 0.59%

LAB 87.79, -66.71, 30.12

 

CMYK 73 / 0 / 30 / 0

HEX #45FFB3

RGB 69 255 179

HSL 155.48, 1%, 0.64%

LAB 89.88, -62.81, 23.38

 

CMYK 66 / 0 / 22 / 0

HEX #56FFC6

RGB 86 255 198

HSL 159.76, 1%, 0.67%

LAB 90.59, -56.36, 14.7

 

CMYK 60 / 0 / 15 / 0

HEX #67FFD9

RGB 103 255 217

HSL 165, 1%, 0.7%

LAB 91.42, -49.22, 6.15

 

CMYK 53 / 0 / 7 / 0

HEX #78FFEC

RGB 120 255 236

HSL 171.56, 1%, 0.74%

LAB 92.38, -41.51, -2.21

 

CMYK 81 / 0 / 34 / 2

HEX #2FFAA5

RGB 47 250 165

HSL 154.88, 0.95%, 0.58%

LAB 87.82, -66.21, 27.62

 

CMYK 87 / 0 / 37 / 9

HEX #1EE892

RGB 30 232 146

HSL 154.46, 0.81%, 0.51%

LAB 81.87, -64.92, 29.23

 

CMYK 94 / 0 / 41 / 16

HEX #0DD67F

RGB 13 214 127

HSL 154.03, 0.89%, 0.45%

LAB 75.89, -63.22, 30.95

 

CMYK 100 / 0 / 45 / 23

HEX #00C46C

RGB 0 196 108

HSL 153.06, 1%, 0.38%

LAB 69.87, -61.06, 32.8

 

CMYK 100 / 0 / 50 / 30

HEX #00B259

RGB 0 178 89

HSL 150, 1%, 0.35%

LAB 63.8, -58.33, 34.76

 

CMYK 82 / 0 / 34 / 2

HEX #2EFAA4

RGB 46 250 164

HSL 154.71, 0.95%, 0.58%

LAB 87.79, -66.5, 28.09

 

CMYK 82 / 0 / 56 / 2

HEX #2EFA6E

RGB 46 250 110

HSL 138.82, 0.95%, 0.58%

LAB 87.04, -75.36, 53.14

 

CMYK 82 / 0 / 78 / 2

HEX #2EFA37

RGB 46 250 55

HSL 122.65, 0.95%, 0.58%

LAB 86.62, -80.54, 73.45

 

CMYK 63 / 0 / 82 / 2

HEX #5CFA2E

RGB 92 250 46

HSL 106.47, 0.95%, 0.58%

LAB 87.41, -73.89, 76.87

 

CMYK 41 / 0 / 82 / 2

HEX #93FA2E

RGB 147 250 46

HSL 90.29, 0.95%, 0.58%

LAB 89.29, -59.24, 79.27

 

CMYK 82 / 0 / 34 / 2

HEX #2EFAA4

RGB 46 250 164

HSL 154.71, 0.95%, 0.58%

LAB 87.79, -66.5, 28.09

 

CMYK 82 / 0 / 12 / 2

HEX #2EFADB

RGB 46 250 219

HSL 170.88, 0.95%, 0.58%

LAB 88.95, -53.94, 1.41

 

CMYK 82 / 10 / 0 / 2

HEX #2EE1FA

RGB 46 225 250

HSL 187.35, 0.95%, 0.58%

LAB 82.56, -34.23, -24.41

 

CMYK 82 / 32 / 0 / 2

HEX #2EAAFA

RGB 46 170 250

HSL 203.53, 0.95%, 0.58%

LAB 66.7, -5.9, -49

 

CMYK 82 / 54 / 0 / 2

HEX #2E73FA

RGB 46 115 250

HSL 219.71, 0.95%, 0.58%

LAB 51.55, 27.11, -73.27

 

CMYK 82 / 0 / 34 / 2

HEX #2EFAA4

RGB 46 250 164

HSL 154.71, 0.95%, 0.58%

LAB 87.79, -66.5, 28.09

 

CMYK 82 / 0 / 34 / 2

HEX #2EFAA4

RGB 46 250 164

HSL 154.71, 0.95%, 0.58%

LAB 87.79, -66.5, 28.09

 

CMYK 73 / 0 / 30 / 9

HEX #3FE8A2

RGB 63 232 162

HSL 155.15, 0.79%, 0.58%

LAB 82.58, -58.44, 22.04

 

CMYK 62 / 0 / 26 / 16

HEX #51D79F

RGB 81 215 159

HSL 154.93, 0.63%, 0.58%

LAB 77.79, -49.49, 17.03

 

CMYK 51 / 0 / 21 / 22

HEX #62C69C

RGB 98 198 156

HSL 154.8, 0.47%, 0.58%

LAB 73.14, -39.22, 12.19

 

CMYK 36 / 0 / 15 / 29

HEX #73B499

RGB 115 180 153

HSL 155.08, 0.3%, 0.58%

LAB 68.45, -26.86, 7.25

 

