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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FF95E it is the complementary color #D006A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FF95E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FF95E shade: #34F959, #45FF6C, #56FF7F, #67FF92 and #78FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FF95E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FF95E shade: #2FF95E, #1EE74B, #0DD538, #00C325 and #00B112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FF95E shade: #2FF95E, #37F92F, #6DF92F, #A3F92F and #DAF92F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FF95E shade: #2FF95E, #2FF994, #2FF9CB, #2FF0F9 and #2FBAF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FF95E shade matches the following richer shades: #2FF95E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FF95E shade: #2FF95E, #41E767, #52D671, #63C57A and #75B383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FF95E shade: #6FF92F, #39F92F, #2FF95B, #2FF991 and #2FF9C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FF95E shade: #06CF35, #08F73F, #2FF95E, #57FA7D and #7FFB9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FF95E shade: #2FF95E, #2FA5F9 and #F92F54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FF95E shade: #2FF95E, #5B2FF9 and #F95B2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FF95E shade: #2FF95E, #2FA5F9, #F92FCD and #F9832F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FF95E shade: #2FF95E, #2F68F9, #F92FCD and #F9C02F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

Complementary color

CMYK 0 / 97 / 23 / 18

HEX #D006A1

RGB 208 6 161

HSL 313.96, 0.94%, 0.42%

LAB 47.12, 77.59, -28.32

 

CMYK 79 / 0 / 64 / 2

HEX #34F959

RGB 52 249 89

HSL 131.27, 0.94%, 0.59%

LAB 86.6, -76.87, 61.62

 

CMYK 73 / 0 / 58 / 0

HEX #45FF6C

RGB 69 255 108

HSL 132.58, 1%, 0.64%

LAB 88.86, -74.43, 56.26

 

CMYK 66 / 0 / 50 / 0

HEX #56FF7F

RGB 86 255 127

HSL 134.56, 1%, 0.67%

LAB 89.41, -69.23, 48.39

 

CMYK 60 / 0 / 43 / 0

HEX #67FF92

RGB 103 255 146

HSL 136.97, 1%, 0.7%

LAB 90.08, -63.15, 40.25

 

CMYK 53 / 0 / 35 / 0

HEX #78FFA5

RGB 120 255 165

HSL 140, 1%, 0.74%

LAB 90.88, -56.28, 32.02

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 87 / 0 / 68 / 9

HEX #1EE74B

RGB 30 231 75

HSL 133.43, 0.81%, 0.51%

LAB 80.7, -74.95, 60.67

 

CMYK 94 / 0 / 74 / 16

HEX #0DD538

RGB 13 213 56

HSL 132.9, 0.88%, 0.44%

LAB 74.8, -72.42, 61.47

 

CMYK 100 / 0 / 81 / 24

HEX #00C325

RGB 0 195 37

HSL 131.38, 1%, 0.38%

LAB 68.87, -69.17, 61.65

 

CMYK 100 / 0 / 90 / 31

HEX #00B112

RGB 0 177 18

HSL 126.1, 1%, 0.35%

LAB 62.92, -65.06, 60.74

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 78 / 0 / 81 / 2

HEX #37F92F

RGB 55 249 47

HSL 117.62, 0.94%, 0.58%

LAB 86.39, -79.69, 75.43

 

CMYK 56 / 0 / 81 / 2

HEX #6DF92F

RGB 109 249 47

HSL 101.58, 0.94%, 0.58%

LAB 87.59, -69.64, 76.96

 

CMYK 35 / 0 / 81 / 2

HEX #A3F92F

RGB 163 249 47

HSL 85.54, 0.94%, 0.58%

LAB 89.74, -53.52, 79.71

 

CMYK 12 / 0 / 81 / 2

HEX #DAF92F

RGB 218 249 47

HSL 69.21, 0.94%, 0.58%

LAB 92.95, -32.98, 83.77

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 81 / 0 / 41 / 2

HEX #2FF994

RGB 47 249 148

HSL 150, 0.94%, 0.58%

LAB 87.24, -69.08, 35.36

 

CMYK 81 / 0 / 18 / 2

HEX #2FF9CB

RGB 47 249 203

HSL 166.34, 0.94%, 0.58%

LAB 88.29, -57.45, 8.76

 

CMYK 81 / 4 / 0 / 2

HEX #2FF0F9

RGB 47 240 249

HSL 182.67, 0.94%, 0.58%

LAB 86.88, -41.36, -17.34

 

CMYK 81 / 25 / 0 / 2

HEX #2FBAF9

RGB 47 186 249

HSL 198.71, 0.94%, 0.58%

LAB 71.26, -14.91, -41.3

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 72 / 0 / 55 / 9

HEX #41E767

RGB 65 231 103

HSL 133.73, 0.78%, 0.58%

LAB 81.43, -67.82, 49.71

 

