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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2FF6EB it is the complementary color #D00914. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2FF6EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2FF6EB shade: #34F6E6, #45FFF9, #56FFFF, #67FFFF and #78FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2FF6EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2FF6EB shade: #2FF6EB, #1EE4D8, #0DD2C5, #00C0B2 and #00AE9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2FF6EB shade: #2CF6EB, #2CF6B5, #2CF67E, #2CF648 and #48F62C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2FF6EB shade: #2CF6EB, #2CCBF6, #2C95F6, #2C5EF6 and #2C2CF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2FF6EB shade matches the following richer shades: #2CF6EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2FF6EB shade: #2CF6EB, #3EE4DB, #50D3CC, #62C1BC and #73AFAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2FF6EB shade: #2CF67D, #2CF6B3, #2CF6E9, #2CCEF6 and #2C98F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2FF6EB shade: #08C8BD, #0AEFE3, #2CF6EB, #54F8EF and #7CFAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2FF6EB shade: #2FF6EB, #472CF6 and #F6982C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2FF6EB shade: #2FF6EB, #E92CF6 and #F6E92C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2FF6EB shade: #2FF6EB, #472CF6, #F62C3A and #DBF62C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2FF6EB shade: #2FF6EB, #842CF6, #F62C3A and #9FF62C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 4 / 4

HEX #2FF6EB

RGB 47 246 235

HSL 176.68, 0.92%, 0.57%

LAB 88.22, -47.95, -8.02

 

Complementary color

CMYK 0 / 96 / 90 / 18

HEX #D00914

RGB 208 9 20

HSL 356.68, 0.92%, 0.43%

LAB 43.74, 68.08, 50.98

 

CMYK 79 / 0 / 7 / 4

HEX #34F6E6

RGB 52 246 230

HSL 175.05, 0.92%, 0.58%

LAB 88.14, -48.9, -5.51

 

CMYK 73 / 0 / 2 / 0

HEX #45FFF9

RGB 69 255 249

HSL 178.06, 1%, 0.64%

LAB 91.52, -45.99, -10.37

 

CMYK 66 / 0 / 0 / 0

HEX #56FFFF

RGB 86 255 255

HSL 180, 1%, 0.67%

LAB 92.01, -42.31, -12.72

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 53 / 0 / 0 / 0

HEX #78FFFF

RGB 120 255 255

HSL 180, 1%, 0.74%

LAB 92.9, -36.79, -11.29

 

CMYK 81 / 0 / 4 / 4

HEX #2FF6EB

RGB 47 246 235

HSL 176.68, 0.92%, 0.57%

LAB 88.22, -47.95, -8.02

 

CMYK 87 / 0 / 5 / 11

HEX #1EE4D8

RGB 30 228 216

HSL 176.36, 0.79%, 0.51%

LAB 82.23, -46.61, -6.91

 

CMYK 94 / 0 / 6 / 18

HEX #0DD2C5

RGB 13 210 197

HSL 176.04, 0.88%, 0.44%

LAB 76.2, -44.95, -5.7

 

CMYK 100 / 0 / 7 / 25

HEX #00C0B2

RGB 0 192 178

HSL 175.63, 1%, 0.38%

LAB 70.12, -42.97, -4.37

 

CMYK 100 / 0 / 9 / 32

HEX #00AE9F

RGB 0 174 159

HSL 174.83, 1%, 0.34%

LAB 63.98, -40.58, -2.92

 

CMYK 82 / 0 / 4 / 4

HEX #2CF6EB

RGB 44 246 235

HSL 176.73, 0.92%, 0.57%

LAB 88.18, -48.17, -8.07

 

CMYK 82 / 0 / 26 / 4

HEX #2CF6B5

RGB 44 246 181

HSL 160.69, 0.92%, 0.57%

LAB 86.89, -61.65, 18.16

 

CMYK 82 / 0 / 49 / 4

HEX #2CF67E

RGB 44 246 126

HSL 144.36, 0.92%, 0.57%

LAB 85.98, -72.02, 44.45

 

CMYK 82 / 0 / 71 / 4

HEX #2CF648

RGB 44 246 72

HSL 128.32, 0.92%, 0.57%

LAB 85.46, -78.39, 66.83

 

CMYK 71 / 0 / 82 / 4

HEX #48F62C

RGB 72 246 44

HSL 111.68, 0.92%, 0.57%

LAB 85.74, -76.5, 75.68

 

CMYK 82 / 0 / 4 / 4

HEX #2CF6EB

RGB 44 246 235

HSL 176.73, 0.92%, 0.57%

LAB 88.18, -48.17, -8.07

 

CMYK 82 / 17 / 0 / 4

HEX #2CCBF6

RGB 44 203 246

HSL 192.77, 0.92%, 0.57%

LAB 76.01, -24.95, -32.32

 

CMYK 82 / 39 / 0 / 4

HEX #2C95F6

RGB 44 149 246

HSL 208.81, 0.92%, 0.57%

LAB 60.5, 4.6, -56.65

 

CMYK 82 / 62 / 0 / 4

HEX #2C5EF6

RGB 44 94 246

HSL 225.15, 0.92%, 0.57%

LAB 45.9, 38.67, -80.26

 

CMYK 82 / 82 / 0 / 4

HEX #2C2CF6

RGB 44 44 246

HSL 240, 0.92%, 0.57%

LAB 35.97, 66.16, -96.66

 

CMYK 82 / 0 / 4 / 4

HEX #2CF6EB

RGB 44 246 235

HSL 176.73, 0.92%, 0.57%

LAB 88.18, -48.17, -8.07

 

CMYK 82 / 0 / 4 / 4

HEX #2CF6EB

RGB 44 246 235

HSL 176.73, 0.92%, 0.57%

LAB 88.18, -48.17, -8.07

 

