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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FF94B it is the complementary color #D006B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FF94B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FF94B shade: #34F946, #45FF59, #56FF6C, #67FF7F and #78FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FF94B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FF94B shade: #2FF94B, #1EE738, #0DD525, #00C312 and #00B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FF94B shade: #2FF94B, #4AF92F, #80F92F, #B6F92F and #ECF92F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FF94B shade: #2FF94B, #2FF981, #2FF9B8, #2FF9EE and #2FCDF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FF94B shade matches the following richer shades: #2FF94B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FF94B shade: #2FF94B, #41E758, #52D664, #63C571 and #75B37D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FF94B shade: #80F92F, #4AF92F, #2FF94A, #2FF980 and #2FF9B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FF94B shade: #06CF22, #08F729, #2FF94B, #57FA6E and #7FFB90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FF94B shade: #2FF94B, #2FB5F9 and #F92F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FF94B shade: #2FF94B, #4A2FF9 and #F94A2F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FF94B shade: #2FF94B, #2FB5F9, #F92FDE and #F9722F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FF94B shade: #2FF94B, #2F79F9, #F92FDE and #F9AF2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

Complementary color

CMYK 0 / 97 / 13 / 18

HEX #D006B4

RGB 208 6 180

HSL 308.32, 0.94%, 0.42%

LAB 48.05, 79.95, -38.12

 

CMYK 79 / 0 / 72 / 2

HEX #34F946

RGB 52 249 70

HSL 125.48, 0.94%, 0.59%

LAB 86.47, -78.58, 68.59

 

CMYK 73 / 0 / 65 / 0

HEX #45FF59

RGB 69 255 89

HSL 126.45, 1%, 0.64%

LAB 88.69, -76.5, 63.98

 

CMYK 66 / 0 / 58 / 0

HEX #56FF6C

RGB 86 255 108

HSL 127.81, 1%, 0.67%

LAB 89.2, -71.68, 56.73

 

CMYK 60 / 0 / 50 / 0

HEX #67FF7F

RGB 103 255 127

HSL 129.47, 1%, 0.7%

LAB 89.83, -65.93, 49

 

CMYK 53 / 0 / 43 / 0

HEX #78FF92

RGB 120 255 146

HSL 131.56, 1%, 0.74%

LAB 90.59, -59.37, 41.01

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 87 / 0 / 76 / 9

HEX #1EE738

RGB 30 231 56

HSL 127.76, 0.81%, 0.51%

LAB 80.58, -76.52, 67.26

 

CMYK 94 / 0 / 83 / 16

HEX #0DD525

RGB 13 213 37

HSL 127.2, 0.88%, 0.44%

LAB 74.7, -73.65, 67.07

 

CMYK 100 / 0 / 91 / 24

HEX #00C312

RGB 0 195 18

HSL 125.54, 1%, 0.38%

LAB 68.8, -70.02, 65.79

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 70 / 0 / 81 / 2

HEX #4AF92F

RGB 74 249 47

HSL 111.98, 0.94%, 0.58%

LAB 86.71, -76.93, 75.84

 

CMYK 49 / 0 / 81 / 2

HEX #80F92F

RGB 128 249 47

HSL 95.94, 0.94%, 0.58%

LAB 88.23, -64.57, 77.79

 

CMYK 27 / 0 / 81 / 2

HEX #B6F92F

RGB 182 249 47

HSL 79.9, 0.94%, 0.58%

LAB 90.74, -46.77, 80.97

 

CMYK 5 / 0 / 81 / 2

HEX #ECF92F

RGB 236 249 47

HSL 63.86, 0.94%, 0.58%

LAB 94.22, -25.76, 85.36

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 81 / 0 / 48 / 2

HEX #2FF981

RGB 47 249 129

HSL 144.36, 0.94%, 0.58%

LAB 86.97, -72.25, 44.26

 

CMYK 81 / 0 / 26 / 2

HEX #2FF9B8

RGB 47 249 184

HSL 160.69, 0.94%, 0.58%

LAB 87.88, -61.85, 18

 

CMYK 81 / 0 / 4 / 2

HEX #2FF9EE

RGB 47 249 238

HSL 176.73, 0.94%, 0.58%

LAB 89.17, -48.41, -8.17

 

CMYK 81 / 18 / 0 / 2

HEX #2FCDF9

RGB 47 205 249

HSL 193.07, 0.94%, 0.58%

LAB 76.74, -24.74, -32.79

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 72 / 0 / 62 / 9

HEX #41E758

RGB 65 231 88

HSL 128.31, 0.78%, 0.58%

LAB 81.28, -69.61, 56.15

 