CMYK 62 / 0 / 47 / 16

HEX #52D671

RGB 82 214 113

HSL 134.09, 0.62%, 0.58%

LAB 76.73, -57.35, 39.27

 

CMYK 50 / 0 / 38 / 23

HEX #63C57A

RGB 99 197 122

HSL 134.08, 0.46%, 0.58%

LAB 72.22, -45.12, 29

 

CMYK 35 / 0 / 27 / 30

HEX #75B383

RGB 117 179 131

HSL 133.55, 0.29%, 0.58%

LAB 67.77, -30.16, 18.33

 

CMYK 55 / 0 / 81 / 2

HEX #6FF92F

RGB 111 249 47

HSL 100.99, 0.94%, 0.58%

LAB 87.65, -69.14, 77.04

 

CMYK 77 / 0 / 81 / 2

HEX #39F92F

RGB 57 249 47

HSL 117.03, 0.94%, 0.58%

LAB 86.42, -79.44, 75.46

 

CMYK 81 / 0 / 63 / 2

HEX #2FF95B

RGB 47 249 91

HSL 133.07, 0.94%, 0.58%

LAB 86.56, -77.19, 60.74

 

CMYK 81 / 0 / 42 / 2

HEX #2FF991

RGB 47 249 145

HSL 149.11, 0.94%, 0.58%

LAB 87.19, -69.61, 36.79

 

CMYK 81 / 0 / 20 / 2

HEX #2FF9C6

RGB 47 249 198

HSL 164.85, 0.94%, 0.58%

LAB 88.18, -58.64, 11.19

 

CMYK 97 / 0 / 74 / 19

HEX #06CF35

RGB 6 207 53

HSL 134.03, 0.94%, 0.42%

LAB 72.84, -71.22, 60.52

 

CMYK 97 / 0 / 74 / 3

HEX #08F73F

RGB 8 247 63

HSL 133.81, 0.94%, 0.5%

LAB 85.47, -81.54, 69.81

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 65 / 0 / 50 / 2

HEX #57FA7D

RGB 87 250 125

HSL 133.99, 0.94%, 0.66%

LAB 87.91, -67.6, 47.48

 

CMYK 49 / 0 / 38 / 2

HEX #7FFB9C

RGB 127 251 156

HSL 134.03, 0.94%, 0.74%

LAB 89.82, -54.5, 35.13

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 81 / 34 / 0 / 2

HEX #2FA5F9

RGB 47 165 249

HSL 204.95, 0.94%, 0.58%

LAB 65.24, -3.34, -50.76

 

CMYK 0 / 81 / 66 / 2

HEX #F92F54

RGB 249 47 84

HSL 349.01, 0.94%, 0.58%

LAB 54.88, 74.37, 30.22

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 63 / 81 / 0 / 2

HEX #5B2FF9

RGB 91 47 249

HSL 253.07, 0.94%, 0.58%

LAB 39.74, 68.71, -91.99

 

CMYK 0 / 63 / 81 / 2

HEX #F95B2F

RGB 249 91 47

HSL 13.07, 0.94%, 0.58%

LAB 59.73, 58.36, 55.42

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 81 / 34 / 0 / 2

HEX #2FA5F9

RGB 47 165 249

HSL 204.95, 0.94%, 0.58%

LAB 65.24, -3.34, -50.76

 

CMYK 0 / 81 / 18 / 2

HEX #F92FCD

RGB 249 47 205

HSL 313.07, 0.94%, 0.58%

LAB 58.58, 85.09, -35.55

 

CMYK 0 / 47 / 81 / 2

HEX #F9832F

RGB 249 131 47

HSL 24.95, 0.94%, 0.58%

LAB 66.96, 39.75, 62.02

 

CMYK 81 / 0 / 62 / 2

HEX #2FF95E

RGB 47 249 94

HSL 133.96, 0.94%, 0.58%

LAB 86.59, -76.87, 59.54

 

CMYK 81 / 58 / 0 / 2

HEX #2F68F9

RGB 47 104 249

HSL 223.07, 0.94%, 0.58%

LAB 48.69, 33.73, -77.37

 

CMYK 0 / 81 / 18 / 2

HEX #F92FCD

RGB 249 47 205

HSL 313.07, 0.94%, 0.58%

LAB 58.58, 85.09, -35.55

 

CMYK 0 / 23 / 81 / 2

HEX #F9C02F

RGB 249 192 47

HSL 43.07, 0.94%, 0.58%

LAB 80.76, 8.06, 74.21

 

Description

Color code: HEX #2FF95E | qconv.com Color code: HEX #2FF95E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 249 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 249 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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