CMYK 73 / 0 / 4 / 11

HEX #3EE4DB

RGB 62 228 219

HSL 176.75, 0.75%, 0.57%

LAB 82.71, -43.1, -7.74

 

CMYK 62 / 0 / 3 / 17

HEX #50D3CC

RGB 80 211 204

HSL 176.79, 0.6%, 0.57%

LAB 77.67, -37.03, -7.17

 

CMYK 49 / 0 / 3 / 24

HEX #62C1BC

RGB 98 193 188

HSL 176.84, 0.43%, 0.57%

LAB 72.47, -29.28, -6.15

 

CMYK 34 / 0 / 2 / 31

HEX #73AFAC

RGB 115 175 172

HSL 177, 0.27%, 0.57%

LAB 67.49, -20.02, -4.64

 

CMYK 82 / 0 / 49 / 4

HEX #2CF67D

RGB 44 246 125

HSL 144.06, 0.92%, 0.57%

LAB 85.97, -72.17, 44.91

 

CMYK 82 / 0 / 27 / 4

HEX #2CF6B3

RGB 44 246 179

HSL 160.1, 0.92%, 0.57%

LAB 86.85, -62.09, 19.13

 

CMYK 82 / 0 / 5 / 4

HEX #2CF6E9

RGB 44 246 233

HSL 176.14, 0.92%, 0.57%

LAB 88.13, -48.72, -7.11

 

CMYK 82 / 16 / 0 / 4

HEX #2CCEF6

RGB 44 206 246

HSL 191.88, 0.92%, 0.57%

LAB 76.88, -26.45, -30.97

 

CMYK 82 / 38 / 0 / 4

HEX #2C98F6

RGB 44 152 246

HSL 207.92, 0.92%, 0.57%

LAB 61.35, 2.83, -55.3

 

CMYK 96 / 0 / 5 / 22

HEX #08C8BD

RGB 8 200 189

HSL 176.56, 0.92%, 0.41%

LAB 72.91, -43.05, -6.23

 

CMYK 96 / 0 / 5 / 6

HEX #0AEFE3

RGB 10 239 227

HSL 176.86, 0.92%, 0.49%

LAB 85.68, -48.98, -7.62

 

CMYK 82 / 0 / 4 / 4

HEX #2CF6EB

RGB 44 246 235

HSL 176.73, 0.92%, 0.57%

LAB 88.18, -48.17, -8.07

 

CMYK 66 / 0 / 4 / 3

HEX #54F8EF

RGB 84 248 239

HSL 176.71, 0.92%, 0.65%

LAB 89.51, -43.75, -8.12

 

CMYK 50 / 0 / 3 / 2

HEX #7CFAF3

RGB 124 250 243

HSL 176.67, 0.93%, 0.73%

LAB 91.29, -36.73, -7.44

 

CMYK 81 / 0 / 4 / 4

HEX #2FF6EB

RGB 47 246 235

HSL 176.68, 0.92%, 0.57%

LAB 88.22, -47.95, -8.02

 

CMYK 71 / 82 / 0 / 4

HEX #472CF6

RGB 71 44 246

HSL 248.02, 0.92%, 0.57%

LAB 37.47, 67.58, -94.12

 

CMYK 0 / 38 / 82 / 4

HEX #F6982C

RGB 246 152 44

HSL 32.08, 0.92%, 0.57%

LAB 71.03, 27.66, 66.58

 

CMYK 81 / 0 / 4 / 4

HEX #2FF6EB

RGB 47 246 235

HSL 176.68, 0.92%, 0.57%

LAB 88.22, -47.95, -8.02

 

CMYK 5 / 82 / 0 / 4

HEX #E92CF6

RGB 233 44 246

HSL 296.14, 0.92%, 0.57%

LAB 57.83, 88.45, -60.04

 

CMYK 0 / 5 / 82 / 4

HEX #F6E92C

RGB 246 233 44

HSL 56.14, 0.92%, 0.57%

LAB 90.8, -14.05, 83.47

 

CMYK 81 / 0 / 4 / 4

HEX #2FF6EB

RGB 47 246 235

HSL 176.68, 0.92%, 0.57%

LAB 88.22, -47.95, -8.02

 

CMYK 71 / 82 / 0 / 4

HEX #472CF6

RGB 71 44 246

HSL 248.02, 0.92%, 0.57%

LAB 37.47, 67.58, -94.12

 

CMYK 0 / 82 / 76 / 4

HEX #F62C3A

RGB 246 44 58

HSL 355.84, 0.92%, 0.57%

LAB 53.71, 73.2, 43.65

 

CMYK 11 / 0 / 82 / 4

HEX #DBF62C

RGB 219 246 44

HSL 68.02, 0.92%, 0.57%

LAB 92.2, -31.3, 83.84

 

CMYK 81 / 0 / 4 / 4

HEX #2FF6EB

RGB 47 246 235

HSL 176.68, 0.92%, 0.57%

LAB 88.22, -47.95, -8.02

 

CMYK 46 / 82 / 0 / 4

HEX #842CF6

RGB 132 44 246

HSL 266.14, 0.92%, 0.57%

LAB 43.3, 73.28, -84.29

 

CMYK 0 / 82 / 76 / 4

HEX #F62C3A

RGB 246 44 58

HSL 355.84, 0.92%, 0.57%

LAB 53.71, 73.2, 43.65

 

CMYK 35 / 0 / 82 / 4

HEX #9FF62C

RGB 159 246 44

HSL 85.84, 0.92%, 0.57%

LAB 88.67, -53.79, 79.4

 

Description

Color code: HEX #2FF6EB | qconv.com Color code: HEX #2FF6EB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 246 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 246 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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