CMYK 62 / 0 / 53 / 16

HEX #52D664

RGB 82 214 100

HSL 128.18, 0.62%, 0.58%

LAB 76.56, -59.2, 45.35

 

CMYK 50 / 0 / 43 / 23

HEX #63C571

RGB 99 197 113

HSL 128.57, 0.46%, 0.58%

LAB 72.08, -46.59, 33.46

 

CMYK 35 / 0 / 30 / 30

HEX #75B37D

RGB 117 179 125

HSL 127.74, 0.29%, 0.58%

LAB 67.65, -31.25, 21.42

 

CMYK 49 / 0 / 81 / 2

HEX #80F92F

RGB 128 249 47

HSL 95.94, 0.94%, 0.58%

LAB 88.23, -64.57, 77.79

 

CMYK 70 / 0 / 81 / 2

HEX #4AF92F

RGB 74 249 47

HSL 111.98, 0.94%, 0.58%

LAB 86.71, -76.93, 75.84

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94A

RGB 47 249 74

HSL 128.02, 0.94%, 0.58%

LAB 86.43, -78.8, 67.13

 

CMYK 81 / 0 / 49 / 2

HEX #2FF980

RGB 47 249 128

HSL 144.06, 0.94%, 0.58%

LAB 86.95, -72.4, 44.72

 

CMYK 81 / 0 / 27 / 2

HEX #2FF9B5

RGB 47 249 181

HSL 159.8, 0.94%, 0.58%

LAB 87.82, -62.51, 19.46

 

CMYK 97 / 0 / 84 / 19

HEX #06CF22

RGB 6 207 34

HSL 128.36, 0.94%, 0.42%

LAB 72.75, -72.42, 66.01

 

CMYK 97 / 0 / 83 / 3

HEX #08F729

RGB 8 247 41

HSL 128.28, 0.94%, 0.5%

LAB 85.37, -82.83, 75.79

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 65 / 0 / 56 / 2

HEX #57FA6E

RGB 87 250 110

HSL 128.47, 0.94%, 0.66%

LAB 87.74, -69.57, 54.15

 

CMYK 49 / 0 / 43 / 2

HEX #7FFB90

RGB 127 251 144

HSL 128.23, 0.94%, 0.74%

LAB 89.64, -56.37, 40.81

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 81 / 27 / 0 / 2

HEX #2FB5F9

RGB 47 181 249

HSL 200.2, 0.94%, 0.58%

LAB 69.82, -12.22, -43.55

 

CMYK 0 / 81 / 59 / 2

HEX #F92F65

RGB 249 47 101

HSL 343.96, 0.94%, 0.58%

LAB 55.19, 75.3, 20.52

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 70 / 81 / 0 / 2

HEX #4A2FF9

RGB 74 47 249

HSL 248.02, 0.94%, 0.58%

LAB 38.43, 67.39, -94.22

 

CMYK 0 / 70 / 81 / 2

HEX #F94A2F

RGB 249 74 47

HSL 8.02, 0.94%, 0.58%

LAB 57.31, 64.93, 53.16

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 81 / 27 / 0 / 2

HEX #2FB5F9

RGB 47 181 249

HSL 200.2, 0.94%, 0.58%

LAB 69.82, -12.22, -43.55

 

CMYK 0 / 81 / 11 / 2

HEX #F92FDE

RGB 249 47 222

HSL 308.02, 0.94%, 0.58%

LAB 59.39, 87.3, -43.94

 

CMYK 0 / 54 / 81 / 2

HEX #F9722F

RGB 249 114 47

HSL 19.9, 0.94%, 0.58%

LAB 63.66, 48.07, 59.03

 

CMYK 81 / 0 / 70 / 2

HEX #2FF94B

RGB 47 249 75

HSL 128.32, 0.94%, 0.58%

LAB 86.44, -78.71, 66.78

 

CMYK 81 / 51 / 0 / 2

HEX #2F79F9

RGB 47 121 249

HSL 218.02, 0.94%, 0.58%

LAB 53.08, 23.07, -70.23

 

CMYK 0 / 81 / 11 / 2

HEX #F92FDE

RGB 249 47 222

HSL 308.02, 0.94%, 0.58%

LAB 59.39, 87.3, -43.94

 

CMYK 0 / 30 / 81 / 2

HEX #F9AF2F

RGB 249 175 47

HSL 38.02, 0.94%, 0.58%

LAB 76.68, 16.94, 70.66

 

Description

Color code: HEX #2FF94B | qconv.com Color code: HEX #2FF94B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 249 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 249 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 70 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 70% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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