CMYK 82 / 0 / 79 / 2

HEX #2EFA35

RGB 46 250 53

HSL 122.06, 0.95%, 0.58%

LAB 86.61, -80.66, 74

 

CMYK 82 / 0 / 57 / 2

HEX #2EFA6B

RGB 46 250 107

HSL 137.94, 0.95%, 0.58%

LAB 87, -75.75, 54.44

 

CMYK 82 / 0 / 36 / 2

HEX #2EFAA1

RGB 46 250 161

HSL 153.82, 0.95%, 0.58%

LAB 87.74, -67.09, 29.53

 

CMYK 82 / 0 / 14 / 2

HEX #2EFAD8

RGB 46 250 216

HSL 170, 0.95%, 0.58%

LAB 88.88, -54.71, 2.86

 

CMYK 82 / 8 / 0 / 2

HEX #2EE5FA

RGB 46 229 250

HSL 186.18, 0.95%, 0.58%

LAB 83.72, -36.11, -22.65

 

CMYK 98 / 0 / 41 / 18

HEX #05D07B

RGB 5 208 123

HSL 154.88, 0.95%, 0.42%

LAB 73.92, -62.19, 30.4

 

CMYK 98 / 0 / 41 / 3

HEX #06F893

RGB 6 248 147

HSL 154.96, 0.95%, 0.5%

LAB 86.64, -71.17, 35.02

 

CMYK 82 / 0 / 34 / 2

HEX #2EFAA4

RGB 46 250 164

HSL 154.71, 0.95%, 0.58%

LAB 87.79, -66.5, 28.09

 

CMYK 66 / 0 / 27 / 2

HEX #56FBB6

RGB 86 251 182

HSL 154.91, 0.95%, 0.66%

LAB 89.09, -58.2, 20.81

 

CMYK 50 / 0 / 21 / 1

HEX #7FFCC7

RGB 127 252 199

HSL 154.56, 0.95%, 0.74%

LAB 90.9, -46.97, 14.79

 

CMYK 81 / 0 / 34 / 2

HEX #2FFAA5

RGB 47 250 165

HSL 154.88, 0.95%, 0.58%

LAB 87.82, -66.21, 27.62

 

CMYK 82 / 62 / 0 / 2

HEX #2E5EFA

RGB 46 94 250

HSL 225.88, 0.95%, 0.58%

LAB 46.3, 40.26, -81.84

 

CMYK 0 / 68 / 82 / 2

HEX #FA502E

RGB 250 80 46

HSL 10, 0.95%, 0.58%

LAB 58.28, 63.02, 54.6

 

CMYK 81 / 0 / 34 / 2

HEX #2FFAA5

RGB 47 250 165

HSL 154.88, 0.95%, 0.58%

LAB 87.82, -66.21, 27.62

 

CMYK 36 / 82 / 0 / 2

HEX #A12EFA

RGB 161 46 250

HSL 273.82, 0.95%, 0.58%

LAB 47.54, 77.3, -79.45

 

CMYK 0 / 36 / 82 / 2

HEX #FAA12E

RGB 250 161 46

HSL 33.82, 0.95%, 0.58%

LAB 73.55, 24.66, 68.29

 

CMYK 81 / 0 / 34 / 2

HEX #2FFAA5

RGB 47 250 165

HSL 154.88, 0.95%, 0.58%

LAB 87.82, -66.21, 27.62

 

CMYK 82 / 62 / 0 / 2

HEX #2E5EFA

RGB 46 94 250

HSL 225.88, 0.95%, 0.58%

LAB 46.3, 40.26, -81.84

 

CMYK 0 / 82 / 46 / 2

HEX #FA2E86

RGB 250 46 134

HSL 334.12, 0.95%, 0.58%

LAB 56.09, 78.12, 2.1

 

CMYK 0 / 19 / 82 / 2

HEX #FACA2E

RGB 250 202 46

HSL 45.88, 0.95%, 0.58%

LAB 83.32, 3.29, 76.75

 

CMYK 81 / 0 / 34 / 2

HEX #2FFAA5

RGB 47 250 165

HSL 154.88, 0.95%, 0.58%

LAB 87.82, -66.21, 27.62

 

CMYK 76 / 82 / 0 / 2

HEX #3C2EFA

RGB 60 46 250

HSL 244.12, 0.95%, 0.58%

LAB 37.51, 67.22, -96.32

 

CMYK 0 / 82 / 46 / 2

HEX #FA2E86

RGB 250 46 134

HSL 334.12, 0.95%, 0.58%

LAB 56.09, 78.12, 2.1

 

CMYK 6 / 0 / 82 / 2

HEX #ECFA2E

RGB 236 250 46

HSL 64.12, 0.95%, 0.58%

LAB 94.48, -26.26, 85.81

 

Description

Color code: HEX #2FFAA5 | qconv.com Color code: HEX #2FFAA5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 250 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 250 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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